DONT Fall For These Diphthongs and Vowel Mistakes Pronunciation Compilation Rachels English

Today, we’re putting together every video
we have that focuses on the vowel and diphthong

sounds of American English.

This is your one-stop shop.

You’ll see photos, up-close slow-motion
words, valuable comparisons.

We’re going to talk a lot about word stress
too because that really affects vowel and

diphthong sounds.

You’re going to learn everything you need
to know about these American English sounds.

We’ll start with the vowel AH like in father
and UH like in butter and we’ll see a comparison.

AH as in FATHER.

This vowel needs a lot of jaw drop.

Ah.

The tongue tip lightly touches behind the
bottom front teeth, and the back part of the

tongue presses down a little bit.

Ah.

The lips are neutral, very relaxed.

Ah.

Because the tongue presses down in the back,
you can see further into the dark space in

the mouth.

Let’s see that by watching this vowel up
close and in slow motion.

The lips are relaxed, and the tongue is lowered
in the back.

The inside of the mouth is dark.

The word ‘job’.

The jaw drops, and the tongue presses down
in the back.

Ah.

When this vowel is in a stressed syllable,
the voice will go up and come down in pitch,

ah, job, ah.

When it’s in an unstressed syllable, it
won’t be as long, and it won’t have the

up-down shape of the voice, ah, ah.

For example, in the word ‘blockade’, ah,
ah, blockade.

The mouth position looks the same: jaw drop,
relaxed lips, and tongue pressed slightly

down in the back.

But because the pitch is flatter and the syllable
is quicker, it sounds unstressed.

Ah, ah.

Stressed AH: job, AH.

Unstressed ah: blockade, ah.

AH, ah.

AH, ah.

Example words.

Repeat with me:

Honest AH, Honest

Occupation, ah, occupation

hot, AH, hot

clock, AH, clock

October, ah, October

Soft, Ah, soft

The UH as in butter vowel

This is a very relaxed sound. 

You can see, uh, the jaw drops but the rest
of the mouth remains very neutral, uh.  

The tongue is relaxed: the back presses down
just a little bit, and the tip is forward.

Uh.

Keep your face really relaxed.

Let’s look at this sound up close and in
slow motion.

A very relaxed jaw drop with relaxed lips.

The tongue presses down just a bit in the
back.

Here’s the word ‘stuff’.

Again, everything looks nice and relaxed.

The tongue presses down just a bit in the
back.

In a stressed syllable, the vowel curves up
then down.

Stuff, uh.

In an unstressed syllable, it’s lower and
flatter in pitch, and a little quieter and

quicker, uh, uh.

The vowel is unstressed in the word ‘undo’,
uh.

Let’s take a look at this word up close
and in slow motion.

Easy jaw drop.

Lips and cheeks remain very relaxed.

Tongue presses down slightly in the back.

Compare the stressed vowel above with the
unstressed vowel below.

Notice the jaw may drop a bit more for a stressed
syllable.

This is typical.

Unstressed vowels and diphthongs are shorter,
so there isn’t as much time to make the

full mouth position.

The UH vowel, stressed: stuff, UH
The UH vowel, unstressed: undo, uh

UH, uh, UH, uh.

Example words.

Repeat with me.

Sometimes, UH, sometimes

money, UH, money

above, UH, above

untie, UH, untie

uphill, UH, uphill

Fun, UH, fun.

Here we have the AH and uh vowels in profile.

You can see for the Ah vowel the jaw might
drop a little bit more.

Also the tongue position has a little bit
of tension in it.

That’s because the tongue is flattened a
little bit.

In the uh vowel the tongue is completely relaxed.

Now you’ll see the mouth from the front
alternating between the AH and the uh sounds.

Watch the subtle change in jaw drop.

And see if you can notice the subtle change
in tongue position as well.

AH

Uh

AH

Uh

AH

Uh

Now we’ll do two other vowel sounds that
I’ve noticed can be tricky for my students.

Set.

Sat.

I’m talking about the EH as in bed vowel
and the AA vowel like in bat.

We’ll go over each sound in-depth and have
a comparison.

the EH as in BED vowel.

To make this sound, the jaw drops, eh, and
the tongue remains forward with the tip touching

lightly behind the bottom front teeth.

Eh.

The mid/front part of the tongue lifts a little
bit towards the roof of the mouth while the

back of the tongue feels like it stretches
wide.

Eh.

In a stressed syllable, the voice has a little
curve up, then curve down.

Eh, eh.

It’s stressed in the word ‘said’.

Let’s watch up close and in slow motion.

The jaw drops.

The tongue tip touches the back of the bottom
front teeth, and the middle part arches up

towards the roof of the mouth.

Said, eh, said.

In an unstressed syllable, the vowel is lower
and flatter in pitch, as well as quieter and

quicker, eh, eh.

The vowel is unstressed in the word ‘employ’,
eh.

Let’s take a look up close and in slow motion.

Relaxed jaw drop.

The middle part of the tongue arches up towards
the roof of the mouth.

Here we compare the stressed EH from ‘said’,
on top, with the unstressed version from ‘employ’

on the bottom.

Notice the jaw drops more for the stressed
version of this vowel.

Because the unstressed version of the vowel
is shorter, there isn’t enough time to make

the full jaw drop.

EH stressed: said, EH

EH unstressed: employ, eh

EH, eh.

EH, eh.

Example words.

Repeat with me:

Red, EH, Red

Never, EH, never

embrace, Eh, embrace

enter, EH, enter

embody, EH, embody

Desk, EH, desk.

The AA as in BAT vowel.

This is a sound that changes depending on
the following sound.

So, it can either be a pure vowel or a modified
vowel.

We’ll go over both in this video.

To make the pure AA vowel, the jaw drops quite
a bit, AA.

The tip of the tongue stays forward; it’s
touching the back of the bottom front teeth,

AA.

The back part of the tongue stretches up.

The tongue is wide, AA.

Because the tongue is high in the back and
low in the front, you can see a lot of it.

This is different from the ‘ah’ as in ‘father’
vowel, for example, where the tongue presses

down in the back and you see more dark space
in the mouth.

AA, AH.

You can also see the corners of the mouth
pull back and up a little bit.

AA.

Let’s take a look at the pure AA vowel up
close and in slow motion.

The tongue tip is down and the back of the
tongue lifts.

Here’s the word ‘sat’.

The tongue position is easy to see because
of the jaw drop needed for this vowel.

When AA is in a stressed syllable, the vowel
will go up and come down in pitch, AA.

Sat, AA.

In an unstressed syllable, the vowel is flatter
and lower in pitch, quieter, aa.

This vowel is unstressed in the second syllable
of ‘backtrack’.

Let’s look up close and in slow motion.

In the first, stressed syllable, the jaw drops,
and we see the corners of the lips pull back

and up for the stressed AA.

In the unstressed syllable, the jaw drops
less.

Let’s compare them.

On top is the stressed AA.

You can see the jaw drops more.

For the unstressed AA, the corners of the
lips are a little more relaxed than in the

stressed version, where they pull slightly
back and up.

Generally, the unstressed version of a vowel
or diphthong is more relaxed and doesn’t

take the full mouth position, in this case,
a little less jaw drop, and relaxed lips.

This is because unstressed syllables are shorter,
so we don’t take the time to make the full

position.

At the beginning of this video, I said the
AA vowel is not always a pure AA.

This vowel changes when it’s followed by
a nasal consonant.

When it’s followed by the M or N sounds,
the tongue relaxes in the back, making an

UH sound after AA.

AA-UH.

It’s not a pure AA sound.

Unfortunately, this change is not represented
in the International Phonetic Alphabet.

It’s still written with the same AA symbol.

So, you just have to know when it’s followed
by m or n, it’s different.

We don’t say ‘man’, aa, ‘man’, with
a pure AA.

We say ‘man’, aa-uh, aa-uh, relaxing the
tongue and corners of the lips before the

consonant.

You can think of this UH relaxation as the
‘uh’ as in ‘butter’ sound or schwa

sound.

Let’s look up close and in slow motion at
the word ‘exam’.

First we see the familiar shape of the mouth,
when the AA is in a stressed syllable.

Watch how the relaxation that happens: the
corners of the lips relax in.

The tongue will relax down in the back.

And the lips close for the M consonant.

This relaxation of the corner of the lips
and back of the tongue happens when the AA

vowel is followed by the N consonant as well.

For example, the word ‘hand’.

Haa-uhnd.

Hand.

So, when you see this symbol followed by this
symbol or this symbol, it’s no longer a

pure AA.

Think of relaxing out of the vowel, AA-UH.

If the next sound is the NG consonant, it’s
a little different.

Rather than ‘aa-uh’, the vowel changes
into AY.

It’s really like the AY as in SAY diphthong.

First, the middle part of the tongue lifts
towards the roof of the mouth, then the front

part of the tongue.

Let’s watch ‘gang’ up close and in slow
motion.

The position for the first sound looks a lot
like AA, but the part of the tongue lifting

up is more forward.

Gaaaang.

Then the front part of the tongue arches up
towards the roof of the mouth, while the tongue

tip remains down.

When you see this symbol followed by this
symbol, it’s no longer a pure AA.

It’s more like AY.

Gang.

Thanks.

Pure stressed AA: Sat, aa

Pure unstressed AA: backtrack, aa

AA, aa, AA, aa.

AA vowel modified by M: exam, aa-uh

AA vowel modified by N: man, aa-uh

AA vowel modified by NG: gang, ay

Example words.

Repeat with me:

Chapter, AA, Chapter

can, AA, can

act, AA, act

last, AA , last

bank, ay, bank

Bypass, aa, bypass

Here you’ll see the EH as in bed vowel on
the left and the AA as in bat vowel on the

right.

For the AA vowel, you can see that it’s
the back part of the tongue that raises up

towards the roof of the mouth.

For the EH vowel, it’s the mid front part
of the tongue that is stretching up.

Also for the AA, you can see that the jaw
drops just a little bit more.

So, for the AA vowel, the tongue is raising
here.

AA

And for the EH vowel, the tongue is raising
more here.

EH

So here for the AA and here for the EH.

AA

EH

When comparing the two sounds in isolation,
you’ll also notice that the jaw does not

drop as much for the EH sound as the front
part of the tongue is raising towards the

roof of the mouth.

AA

EH

There’s a difference in the lip position
as well.

For the AA vowel, you may find that you may
get a more accurate sound if you lift a little

bit here with the top left.

AA, AA.

Whereas for the EH sound the lips remain very
relaxed and neutral.

EH, EH.

Now we’ll see the two alternating upclose.

AA

EH

AA

EH

To close, a few minimal pairs.

Bat

Bet

Capped

Kept

Jam

Gem

Tack

Tech

Rack

Wreck

Next we have another pair that’s tricky
for my students.

EE like in seat and IH like in sit.

We’ll go over each sound in depth and then
I’ll talk about length when it comes to

vowel sounds.

The EE as in SHE vowel.

This vowel is common to many languages.

To make it, the jaw drops just a little bit.

The tongue tip stays behind the bottom front
teeth.

The middle/front part of the tongue arches
up towards the roof of the mouth, diminishing

the space between the tongue and the roof
of the mouth.

The corners of the lips pull a little wide,
ee.

They’re not quite relaxed.

Let’s see this sound up close and in slow
motion.

A little jaw drop, tongue tip down and forward
while the top front of the tongue arches towards

the roof of the mouth.

The corners of the lips pull out.

In the word ‘please’, the EE vowel is
stressed.

Same position.

When stressed, the vowel has the up-down shape
of a stressed syllable: EE.

When unstressed, it’s lower and flatter
in pitch, quieter, and faster, ee.

This is a very common ending unstressed vowel
in American English because of all of the

words that end in Y, like the word ‘busy’.

Let’s see this word up close and in slow
motion.

Jaw drops, top front of tongue arches up,
and the corners of the lips pull out.

Let’s compare the stressed EE in ‘please’,
on top, with the unstressed EE in ‘busy’,

on the bottom.

You can see the mouth position for the unstressed
EE is a little more relaxed.

The jaw doesn’t drop as much.

A more relaxed mouth position for the unstressed
version of a vowel or diphthong is very common

because they are shorter.

So, there is less time to make the full mouth
position.

Stressed EE: need, EE
Unstressed: busy, ee

EE, ee.

EE, ee.

Example words.

Repeat with me:

Keep, EE, Keep

Early, EE, Early

Police, EE, police

Coffee, ee, coffee

meet, EE, meet

Each, EE, each

The IH as in sit vowel.

This vowel can be a challenge for non-native
speakers.

The tendency is to replace it with the EE
vowel.

But for the IH vowel, the jaw drops more,
so the tongue isn’t as close to the roof

of the mouth.

Let’s study the mouth position.

There’s a relaxed jaw drop.

The tip of the tongue stays forward, lightly
touching the back of the bottom front teeth.

The top, front part of the tongue arches up
towards the roof of the mouth.

Let’s see this vowel up close and in slow
motion.

Relaxed jaw drop.

Tongue tip forward.

Top, front part of the tongue arches up towards
the roof of the mouth.

This vowel is stressed in the word ‘fix’.

Same mouth position.

When this vowel is in a stressed word or syllable,
like ‘fix’, it has an up-down shape, IH,

fix, IH.

When it’s in an unstressed syllable, it
will be flatter and lower in pitch, quieter:

ih, ih.

It’s unstressed in the word ‘office’,
ih.

Let’s take a look.

The mouth position is the same, but a little
more relaxed.

Let’s compare the stressed IH in ‘fix’,
on the top, to the unstressed IH in ‘office’.

Notice that the jaw is more dropped for the
stressed syllable.

For the unstressed IH, the jaw is less dropped.

This is typical.

Unstressed vowels are shorter, so there isn’t
as much time to make the full mouth position.

Stressed IH: fix, IH

Unstressed IH: office, ih

IH, ih, IH, ih

Example words.

Repeat with me:

Which, IH, which

instead, Ih, instead

begin, IH, begin

divorce, Ih, divorce

busy, IH, busy

Print, IH, print

Here along the Hudson River for fleet week,
they are bringing out some old-time replica

ships.

Like the ones taken in this photo by my friend
Jovan.

And this made me think about the vowels IH
and EE.

Ships has the IH as in sit vowel and fleet,
week both have both have the EE as in she

vowels.

Now I just did a video on the IH vowel versus
the EE vowel, a comparison.

And I didn’t talk about length at all.

That’s because I don’t think length really
comes into play when we’re talking about

a vowel on its own.

But since a lot of people teach length when
they teach these two vowels, I thought I should

talk about it.

A lot of people will say that EE is a long
vowel and Ih is a short vowel.

But I feel like vowels themselves don’t
have a length.

To me the length of a syllable depends on
is a distressed syllable or is unstressed.

So if the Ih vowel is in the stressed syllable
of a content word, then it would be long even

though some people would call it short vowel.

Another thing that can affect vowel length
is the ending consonant.

If everything else is the same and the ending
consonant is voiced, then that vowel will

be a little bit longer than if the ending
consonant is unvoiced.

So, for example the word cap will be a little
bit shorter than the word cab.

Cap

Cab

So in looking at the EE vowel and the IH vowel
in the word beat.

An unvoiced consonant there at the end, that
EE vowel is short.

Beat.

But in the word bid, the ending consonant
there is voiced so IH will be a little bit

longer.

So don’t think about the length of the vowel
being tied to the vowel itself.

It’s tied to the syllable and the sentence
position and maybe the ending consonant.

This ship was interesting.

Because instead of raising their sails, they
had people standing where the sails would

have been.

Notice how been spelled with two e’s is
actually pronounced with the IH as in sit

vowel.

Listen again.

where the sails would have been.

Hey Jovan

Yeah

Nice socks.

Thanks.

I really like them.

Thanks, that means a lot.

Now you’ll see videos that go into the details
of all the remaining vowel and diphthong sounds.

Then we’ll compare the mouth positions for
the different sounds.

the AW as in LAW vowel.

This vowel sound, when pure, is quite similar
to the AH as in FATHER vowel.

In some areas of the United States, we don’t
even make this sound.

We always use the AH as in FATHER sound instead.

Also, when this vowel is followed by the R
consonant, it changes.

We’ll go over that.

First let’s study the mouth position.

To make this vowel, the jaw drops and the
tongue shifts back.

The tip of the tongue doesn’t touch anything.

The lips flare a bit.

AW.

One technique that might help you make this
sound is to think of the cheeks coming in

and shifting forward just a little bit, aw.

This is a way to make it different from the
AH as in FATHER vowel, where the lips and

cheeks are totally relaxed.

AW, AH.

Let’s watch up close and in slow motion.

The jaw drops, the lips flare out a little
bit, and the tongue pulls back.

Let’s compare with the AH as in FATHER vowel,
on top.

In AH, the lips are relaxed.

In AW, the lips flare.

Also notice how the tongue pulls back in the
AW vowel.

In a stressed syllable, this vowel has the
up-down shape of stress.

AW.

AW.

For example, in the word ‘saw’.

Jaw drops, lips flare, tongue shifts back.

In an unstressed syllable, the voice will
be lower in pitch, quieter, and flatter.

Unstressed syllables won’t be as long, aw,
aw.

AW, aw.

The voice is unstressed in the word ‘on’,
a function word, on.

Function words are unstressed, aw, aw.

Note, this word can also be pronounced with
the AH as in FATHER vowel.

The vowel here is extremely quick since it’s
in an unstressed syllable.

The tongue tip isn’t quite forward.

The tongue is in position just an instant
before the tongue flips up to make the N.

Let’s compare the stressed AW in SAW, on
top, with the unstressed AW in ‘on’, on

the bottom.

You can see the jaw drops less, the lips are
more relaxed, and the tongue doesn’t shift

back as much.

Unstressed syllables are shorter than stressed
syllables, so often the unstressed version

of a vowel or diphthong doesn’t take the
full mouth position of the stressed version.

This vowel can be affected by following consonants.

When the AW vowel is followed by the R consonant,
the sound does change.

The lips flare more, and the tongue pulls
back more, and up a little bit.

This is because we blend the position for
the R with the position for the AW when the

R follows the AW.

Instead of AW, the sound is aw, core, aw,
aw, AW.

Let’s look at another word.

Sore, aw, aw, sore, aw, AW.

Let’s compare the pure AW with the AW followed
by R, in the word ‘quarter’, on the bottom.

You can see for the AW followed by R, the
lips round more and the jaw drops less.

Because of the lips, it’s hard to see the
tongue, but it pulls back and up more than

in a pure AW vowel, above.

Pure stressed AW: saw, AW

Pure unstressed AW: on, aw

AW, aw, AW, aw

AW modified by R: core, aw, aw.

Example words.

Repeat with me.

Boss, AW, boss

long, AW, long

runoff, aw, runoff

lifelong, aw, lifelong

login, AW, login

wrong, AW, wrong

Daughter.

AW, daughter

The schwa vowel sound.

This vowel is always unstressed.

The mouth position is a lot like the UH as
in BUTTER vowel, but that vowel can be and

usually is stressed.

But just like that vowel, everything in your
lips, jaw, and neck should be relaxed for

this sound.

Just slightly drop your jaw to make this sound.

The trick is to keep everything else relaxed.

Let’s look at the vowel up close and in
slow motion.

It’s possible to make this sound on its
own with just the slightest jaw drop.

But in actual words, you will likely see a
bit more jaw drop, like here, on the word

‘sofa’.

Lips relaxed, cheeks relaxed, tongue forward
and relaxed.

As I said, this vowel can only be in an unstressed
syllable.

All other vowel and diphthong sounds can either
be stressed or unstressed.

So the schwa will always be really fast and
low in pitch.

Uh, uh.

Sofa, uh.

Ability, uh.

The schwa goes with the syllabic consonants
L, M, N, and R. That means when you have a

syllable with a schwa followed by one of these
consonants, you don’t need to make the schwa.

It gets absorbed by the next sound.

For example, the word ‘father’: th-rr,
th-rr.

Just go from the TH sound right into the R
sound without trying to make a separate schwa.

Father, -ther.

The schwa: always unstressed.

Uh, sofa, uh, uh, ability, uh.

Example words.

Repeat with me:

Allow, uh, allow

extra, uh, extra

data, uh, data

again, uh, again

visa, uh, visa

About, uh, about

The OO as in BOO vowel.

This sound is a little different from all
of the other vowel sounds.

Other vowel sounds have one mouth position,
EE, for example.

And it’s the position of the tongue, lips,
and jaw that make the sound.

For this vowel, the movement into and out
of the position is just as important as the

position itself, ih-oo.

We’ll talk about that in a second.

First, let’s take a look at the mouth position.

To make this sound, the back part of the tongue
stretches up towards the soft palate.

The front part of the tongue remains down,
lightly touching, or just behind, the bottom

front teeth.

I’m sure you can see the lips round a lot.

We want to begin this sound with lips that
are more relaxed to move into this tighter

lip position.

Let’s take the word ‘do’ as an example.

The lip position doesn’t matter for the
D sound.

The lips can start moving into the position
for the next sound when making the D, like

in the consonant cluster ‘drop’.

Did you see how my lips were already forming
the R when I made the D?

Drop.

So what happens when we make the lip position
for OO as we make the D sound?

Du, du.

That’s not the right sound, do, du.

To make the right American OO sound, the lips
have to start out, more relaxed, and then

come into this tight circle.

This transition into position for the sound
is just as important as the position itself.

Let’s see up close and in slow motion.

Lips start in a bigger flare, more relaxed,
before moving into the tighter circle.

Look at how much the corners of the lips come
in for this sound.

Now let’s take a look at the word ‘do’.

Remember, we don’t want to start with the
lips in a tight circle, but in a more relaxed

position so they can move into the tight circle.

Then lips move from the flare into the tighter
circle.

It might help to think to think of this sound
as ih-oo, starting with a more relaxed lip

position.

Ih-oo.

In a stressed syllable, you have an up-down
shape in the voice, OO, OO.

In an unstressed syllable, the pitch will
be flatter and lower, and it will be quieter

and quicker, oo, oo.

The OO vowel is unstressed in the word ‘visual’,
oo.

Let’s take a look up close and in slow motion.

Often, unstressed vowels have a more relaxed
lip position.

Notice that, for the oo vowel, the lips do
still come into a tight circle.

The OO vowel stressed: do, OO

The OO vowel unstressed: visual, oo

OO, oo, OO, oo.

Example words.

Repeat with me:

Blue, OO, Blue

issue, oo, issue

suit, oo, suit

move, OO, move

influence, oo, influence

Two.

OO, two

The UR as in BIRD sound.

I sometimes say this is the vowel version
of the R consonant.

It’s always followed by R, and there’s no
distinction between the sounds in American

English.

This sound will always be written with two
different International Phonetic Alphabet,

or IPA, symbols, but will be pronounced rrrrrr,
just one sound, bird.

To make this sound, the corners of the lips
come in, pushing the lips away from the face.

The middle part of the tongue lifts towards
the roof of the mouth in the middle.

The front of the tongue hangs down, but it’s
drawn back a bit.

So, it’s not touching anything.

As the tongue lifts in the middle, it may
be close to the roof of the mouth without

touching it, or it may touch the sides of
the roof of the mouth, or the insides or bottom

of the top teeth, here, ur, ur.

This, along with the R consonant, is one of
the hardest sounds to make in American English.

It’s especially hard because the lip position
hides the tongue position.

Let’s take a look.

From the side, we can’t even see the tongue.

The front view doesn’t help much either.

This is because the tongue goes back, but
the lips flare forward.

Here’s the word ‘hurt’.

Watch the tongue pull back and up

before coming forward for the T.

In a stressed syllable, the UR vowel curves
up then down.

Hurt, ur.

In an unstressed syllable, it’s lower in
pitch, as well as quieter and quicker, ur,ur.

The vowel is unstressed in the word ‘research’,
ur.

Let’s take a look at this word up close
and in slow motion.

The lips flare, but the jaw doesn’t drop
as much.

Let’s compare the stressed UR in ‘hurt’,
on the top, with the unstressed vowel in ‘research’,

on the bottom.

The lips flare for both, but in this case,
there was much more jaw drop for the stressed

version of this vowel.

This is typical.

Unstressed vowels are shorter, so there isn’t
as much time to make the full mouth position.

The UR vowel, stressed: hurt, UR

Unstressed: research, ur

UR, ur, UR, ur

Example words.

Repeat with me:

Earth, UR, Earth

search, UR, search

circle, UR, circle

thirteen, us, thirteen

return, UR, return

Outburst, ur, outburst.

The UH as in PUSH vowel.

To make this sound, the corners of the lips
come in a little so the lips flare away from

the face, UH.

The back of the tongue lifts towards the back
of the roof of the mouth.

The front of the tongue remains down, but
it might be pulled slightly back, so it’s

not quite touching the back of the bottom
front teeth.

Let’s look at this sound up close and in
slow motion.

The lips flare and the tongue inside the mouth
is a little darker than on other vowels because

the tongue is pulled back.

Here’s the word ‘took’.

The corners of the mouth come in to flare
the lips.

The back of the tongue lifts, and the front
pulls back a little.

In a stressed syllable, the vowel curves up
then down.

Took, uh.

In an unstressed syllable, it’s lower and
flatter in pitch, as well as quieter and quicker.

The vowel is unstressed in the word ‘good-bye’,
uh, uh.

Let’s look at this word up close and in
slow motion.

Again, the lips flare and the tongue lifts
in the back, pulling back the front of the

tongue.

Let’s compare the stressed version on top
with the unstressed version on the bottom.

Notice the lips flare a little less for the
unstressed vowel, hiding the bottom teeth.

Generally, the unstressed version of a vowel
or diphthong is more relaxed and doesn’t

take the full mouth position, in this case,
a little less lip flare, and possibly less

jaw drop.

This is because unstressed syllables are shorter,
so we don’t take the time to make the full

mouth position.

The stressed UH: took, UH

Unstressed: good-bye, uh

UH, uh.

UH, uh.

Example words.

Repeat with me:

Could, UH, could

Book, UH, book

Firewood, uh, Firewood

Sugar, UH, sugar

Childhood, uh, Childhood

Woman, UH, woman

The AY as in SAY diphthong.

Diphthongs are a combination of two sounds,
so they have a starting position and an ending

position.

In the first position, the jaw drops and the
tongue tip touches the back of the bottom

front teeth.

The top of the tongue pushes forward and lifts
a bit.

The second sound is the IH as in SIT vowel.

To transition into this position, your jaw
will lift as the top, front part of the tongue

arches towards the roof of the mouth.

Let’s look at a word with this sound, ‘pay’.

The jaw drops, and you can see a lot of tongue
as the front and middle push up and forward.

As the top, front part of the tongue arches
up towards the roof of the mouth, the jaw

comes up.

Lips are relaxed for this diphthong.

AY, pay.

In a stressed syllable like ‘pay’, the
AY diphthong curves up then down.

Pay, ay.

In an unstressed syllable, it’s lower and
flatter in pitch, as well as quicker and quieter,

ay, ay.

The diphthong is unstressed in the word ‘driveway’,
ay.

Let’s take a look at this word.

Just as before, the jaw drops, and you can
see a lot of tongue as the front and middle

push up and forward.

Then the top, front part of the tongue arches
up towards the roof of the mouth, and the

jaw comes up.

Jaw drop may be a little less when this diphthong
is in an unstressed syllable, as we tend to

simplify mouth movements in unstressed syllables,
which are shorter.

The AY diphthong, stressed: Pay, AY

Unstressed: driveway, ay

AY, ay, AY, ay.

Example words.

Repeat with me:

Okay, AY, Okay

Play, AY, Play

Operate, ay, Operate

Gain, AY, Gain

Separate, ay, Separate

Pain, AY, Pain

the AI as in BUY diphthong.

Diphthongs are a combination of two sounds,
so they have a starting position and an ending

position.

In the first position, the jaw is more dropped
than the second position.

The back of the tongue stretches up a little
bit.

As the mouth moves into the second position,
the jaw drops less as the front part of the

tongue arches up towards the roof of the mouth.

For both the beginning and the end of this
diphthong, the tongue tip touches the back

of the bottom front teeth.

Let’s watch up close and in slow motion,
where you can really see the front part of

the tongue arching up.

The jaw drops and the front part of the tongue
stays down, with the tip touching the back

of the bottom front teeth.

Immediately the tongue moves into the second
position, the top front arching up towards

the roof of the mouth.

As the tongue arches up, there’s less jaw
drop.

Here’s the word ‘hi’.

Jaw drops with the front of the tongue down,
then the jaw lifts as the front of the tongue

arches towards the roof of the mouth.

In a stressed syllable, the AI diphthong curves
up then down.

Hi, AI.

In an unstressed syllable, it’s lower and
flatter in pitch, as well as quicker and quieter,

ai, ai.

The diphthong is unstressed in the word ‘idea’,
ai.

Let’s take a look at this word.

The jaw drops, but just a little bit less
than it would in a stressed syllable.

Then the tongue arches up towards the roof
of the mouth before the tip goes to the roof

of the mouth for the D.

The AI diphthong, stressed: hi, AI

The AI diphthong, unstressed: idea, ai

AI, ai, AI, ai.

Example words.

Repeat with me:

Exercise, AI, Exercise

Wine, AI, Wine

Bright, AI, Bright

Guy, AI, Guy

Allies, ai, Allies

Sky, AI, Sky

The OH as in NO diphthong.

Diphthongs are a combination of two sounds.

They have a starting position and an ending
position.

The jaw drops for the beginning position,
tongue shifts back a little bit.

The lips may start relaxed, or may start rounding
right from the beginning.

After dropping the jaw, immediately start
moving into the ending position: the lips

round, and the back part of the tongue stretches
up.

Focus on the movement of the jaw and the lip
rounding.

Let’s see this sound up close and in slow
motion.

Jaw drop for the first position, and rounded
lips for the second.

The word ‘slow’.

Notice how the lips are not relaxed in the
first position of this diphthong, with the

jaw drop.

They’re flared, which does not affect the
sound, as they prepare to round for the ending

position.

Rounded lips.

In a stressed syllable, the OH diphthong curves
up then down.

Slow, oh.

In an unstressed syllable, it’s lower and
flatter in pitch, as well as quieter and quicker,

oh.

The diphthong is unstressed in the word ‘okay’,
oh.

Let’s take a look at the word ‘okay’.

The jaw drops, but not quite as much as it
did on the stressed syllable of ‘slow’.

The lips begin to round for the transition
into the ending position.

The lips round, but not quite as much as for
the stressed OH in ‘slow’.

Here we compare the first position of the
stressed OH on top with the unstressed version

on the bottom.

Less jaw drop for the unstressed version.

And here, the second position.

You can see that for the stressed OH, on top,
the lips round more than they do in the unstressed

version.

Generally, the unstressed version of a vowel
or diphthong is more relaxed and often doesn’t

take the full mouth position, in this case,
less jaw drop and less lip rounding.

This is because we don’t take as much time
for unstressed syllables, they’re shorter,

so we simplify the mouth movements.

The OH diphthong, stressed: slow, OH

Unstressed: okay, oh

OH, oh, OH, oh.

Example words.

Repeat with me:

Alone, OH, Alone

Tomorrow, oh, Tomorrow

Home, OH, Home

Window, oh, Window

Phone, OH, Phone

Social, OH, Social

The OW as in NOW diphthong.

Diphthongs are a combination of two sounds,
so they have a starting position and an ending

position.

To start this sound, drop the jaw.

The first sound is similar to the AA as in
BAT vowel.

The tongue is wide and flat, the back stretches
up a little bit.

The tongue tip touches the back of the bottom
front teeth.

The upper lip might lift a little, or it will
be relaxed.

To transition into the second position, the
lips round and the jaw drops less.

The back of the tongue stretches up more.

This second position is considered the same
as the UH as in PUSH vowel.

But when it’s a part of a diphthong, the
lips round more than when it occurs as a pure

vowel.

Let’s see this sound up close and in slow
motion.

Jaw drops.

Here, the upper lip pulls a little bit.

The tongue lifts in the back.

Now the lips come in and round as the jaw
comes up.

The word ‘wound’.

The lips start in a tight circle for the W,
but then open out for the first position of

the diphthong before rounding again for the
second position of the diphthong.

In a stressed syllable, the OW diphthong curves
up then down.

Wound, OW.

In an unstressed syllable, it’s lower and
flatter in pitch, as well as quieter and quicker,

ow, ow.

The diphthong is unstressed in the word ‘shutdown’,
ow.

Let’s take a look at this word.

Jaw drops, but notice the top lip is relaxed,
it doesn’t pull up.

Tongue is lifted in the back.

In the ending position, the lips aren’t
quite as rounded as they were in the stressed

version of this diphthong.

Here you see the jaw drop in the first position
of the diphthong, stressed version on top.

Notice that the jaw doesn’t drop as much
for the unstressed diphthong.

Here’s the second position.

The lips don’t round as much for the unstressed
diphthong; they’re more relaxed.

Generally, the unstressed version of a vowel
or diphthong is more relaxed and often doesn’t

take the full mouth position, in this case,
less jaw drop and less lip rounding.

This is because we don’t take as much time
with unstressed syllables.

They’re shorter, so we simplify the mouth
movements.

The OW diphthong, stressed: wound, OW

Unstressed: shutdown, ow

OW, ow, OW, ow.

Example words.

Repeat with me:

About, OW, About

Sound, OW, Sound

House, OW, House

Letdown, ow, Letdown

Blackout, ow, Blackout

Found.

OW, Found

The OY as in TOY diphthong.

Diphthongs are a combination of two sounds,
so they have a starting position and an ending

position.

This diphthong begins with the AW as in LAW
[ɔ] vowel.

As a part of the diphthong, the lips round
more than they do for the pure vowel by itself,

like in the word ‘law’.

Oy.

The tongue is slightly lifted and shifted
a bit back, so the tip of the tongue is not

touching anything.

The ending position is the ‘ih’ as in ‘sit’
vowel.

The lips relax and the tongue comes forward.

The tip lightly touches the back of the bottom
front teeth, and the top, front part of the

tongue arches up towards the roof of the mouth.

This brings the jaw back up.

Let’s look at this sound up close and in
slow motion.

At the beginning of the diphthong, the lips
are rounded.

The space inside the mouth is dark because
the tongue has shifted back.

For the second position, the corners of the
lips have relaxed out and the front, top part

of tongue reaches up towards the roof of the
mouth.

There is still some jaw drop.

Here’s the word ‘toy’.

Again, lips round for the first sound, and
relax for the second sound as the tongue arches

towards the roof of the mouth in the front.

In a stressed syllable, the OY diphthong curves
up then down.

Toy, OY.

In an unstressed syllable, it’s lower and
flatter in pitch, as well as quieter and quicker,

oy, oy.

The diphthong is unstressed in the word ‘tabloid’,
oy.

Let’s take a look at this word.

The diphthong looks the same: lips rounded
for the beginning position, then relaxing

out for the ending position, before the tongue
tip flips up for the D.

But because the pitch is flatter and the syllable
is quicker, it sounds unstressed.

The OY diphthong, stressed: toy, OY

Unstressed: tabloid, oy

OY, oy, OY, oy.

Example words.

Repeat with me:

Oil, OY, Oil

Coin, OY, Coin

Joyful, OY, Joyful

Steroid, oy, Steroid

Loyal, OY, Loyal

Boy, OY, Boy

The EW as in FEW diphthong.

Diphthongs are a combination of two sounds.

They have a starting position and an ending
position.

The first sound is the Y consonant.

Diphthongs are normally made up of two vowel
sounds, but in this case, the Y consonant

is acting as a vowel.

For example, in the word ‘music’ the Y
sound goes with the OO vowel to make a diphthong

rather than with the M consonant to make a
consonant cluster, music.

To make the Y sound, the jaw drops a little
bit.

The lips may be relaxed, or they may begin
rounding for the ending position.

The tongue tip is down, lightly touching the
back of the bottom front teeth.

The mid/front part of the tongue lifts and
touches the roof of the mouth about here.

It pushes forward against the roof of the
mouth before pulling away.

As we move the tongue on the roof of the mouth,
we close the vocal cords to get this sound:

yy, which we add to the sound.

Yy, yy.

We release it the same time we release the
tongue.

To transition into the next sound, we release
right into the position of OO as in BOO vowel.

The tongue tip doesn’t need to move; it
remains touching the back of the bottom front

teeth.

The back part of the tongue lifts towards
the soft palate.

The lips round.

Let’s study a word with this sound, ‘use’.

Jaw drops just a little bit as the tongue
lifts and presses forward against the roof

of the mouth.

The lips flare in preparation for the rounding
at the end of the diphthong.

Tongue releases, lifts in the back, and the
lips round.

In a stressed syllable, the EW diphthong curves
up then down.

Use, ew.

In an unstressed syllable, it’s lower and
flatter in pitch, as well as quieter and quicker,

ew, ew.

The diphthong is unstressed in the word ‘interview’,
ew.

Let’s take a look at the word ‘interview’.

A little bit of lip rounding in the first
position of the diphthong.

But in the ending position, the lip rounding
is subtle.

Not like in a stressed EW diphthong.

Let’s compare the ending position of the
stressed EW diphthong, above, with the unstressed

diphthong, below.

In the stressed version, the lips round much
more.

Generally, the unstressed version of a vowel
or diphthong is more relaxed and doesn’t

take the full mouth position, in this case,
less lip rounding.

This is because we don’t take as much time
for unstressed syllables, they’re shorter,

so we simplify the mouth movements.

EW stressed: use, EW

Unstressed: interview, ew

EW, ew, EW, ew.

Example words.

Repeat with me:

Music, EW, Music

Continue, ew, Continue

Review, EW, Review

Unite, ew, Unite

Union, EW, Union

Future, EW, Future

In this video, we’re going to do side by
side comparisons of vowel and diphthong sounds

that are similar.

Seeing how similar sounds are different should
help you solidify the individual sounds.

Let’s get started.

Notice how the lips are completely relaxed
for AH, but the corners pull back and up for

AA.

Ah, aa, ah, aa.

Notice how there’s more jaw drop for ah.

Press your tongue down in the back for this
vowel.

ah

uuh

Ah

uh

Notice how the corners of the lips pull back
and up just a bit for the AA vowel.

This is the word ‘sat’.

The lips are more relaxed for EH.

This is the word ‘said’.

Sat

said

sat

said

Notice how the lips are totally relaxed for
‘ah’, but flared a bit for ‘aw’.

ah

aw

ah

aw

IH has more jaw drop.

The tongue arches closer to the roof of the
mouth in EE.

ih

ee

ih

ee

EH has more jaw drop.

This is the word ‘said’.

In IH, the front part of the tongue arches
closer to the roof of the mouth.

This is the word ‘fix’.

Fix

Said

Fix

Said.

The jaw drops less for EE.

Here, EE is in the word ‘please’.

Notice how much the jaw drops for the first
sound of AY.

This is the word ‘pay’.

pay

please

pay

please

The jaw drops more for the first sound of
the diphthong in the word ‘pay’.

But the tongue is forward for both sounds.

Here, the IH vowel is in the word ‘fix’.

The second half of the diphthong is the same
sound as the IH vowel.

But here the jaw drops a little less.

pay

fix

pay

fix

The mouth position for the EH vowel in ‘said’
looks identical to the first half of the diphthong

in ‘pay’.

But look at the jaw for the second position
of the AY diphthong.

Less jaw drop.

pay

said

pay

said

Notice how the lips and mouth are totally
relaxed for the UH as in BUTTER vowel, but

for the UR vowel, the lips flare and the tongue
is pulled back.

uh

ur

uh

ur

There’s more jaw drop for the UH as in BUTTER
sound, which is usually stressed, than for

the schwa, which is always unstressed.

Here, it looks like there is no jaw drop.

Uh,

uh

Uh

uh

The
lips round much more for the OO vowel.

Flare them for the UH as in PUSH vowel.

UH

oo

UH

oo

The lips flare a bit for the UH as in PUSH
vowel, but are totally relaxed for the UH

as in BUTTER vowel.

Uh

Remember to start your lips in a relaxed position
for OO.

For the OH diphthong the jaw drops a lot for
the beginning sound.

Then the lips make a tight circle for OO,
and round, but not as much, for the second

sound of OH.

oo

oh

oo

oh

The beginning position of OH looks a lot like
the AH vowel, but the tongue pushes down in

the back for the AH vowel.

The ending position of the OH diphthong has
lip rounding, but the lips are always relaxed

for the AH vowel.

OH

AH

OH

AH

Notice how the corners of the lips pull back
for the first sound of the OW diphthong, but

the lips flare for the AW vowel.

The jaw drops much less and the lips flare
a little for the second half of the OW diphthong.

The mouth position doesn’t change for the
AW vowel.

OW

AW

OW

AW

Now we’ll see and say all those sounds and
words again, mixed up in a different order.

Say them with me, in slow motion.

Aa

ah

aw

ah

aa

sat

said

aa

ah

uh

aw

uh

uh

uh

oo

uh

uh

ur

uh

uh

uh

sat, , , , , ee, ih, fix, said,
ee, ih, pay, please, fix, ur, uh, oo, uh,

said

aa

ah

aw

ee

ih

fix

said

ee

eh

pay

please

fix

ur

uh

oo

Uh

uh

oh

oo

I’m so glad you’ve taken the time to watch
this video.

Really understanding the mouth positions for
the sounds of American English can help you

gain greater clarity in your spoken English.

We’ll have another video coming out in few
weeks, a compilation of all the consonant sounds.

For now, keep your learning going with this video
and don’t forget to subscribe with notifications,

I love being your English teacher.

That’s it and thanks so much for using Rachel’s
English.

今天,
我们将所有关注美式英语元音和双

元音的视频放在一起。

这是您的一站式商店。

你会看到照片、近距离慢
镜头、有价值的比较。

我们还将谈论很多关于单词重音的内容,
因为它确实会影响元音和

双元音。


将学习有关这些美式英语发音所需的一切。

我们将从父亲中的元音 AH
和黄油中的 UH 开始,我们将看到一个比较。

啊,就像父亲一样。

这个元音需要很多下巴。

啊。

舌尖轻触
下门牙后方,

舌后部稍下压。

啊。

嘴唇是中性的,非常放松。

啊。

因为舌头在后面向下压,
你可以更深入地看到嘴里的黑暗

空间。

让我们通过近距离和慢动作观察这个元音来了解这一点

嘴唇放松,舌头
在后面降低。

口腔内部是黑色的。

“工作”这个词。

下巴下垂,舌头
向后压。

啊。

当这个元音在重读音节时
,声音会在音高上上下,

啊,工作,啊。

在非重读音节的时候,
不会那么长,也不会出现

上下声,啊啊啊啊。

比如‘封锁’这个词,啊,
啊,封锁。

嘴巴的位置看起来一样:下巴下垂,
嘴唇放松,舌头

在后面稍微下压。

但是因为音高更平,
音节更快,所以听起来没有重读。

啊啊。

强调啊:工作,啊。

Unstressed ah:封锁啊。

啊啊。

啊啊。

例句。

跟我重复

一遍:Honest AH, Honest

Occupation, ah,occupation

hot, AH, hot

clock, AH,clock

October, 啊, October

Soft, Ah, soft

The UH as in butter 元音

这是一个很轻松的声音。

你可以看到,呃,下巴掉了下来
,但嘴巴的其余部分仍然很中性,呃。

舌头放松:背部
稍微下压,尖端向前。

呃。

保持你的脸真的放松。

让我们以慢动作近距离观察这个声音

一个非常放松的下巴和放松的嘴唇。

舌头在后面向下压了一下

这里是“东西”这个词。

再一次,一切看起来都很好,很轻松。

舌头在后面向下压了一下

在重读音节中,元音先上
后下。

东西,呃。

在一个非重读音节中,它
的音调更低更平,更安静和

更快,呃,呃。

元音在“undo”这个词中没有重读,
呃。

让我们近距离和慢动作看一下这个词

容易下巴。

嘴唇和脸颊仍然非常放松。

舌头在后面稍微下压。

比较上面的重读元音和下面的非重读元音

请注意,对于重读音节,下巴可能会下垂更多

这是典型的。

非重读元音和双元音较短,
因此没有太多时间来做出

全嘴位置。

UH 元音,重读:stuff,
UH UH 元音,非重读:undo, uh

UH, uh, UH, uh。

例句。

跟我重复一遍。

有时,呃,有时是

钱,呃,

上面的钱,呃,上面

解开,呃,解开

上坡,呃,上坡

乐趣,呃,乐趣。

在这里,我们在轮廓中有 AH 和 uh 元音。

你可以看到对于 Ah 元音,下巴可能会
下垂一点。

舌头的位置也
有点紧张。

那是因为舌头有点扁平

在 uh 元音中,舌头完全放松。

现在你会看到前面的嘴
在 AH 和 uh 声音之间交替。

观察下巴下垂的细微变化。

看看你是否也能注意到
舌头位置的细微变化。

AH

Uh

AH

Uh

AH

Uh

现在我们将做另外两个元音,
我注意到这对我的学生来说可能很棘手。

放。

星期六。

我说的是床元音中的 EH
和蝙蝠中的 AA 元音。

我们将深入研究每种声音并
进行比较。

EH 如 BED 元音。

为了发出这种声音,下巴会下垂,嗯
,舌头保持向前,尖端

轻轻地接触到下门牙后面。

嗯。

舌头的中部/前
部向口腔顶部略微抬起,而

舌头的后部感觉它伸展得很
宽。

嗯。

在重读音节中,声音有一点
向上弯曲,然后向下弯曲。

诶,诶。

用“说”字强调。

让我们近距离观看慢镜头。

下巴掉了下来。

舌尖接触下
门牙的后部,中部向上拱

向口腔顶部。

说,嗯,说。

在非重读音节中,元音
的音调更低、更平,也更安静、

更快,嗯,嗯。

元音在“employ”这个词中没有重读,
嗯。

让我们以慢动作近距离观察。

下巴放松。

舌头的中部向上拱向
嘴的顶部。

在这里,我们将顶部“said”的重音 EH
与底部“employ”的无重音版本

进行比较。

请注意,对于这个元音的重读版本,下巴会掉得更多

因为元音的非重读版本
较短,所以没有足够的时间

让整个下巴都掉下来。

EH 重读:说,EH

EH 非重读:employ, eh

EH, eh。

嗯,嗯。

例句。

跟我重复一遍:

红色,嗯,红色

从不,嗯,从不

拥抱,嗯,拥抱

进入,嗯,进入

体现,嗯,体现

桌子,嗯,桌子。

BAT 元音中的 AA。

这是根据以下声音而变化
的声音。

因此,它既可以是纯元音,也可以是修饰
元音。

我们将在这段视频中讨论这两个问题。

为了发出纯AA元音,下巴下降了
很多,AA。

舌尖向前; 它正在
接触下门牙的后部,

AA。

舌头的后部向上伸展。

舌头很宽,AA。

因为舌头后高
前低,所以可以看到很多。

这与“父亲”元音中的“啊”不同
,例如,舌头

在后面向下压,你会看到嘴里有更多的黑暗
空间。

啊,啊。

您还可以看到嘴角
向后和向上拉一点。

AA。

让我们近距离和慢动作看一下纯 AA 元音

舌尖向下,
舌后部抬起。

这里是“坐”这个词。

由于这个元音需要下颚下垂,所以很容易看到舌头的位置

当 AA 在重读音节中时,元音
会在音高上上升和下降,AA。

星期六,AA。

在非重读音节中,元音更平
,音调更低,更安静,aa。

这个元音在“backtrack”的第二个音节中没有重读

让我们近距离观察慢动作。

在第一个重读音节中,下巴下垂
,我们看到唇角

为重读 AA 向后拉。

在非重读音节中,下巴下垂
较少。

让我们比较一下。

最上面是强调的AA。

你可以看到下巴掉得更多。

对于无压力的 AA,嘴唇的角
比有压力的版本稍微放松一点

,它们会稍微
向后和向上拉。

一般来说,元音或双元音的非重读版本
更放松,不会

占据全嘴位置,在这种情况下
,下巴下垂少一点,嘴唇放松。

这是因为非重读音节较短,
所以我们不会花时间来做完整的

位置。

在这个视频的开头,我说过
AA 元音并不总是纯 AA。

当后面跟着一个鼻辅音时,这个元音会发生变化

当它后面跟着 M 或 N 音时
,舌头在后面放松,

在 AA 之后发出 UH 音。

AA-呃。

这不是纯粹的 AA 声音。

不幸的是,这种变化
在国际音标中没有体现。

它仍然用相同的 AA 符号书写。

所以,你只需要知道它什么时候跟
在 m 或 n 后面,它是不同的。

我们不会用纯 AA 说“人”、“人”、“人”

我们说“男人”,aa-uh,aa-uh,
在辅音前放松舌头和唇角

您可以将这种 UH 放松视为
“uh”,如“butter”声音或 schwa

声音。

让我们仔细看看
“考试”这个词。

首先,我们看到熟悉的嘴巴形状
,AA 位于重读音节中。

观察放松是如何发生的:
唇角放松

。舌头在后面放松。

M 辅音时嘴唇闭合。

当 AA

元音后面跟着 N 辅音时,唇角和舌后部就会放松。

例如,“手”这个词。

哈-嗯。

手。

因此,当您看到此符号后跟此
符号或此符号时,它不再是

纯 AA。

想想放松元音AA-UH。

如果下一个声音是 NG 辅音,那就
有点不同了。

元音不是“aa-uh”,而是
变为 AY。

它真的很像 SAY 双元音中的 AY。

首先,舌头的中部
向口腔顶部抬起,然后

是舌头的前部。

让我们近距离和慢动作观看“帮派”

第一个声音的位置看起来
很像AA,但舌头

上扬的部分更靠前。

高昂。

然后舌头的前部向上拱
向嘴巴的顶部,而

舌尖保持向下。

当您看到此符号后跟此
符号时,它不再是纯 AA。

更像是AY。

刚。

谢谢。

纯重音 AA:Sat,aa

纯无重音 AA:回溯,aa

AA,aa,AA,aa。

AA 元音 M 修饰:exam,aa-uh

AA 元音 N 修饰:man,aa-uh

AA 元音 NG 修饰:gang,ay

例句。

跟我重复一遍:

Chapter, AA, Chapter

can, AA, can

act, AA, act

last, AA , last

bank, ay, bank

Bypass, aa, bypass

在这里你会看到 EH 就像左边的床元音
和 AA 在右边的蝙蝠元音中

对于 AA 元音,你可以看到它
是舌头的后部向上抬起

到上颚。

对于 EH 元音,
舌头的前中部向上伸展。

同样对于 AA,您可以看到下巴
稍微下降了一点。

所以,对于 AA 元音,舌头
在这里抬起。

AA 对于 EH 元音,这里的舌头抬得
更高。

EH

所以这里是 AA,这里是 EH。

AA

EH

当单独比较这两种声音时,
您还会注意到,在发出

EH 声音时,下巴的下垂程度不如舌头前

部向口腔顶部上扬的程度。

AA

EH

嘴唇位置也有所不同

对于 AA 元音,您可能会发现,
如果您将左上角稍微抬高一点,您可能会听到更准确的声音

啊,啊。

而对于 EH 声音,嘴唇保持非常
放松和中性。

诶,诶。

现在我们将看到两者交替出现。

AA

EH

AA

EH 关闭,一些最小的对。

Bat

Bet

Capped

Kept

Jam

Gem

Tack

Tech

Rack

Wreck

接下来我们还有另一对
对我的学生来说很棘手。

EE 喜欢坐在座位上,IH 喜欢坐在座位上。

我们将深入研究每个声音,然后
我将讨论

元音的长度。

SHE 元音中的 EE。

这个元音在许多语言中都很常见。

为了做到这一点,下巴稍微下降了一点。

舌尖位于下门牙后面

舌头的中部/前
部向口腔顶部拱起,缩小

了舌头和口腔顶部之间的空间

唇角拉得有点宽,
嗯。

他们不是很放松。

让我们以慢动作近距离观察这个声音

下巴稍微下垂,舌尖向下和向前,
而舌头的顶部前

部向口腔顶部拱起。

唇角抽了出来。

在“please”这个词中,EE元音是
重读的。

相同的位置。

当重读时,元音
具有重读音节的上下形状:EE。

当没有重音时,它的音调更低更平坦
,更安静,更快,ee。

这是美式英语中非常常见的非重读元音结尾
,因为所有

单词都以 Y 结尾,例如单词“busy”。

让我们近距离和慢动作看这个词

下巴下垂,舌尖向上拱起
,唇角向外拉。

让我们比较一下“please”中的重音EE,
在顶部,与“busy”中的无重音EE,

在底部。

您可以看到未重读 EE 的嘴巴位置
稍微放松了一些。

下巴没有下降那么多。

对于元音或双元音的无重读版本,更放松的嘴巴位置
很常见,

因为它们更短。

因此,制作全嘴
位置的时间更少。

强调 EE:需要,
EE 非强调:忙碌,ee

EE,ee。

嗯,嗯。

例句。

跟我重复一遍:

Keep, EE, Keep

Early, EE, Early

Police, EE, police

Coffee, ee, coffee

meet, EE, meet

Each, EE, each

The IH as in sit 元音。

这个元音对于非母语人士来说可能是一个挑战

趋势是用 EE 元音代替它

但是对于 IH 元音,下巴下垂更多,
所以舌头不太靠近

上颚。

让我们研究一下嘴的位置。

有一个放松的下巴。

舌尖向前,轻轻
接触下门牙的后部。

舌头的顶部,前部向上拱
向嘴巴的顶部。

让我们以慢动作近距离观察这个元音

下巴放松。

舌尖向前。

舌头的顶部,前部向上拱向
嘴的顶部。

这个元音在“修复”这个词中被强调。

嘴的位置一样。

当这个元音在重读词或音节中时,
如“fix”,它有一个上下形状,IH,

fix,IH。

当它在一个非重读音节中时,它
会变得更平坦,音调更低,更安静:

ih,ih。

它在“办公室”这个词中没有被强调,
ih。

让我们来看看。

嘴的位置是一样的,但
更放松了一点。

让我们将顶部的“fix”中的重读 IH 与“office”中的未重读 IH 进行比较

请注意,重读音节的下巴更加
下垂。

对于无压力的 IH,下巴下垂较少。

这是典型的。

非重读元音较短,因此
没有太多时间来做出全嘴位置。

重读 IH: fix, IH 非

重读 IH: office, ih

IH, ih, IH,

ih 例句。

跟我重复一遍:

哪个,IH,哪个

代替,Ih,代替

开始,IH,开始

离婚,Ih,离婚

忙,IH,忙

打印,IH,打印

在哈德逊河沿岸进行舰队周,
他们正在带出一些旧的- 时间复制品

船。

就像我朋友 Jovan 在这张照片中所拍的一样

这让我想到了元音 IH
和 EE。

Ships 在坐元音和fleet 中具有IH
,在she 元音中都具有EE

现在我刚刚做了一个关于 IH 元音
与 EE 元音的视频,一个比较。

我根本没有谈论长度。

那是因为
当我们谈论元音本身时,我认为长度并没有真正发挥作用

但是由于很多人在教
这两个元音时都教长度,我想我应该

谈谈它。

很多人会说EE是长
元音,Ih是短元音。

但我觉得元音本身
没有长度。

对我来说,音节的长度取决于
是苦恼音节还是非重读音节。

因此,如果 Ih 元音位于实词的重读音节
中,那么

即使有人称其为短元音,它也会很长。

另一个影响元音长度的因素
是结尾辅音。

如果其他一切都相同并且结尾
辅音是浊音,那么该元音

将比结尾
辅音清音时长一点。

因此,例如单词 cap
将比单词 cab 短一点。

Cap

Cab

So 在查看单词节拍中的 EE 元音和 IH 元音

末尾有一个清辅音,那个
EE 元音很短。

打。

但是在单词bid中,结尾的
辅音是浊音,所以IH会长

一点。

所以不要考虑元音的长度
与元音本身有关。

它与音节和句子
位置以及结尾的辅音有关。

这艘船很有趣。

因为他们没有扬起帆,而是
让人们站在本来应该有帆的地方

请注意,用两个 e 拼写实际上是如何
用 IH 发音的,就像在坐

元音中一样。

再听一遍。

帆本来在哪里。

嘿 Jovan

是的,

袜子不错。

谢谢。

我真的很喜欢他们。

谢谢,这意味着很多。

现在,您将看到详细
介绍所有剩余元音和双元音的视频。

然后我们将比较
不同声音的嘴巴位置。

AW 与 LAW 元音相同。

这个元音,当纯音时,
与父亲元音中的 AH 非常相似。

在美国的某些地区,我们甚至不会
发出这种声音。

我们总是使用 AH 来代替 FATHER 的声音。

此外,当这个元音后面跟着 R
辅音时,它会发生变化。

我们会讨论的。

首先让我们研究一下嘴的位置。

为了发出这个元音,下巴下垂,
舌头向后移动。

舌尖没有碰到任何东西。

嘴唇微微张开。

哦。

一种可以帮助你发出这种
声音的技巧是想象脸颊进入

并向前移动一点,哦。

这是一种使其与 AH 不同的方法,
例如 FATHER 元音,嘴唇和

脸颊完全放松。

啊,啊。

让我们近距离观看慢镜头。

下巴下垂,嘴唇微微
张开,舌头向后拉。

让我们与上面的 FATHER 元音中的 AH 进行比较

在AH中,嘴唇是放松的。

在 AW 中,嘴唇张开。

还要注意在 AW 元音中舌头是如何向后拉的

在重读音节中,这个元音有重读
的上下形状。

哦。

哦。

例如,在“锯”这个词中。

下巴下垂,嘴唇张开,舌头向后移动。

在非重读音节中,声音
的音调会更低、更安静、更平缓。

非重读音节不会那么长,aw,
aw。

啊,啊。

语音在“on”这个词,
一个虚词,on 中没有重读。

虚词是非重读的,aw,aw。

请注意,这个词也可以用 AH 发音,
如 FATHER 元音。

这里的元音非常快,因为它
在一个非重读音节中。

舌尖不是很靠前。


舌头向上翻转做 N 之前,舌头就在适当的位置。

让我们比较
顶部 SAW 中的重音 AW 和底部“开”中的无重音 AW

你可以看到下巴下垂更少,嘴唇
更放松,舌头也没有

向后移动太多。

非重读音节比重读音节短
,因此

元音或双元音的非重读版本通常不会占据
重读版本的全口位置。

这个元音会受到以下辅音的影响。

当 AW 元音后面跟着 R 辅音时
,声音确实发生了变化。

嘴唇张开更多,舌头向后拉得
更多,向上一点。

这是因为
当 R 跟随 AW 时,我们将 R 的位置与 AW 的位置混合在一起

声音不是 AW,而是 aw, core, aw,
aw, AW。

我们再看一个词。

痛,啊,啊,痛,啊,啊。

让我们将纯 AW 与
底部的单词“Quarter”中的 AW 后跟 R 进行比较。

您可以看到 AW 之后是 R,
嘴唇更圆,下巴下垂更少。

由于嘴唇的原因,很难看到
舌头,但它比纯 AW 元音更向后和向上

拉。

纯重音 AW: saw, AW

纯无重音 AW: on, aw

AW, aw, AW, aw

由 R 修改的 AW: core, aw, aw。

例句。

跟我重复一遍。

老大,AW,老大

长,AW,长

径流,aw,径流

终身,aw,终身

登录,AW,登录

错误,AW,错误

女儿。

AW,

女儿 施瓦元音。

这个元音总是不重读的。

嘴的位置很像
黄油元音中的 UH,但这个元音可以而且

通常是重读的。

但就像那个元音一样,你的
嘴唇、下巴和脖子上的一切都应该为

这个声音而放松。

只需稍微放下你的下巴就可以发出这种声音。

诀窍是让其他一切都放松。

让我们近距离和慢动作看元音

只需轻轻一点下巴就可以自己发出这种声音。

但实际上,你可能
会在“沙发”这个词上看到更多的下巴,就像这里一样

嘴唇放松,脸颊放松,舌头
向前放松。

正如我所说,这个元音只能在非
重读音节中。

所有其他元音和双元音都
可以重读或不重读。

所以 schwa 总是非常快速和
低调。

呃,呃。

沙发,嗯。

能力,嗯。

schwa 与音节辅音
L、M、N 和 R 一起使用。这意味着当您有一个

带有 schwa 的音节后跟这些
辅音之一时,您不需要制作 schwa。

它被下一个声音吸收。

例如“父亲”这个词:th-rr,
th-rr。

只需从 TH 声音直接进入 R
声音,而无需尝试制作单独的 schwa。

父亲,-他。

schwa:总是不重音。

呃,沙发,呃,呃,能力,呃。

例句。

跟我重复一遍:

Allow, uh, allow

extra, uh, extra

data, uh, data

again, uh, again

visa, uh, visa

About, uh, about

The OO as in BOO 元音。

这个声音与
所有其他元音声音有点不同。

其他元音有一个嘴的位置
,例如EE。 发出声音

的是舌头、嘴唇
和下巴的位置。

对于这个元音,进出位置的运动
与位置本身一样重要

,ih-oo。

我们稍后再谈。

首先,我们来看看嘴巴的位置。

为了发出这种声音,舌头的后部
向上伸向软腭。

舌头的前部保持
向下,轻轻接触或刚好在下

门牙的后面。

我敢肯定,你可以看到很多圆润的嘴唇。

我们希望从更放松的嘴唇开始发出这个声音,
以进入这个更紧的

嘴唇位置。

让我们以“做”这个词为例。

唇位对
D 音无关紧要。

当发出 D 音时,嘴唇可以开始移动到
下一个声音的位置,

就像辅音簇“drop”中一样。

当我做 D 的时候,你看到我的嘴唇是如何形成 R 的了吗?

降低。

那么当我们在
发出 D 音的同时为 OO 制作嘴唇位置时会发生什么?

杜,杜。

那不是正确的声音,做,杜。

为了发出正确的美式 OO 声音,嘴唇
必须开始,更加放松,然后

进入这个紧密的圆圈。

这种过渡到声音
的位置与位置本身一样重要。

让我们近距离观察慢动作。

嘴唇从更大的喇叭口开始,更放松,
然后进入更紧密的圆圈。

看看这个声音的唇角有多少

现在让我们看一下“做”这个词。

请记住,我们不想从
紧圈开始,而是从更放松的

位置开始,这样它们就可以进入紧圈。

然后嘴唇从喇叭口移动到更紧密的
圆圈中。

从更放松的嘴唇位置开始,将这种声音想象成 ih-oo 可能会有所帮助

哎哟。

在重读音节中,你的声音有一个上下的
形状,OO,OO。

在非重读音节中,音高会
更平更低,也会更

安静更快,oo, oo。

OO 元音在单词“visual”中不
重读,oo。

让我们以慢动作近距离观察。

通常,无重读元音的
唇部位置更放松。

请注意,对于 oo 元音,嘴唇
仍然会形成一个紧密的圆圈。

OO 元音重读:do,

OO OO 非重读元音:visual, oo

OO, oo, OO, oo。

例句。

跟我重复一遍:

蓝色,OO,蓝色

问题,oo,问题

套装,oo,套装

移动,OO,移动

影响,oo,影响

二。

OO,

两个 UR 如同 BIRD 的声音。

我有时会说这是 R 辅音的元音版本

它后面总是跟着 R,而且
美式英语中的发音没有区别

这种声音总是用两种
不同的国际音标

或国际音标符号书写,但发音为 rrrrrr,
只有一种声音,鸟。

为了发出这个声音,嘴唇的角
进来了,把嘴唇从脸上推开。

舌头的中部向中部的上颚抬起

舌头的前部下垂,但它
向后拉了一点。

所以,它没有触及任何东西。

舌头在中间抬起的时候,可能
会靠近上颚而不

接触它,也可能会接触
到上颚的两侧,或者上牙的内侧或

底部,这里,你,你 .

这与 R 辅音一起,是
美式英语中最难发出的声音之一。

这特别难,因为嘴唇位置
隐藏了舌头位置。

让我们来看看。

从侧面看,我们甚至看不到舌头。

前视图也没有多大帮助。

这是因为舌头向后,
但嘴唇向前张开。

这里是“伤害”这个词。

观察舌头

在向前拉 T 之前向后和向上拉。

在重读音节中,UR 元音先向
上然后向下弯曲。

伤害,你。

在一个非重读音节中,它的
音调较低,并且更安静,更快,ur,ur。

“research”一词中的元音不重读,
ur。

让我们近距离和慢动作看一下这个词

嘴唇张开,但下巴没有
下降太多。

让我们比较一下顶部的“hurt”中的重读 UR 和底部
的“research”中的非重读元音

两者的嘴唇都张开,但在这种情况下,这个元音
的重音版本有更多的下巴下垂

这是典型的。

非重读元音较短,因此
没有太多时间来做出全嘴位置。

UR 元音,重读:hart,UR 非

重读:research, ur

UR, ur, UR, ur

例句。

跟我重复一遍:

地球,UR,地球

搜索,UR,搜索

圈,UR,

第十三圈,我们,十三

回归,UR,回归

爆发,你,爆发。

PUSH 元音中的 UH。

为了发出这种声音,嘴唇的角
稍微往里一点,这样嘴唇就会

远离脸部,呃。

舌后部
向口腔顶部的后部抬起。

舌头的前部仍然向下,
但可能会稍微向后拉,所以它

不会完全接触到下门牙的后部

让我们以慢动作近距离观察这个声音

嘴唇张开,嘴里的舌头
比其他元音更暗,

因为舌头被拉回了。

这里是“接受”这个词。

嘴角进入以
张开嘴唇。

舌头后部抬起,前部
向后拉一点。

在重读音节中,元音先上
后下。

拿了,嗯。

在非重读音节中,它的音调更低、
更平,也更安静、更快。

元音在“再见”这个词中没有重读,
呃,呃。

让我们近距离和慢动作看这个词

再次,嘴唇张开,舌头
向后抬起,将舌头的前部拉回

让我们比较顶部
的重音版本和底部的无重音版本。

请注意,对于不重读的元音,嘴唇的张开程度较小
,隐藏了下齿。

通常,元音或双元音的无重读版本
更放松,不会

占据全嘴位置,在这种情况下
,嘴唇张开少一点,下巴下垂也可能少一些

这是因为非重读音节较短,
所以我们不会花时间做出全

口位置。

重音的 UH:接受,UH

Unstressed:再见,

呃呃,呃。

呃,呃。

例句。

跟我重复

一遍:could, UH, could

Book, UH, book

Firewood, uh, Firewood

Sugar, UH, sugar

Childhood, uh, Childhood

Woman, UH, woman

The AY as in SAY diphthong。

双元音是两个声音的组合,
所以它们有一个起始位置和一个结束

位置。

在第一个位置,下巴下垂,
舌尖接触下门牙的后部

舌尖向前推动并
稍微抬起。

第二个声音是 SIT 元音中的 IH。

为了过渡到这个位置,你的下巴
会随着舌头的顶部前

部向口腔顶部拱起而抬起。

让我们看一个有这个发音的词,“支付”。

下巴下垂,
当前面和中间向上和向前推动时,你可以看到很多舌头。

当舌头的顶部、前
部向口腔顶部拱起时,下巴

就会抬起。

对于这个双元音,嘴唇是放松的。

嗯,付钱。

在像“pay”这样的重读音节中,
AY 双元音先上后下。

付钱,嗯。

在非重读音节中,它
的音调更低更平,而且更快更安静,

ay,ay。

双元音在“车道”这个词中没有重读,是的

我们来看看这个词。

和以前一样,下巴下垂,你可以
看到很多舌头,因为前面和中间

向上和向前推动。

然后舌头的顶部,前部
向上拱向口腔顶部,

下巴向上。

当这个双
元音在非重读音节中时,下巴下垂可能会少一些,因为我们倾向于

在更短的非重读音节中简化嘴巴的动作

AY 双元音,重读:Pay,AY 非

重读:driveway,ay

AY,ay,AY,ay。

例句。

跟我重复

一遍:好的,AY,Okay

Play,AY,Play

Operate,ay,Operate

Gain,AY,Gain

separate,ay,Separate

Pain,AY,Pain

the AI as in BUY diphthong。

双元音是两个声音的组合,
所以它们有一个起始位置和一个结束

位置。

在第一个位置,下巴
比第二个位置下垂更多。

舌头的后部稍微伸长了
一点。

当嘴巴移动到第二个位置时,
随着舌头的前

部向嘴巴的顶部拱起,下巴的下垂就会减少。

对于这个双元音的开头和结尾
,舌尖接触

下门牙的后部。

让我们以慢动作近距离观察
,您可以真正看到舌头的前

部向上拱起。

下巴下垂,舌头前部
下垂,舌尖接触

下门牙的后部。

舌头立即移动到第二个
位置,顶部前部向上拱起

朝向嘴巴的顶部。

当舌头向上拱起时,下巴的
下垂就会减少。

这里是“嗨”这个词。

舌头前部向下,下巴下垂,
然后随着舌头前

部向口腔顶部拱起,下巴抬起。

在重读音节中,AI 双元音先
上后下。

你好,艾。

在非重读音节中,它
的音调更低更平,并且更快更安静,

ai,ai。

在“idea”这个词中,双元音不重读,
ai。

我们来看看这个词。

下巴掉了下来,但只是
比重读音节少一点。

然后舌头向上向上拱起,
然后舌尖移到

上颚发

D. AI 双元音,重读:hi,

AI AI 双元音,非重读:idea, ai

AI, ai, AI, ai .

例句。

跟我重复一遍:

运动,AI,运动

酒,AI,酒

亮,AI,Bright

Guy,AI,Guy

Allies,ai,Allies

Sky,AI,Sky

The OH as in NO diphthong。

双元音是两种声音的组合。

它们有一个起始位置和一个结束
位置。

下巴开始下降,
舌头向后移动一点。

嘴唇可能开始放松,或者可能
从一开始就开始变圆。

放下下巴后,立即开始
移动到结束位置:嘴唇

圆润,舌头后部
向上伸展。

专注于下巴的运动和嘴唇的
圆润。

让我们以慢动作近距离观察这个声音

第一个位置是下巴,
第二个是圆润的嘴唇。

“慢”字。

注意在
这个双元音的第一个位置,嘴唇没有放松,

下巴下垂。

它们是张开的,这不会影响
声音,因为它们准备四舍五入到结束

位置。

圆润的嘴唇。

在重读音节中,OH 双元音先
上后下。

慢,哦。

在非重读音节中,它
的音调更低更平,也更安静更快,

哦。

双元音在“okay”这个词中没有重读,
哦。

让我们看一下“好”这个词。

下巴掉了下来,但
不像“慢”的重读音节那么严重。

嘴唇开始变圆以过渡
到结束位置。

嘴唇圆润,但不如
“慢”中强调的 OH 那么多。

在这里,我们将
顶部有应力的 OH 的第一个位置与底部的无应力版本

进行比较。

无压力版本的下巴下垂更少。

在这里,第二个位置。

您可以看到,对于重音 OH,在顶部
,嘴唇比无重音版本更圆

通常,元音或双元音的无重读版本
更轻松,通常不会

占据全嘴位置,在这种情况下
,下巴下垂和嘴唇圆润的情况更少。

这是因为我们没有花太多时间
来处理非重读音节,它们更短,

所以我们简化了嘴巴的动作。

OH双元音,重读:慢,哦 非

重读:好的,哦

,哦,哦,哦,哦。

例句。

跟我重复一遍:

Alone, OH, Alone

Tomorrow, oh, Tomorrow

Home, OH, Home

Window, oh, Window

Phone, OH, Phone

Social, OH, Social

The OW as in NOW diphthong。

双元音是两个声音的组合,
所以它们有一个起始位置和一个结束

位置。

要开始这个声音,请放下下巴。

第一个声音类似于
BAT 元音中的 AA。

舌头又宽又平,背部
稍微向上伸展。

舌尖接触下门牙的后部

上唇可能会抬起一点,或者
会放松。

为了过渡到第二个位置,
嘴唇变圆,下巴下垂更少。

舌后部伸展得更多。

这第二个位置被认为与
PUSH 元音中的 UH 相同。

但是当它是双元音的一部分
时,嘴唇比纯元音时更

圆。

让我们以慢动作近距离观察这个声音

下巴掉下来。

在这里,上唇有点拉扯。

舌头在后面抬起。

现在,当下巴抬起时,嘴唇会变得圆润

“伤”字。

对于 W,双唇从一个紧密的圆圈开始
,然后在双元音的第一个位置张开,

然后再次圆润到双元音的
第二个位置。

在重读音节中,OW双元音先
上后下。

伤口,哦。

在非重读音节中,它
的音调更低更平,也更安静、更快,

哇,哇。

双元音在“shutdown”这个词中没有重读,
ow。

我们来看看这个词。

下巴下降,但请注意上唇放松
,没有拉起。

舌头在后面抬起。

在结束位置,嘴唇不像

双元音的重音版本那样圆润。

在这里,您可以看到双元音的第一个位置的下巴下降
,顶部的强调版本。

请注意,
对于无重音的双元音,下巴不会下降太多。

这是第二个位置。

对于无重读的双元音,嘴唇没有那么圆
; 他们更放松。

通常,元音或双元音的无重读版本
更轻松,通常不会

占据全嘴位置,在这种情况下
,下巴下垂和嘴唇圆润的情况更少。

这是因为我们不会花太多时间来
处理非重读音节。

它们更短,所以我们简化了嘴巴的
动作。

OW双元音,重读:wound,OW 非

重读:shutdown,ow

OW,ow,OW,ow。

例句。

跟我重复

一遍:关于,OW,关于

声音,OW,Sound

House,OW,House

Letdown,ow,Letdown

Blackout,ow,Blackout

Found。

OW,找到

了玩具双元音中的 OY。

双元音是两个声音的组合,
所以它们有一个起始位置和一个结束

位置。

这个双元音以 AW 开头,如 LAW
[ɔ] 元音。

作为双元音的一部分,嘴唇
比纯元音本身更圆,

就像“法律”这个词一样。

哦。

舌头稍微抬起并向后
移动一点,所以舌尖没有

碰到任何东西。

结束位置是“ih”,如“sit”
元音。

嘴唇放松,舌头向前。

尖端轻轻接触下
门牙的后部,舌头的顶部前部

向上拱向口腔顶部。

这会使下巴恢复原状。

让我们以慢动作近距离观察这个声音

在双元音的开头,嘴唇
是圆的。

嘴里的空间是黑暗的,
因为舌头已经向后移动。

对于第二个位置,嘴唇的角
已经放松,舌头的前部,顶部

向上伸向嘴巴的顶部

仍然有一些下巴下降。

这里是“玩具”这个词。

再次,嘴唇在第一个声音时变圆,在第二个声音时
放松,因为舌头

向前面的嘴顶拱起。

在重读音节中,OY 双元音先
上后下。

玩具,OY。

在一个非重读音节中,它的音调更低、
更平,而且更安静、更快,

oy,oy。

双元音在“小报”这个词中没有重读,
oy。

我们来看看这个词。

双元音看起来一样:
开始位置时嘴唇变圆,

结束位置时嘴唇放松,然后
舌尖向上弹起 D。

但是因为音高更平,
音节更快,所以听起来没有重读。

OY双元音,重读:玩具,OY 非

重读:小报,oy

OY,oy,OY,oy。

例句。

跟我重复

一遍:Oil, OY, Oil

Coin, OY, Coin

Joyful, OY, Joyful

Steroid, oy, Steroid

Loyal, OY, Loyal

Boy, OY, Boy

The EW 就像 FEW 双元音一样。

双元音是两种声音的组合。

它们有一个起始位置和一个结束
位置。

第一个声音是Y辅音。

双元音通常由两个元音组成
,但在这种情况下,Y

辅音充当元音。

例如,在“音乐”这个词中,Y
音与 OO 元音一起构成双元音,

而不是与 M 辅音一起构成
辅音簇 music。

为了发出 Y 音,下巴会
稍微下垂。

嘴唇可能会放松,或者它们可能会开始
圆润以达到结束位置。

舌尖向下,轻触
下门牙后部。

舌头的中部/前部抬起并
在此处接触上颚。 在拉开之前,

它会向前推动嘴巴的顶部

当我们在口腔顶部移动舌头时,
我们关闭声带以获得这种声音:

yy,我们将其添加到声音中。

哟哟哟。

我们在释放舌头的同时释放它

为了过渡到下一个声音,我们直接
释放到 OO 的位置,就像在 BOO 元音中一样。

舌尖无需移动; 它
仍然接触下门牙的后部

舌头的后部
向软腭抬起。

嘴唇圆圆的。

让我们研究一个带有这个发音的单词,“使用”。

当舌头抬起并向前压在上颚时,下巴会稍微下垂

嘴唇张开,为
双元音末端的圆润做准备。

舌头放松,背部抬起,
嘴唇变圆。

在重读音节中,EW 双元音先
上后下。

使用,呃。

在一个非重读音节中,它
的音调更低更平,而且更安静更快,

ew,ew。

单词“interview”中没有重读双元音,
ew。

让我们看一下“采访”这个词。 在双元音

的第一个位置有点圆唇

但在结束位置,嘴唇圆润
是微妙的。

不像在强调的 EW 双元音中。

让我们比较一下
上面重读的 EW 双元音的结束位置和下面的非重读双元音的结束位置

在强调版本中,嘴唇更加圆润

一般来说,元音或双元音的非重读版本
更轻松,不会

占据全嘴位置,在这种情况下
,唇部圆润度较低。

这是因为我们没有花太多时间
来处理非重读音节,它们更短,

所以我们简化了嘴巴的动作。

EW 重读:使用,EW 非

重读:采访,ew

EW,ew,EW,ew。

例句。

跟我重复:

音乐,电子战,音乐

继续,ew,继续

回顾,电子战,回顾

团结,ew,团结

联盟,电子战,联盟

未来,电子战,未来

在这个视频中,我们将
并排比较元音 和

相似的双元音。

看看相似的声音有多么不同应该可以
帮助您巩固各个声音。

让我们开始吧。

请注意,对于 AH,嘴唇是如何完全放松
的,但对于 AA,角会向后和向上拉

啊啊啊啊啊啊啊

注意 ah 有更多的下巴。

把你的舌头在后面压下这个
元音。

uuh

Ah

uh

注意 AA 元音的唇角是如何向后
和向上拉一点的。

这就是“坐”这个词。

EH 的嘴唇更放松。

这就是“说”字。

Sat

said

sat

said

注意嘴唇是如何完全放松
“啊”,但有点张开“啊”。

啊啊啊啊

啊,

IH的下巴更多了。

在 EE 中,舌头拱起更靠近
上颚。

ih

ee

ih

ee

EH 有更多的下巴下垂。

这就是“说”字。

在 IH 中,舌头的前部拱起
更靠近上颚。

这就是“修复”这个词。

修复

修复

说。

EE 的下巴下垂较少。

在这里,EE 在“请”这个词中。

注意 AY 的第一个声音时下巴下降了多少

这就是“付”字。

pay

please

pay

please 对于
“pay”这个词中双元音的第一个声音,下巴会掉得更多。

但是这两种声音的舌头都是向前的。

在这里,IH 元音在“修复”这个词中。

双元音的后半部分
与 IH 元音同音。

但这里的下巴下降得少了一点。

pay

fix

pay

fix

“said”中 EH 元音的嘴位
看起来与“pay”中双元音的前半部分相同

但是看看 AY 双元音的第二个位置的下巴

少下巴。

pay say

pay say

注意 UH 的嘴唇和嘴巴是如何完全
放松的,就像在 BUTTER 元音中一样,但是

对于 UR 元音,嘴唇张开并且舌头
向后拉。

uh

ur

uh

ur UH 和 BUTTER
声音(通常有重音)

比 schwa(总是无重音)更容易让人下巴。

在这里,看起来没有下巴掉下来。

Uh,

uh

Uh

uh

OO 元音的嘴唇更圆。

像 PUSH 元音一样为 UH 发出喇叭声。

UH

oo

UH

oo

像PUSH 元音一样,UH 的双唇稍微张开
,但

像BUTTER 元音一样,UH 完全放松。

记得在OO开始时以放松的位置开始你的嘴唇

对于 OH 双元音,开头声音的下巴会下降
很多。

然后嘴唇在 OO 中形成一个紧密的圆圈,在 OH
的第二个声音中形成圆形,但不是那么大

oo

oh

oo

oh

OH 的开头位置看起来
很像 AH 元音,但是 AH 元音的舌头

向后下推。

OH 双元音的结尾位置有
圆唇,但对于 AH 元音,嘴唇总是放松

的。

OH

AH

OH

AH

注意
OW 双元音的第一个音时唇角向后拉,

但 AW 元音时嘴唇张开。

在 OW 双元音的后半部分,下巴的下垂要少得多,嘴唇也会
张开一点。 AW 元音

的嘴巴位置不变

OW

AW

OW

AW

现在我们将再次看到并说出所有这些声音和
单词,以不同的顺序混合在一起。

用慢动作跟我说。

AA啊AW啊AA SAT说AA啊呃AW呃呃呃OO噢噢乌尔呃呃呃坐着,,,,,EE,1H,修复,说,EE,1H,工资,请修复,UR,呃,OO , 呃,

aa

ah

aw

ee

ih

fix

ee

eh

pay

please

fix

ur

uh

oo

Uh

uh

oh

oo

我很高兴你花时间观看
这个视频。

真正了解
美式英语发音的嘴位可以帮助

您在口语中获得更高的清晰度。

我们将在几周后发布另一个视频
,其中包含所有辅音。

现在,通过这个视频继续你的学习
,不要忘记订阅通知,

我喜欢做你的英语老师。

就是这样,非常感谢您使用 Rachel 的
英语。