On Internet Culture and Social Media

hello everyone

i am dr crystal everden and thank you so

much for having me at this tedx talk

organized by neon polly now most of us

may be very familiar with internet

culture and social media

but i happen to do this for a living i’m

an anthropologist of internet celebrity

influencer cultures as well as social

media pop cultures

and it’s my job to understand how young

people use social media

and how internet celebrities on social

media affect our society

and cultures i’ve been looking at this

industry in the asia pacific including

singapore from the mid 2000s

this has meant that i was right there at

the beginnings when we had the first

generation of commercial bloggers

it also meant that i was fortunate

enough to study the rise and the origins

of block shop cultures in singapore

and more recently i’ve been looking at

different forms of internet celebrity

and influencer cultures across many

different types of platforms

but above and beyond this i’m sure many

of us have a lot of misconceptions about

influences and influencer cultures

for one most of us may have this

stereotype or this belief

that influencers are just young

beautiful women

primarily on instagram here to take

selfies

and to push different types of product

placements and services to us

that may be the case for some of these

influences

we may also think of influences as

people who are usually

embroiled in scandals and in the

singapore landscape this often happens

through click bait on youtube

different types of twitter walls on

twitter as well as

instagram walls where people throw shade

or exchange comments with each other

over and over

but above and beyond this how can

influences

and the stories they tell allow us to

reconsider

our information diet and our world views

for one i would like all of us to think

about who

we are following on social media and

what types of influences we’re familiar

with

chances are if you rely on

recommendations from your friends

from algorithms on social media or maybe

even in the mainstream press coverage

most of the time the influences you see

may be quite homogenous

in singapore society this may be the

case that you primarily see

young beautiful chinese influences on

your social media

but going beyond this if we were to

spend time and effort

to scope through the different genres

and varieties of influences

you will see that they’re actually

critically important for representing

cultures at the margins case in point

here on screen i have four slides that

show you screen grips from various

videos

by a youtube influencer duo known as

munahirzi official

they are a malay arab muslim duo who

have been in the scene

since the early beginnings of youtube

culture in singapore

and by drawing on their network of

public figures fellow influencer friends

as well as friends and family you can

see how they unabashedly represent what

singapore society

and life as a young person can look like

away from the mainstream depictions of

influenza cultures influences are also

especially important

for giving us critical commentary on

society

you may be aware that some influencers

are really experts at humor

they astroturf all sorts of parodies

satire

critical commentary on singapore society

and politics

sometimes through the vehicles of

entertainment

other times through the vehicles of

entertainment that’s really a political

message

case in point here on the left you see

again youtube duo muna here’s the

official

together with some of your friends from

the music industry

coming together to put a parody video

commenting on the state of

racial discrimination in singapore this

occurred during a time period where

malay vendors were turned down from

hawking their wares

at various bazaars and shopping centers

because they were not the target

demographic

there was presumed to be chinese

spending consumers

case in point on the right we have the

siblings pretty please

an influencer as well as subash a

musician and rapper

who have come together to put together a

parody video

also commenting on the issue of brown

face in singapore

and how that is an instance of casual

racism that we tend to overlook

another part of my research looks at the

very fascinating world of

meme factories and as you can see from

screen

they can either be coordinated groups of

many people

coming together in a coordinated style

to produce

contents or they could very well be a

one-man

factory managing several types of social

media platforms

profiles and devices to push out meme

messages

most of us may think of memes as

hilarious images that entertain us

can you guess or remember who this meme

refers to

others of us may think of memes as funny

pictures that are circulating on social

media

especially on the very visual dominated

space like instagram

but above and beyond entertaining us and

being pretty pictures for us to go

through

in the style of instagram lectures what

can memes do for us

in singapore society how are they

important vehicles

for spreading information and

normalizing

new sentiments i wanted to think about

memes and meme factories as coordinated

actions

who can trigger new norms whenever their

actions happen in a concerted period of

time

and respond to a very coherent and

time-bounded series of issues

with a combination of them knowing how

to trigger algorithms so that their

keywords registers trending

a combination of knowing where to plan

these messages

on different social media platforms and

also employing sometimes

influences or influencer meme makers to

plan these on different parts of the

internet

it is not difficult for many of these

meme factories to set up a new topic

set up new trends or even normalize a

lot of new messages

that may be foreign and unfamiliar to

people

a lot of memes in singapore tend to

operate on platforms like

instagram as well as on facebook on a

space like instagram

apart from liking and commenting on

memes a lot of young people are also now

sharing them on stories and forwarding

them to their family members through

group chats like whatsapp and telegram

now meme factories are very critical

here because they play with the element

of

parallel languages these are all the

associated types of communication

often familiar on social media that are

not actual

written or spoken word so this can come

in the

versions of say emoji pictograms

emoticons sometimes even lead speak or

internet pop cultural speak the vehicle

of these peril languages

allows these meme factories to shape the

boundaries of a conversation in

singapore

here we see two examples from two

different meme factories in singapore

who were addressing the topic of sexual

assault cases that happened

on a very prominent university campus

there was a lot of discussion on how the

perpetrators on this university campus

got away quite lightly despite your

offense

and in response to this although there

were many murmurs

in the public forums and a lot of

members on different

internet spaces and common threats it

was really these sorts of memes

that catch onto the public imagination

circulate

far and wide that drive home the message

of whether or not

sexual offense should be taken lightly

just because someone may have

intellect or academic achievement

we also see meme factories in their

heyday from the mid 2000s being employed

as forms of vigilante activism

especially for citizens to seek

redress where they feel the state or the

police might have failed them

or might be taking way too long to be

respect responding to their requests

case in point this really milestone and

popular historical group on facebook

is known as smrt limited feedback

they’re a band of anonymous actors who

come together and often

respond to followers on facebook who

post about all the different offenses

that they spot in singapore society

and plead with these super informed tech

guys to do

something about this now sometimes this

may be thought of as good or trolling

as in the case of jovachu who was found

to be guilty of fraud or cheating some

customers at his shop in symlim square

but above and beyond trolling for laughs

and trolling for entertainment

there are actual benefits and actual

redress for the victims

involved in these cases case in point

the tourist who was cheated of his money

in this whole scam

eventually received a refund that was

bounded together

through fundraising by people who came

across his case

on social media in other instances

such meme factories on popular facebook

groups

are the drivers behind making visible

these very acts

that seem to be hidden by singapore

society due to the influx of a lot of

information

on social media and by making something

a public national conversation

they peer pressure or sometimes really

just pressure altogether the state

or the press to take notice and to

respond to them

so why should we care about internet

artifacts and actors like

influencers and meme factories

the truth of the matter is we are right

now living in a situation where there is

mass saturation and misinformation not

just on social media and the internet

but in

all facets of society and more now than

ever

influencers and meme factories are

experts in

shaping our attention amplifying and

suppressing

where our attention spans to be as well

as redirecting

and funneling foot traffic and eyeballs

to some issues over others so in fact

in this age of saturation and

misinformation both influencers and meme

factories are very critical

actors in shaping our media literacies

as well as helping us navigate the space

of social media

and the mass media a little bit easier

i want us to think about the actions of

these influencers and meme factories

as subversive frivolity i’m sure many of

us can think about the number of times

we tend to brush off influences as mere

vain young people

or we brush off memes as mere jokes or

humor on social media

but the fact is these types of formats

that they occupy

make them under-visibilized and

underestimated

people think of them as marginal

inconsequential

or even unproductive but is this very

underestimation of them

that gives them power because all of the

populist discourses that they have been

spreading and seeping into society

all of the sentiments that they’re

shaping all of the influence that they

have

is still ongoing it’s just that when

people look at them

they do not really take a second look

and all of this labor

work and power that they have slides

under the radar

so for that reason influences and beam

factories who are not taken very

seriously

tend to just survive longer in the

information ecology

because they stick and people are very

happy to

listen to their messages and to have

them hang around just a little bit more

you might also be aware that we are

living in a situation now where there’s

a lot of

scandals controversies and confusion on

social media

just about every other day there may be

someone who is being called out for an

issue a company whose social media

campaign has gone wrong

or a person whose misdeed or wrongdoing

was exposed because

of social media attention but we want to

be aware of when this can be very

fruitful

and useful for public conversation this

is when these are just

circuits and cycles of what

anthropologist victor turner calls

social dramas that’s right every time we

come across a scandal

whether by an influencer by a public

figure or by a meme that’s spreading it

surrounds

in social media we can think about the

life cycle of how these

visible artifacts occupy our imaginary

as well as take up space on social media

and they’re usually about four stages in

this typical life cycle

in the first stage we think about an

overt breach

this is when there may be a sin a

wrongdoing or a scandal that’s been

committed

that breaches the social norms that are

already in place

and governing society whether society

and the laws of influencer cultures

of everyday societies all of different

religious and cultural groups that have

different beliefs

so that’s step one a breach

in step two there is now an escalation

of this crisis

this usually happens when people take

notice of this breach

and respond to it usually through finger

pointing

through conversations on social media so

much so that with this going

viral or getting a lot of visibility on

social media

there is a reordering on of social

relations

what this means is that maybe a once

popular influencer

may now be very much the number one

hated person on the internet

or it could be that a topic that’s

usually taboo to talk about

is now the one trending meme that is

circulated far

and wide so we see here that there is a

shift

and an escalation of crisis where the

norm has been disturbed and

things are escalating on the rise and

that is step two

in step three after all of this

happening

that usually takes some time for the

person in question

the meme and question or maybe even the

company

who has been faulted to take part in

some sort of regressive

action if you’re a fan of influenza

cultures

this usually takes the form of a sorry

video on youtube

or a very extensive heartfelt post on

instagram

this may also come in the form of public

apologies by companies

or by meme factories and different

accounts taking down their contents

deleting contents and making apologies

now redress affection is really

important here because it’s usually

initiated by what we think of as a

disturbed social system

these are people who are responding to a

wrongdoing

or a disturbance in the norms only

because there was an escalation to begin

with

so steps two and three are very

important for us to be thinking about

all the unconscious bias that we have

all of the subtle casual racism and

sexism we usually think

that can pass under the radar as well as

all the casual jokes and humor that we

tend to make about different groups in

society

and pass off as being okay normalized

conversation

steps two and three come together in

tension and allow us to see

and improve as a society to think about

how we can be more sensitive and

inclusive

to each other and then comes the final

step four

known as reintegration this is usually

after some time has passed

maybe the public has accepted the

apology maybe they’ve forgotten this

incident altogether maybe the party in

question has just

faded into oblivion from deleting their

social media presence

we see reintegration when there is a

recognition

or legitimation that there may have been

an irreparable

damage or that this situation has just

passed its time

or past its peak reintegration can take

many forms as mentioned

many a times we see influencers trying

to launch themselves again

but a lot of these social dramas and

scandals have also entirely broken

careers

of influences caused meme factories to

shut down

cause block pages to shut down and be

issued defamation suits

or cause public figures to be asked to

step down from their jobs altogether so

clearly here the circuit of social

dramas

has a function and this is very

important for us to think about whenever

we want to assign

value to controversies petty squabbles

and scandals

on social media that has been me

dr crystal levitan i’m an anthropologist

of influencer cultures

and social media pop cultures and i hope

this talk has been useful for you to

think a little bit more meaningfully

about influences and meme cultures in

singapore

society thanks for having me and feel

free to get in touch if you’d like to

continue our chat

see you