Learn 24 English Consonant Sounds in 70 Minutes Pronunciation Compilation Rachels English

Get better clarity with your spoken English
by fully understanding all the consonant sounds

we have in American English.

Today is a compilation of every single consonant
sound you need to know.

Some will be easy for you.

You have them in your own native language.

Great!

Just practice the words.

Others will be tricky, unfamiliar.

Use the photos to study the position and the
up-close slow motion shots.

This will help make it clear, for example,
how much of the tongue tip needs to come through

the teeth for the th.

It’s not much.

Why not start with the th?

Let’s dive in.

These sounds are paired together because they
take the same mouth position.

TH is unvoiced, meaning, only air passes through
the mouth, and TH is voiced, meaning you make

a sound with the vocal cords, th, th.

The very tip of the tongue comes through the
teeth.

The air passes around the tongue.

The tongue is relaxed.

There shouldn’t be any pressure in the mouth,
or a stop quality to this sound.

Just nice and easy, th, th.

The tongue has to easily vibrate between the
teeth, so keep the tongue soft and relaxed.

Th, th.

The lips don’t affect the sound, so they
can be transitioning to the next sound.

For example, in the THR cluster, the lips
will round a little bit for the R as you make

the TH: three, three.

Be careful with the tongue tip.

Make sure it doesn’t come too far forward;
it’s just the very tip that should come

between the teeth.

To make the unvoiced TH, the tongue tip absolutely
has to come through the teeth, th, th.

But the voiced TH can be different.

When it’s in an unstressed, quick word like
‘these’ or ‘the’, the tongue tip doesn’t

have to come through the teeth.

It can press behind the teeth.

Make sure the tongue isn’t at the roof of
the mouth, or pointing down, but pressing

right in the middle, where the teeth come
together.

If it’s not in the right position, the sound
will be wrong.

Th, th, these, the.

This tongue shortcut works in these words
because they’re unstressed.

So when you don’t bring your tongue tip
through the teeth, it allows you to make these

less important words quickly.

These, the.

Let’s look at these sounds up close and
in slow motion.

Notice how it’s just the very tip that comes
out of the teeth.

The tongue is relaxed.

The teeth surround it, but they’re not clamping
down on it.

The lips and face are relaxed.

Throw.

Notice how the lips are starting to flare
for the R as the tongue comes through the

teeth for the unvoiced TH.

Birthday.

Keep in mind when you only stick the very
tip of your tongue out, the movement into

other sounds isn’t as hard as you might
think.

Watch the tongue tip come in and flip up for
the D.

This is a quick move of the tongue that you
can practice over and over to make it more

natural.

Brother.

Tongue tip through the teeth for the voiced
TH.

Lips and tongue are relaxed.

Worth, ending in the unvoiced TH.

Again, the lips and tongue look very relaxed.

Remember to keep your tongue relaxed and soft
when you practice this sound.

The voiced and unvoiced TH: throw, birthday,
brother, worth.

Example words.

Repeat with me.

Other

Either

Though

Thursday

Nothing

South

The R in American English is also such a tough
sound for my students to get.

Here’s the thing, most people needs to simplify.

Do less with the tongue.

Maybe round the lips a little bit more but
take out tension.

Take a look.

This is truly one of the hardest sounds in
American English.

Before I go into how to make it, I want to
talk about how not to make it.

In many languages, the R is made by bouncing
the front part of the tongue against the roof

of the mouth, rr, rr.

In American English, this sound of the T or
D between vowels, but it’s quite different

from the American R, rr.

You can’t hold out rr, rr, but you should
be able to hold out the American R, rr.

This consonant is voiced.

There are two ways to make this sound.

In the first way, the front part of the tongue
pulls back and up, like this.

The tongue can be stretched so it’s long
and skinny, or it can be pulled into itself

so it’s fatter and thicker.

And that’s what we want here.

We’re making the tongue fatter and thicker
so it’s not as long.

The back doesn’t move.

This is happening with the front and middle
of the tongue.

The middle part of the tongue lifts up towards
the roof of the mouth.

You can touch the sides of the tongue to the
sides of the roof of the mouth here, or to

the inside or bottom of the side teeth, here.

The front part of the tongue is hanging in
the middle of the mouth, not touching anything.

This sound is forward and focused because
of the position of the lips.

The corners come in, pushing the lips away
from the face.

This lip position will be a little more relaxed
when the R comes at the end of a syllable.

We’ll compare this way, on the left, with
the other way to make an R on the right.

The R can also be made by flipping the tongue
tip up.

The lips flare the same way.

Some native speakers make the R one way, and
some the other.

Native speakers get the correct sound, no
matter the mouth position.

But I’ve found that non-native speakers
drop the jaw too much in this second method,

and it makes the sound hollow, rr.

The jaw doesn’t need to drop very much for
this sound, rr, so keep this in mind as you

work on one of these two methods.

Here is the R sound on its own, not part of
a word.

You can see the lips flare.

Think of creating a little space between the
inside of your lips and your teeth.

Notice how little jaw drop there is.

We don’t need to drop the jaw to pull the
tongue back and up.

The word ‘rest’.

When the R is at the beginning of a word,
we tend to make the lips a tight circle.

Again, little jaw drop as the middle of the
tongue lifts to the roof of the mouth.

The word ‘proud’.

When R is in a beginning consonant cluster,
the lips may not be as tight as in a beginning

R.

The word ‘mother’.

At the end of a syllable, the lip position
for the R is definitely more relaxed than

a beginning R, but the lips still flare.

Here, we compare the lip position of the beginning
R in ‘rest’, above, to the ending R in

‘mother’, below.

The ending R lip position is much more relaxed.

Thinking about the lip position will help
you make a better R sound.

As you work on this consonant, practice very
slowly, thinking about all three things at

once.

Very little jaw drop, the tongue position,
and the lip position.

Remember, you can hold out this sound, so
that’s how you want to practice it, rrrr.

Hold it out for 5 or 10 seconds; hold it out
as long as you can.

When you practice it in a word, do the same.

Rrrrrrrest, prrrrrroud, motherrrrrr.

The R sound: rest, proud, mother.

Example words.

Repeat with me:

Read

Great

Try

Later

Right

Other

And now, back to back you’ll see all the
other consonant sounds in American English.

We’re going to start with the pairs like
TH where there are two sounds together because

one is voiced and the other is unvoiced but
they have the same mouth position.

Then we’ll get in to single sounds like
R.

The P and B consonants.

These two sounds are paired together because
they take the same mouth position.

P is unvoiced, pp, meaning only air passes
through the mouth.

And B is voiced, bb, meaning, you make a sound
with the vocal cords, bb.

The lips stay together while the teeth part
a little.

The tongue position doesn’t matter for these
consonants, so the tongue can start to get

into position for the next sound.

For example, if the next sound is the R consonant,
the tongue can move back and up for the R

while the lips close for the B, bring.

Let’s see the sounds up close and in slow
motion.

The lips press together, and then release.

These are stop consonants.

In stop consonants, there are two parts.

There is a stop of the airflow, and a release.

The stop of the airflow happens as the lips
close: hap-pen.

The release is when the lips part and the
air comes through, -pen, hap-pen, happen.

Sometimes native speakers don’t release
stop consonants when they come at the end

of a sentence, or when the next word begins
with a consonant.

For example, the common phrase ‘What’s
up?’.

My lips closed in the P position, but I didn’t
release the air.

What’s up?

Another example: nap time!

Nap—time!

My lips came together for the P, but they
didn’t release the air.

I stopped the air with my lips, then released
it with the next sound, the T consonant.

Nap time.

Let’s look at some words up close and in
slow motion.

The word ‘best’.

The lips press together, and then release
into the EH as in BED vowel.

The word ‘spot’.

The lips press together, and then release
into the AH as in FATHER vowel.

The word ‘rip’.

The lips press together, and then release.

The P and B consonants: best, spot, rip.

Example words.

Repeat with me:

Bring

Baby

Job

Peace

Price

Up

CH and JJ consonants.

The CH and JJ consonants are paired together
because they take the same mouth position.

Ch is unvoiced, meaning only air passes through
the mouth, and jj is voiced, meaning, you

make a sound with the vocal cords, jj.

These consonants have a stop consonant component,
but unlike stop consonants, they’re always

released.

They each contain two sounds: for the CH,
we’re combining the T, tt, and the SH, sh,

to make ch.

For the J sound, we’re combining dd and
zh to make jj.

The teeth come together and the lips flair,
just like in the sh and zh sounds.

But the tongue position is like the tt and
dd sounds.

The tongue lifts so the front, flat part of
the tongue touches the roof of the mouth.

We stop the air in our throat, and then we
release everything, ch, jj.

We release the air at the vocal cords, release
the tongue down from the roof of the mouth,

release the teeth so they part a little, and
release the lips by relaxing them.

Ch, jj.

Let’s look at these sounds up close and
in slow motion.

The lips flare and the teeth come together.

Then the release.

The word ‘jar’.

The lips flare and the teeth come together,
then release into the AH as in FATHER vowel.

The word ‘chart’.

The lips flare and the teeth come together,
then release into the AH as in FATHER vowel.

The word ‘batch’.

The lips flare and the teeth come together,
then release.

The CH and JJ consonants.

Jar, chart, batch.

Example words.

Practice with me:

Chase

Attach

Teacher

Danger

Just

General

The T and D consonant sounds.

These two sounds are paired together because
they take the same mouth position.

Tt is unvoiced, meaning, only air passes through
the mouth.

And dd is voiced, meaning, dd, you make a
sound with the vocal cords.

These consonants are complicated because the
way Americans pronounce them isn’t always

what you’ll find in a dictionary.

First, let’s talk about the true pronunciation.

These are stop consonants, which means there
are two parts.

First, a stop in the airflow, and second,
a release.

We stop here, by closing our vocal cords,
and lift the tongue so the flat, top part

is at the roof of the mouth.

It’s far forward, almost touching the back
of the top front teeth.

The teeth come together, and we release all
three parts at once: the tongue comes down

from the roof of the mouth, the teeth part,
and we release the air in the throat.

TT, DD.

Just like with other stop consonants, we want
to release them into the next sound.

Let’s look at the True T and D consonants
up close and in slow motion.

The teeth come together and the top, front
of the tongue is at the roof of the mouth.

The air stops in the throat.

Then, the teeth part and the tongue pulls
down to release.

The word ‘desk’.

The teeth close and the tongue is at the roof
of the mouth.

Then, everything releases right into the EH
as in BED vowel.

The word ‘stick’.

The teeth close and the tongue is at the roof
of the mouth.

Then, everything releases right into the IH
as in SIT vowel.

The word ‘expect’: the teeth nearly close
and the tongue is at the roof of the mouth.

Then the teeth release just a bit.

There’s no next sound to release into, so
the movement is minimal for the release.

The tongue releases down.

It’s possible to make the True D without
the teeth coming together.

Said, dd, dd.

Because of the voice in this sound, we can
still release it.

Said, dd.

But to make the True T, the teeth do have
to come together or nearly together, set,

tt.

That was the True T and True D. If the T or
D are at the end of a sentence, or if the

next word begins with a consonant, then we
make a Stop T or Stop D.

We stop the air, but we don’t release it.

You lift your tongue into position, stop the
air, and that’s it.

For example, the word ‘mad’, dd.

Mad, dd.

Notice the last sound is dd, the beginning
of the D, with the vocal cords engaged, because

it’s a voiced consonant.

And that’s all.

I don’t release.

A release would sound like this: mad, dd.

But instead, I say ‘mad’, leaving my tongue
tip up.

Now let’s look at an example with a T followed
by another consonant, the phrase ‘not for

me’.

Here the T is followed by F. I stop the air,
‘not’, and then, without releasing, go

into the F sound.

Not for, not for me.

With stop consonants, we do stop the air in
the throat.

So I don’t have to move my tongue up into
position for the T to stop the sound.

In this phrase ‘not for me’, I touch the
roof of my mouth with a part of the tongue

that’s further back.

Not.

My tongue tip can stay down.

This helps me make the stop even shorter,
so I can quickly go into the next sound, not

for, not for.

I’ll bring my tongue up for the Stop T if
the next sound also requires the tongue being

at the roof of the mouth.

When I say ‘not for me’ instead of ‘noT
for me’, the words are more connected and

the sentence is smoother.

That’s what we want in American English.

And that’s why we use the Stop T instead
of the True T in these cases.

Not for me.

NoT for me.

Not for me.

Let’s look at a stop up close and in slow
motion.

Here is the word ‘what’.

I don’t release the T at the end.

The tongue goes to the roof of the mouth,
but then I just stop the air.

My teeth aren’t together, and I don’t
release.

The lips simply close, what.

Here’s what it looks like with a True T:
The teeth come together, then a subtle release.

Compare the ending.

The top is ‘what’ with a Stop T, and the
bottom is ‘what’, with a True T.

For the Stop T, the teeth don’t come together,
because they don’t need to release.

The air simply stops with the tongue in position.

For the True T, we bring the teeth together
so the tongue, teeth, and air release.

The Stop T and D relate to the True T and
D.

We simply skip the release.

But when the T or D come between two vowels
or diphthongs, or after an R and before a

vowel or diphthong, we make a different sound.

One exception: if the T or D starts a stressed
syllable.

Then it’s a True T or D. But in other cases,
when the T or D consonants come between two

vowels or diphthongs, or after an R and before
a vowel or diphthong, we make a Flap sound.

This is different from the True and Stop T
and D, because we don’t stop the sound.

We don’t hold anything.

We simply let the front part of the tongue
bounce against the roof of the mouth without

stopping the flow of air.

The Flap T and Flap D sound the same.

The T in ‘matter’ is the same as the D
in ‘madder’.

Matter, madder.

This sounds just like the R in many languages,
but in American English, it’s the Flap T

or Flap D.

In my videos, I use the D symbol for this
sound.

This sound, however, isn’t a stop consonant
anymore.

Let’s look at some words with a Flap up
close and in slow motion.

The word ‘city’.

Here the T comes between two vowel sounds,
so it’s a Flap.

The tongue is in position for the IH vowel.

Watch how it flaps against the roof of the
mouth quickly.

The air doesn’t stop.

That Flap was fast, even in slow motion.

Let’s watch again.

The whole word, one more time.

The word ‘party’.

Here the T comes after an R and before a vowel,
so it’s a Flap.

The tongue is back and up for the R. Watch
it flap and come down from the flap.

The air didn’t stop.

Watch the whole word one more time.

The word ‘tidy’.

Here the D comes after a diphthong and before
a vowel, so it’s a Flap D. Watch the tongue

flap.

The whole word, one more time.

To isolate the sound, try holding out the
sound before and after: parrrrrrtyyyyy.

Then you can really feel the tongue flap,
bouncing against the roof of the mouth.

Remember, this isn’t represented in dictionaries.

They will show the symbol for the True T,
‘parTy’, even though Americans pronounce

it ‘party’.

So remember the rule: when a T or D comes
between vowels and diphthongs, or after an

R before a vowel or diphthong, like ‘party’,
unless it starts a stressed syllable, flap

the tongue.

Sometimes, we drop the T or D completely.

We leave the sounds out.

This is an American habit.

If you look up the words in a dictionary,
the sounds are there.

There are two cases when you might hear an
American drop a T or D.

First, when the T or D comes between two consonant
sounds.

For example: exactly.

This word has the K, T, L consonants together.

But most people pronounce it without the T.
Exactly.

Full pronunciation: exactly.

Common pronunciation: exactly.

Dropping the T between two consonants simplifies
the pronunciation.

Also, we often drop the T when it comes after
an N. Many Americans say ‘cenner’ instead

of ‘center’, or ‘innerview’ instead
of ‘interview’.

This is a big topic.

I have a whole series of videos on the pronunciation
of T and D, which you can find on my website.

The True T and D sounds: desk, stick, expect

Stop T and D:

mad, not, what

The Flap T and D: city, party tidy

Example words.

Repeat with me:

Best

Time

Do

Odd

There’s no way to make a Stop T sound on
its own, because it isn’t a sound.

It’s a lack of sound.

Cut

Better

The F and V consonants.

These two sounds are paired together because
they take the same mouth position.

Ff is unvoiced, meaning only air passes through
the mouth.

And vv is voiced, meaning, you make a sound
with the vocal cords, vv.

To make these sounds, the bottom lip lifts
and touches the very bottom of the top front

teeth, ff, vv.

The top lip lifts a little bit to get out
of the way of the bottom lip.

You don’t want to see your bottom lip disappear,
ff.

It’s actually the inside of the lip, here,
that makes contact with the teeth, ff, vv.

The tongue should stay relaxed so the air
can easily push through, causing the bottom

lip to vibrate against the top teeth.

Let’s look at the sounds up close and in
slow motion.

The top lip lifts so the bottom lip has room
to vibrate against the bottom of the top front

teeth.

Very: Bottom lip goes to the bottom of the
top front teeth.

Flavor: The bottom lip goes to the top front
teeth for the F, and again for the V.

Enough: bottom lip to top front teeth.

When you work on these consonants and words
with these consonants, watch yourself and

make sure your bottom lip doesn’t curl in,
ff, vv.

Remember, it’s the inside of the lip that
makes these sounds.

The V and F consonants: very, flavor, enough.

Example words.

Repeat with me:

Live

Value

Provide

Fresh

Offer

Tough

The G and K consonant sounds.

These two sounds are paired together because
they take the same mouth position.

Kk is unvoiced, meaning, only air passes through
the mouth.

and gg is voiced, meaning, you make a sound
with the vocal cords, gg.

These consonants are stop consonants, which
means there are two parts to each sound.

First, a stop in the airflow, and second,
a release.

We stop the flow of the air here, closing
our vocal cords, while the back part of the

tongue reaches up to touch the soft palate.

I’m going to slow down the K sound in the
word ‘back’.

See if you can hear the stop of air before
the release.

Ba-ck.

Back.

Here, you can see the tongue position.

The back of the tongue reaches up to touch
the soft palate, which is closed.

The tip of the tongue can remain forward,
lightly touching the back of the bottom front

teeth.

The jaw drops a little bit, and the lips are
open, kk, gg.

The lip position doesn’t matter for these
sounds, so the lips might start forming the

next sound, like in the word ‘great’.

Here the lips can start taking the position
for the R as we make the G: g-, g-, great.

Let’s look at these sounds up close and
in slow motion.

The jaw drops and the back of the tongue lifts
to touch the soft palate.

Then the tongue releases.

Sometimes, to make a sentence smoother, the
words more linked together, native speakers

will skip the release of a stop consonant
when the next word begins with a consonant.

For example, the phrase “back to work”.

Back to, back—to.

I’m not saying ‘back to’, kk, with a
full release of the K. I’m holding the air

for a fraction of a second with my throat,
making that stop, then I go right into the

release of the T consonant.

Back to, back to.

Back to work.

Without the release of the K in ‘back’,
the two words flow together more easily, making

it smoother.

Notice I do make a light release of the K
in the word ‘work’.

Can you hear it?

Back to work.

Let’s look at some words up close and in
slow motion.

The word ‘keep’.

Because the tongue lifts at the back, and
does not require much jaw drop, it’s hard

to see this sound in this word.

The word ‘green’.

The lips round for the G because they need
to round for the next sound, R. The lip position

doesn’t change the G sound.

It’s a little easier to see the back of
the tongue move when it’s at the end of

a word like this word, ‘egg’.

The tongue lifts in the back, then releases.

The G and K consonants: keep, green, egg.

Example words.

Repeat with me:

Go

Again

Big

Cry

Key

Black

The S and Z consonant sounds.

These two sounds are paired together because
they take the same mouth position.

SS is unvoiced, meaning only air passes through
the mouth, and ZZ is voiced, meaning you make

a sound with the vocal cords, zz.

To make the sounds, the lips part and the
corners pull back a little while the teeth

themselves lightly touch, ss, zz.

There are two ways to make these sounds.

One, with the tip of the tongue down, lightly
touching the back of the bottom front teeth.

Or, by pointing the tip of the tongue up.

You may find that the position of the tongue
tip depends on the sounds around the S and

Z.

Let’s look at these sounds up close and
in slow motion.

The teeth lightly touch, tongue tip is down,
and you can see a lot of the tongue through

the teeth.

Sip.

Again, teeth lightly touch, the tongue tip
is pointed down.

Miss.

The tongue tip stays down as the teeth come
together.

Fizz.

This time, you’ll see the tongue tip point
up before the teeth close.

And up.

The S and Z sounds: sip, miss, fizz.

Example words.

Repeat with me.

Note: the letter S can make the [z] sound.

Some

Must

Less

Zip

Cousin

Easy

The SH and ZH consonant sounds.

These two sounds are paired together because
they take the same mouth position.

SH is unvoiced, meaning only air passes through
the mouth.

And ZH is voiced, meaning you make a sound
with the vocal cords, zh.

To make these sounds, the teeth come together.

The corners of the lips come in and the lips
flare.

The tongue lifts so the front/middle part
of the tongue is very close to the roof of

the mouth, but not touching it.

The tongue tip points forward but doesn’t
touch anything.

Let’s look at these sounds up close and
in slow motion.

The lips flare and the teeth come together.

In the word ‘shop’, the ‘sh’ is at
the beginning of the word.

In the word ‘wish’, it’s at the end.

In the word ‘Asia’, the ‘zh’ sound
is in the middle.

The mouth position is always the same: teeth
together, lips flare.

The SH and ZH consonants.

Shop, wish, Asia.

Example words.

Repeat with me:

should

special

wash

measure

garage

Usual

The H consonant sound.

This sound is simply made, hh, by passing
air through a very slightly constricted passage,

either between the tongue and the roof of
the mouth, hh, or in the throat, hh.

This is an unvoiced consonant.

Part the lips and press the tongue down in
the back just a little.

If you don’t constrict the air passage at
all, there’s no sound.

If you lift the back of your tongue and constrict
too much, hhh, you’ll feel the vibration

of the soft palate bouncing on the tongue.

This is too heavy.

Hh.

The lips and jaw don’t affect this sound,
so your mouth can be in position for the next

sound when you’re making the H.

For example, the word how, how.

The lips, jaw, and tongue take the beginning
position of the ‘ow’ as in ‘now’ diphthong,

hh-, how.

Let’s look up close and in slow motion.

The sound by itself: the jaw is relaxed and
the lips part.

The word ‘hi’: there’s nothing to see
at the beginning of this word.

The H sound happens without changing what
the lips do for the AI as in BUY diphthong.

The word who’: Again, there’s nothing
to see at the beginning of this word.

The H sound happens without changing what
the lips do for the next sound, the OO as

in BOO vowel.

This sound is most common at the beginning
of a word, and never occurs at the end of

a word in American English, but the letter
H does.

The H sound: hi, who.

Example words.

Repeat with me:

Hope

History

Ahead

Behind

Here

Somehow

The L consonant sound.

This sound is especially difficult.

There are actually two kinds of L’s, and
they’re not made the same way.

But, if you look up a word in the dictionary,
there is only one International Phonetic Alphabet

Symbol for both kinds of L. In this video,
you’ll learn when to make which kind of

L.

First, the Light L sound.

This is what most people think of when they
think of an L. The L is a ‘Light L’ when

it comes before the vowel or diphthong in
a syllable.

For example, let’s, flake, release.

There are two different ways native speakers
make this sound.

One way is to lift the tongue so the tip is
touching the roof of the mouth, just behind

the front teeth.

This is not the same as the T, D, and N tongue
positions, where the tongue lifts so the top

is touching the roof of the mouth.

This is the tip.

Another way native speakers make this sound
looks like the TH, with the tongue tip touching

the bottom of the top front teeth.

The contact with the teeth is more firm than
the TH sound, pushing up on the top teeth.

The tongue is not as loose or relaxed in the
L as it is in the TH.

Let’s look at the Light L up close and in
slow motion.

Here is one way to make the L, with the tongue
tip coming through the teeth to press up on

the bottom of the top front teeth.

Here is the second way to make the Light L:
the tip at the roof of the mouth just behind

the teeth.

Here’s the word ‘lack’.

The tongue comes through the teeth to make
the Light L.

The word ‘slow’.

The Light L is made with the tongue tip at
the roof of the mouth.

The second kind of L is the Dark L. This is
the sound that happens when the L comes after

the vowel or diphthong in a word or syllable,
like ‘real’ or ‘Google’.

This sound has two parts, but many Americans
leave out the second part in most cases.

You should too, it makes it easier to pronounce.

The first and most important part of the Dark
L is the ‘dark’ sound.

This defines the dark L. To make this sound,
you don’t lift your tongue tip.

Instead, it’s down, touching the back of
the bottom front teeth.

The back part of the tongue pulls back towards
the throat.

You can see there isn’t much jaw drop, and
the lips are relaxed.

Uuhl.

You should feel the vibration in the throat
and not the face, uuhl.

The back part of the tongue presses down or
shifts back.

This is an important part of the sound.

Uuhl, uuhl.

Most Americans will stop there when making
the Dark L – ‘real’, ‘Google’, ‘thoughtful’

– unless they’re linking into a word that
that begins with an L or a sound with a similar

position like N, T, or D. In that case, go
ahead to make the second part of the dark L.

The second part of the Dark L is the Light
L: bring your tongue tip up to the roof of

the mouth or through the teeth.

Some native speakers make the full Dark L,
both parts, all the time.

What’s important is the ‘dark’ sound.

Make it with the back of the tongue.

And make sure you never leave that part out,
uuhl, uuhl.

Again, the Dark L has two parts.

The first and most important part: the tongue
pulls back or presses down in the back.

The second part, which is often left out:
either option for the Light L. Here, the option

with the tongue tip at the roof of the mouth
is pictured.

Let’s look at the Dark L up close and in
slow motion.

The word ‘feel’.

The tongue tip arches in the front for the
EE vowel.

Watch as the tongue lowers in the back.

Now the tongue is lowed, pulling back a little
bit in the back.

It’s hard to see because of the lips, but
the tip of the tongue is still forward.

Notice that lips are relaxed.

The word ‘recall’.

The dark part is made with the back of the
tongue as the jaw closes.

This time, the dark L does end with the second
part, the Light L. The tongue tip quickly

comes through the teeth.

Lips are relaxed.

The relaxation of the lips is important in
the Dark L. Many non-native speakers want

to round or flare the lips, which brings the
sound forward and changes it.

But the dark sound is made back here.

Leave the lips relaxed so the sound can be
made in the back of the mouth.

When you look at the International Phonetic
Alphabet transcription for a word in a dictionary,

you’ll just see one symbol, whether it’s
a Light L or a Dark L. It’s up to you to

know when to make a Dark L: when the L sound
comes at the end of a syllable.

Remember, we’re talking about sounds and
not letters.

In the example ‘Google’, you see the letter
E after the L. E is a vowel.

But when you look at the phonetic transcription
of the word, the last SOUND is the L. So the

L in ‘Google’ is a Dark L. Uuhl, uuhl,
Google.

If you integrate a good Dark L sound into
your speech, it will help you sound more American.

The Light L: lack, slow

The Dark L: feel, recall

Example Words.

Repeat with me:

Love

Hello

Flat

Feel

Table

People

The M consonant sound.

This sound is simply made by pressing the
lips together lightly, mm, while making a

sound with the vocal cords.

So, this is a voiced consonant, mm.

The teeth may begin to part a little in preparation
for the next sound, mm, which will pull the

lips a little bit, mm.

Because the soft palate is lowered, air comes
up through the nasal passages.

This makes it a ‘nasal consonant’.

You can feel the vibration in your nose, mm.

There are only three nasal sounds in American
English: nn, ng, mm.

Let’s look at this sound up close and in
slow motion.

The word ‘mom’.

Lips press together as the jaw drops a little
bit.

Another M at the end, lips press together.

Summer.

Lips press together.

The M consonant.

Mom, summer.

Example words.

Repeat with me.

Make

My

Forming

Dim

Mistake

Game

The N consonant sound.

To make this sound, the jaw drops a little,
and the lips part, nn.

The front, flat part of the tongue goes to
the roof of the mouth.

Make sure to keep your tongue wide as you
do that.

The soft palate is lowered.

Air comes up through the nasal passages.

This makes it a ‘nasal consonant’.

You can feel the vibration in your nose.

Nn.

There are only three nasal sounds in American
English: nn, ng, mm.

It’s very important that the tongue be relaxed.

If there’s tension in the back of the tongue,
it will sound somewhat like the NG sound,

ng, even if the front of the tongue is in
the right position.

One thing that will help relaxation is to
think about keeping the tongue really wide,

nn, nn.

Let’s look up close and in slow motion.

The N sound.

Lips relaxed, tongue wide and lifted to the
roof of the mouth.

If you see any darkness on the sides of the
tongue when you practice, that means there

is tension in the tongue.

Try to release that tension and keep the tongue
wide.

The word ‘no’.

Tongue soft, relaxed, and wide.

The word ‘snag’.

Front of the tongue to roof of mouth.

The word ‘on’: wide tongue to the roof
of the mouth to finish the word.

The N consonant sound: no, snag, on.

Example words.

Repeat with me:

Nice

One

Number

Woman

Win

Any

End

The NG consonant sound.

To make this sound, the jaw drops a little
bit, ng.

The lips part, and the back part of the tongue
stretches all the way up to the soft palate.

The tongue tip is forward.

Because the soft palate is lowered, air comes
up through the nasal passages.

This makes it a ‘nasal consonant’.

You can feel the vibration in your nose.

Ng.

There are only three nasal sounds in American
English: nn, ng, mm.

Let’s study it up close and in slow motion.

A relaxed, lowered jaw.

Since this sound is made at the back of the
mouth, it’s hard to get a clear picture

of it.

The tongue lifts in the back, while the tip
stays down and forward.

The word ‘ring’.

The tongue lifts in the back, while the tip
stays down and forward.

Lips are relaxed.

The word ‘along’.

Since the tongue is low for the vowel before,
it’s easier to see the tongue lift in the

back.

And now it’s lifted in the back, with relaxed
lips.

The word ‘finger’.

Again, the tongue lifts in the back, while
the tip stays down and forward.

This sound can occur in the middle or at the
end of a word in American English, but not

at the beginning.

The NG consonant: ring, along, finger.

Example words.

Repeat with me.

Anger

Song

Wing

English

Single

Beginning

The W sound.

To make this sound, ww, ww, the lips form
a tight circle, ww.

The back part of the tongue stretches up,
towards the soft palate, while the front of

the tongue lightly touches the back of the
bottom front teeth.

To give this sound the right quality, you
have to close the vocal cords to get this

sound: ww, which we add to the sound, ww.

You release the vocal cords as you release
the lips, coming out of the W sound, ww.

Let’s look at the sound up close and in
slow motion.

With the tight circle for the lips, you can’t
see the tongue at all.

But it lifts in the back.

The word ‘why’.

A tight circle for the lips.

The word ‘west’.

Again, a tight circle for the lips.

The word ‘unwind’.

Here the W is in the middle of the word.

We still take the time to bring the lips into
a tight circle.

This sound is most common at the beginning
of words.

It doesn’t occur at the end of any words,
though the letter W does.

The W consonant: why, west, unwind

Example words.

Repeat with me.

Water

Welcome

Rework

Away

Between

Will

The Y consonant.

To make the Y sound, the jaw drops a little
bit, yy.

The lips may be relaxed, or they may begin
to take the position of the next sound.

The tongue tip is down, lightly touching the
back of the bottom front teeth.

The middle part of the tongue lifts and touches
the roof of the mouth.

It pushes forward against the roof of the
mouth before pulling away.

As we push the tongue forward on the roof
of the mouth, we close the vocal cords to

get this sound: yy, which we add to the sound.

Yy, yy.

We release them the same time we release the
tongue.

Relaxed jaw drop, and the lips are relaxed.

The tongue tip is down while the middle of
the tongue presses forward against the roof

of the mouth.

The word ‘yes’.

The tongue tip is down while the middle of
the tongue presses forward against the roof

of the mouth.

The tongue releases into the EH as in BED
vowel.

The word ‘youth’.

Notice how the lips begin to round for the
next sound, the OO as in BOO vowel.

‘Yell’.

The tongue tip is down while the middle of
the tongue presses forward against the roof

of the mouth, releasing into the EH as in
BED vowel.

This sound is most common at the beginning
of words.

It doesn’t occur at the end of any words,
though the letter Y does.

The Y sound: yes, youth, yell.

Example words.

Repeat with me.

Yeah

Unusual

Senior

You

Yesterday

Yellow

I’m so glad you’ve taken the time to watch
video, really understanding the mouth positions

for the sounds of American English can help
you gain greater clarity in spoken English.

We also have a compilation video on all the
vowel and diphthong sounds.

I’ll put a link to that video in the video
description.

For now, keep your learning with this video
and don’t forget to subscribe with notifications

on.

I love being your English teacher.

That’s it and thanks so much for using Rachel’s
English.

通过充分理解我们在美式英语中的所有辅音,使您的英语口语更加清晰

今天是你需要知道的每一个辅音的汇编

有些对你来说很容易。

你有他们自己的母语。

伟大的!

只是练习单词。

其他人会很棘手,不熟悉。

使用照片研究位置和
近距离慢动作镜头。

这将有助于弄清楚,例如,有
多少舌尖需要

穿过牙齿。

不多。

为什么不从 th 开始?

让我们深入研究。

这些声音是配对的,因为
它们的嘴巴位置相同。

TH是清音,意思是只有空气
通过嘴,而TH是浊音,意思是你

用声带发出声音,th,th。

舌尖穿过
牙齿。

空气在舌头周围流动。

舌头放松了。

嘴里不应该有任何压力,
或者这种声音的停止质量。

很好很容易,th,th。

舌头必须容易在牙齿之间振动
,所以要保持舌头柔软和放松。

钍,钍。

嘴唇不会影响声音,因此它们
可以过渡到下一个声音。

例如,在 THR 集群中,
当您制作 TH 时,R 的嘴唇会稍微圆一点

:三、三。

小心舌尖。

确保它不会太靠前;
它只是应该

在牙齿之间的尖端。

要发出清音 TH,舌尖绝对
必须穿过牙齿,th,th。

但是浊音 TH 可以不同。

当它出现在像“这些”或“该”这样的无重音、快速的词中时
,舌尖

不必从牙齿中伸出。

它可以压在牙齿后面。

确保舌头不在
嘴巴的顶部,也不是朝下,而是

压在牙齿的中间位置

如果位置不对,声音
就会出错。

th,th,这些,那个。

这种快捷方式在这些词中起作用,
因为它们没有重读。

因此,当您不将舌尖
穿过牙齿时,它可以让您快速说出这些

不太重要的词。

这些,。

让我们以慢动作近距离观察这些声音

注意它只是
从牙齿中出来的尖端。

舌头放松了。

牙齿围绕着它,但它们并没有
夹住它。

嘴唇和脸很放松。

扔。

请注意
,当舌头穿过

牙齿发出清音 TH 时,嘴唇是如何开始张开 R 的。

生日。

请记住,当您只伸出
舌尖时,进入

其他声音的动作并不像您想象的那么难

观察舌尖进入并
为 D 翻转。

这是舌头的快速移动,您
可以一遍又一遍地练习以使其更

自然。

兄弟。

浊音 TH 的舌尖穿过牙齿

嘴唇和舌头放松。

值得,以清音 TH 结尾。

同样,嘴唇和舌头看起来很放松。 当你练习这个声音时,

记住要保持你的舌头放松和柔软

浊音和清音 TH:扔,生日,
兄弟,价值。

例句。

跟我重复一遍。

其他的,

虽然

星期四

没有

南方

,美国英语中的 R
对我的学生来说也是一个很难听懂的声音。

事情就是这样,大多数人需要简化。

少用舌头。

也许嘴唇更圆一点,但
要消除紧张。

看一看。

这确实是美式英语中最难的声音之一

在我讨论如何制作之前,我想
谈谈如何不制作它。

在许多语言中,R 是通过
将舌头的前部与

上颚弹跳来构成的,rr, rr。

在美式英语中,元音之间的 T 或
D 音,但

与美式 R, rr 完全不同。

你不能坚持 rr, rr,但你
应该能够坚持美国的 R, rr。

这个辅音是浊音。

有两种方法可以发出这种声音。

在第一种方式中,舌头的前部
向后向上拉,就像这样。

舌头可以伸展,使其
又长又瘦,也可以拉入自身

,使其更胖更厚。

这就是我们想要的。

我们正在让舌头变得更肥更厚,
所以它不会那么长。

后背不动。

这发生在舌头的前部和
中部。

舌头的中部
向口腔顶部抬起。

您可以在这里将舌头的两侧触摸到
口腔顶部的两侧,或者在

这里触摸侧牙的内侧或底部。

舌头的前部悬
在嘴巴中间,没有碰到任何东西。

由于嘴唇的位置,这种声音是向前和集中
的。

角落进来,把嘴唇
从脸上推开。

当 R 出现在音节的末尾时,这个嘴唇位置会稍微放松一些。

我们将在左侧比较这种方式与
在右侧制作 R 的另一种方式。

R也可以通过向上翻转舌尖来制作

嘴唇以同样的方式张开。

一些母语为 R 的人使用一种方式,而
另一些则使用另一种方式。

无论嘴巴的位置如何,母语人士都能听到正确的声音

但我发现,
在第二种方法中,非母语人士会下巴太多

,这会使声音变得空洞,rr。

对于这种声音 rr,下巴不需要太大下垂
,因此在

使用这两种方法之一时请记住这一点。

这是 R 音本身,而不是
单词的一部分。

你可以看到嘴唇张开。

考虑
在嘴唇内侧和牙齿之间留出一点空间。

注意下巴下垂的程度。

我们不需要放下下巴来将
舌头拉回来和向上拉。

“休息”这个词。

当 R 位于单词的开头时,
我们倾向于使嘴唇紧圈。

再一次,当舌头的中部
抬起到嘴巴的顶部时,下巴会稍微下垂。

“骄傲”二字。

当 R 在一个起始辅音簇中时
,嘴唇可能不像在起始 R 中那样紧

。“母亲”这个词。

在一个音节的末尾,
R 的嘴唇位置肯定

比 R 开头的更放松,但嘴唇仍然张开。

在这里,我们将
上面“rest”中开头 R 的嘴唇位置与下面“mother”中的结尾 R 进行比较

结束的 R 唇位置更加放松。

考虑唇部位置将帮助
您发出更好的 R 音。

当你练习这个辅音时,要非常
缓慢地练习,同时考虑所有三

件事。

很少下巴下垂,舌头位置
和嘴唇位置。

记住,你可以把这个声音拿出来,所以
这就是你想练习的方式,rrrr。

保持 5 或 10 秒;
尽可能地坚持下去。

当你练习一个单词时,也这样做。

Rrrrrrrrest,prrrrrroud,motherrrrrrr。

R音:休息,骄傲,母亲。

例句。

跟我重复一遍:稍后

阅读

Great

Try

Right

Other 现在,背靠背你会看到
美式英语中的所有其他辅音。

我们将从像 TH 这样的配对开始,
其中有两个声音在一起,因为

一个是浊音,另一个是清音,但
它们的嘴巴位置相同。

然后我们将进入像
R

这样的单音。P 和 B 辅音。

这两个声音是配对在一起的,因为
它们的嘴巴位置相同。

P是清音,pp,意思是只有空气
通过嘴。

B是浊音,bb,意思是,你
用声带发出声音,bb。

当牙齿稍微分开时,嘴唇保持在一起

舌头的位置对这些
辅音无关紧要,因此舌头可以开始

进入下一个声音的位置。

例如,如果下一个声音是 R 辅音,
则舌头可以为 R 向后和向上移动,

而嘴唇可以为 B,带来。

让我们近距离观察慢动作的声音

嘴唇压在一起,然后松开。

这些是停止辅音。

在停止辅音中,有两个部分。

气流停止,释放。

当嘴唇闭合时气流停止
:发生。

释放是当嘴唇
张开,空气通过时,-pen,hap-pen,发生。

有时,母语人士

句末或下一个单词以辅音开头
时不会发出停止辅音。

例如,常用短语“What’s
up?”。

我的嘴唇在P位置闭合,但我没有
释放空气。

这是怎么回事?

另一个例子:午睡时间!

午觉时间!

我的嘴唇凑到 P 上,但
没有释放空气。

我用嘴唇停止了空气,然后
用下一个声音T辅音释放它。

午觉时间。

让我们近距离和慢动作看一些单词

“最好”这个词。

双唇压在一起,然后
像 BED 元音一样释放到 EH 中。

“点”字。

嘴唇压在一起,然后
像 FATHER 元音一样释放到 AH 中。

“撕”字。

嘴唇压在一起,然后松开。

P 和 B 辅音:best、spot、rip。

例句。

跟我重复一遍:

Bring

Baby

Job

Peace

Price

Up

CH 和 JJ 辅音。

CH 和 JJ 辅音是配对的,
因为它们的嘴位相同。

Ch 是清音的,意思是只有空气
通过嘴,而 jj 是浊音,意思是你

用声带 jj 发出声音。

这些辅音有一个停止辅音成分,
但与停止辅音不同,它们总是被

释放。

它们每个都包含两个声音:对于 CH,
我们将 T、tt 和 SH、sh 组合

成 ch。

对于 J 音,我们将 dd 和
zh 组合成 jj。

牙齿齐齐,双唇飞扬,
就像在 sh 和 zh 声音中一样。

但是舌头的位置就像 tt 和
dd 的声音。

舌头抬起,使舌头的前部平坦
部分接触到上颚。

我们停止喉咙里的空气,然后我们
释放一切,ch,jj。

我们在声带释放空气,
从口腔顶部释放舌头,

释放牙齿使它们稍微分开,然后
通过放松它们来释放嘴唇。

ch,jj。

让我们以慢动作近距离观察这些声音

嘴唇张开,牙齿合在一起。

然后发布。

“罐子”这个词。

嘴唇张开,牙齿合在一起,
然后像 FATHER 元音一样释放到 AH 中。

“图表”一词。

嘴唇张开,牙齿合在一起,
然后像 FATHER 元音一样释放到 AH 中。

“批”这个词。

嘴唇张开,牙齿合在一起,
然后松开。

CH 和 JJ 辅音。

罐子,图表,批次。

例句。

跟我一起练习:

Chase

Attach

Teacher

Danger

Just

General T 和 D 辅音。

这两个声音是配对在一起的,因为
它们的嘴巴位置相同。

Tt 是清音的,意思是只有空气
通过嘴。

而dd是浊音,意思是dd,你
用声带发出声音。

这些辅音很复杂,因为
美国人发音它们的方式并不总是

你在字典里能找到的。

首先,我们来谈谈真正的发音。

这些是停止辅音,这意味着
有两个部分。

首先,气流停止,其次
,释放。

我们在这里停下来,关闭声带
,抬起舌头,使平坦

的顶部位于口腔顶部。

它很靠前,几乎触及
上门牙的后部。

牙齿合在一起,我们同时释放所有
三个部分:舌头

从口腔顶部下降,牙齿部分
,我们释放喉咙中的空气。

TT,DD。

就像其他停止辅音一样,我们希望
将它们释放到下一个声音中。

让我们近距离和慢动作看看真 T 和 D 辅音

牙齿合在一起,
舌头的顶部位于嘴的顶部。

空气在喉咙里停止了。

然后,牙齿部分和舌头向
下拉释放。

“桌子”这个词。

牙齿闭合,舌头
位于口腔顶部。

然后,一切都
像 BED 元音一样直接释放到 EH 中。

“棍子”二字。

牙齿闭合,舌头
位于口腔顶部。

然后,一切都
像 SIT 元音一样直接释放到 IH 中。

“期待”这个词:牙齿几乎合拢
,舌头在上颚。

然后牙齿松了一点。

没有下一个声音可以释放,所以
释放的动作是最小的。

舌头向下释放。

可以在没有牙齿的情况下制作 True D。

说,dd,dd。

因为这个声音中的声音,我们
仍然可以释放它。

说,dd。

但要制作真正的 T,牙齿
必须靠在一起或几乎靠在一起,设置,

tt。

那是真 T 和真 D。如果 T 或
D 在句尾,或者如果

下一个单词以辅音开头,那么我们就
做一个停止 T 或停止 D。

我们停止空气,但我们不 不要释放它。

您将舌头抬起到位,停止
空气,仅此而已。

例如,单词“mad”,dd。

疯了,dd。

请注意最后一个声音是 dd,即
D 的开头,声带接合,因为

它是浊辅音。

就这样。

我不释放。

发布听起来像这样:疯狂,dd。

但相反,我说“疯了”,让我的
舌头翘起来。

现在让我们看一个例子,T 后面
跟着另一个辅音,短语“not for

me”。

这里 T 后面跟着 F。我停止空气,
“不”,然后不松开,

进入 F 音。

不为,不为我。

使用停止辅音,我们确实停止
了喉咙中的空气。

所以我不必将舌头向上移动到
T 停止声音的位置。

在“not for me”这句话中,我
用更靠后的舌头部分触摸我的上颚

不是。

我的舌尖可以保持下来。

这有助于我使停止更短,
所以我可以快速进入下一个声音,不是

for,不是 for。

如果下一个声音也需要舌头

位于口腔顶部,我会在停止 T 时抬起舌头。

当我说“not for me”而不是“not for me”时
,单词之间的联系更紧密

,句子也更流畅。

这就是我们想要的美式英语。

这就是为什么我们
在这些情况下使用 Stop T 而不是 True T。

不适合我。

不适合我。

不适合我。

让我们看一下近距离和慢动作的停止

这里是“什么”这个词。

我不会在最后释放 T。

舌头到了嘴巴的顶部,
但随后我就停止了呼吸。

我的牙齿不在一起,我不
松开。

嘴唇简单地合上,什么。

这是 True T 的样子
:牙齿合在一起,然后是微妙的释放。

比较结局。

顶部是带有 Stop T 的
“what”,底部是带有 True T 的“what”。

对于 Stop T,牙齿不会合在一起,
因为它们不需要释放。

空气只是在舌头就位的情况下停止。

对于 True T,我们将牙齿放在一起,
这样舌头、牙齿和空气就会释放出来。

Stop T 和 D 与 True T 和 D 相关

我们只是跳过发布。

但是当 T 或 D 出现在两个元音
或双元音之间,或者在 R 之后和

元音或双元音之前,我们会发出不同的声音。

一个例外:如果 T 或 D 以重读
音节开头。

然后是真 T 或 D。但在其他情况下,
当 T 或 D 辅音出现在两个

元音或双元音之间,或者在 R 之后和
元音或双元音之前,我们会发出拍音。

这与 True and Stop T
和 D 不同,因为我们不会停止声音。

我们什么都没有。

我们只是让舌头的前部
在不阻止空气流动的情况下弹跳到上颚

Flap T 和 Flap D 听起来一样。

“matter”中的 T 与“madder”中的 D 相同

问题,更疯狂。

这听起来就像许多语言中的 R,
但在美式英语中,它是 Flap T

或 Flap D。

在我的视频中,我使用 D 符号来表示这个
声音。

然而,这个声音不再是停止辅音
了。

让我们看一些带有 Flap 的词,
近距离和慢动作。

“城”字。

这里的 T 位于两个元音之间,
所以它是一个 Flap。

舌头处于 IH 元音的位置。

观察它如何
快速拍打上颚。

空气停不下来。

那个襟翼很快,即使是慢动作。

让我们再看一遍。

整个词,再来一次。

“派对”这个词。

这里的 T 在 R 之后和元音之前,
所以它是一个 Flap。

舌头为 R 向后和向上。看着
它拍打并从襟翼上下来。

空气没有停止。

再看一遍整个词。

“整洁”二字。

这里的 D 出现在双元音之后和
元音之前,所以它是 Flap D。注意舌

瓣。

整个词,再来一次。

要隔离声音,请尝试在
前后按住声音:parrrrrtyyyyy。

然后你可以真正感觉到舌头拍打,
弹跳到上颚。

请记住,这在字典中没有表示。

他们将显示 True T 的符号
“parTy”,尽管美国人将其发音

为“party”。

所以请记住规则:当 T 或 D 出现
在元音和双元音之间,或者在

元音或双元音之前的 R 之后,例如“party”,
除非它以重读音节开头,否则

舌颤。

有时,我们会完全放弃 T 或 D。

我们将声音排除在外。

这是美国人的习惯。

如果您在字典中查找单词
,声音就在那里。

在两种情况下,您可能会听到
美国人放弃 T 或 D。

首先,当 T 或 D 出现在两个辅音之间时

例如:完全正确。

这个词有K、T、L辅音。

但大多数人在没有 T 的情况下发音。
完全正确。

完整的发音:完全正确。

常用读音:正是。

在两个辅音之间去掉 T 可以
简化发音。

此外,我们经常在
N 之后去掉 T。许多美国人说“cenner”而

不是“center”,或者说“innerview”而
不是“interview”。

这是一个很大的话题。

我有一系列关于
T 和 D 发音的视频,你可以在我的网站上找到。

真正的 T 和 D 声音:桌子,棍子,期待

停止 T 和 D:

疯狂,不,

什么 Flap T 和 D:城市,派对整洁

示例词。

跟我重复一遍:

Best

Time

Do

Odd

没有办法单独发出 Stop T
声音,因为它不是声音。

这是缺乏声音。

好 F 和 V 辅音。

这两个声音是配对在一起的,因为
它们的嘴巴位置相同。

Ff 是清音的,意思是只有空气
通过嘴。

vv 是浊音,意思是,你
用声带发出声音,vv。

为了发出这些声音,下唇抬起
并接触上前

牙的最底部,ff,vv。

上唇稍微抬起以
避开下唇。

你不想看到你的下唇消失,
ff。

它实际上是嘴唇的内侧,在这里,
与牙齿接触,ff,vv。

舌头应该保持放松,这样空气
就可以很容易地通过,使

下唇与上齿产生振动。

让我们近距离观察慢动作的声音

上唇抬起,因此下唇有空间
在上前牙的底部振动

非常:下唇到达上前牙的底部

味道:
对于 F 音,下唇到上前牙,然后是 V。

够了:下唇到上前牙。

当你处理这些辅音和
带有这些辅音的单词时,请注意自己并

确保你的下唇不会卷曲,
ff,vv。

请记住,发出这些声音的是嘴唇的内部

V 和 F 辅音:非常,风味,足够。

例句。

跟我重复一遍:

Live

Value

Offer

Fresh

Offer

艰难

的 G 和 K 辅音。

这两个声音是配对在一起的,因为
它们的嘴巴位置相同。

kk是清音的,意思是只有空气
通过嘴巴。

gg 是浊音,意思是,你
用声带发出声音,gg。

这些辅音是停止辅音,这
意味着每个声音有两个部分。

首先,气流停止,其次
,释放。

我们在这里停止空气流动,
关闭声带,同时

舌头的后部向上触及软腭。

我要减慢
“后退”这个词中的 K 音。

看看你是否能在释放前听到空气停止的声音

后退。

后退。

在这里,您可以看到舌头的位置。

舌后部向上触及
闭合的软腭。

舌尖可以保持向前,
轻轻接触下门牙的后部

下巴微微
下垂,嘴唇张开,kk,gg。

嘴唇位置对这些
声音无关紧要,所以嘴唇可能会开始形成

下一个声音,就像“伟大”这个词一样。

在这里,
当我们制作 G 时,嘴唇可以开始占据 R 的位置:g-,g-,great。

让我们以慢动作近距离观察这些声音

下巴下垂,舌后部抬起
来接触软腭。

然后舌头松开。

有时,为了使句子更流畅,
单词之间的联系更紧密,当下一个单词以辅音开头时,母语人士

会跳过停止辅音的释放

例如,短语“重新开始工作”。

回到,回到——回到。

我不是说“回到”,kk,
完全

释放 K 辅音。

回到,回到。

回去工作。

如果不释放“back”中的K,
这两个词更容易融合在一起,

变得更流畅。

请注意,我确实
在“工作”一词中轻轻释放了 K。

你能听到吗?

回去工作。

让我们近距离和慢动作看一些单词

“保持”二字。

因为舌头在后面抬起,并且
不需要太多的下巴,所以很难

在这个词中看到这个声音。

“绿”字。

嘴唇为 G 变圆,因为它们需要
为下一个声音 R 变圆。嘴唇位置

不会改变 G 声音。

当它位于

像“egg”这样的单词的末尾时,更容易看到舌头的后部移动。

舌头在后面抬起,然后松开。

G 和 K 辅音:keep、green、egg。

例句。

跟我重复一遍:

Go

Again

Big

Cry

Key

Black S 和 Z 辅音。

这两个声音是配对在一起的,因为
它们的嘴巴位置相同。

SS 是清音的,意味着只有空气
通过嘴,而 ZZ 是浊音,意味着你

用声带 zz 发出声音。

为了发出声音,嘴唇张开,
嘴角向后拉一点,同时牙齿

本身轻轻地接触,ss,zz。

有两种方法可以发出这些声音。

一、舌尖向下,
轻触下门牙后部。

或者,通过将舌尖指向上方。

你可能会发现舌尖的位置
取决于 S 和 Z 周围的声音

让我们近距离和慢动作看这些声音

牙齿轻轻一碰,舌尖向下
,透过牙齿可以看到很多舌头

啜。

再次,牙齿轻轻接触,
舌尖朝下。

小姐。

当牙齿靠在一起时,舌尖保持向下

嘶嘶声。

这一次,你会
在牙齿闭合之前看到舌尖向上。

向上。

S 和 Z 的声音:sip、miss、fizz。

例句。

跟我重复一遍。

注意:字母 S 可以发 [z] 音。

Some

Must

Less

Zip

Cousin

Easy SH 和 ZH 辅音发音。

这两个声音是配对在一起的,因为
它们的嘴巴位置相同。

SH 是清音的,意思是只有空气
通过嘴。

ZH 是浊音,意思是你
用声带 zh 发出声音。

为了发出这些声音,牙齿会合在一起。

唇角进入,嘴唇
张开。

舌头抬起,所以舌头的前部/
中部非常靠近

上颚,但不接触上颚。

舌尖朝前,但不
碰任何东西。

让我们以慢动作近距离观察这些声音

嘴唇张开,牙齿合在一起。

在“shop”这个词中,“sh”
在词首。

在“希望”这个词中,它在最后。

在“亚洲”这个词中,“zh”
音在中间。

嘴的位置总是一样的:牙齿
并拢,嘴唇张开。

SH 和 ZH 辅音。

购物,愿望,亚洲。

例句。

跟我重复一遍:

应该

特别

测量

车库

通常

的H辅音。

这个声音很简单,hh,通过让
空气通过一个非常狭窄的通道,

或者在舌头和
上颚之间,hh,或者在喉咙,hh。

这是一个清辅音。

分开嘴唇,将舌头
向后压一点。

如果你根本不收缩空气
通道,就没有声音。

如果你抬起你的舌头后部并收缩
太多,hhh,你会感觉到

软腭的振动在舌头上弹跳。

这太重了。

嗯。

嘴唇和下巴不会影响这个声音,
所以当你发出 H 时,你的嘴可以在下一个声音的位置。

例如,单词 how,how。

嘴唇、下巴和舌头采取
“ow”的开始位置,如“now”双元音,

hh-,how。

让我们近距离观察慢动作。

声音本身:下巴放松
,双唇分开。

“hi”
这个词:这个词的开头没有什么可看的。

H 音的发生不会
像 BUY diphthong 那样改变嘴唇对 AI 的作用。

谁’这个词:同样,
在这个词的开头没有什么可看的。

H 声音的发生不会
改变嘴唇对下一个声音的作用,

OO 元音中的 OO。

这种声音最常见于
单词的开头,

在美式英语中从不出现在单词的结尾,但字母
H 确实如此。

H音:嗨,谁。

例句。

跟我重复一遍:

希望

在此背后的历史

不知

何故 L 辅音。

这个声音特别难听。

实际上有两种 L,而且
它们的制作方式不同。

但是,如果您在字典中查找一个单词,两种 L
都只有一个国际音标

符号。在本视频中,
您将了解何时发出哪种

L。

首先,轻 L 的声音。

这是大多数人在想到 L 时所
想到的。当 L

出现在音节中的元音或双元音之前时,L 是“轻 L”

例如,让我们,剥落,释放。

母语人士发出这种声音有两种不同的方式

一种方法是抬起舌头,使舌尖
接触上颚,就在

门牙后面。

这与 T、D 和 N 舌头
位置不同,在这些位置舌头抬起,因此

顶部接触到上颚。

这是提示。

母语人士发出这种声音的另一种方式
看起来像 TH,舌尖接触

上前牙的底部。

与牙齿的接触
比 TH 音更牢固,向上推顶牙齿。

舌头在
L 中不像在 TH 中那样松散或放松。

让我们以慢动作近距离观察 Light L。

这是制作 L 的一种方法,
舌尖穿过牙齿,压在

上前牙的底部。

这是制作 Light L 的第二种方法:
位于牙齿后面的口腔顶部的尖端

这里是“缺乏”这个词。

舌头通过牙齿
发出 Light L。

“慢”这个词。

Light L 的舌尖
位于口腔顶部。

第二种 L 是 Dark L。这是
当 L 出现

在单词或音节中的元音或双元音之后发生的声音,
例如“real”或“Google”。

这种声音有两个部分,但许多美国人
在大多数情况下会忽略第二部分。

你也应该这样做,这样更容易发音。

Dark L 的第一个也是最重要的部分
是“dark”声音。

这定义了黑暗的 L。要发出这个声音,
你不要抬起你的舌尖。

相反,它是向下的,接触
到下门牙的后部。

舌头的后部向后拉
向喉咙。

你可以看到没有太多的下巴下垂
,嘴唇很放松。

呃。

你应该感觉到喉咙
而不是脸部的振动,呃。

舌头的后部向下压或
向后移动。

这是声音的重要组成部分。

呃,呃。

大多数美国人在
制作 Dark L(“真实”、“谷歌”、“体贴

”)时会停在那里,除非他们链接到以
L 开头的单词或具有类似位置的声音,

如 N、T , 或 D。在这种情况下,
继续制作深色 L

的第二部分。深色 L 的第二部分是浅色
L:将您的舌尖抬到口腔顶部

或穿过牙齿。

一些以母语为母语的人一直在制作完整的 Dark L,
这两个部分。

重要的是“黑暗”的声音。

用舌头的背面做。

并确保你永远不会离开那部分,
uuhl,uuhl。

同样,Dark L 有两个部分。

第一个也是最重要的部分:舌头
向后拉或向后压。

第二部分,通常被遗漏:
Light L 的任一选项。这里描绘

了舌尖位于嘴顶的选项

让我们近距离和慢动作看一下Dark L。

“感觉”二字。 EE元音

的舌尖在前面拱起

观察舌头在后面降低。

现在舌头放低了,向后拉了一
点。

由于嘴唇的缘故,很难看清,
但舌尖仍然向前。

注意嘴唇是放松的。

“回忆”二字。

当下巴闭合时,黑暗的部分是用舌头的后部制成的

这一次,深色 L 确实以第二
部分 Light L 结束。舌尖

迅速穿过牙齿。

嘴唇放松。

在 Dark L 中,嘴唇的放松很重要
。许多非母语人士想要

使嘴唇变圆或张开,从而使
声音向前并改变它。

但黑暗的声音是在这里发出的。

让双唇放松,这样
可以在嘴后部发出声音。

当您查看
字典中某个单词的国际音标转写时,

您只会看到一个符号,无论
是浅 L 还是深 L。由您决定

何时制作深色 L:当 L 声音
出现在音节的末尾。

请记住,我们谈论的是声音而
不是字母。

在示例“Google”中,您会
在 L 之后看到字母 E。E 是元音。

但是当你看这个词的音标
时,最后一个声音是 L。所以

“Google”中的 L 是 Dark L. Uuhl, uuhl,
Google。

如果您将良好的 Dark L 声音融入
您的演讲中,它将帮助您听起来更美国化。

The Light L:缺乏,缓慢

The Dark L:感觉,回忆

例句。

跟我重复一遍:

Love

Hello

Flat

Feel

Table

People

的 M 辅音。

这个声音很简单,只是
轻轻地把嘴唇压在一起,mm,同时

用声带发出声音。

所以,这是一个浊辅音,mm。

牙齿可能会开始稍微分开
,为下一个声音 mm 做准备,这将拉动

嘴唇一点点 mm。

由于软腭降低,
空气通过鼻道上升。

这使它成为一个“鼻辅音”。

你可以感觉到鼻子的振动,mm。

美式英语中只有三个鼻音
:nn、ng、mm。

让我们以慢动作近距离观察这个声音

“妈妈”这个词。

当下巴稍微下垂时,嘴唇紧贴在一起

最后一个M,嘴唇紧贴在一起。

夏天。

嘴唇紧贴在一起。

M辅音。

妈妈,夏天。

例句。

跟我重复一遍。

Make

My

Forming

Dim

Mistake

Game N 辅音。

为了发出这个声音,下巴稍微下垂
,嘴唇张开,nn。

舌头的前面平坦的部分到达
嘴巴的顶部。

确保在这样做时保持舌头张开

软腭降低。

空气通过鼻道上升。

这使它成为一个“鼻辅音”。

你可以感觉到鼻子的振动。

NN。

美式英语中只有三个鼻音
:nn、ng、mm。

放松舌头是非常重要的。

如果舌后部有张力,即使舌前部处于正确位置,
它也会听起来有点像 NG 声音,

ng

有助于放松的一件事是
考虑保持舌头非常宽,

nn,nn。

让我们近距离观察慢动作。

N音。

嘴唇放松,舌头张开并抬到
上颚。

如果
你在练习的时候看到舌头两侧有黑点,那就意味着

舌头有张力。

尝试释放这种紧张并保持舌头
张开。

“不”字。

舌头柔软、放松、宽阔。

‘sn’这个词。

舌头前面到嘴顶。

“上”字:舌宽
到上颚完成这个词。

N 辅音:no,snag,on。

例句。

跟我重复一遍:

Nice

One

Number

Woman

Win

Any

End NG 辅音。

为了发出这个声音,下巴
有点下垂,ng。

嘴唇分开,舌头的后部
一直延伸到软腭。

舌尖向前。

由于软腭降低,
空气通过鼻道上升。

这使它成为一个“鼻辅音”。

你可以感觉到鼻子的振动。

吴。

美式英语中只有三个鼻音
:nn、ng、mm。

让我们近距离和慢动作研究它。

下巴放松,下巴。

由于这种声音是在口腔后部发出的
,因此很难清楚地看到

它。

舌头向后抬起,而尖端
保持向下和向前。

“环”字。

舌头向后抬起,而尖端
保持向下和向前。

嘴唇放松。

“沿”字。

由于之前元音的舌头较低,
因此更容易看到舌头在

后面抬起。

现在它在后面抬起,
嘴唇放松。

“手指”二字。

再次,舌头在后面抬起,
而尖端保持向下和向前。 在美式英语中,

这个音可以出现在单词的中间或
词尾,但不能出现

在词首。

NG辅音:环、顺、指。

例句。

跟我重复一遍。

Anger

Song

Wing

英文

单曲

开头 W 音。

为了发出这个声音,ww,ww,嘴唇形成
了一个紧密的圆圈,ww。

舌后部向上伸展,
朝向软腭,而

舌前部轻轻接触
下门牙的后部。

为了给这个声音提供正确的质量,你
必须关闭声带才能得到这个

声音:ww,我们将它添加到声音中,ww。

当你
释放嘴唇时,你释放声带,从 W 声音中出来,ww。

让我们近距离观察慢动作的声音

由于嘴唇的圈子很紧,你根本
看不到舌头。

但它在后面抬起。

“为什么”这个词。

一个紧密的圆圈作为嘴唇。

“西”字。

再次,嘴唇紧圈。

“放松”这个词。

这里 W 位于单词的中间。

我们仍然花时间把嘴唇拉成
一个紧密的圆圈。

这种声音在词首最常见

它不会出现在任何单词的末尾,
尽管字母 W 会出现。

W 辅音:why, west, unwind

例句。

跟我重复一遍。

欢迎

Y 辅音之间进行返工。

为了发出 Y 音,下巴会
稍微下垂,yy。

嘴唇可能会放松,或者他们可能会
开始采取下一个声音的位置。

舌尖向下,轻触
下门牙后部。

舌头的中部抬起并接触
到上颚。 在拉开之前,

它会向前推动嘴巴的顶部

当我们将舌头向前推到口腔顶部
时,我们会关闭声带以

获得这种声音:yy,我们将其添加到声音中。

哟哟哟。

我们在释放舌头的同时释放它们

下巴放松,嘴唇放松。

舌尖向下,而
舌中部向前压

在上颚。

“是”这个词。

舌尖向下,而
舌中部向前压

在上颚。

舌头像 BED 元音一样释放到 EH 中

“青春”二字。

注意下一个声音是如何嘴唇开始变圆的
,OO 元音中的 OO。

‘叫喊’。

舌尖向下,而
舌中部向前压

在上颚上,释放到 EH 中,就像在
BED 元音中一样。

这种声音在词首最常见

它不会出现在任何单词的末尾,
尽管字母 Y 会出现。

Y音:是的,青年,大喊。

例句。

跟我重复一遍。

Yes Unusual

Senior

You

Yesterday

Yellow

很高兴你花时间看
视频,真正了解

美式英语发音的嘴位可以帮助
你提高英语口语的清晰度。

我们还有一个关于所有
元音和双元音的汇编视频。

我会在视频说明中添加指向该视频的链接

现在,通过此视频继续学习
,不要忘记订阅

通知。

我喜欢做你的英语老师。

就是这样,非常感谢您使用 Rachel 的
英语。