Four sisters in Ancient Rome Ray Laurence

Translator: Andrea McDonough
Reviewer: Jessica Ruby

Today, we’re going to look at the world of Rome

through the eyes of a young girl.

Here she is, drawing a picture of herself

in the atrium of her father’s enormous house.

Her name is Domitia,

and she is just 5 years old.

She has an older brother who is fourteen,

Lucius Domitius Ahenobarbus,

named after her dad.

Girls don’t get these long names that boys have.

What is worse is that Dad insists

on calling all his daughters Domitia.

“Domitia!”

His call to Domitia drawing on the column,

Domitia III.

She has an older sister, Domitia II, who is 7 years old.

And then there’s Domitia I, who is ten.

There would have been a Domitia IV,

but mom died trying to give birth to her three years ago.

Confused?

The Romans were too.

They could work out ancestry through the male line

with the nice, tripartite names

such as Lucius Domitius Ahenobarbus.

But they got in a real mess

over which Domitia was married to whom

and was either the great aunt

or the great stepmother and so on to whom

when they came to write it down.

Domitia III is not just drawing on the pillar,

she’s also watching the action.

You see, it’s early,

in the time of day when all her dad’s clients and friends

come to see him at home to pay their respects.

Lucius Popidius Secundus, a 17 year old,

he wants to marry Domitia II

within the next five to seven years,

has come as well.

He seems to be wooing not his future wife,

but her dad.

Poor Lucius, he does not know that Domitia’s dad

thinks he and his family are wealthy

but still scumbags from the Subura.

Afterall, it is the part of Rome

full of barbers and prostitutes.

Suddenly, all the men are leaving with Dad.

It’s the second hour

and time for him to be in court

with a sturdy audience of clients

to applaud his rhetoric

and hiss at his opponent.

The house is now quieter.

The men won’t return for seven hours,

not until dinner time.

But what happens in the house for those seven hours?

What do Domitia, Domitia, and Domitia do all day?

Not an easy question!

Everything written down by the Romans

that we have today was written by men.

This makes constructing the lives of women difficult.

However, we can’t have a history of just Roman men,

so here it goes.

We can begin in the atrium.

There is a massive loom,

on which Dad’s latest wife is working on a new toga.

Domitia, Domitia, and Domitia are tasked

with spinning the wool

that will be used to weave this mighty garment,

30 or more feet long and elliptical in shape.

Romans loved the idea

that their wives work wool.

We know that because it’s written

on the gravestones of so many Roman women.

Unlike women in Greece,

Roman women go out the house

and move about the city.

They go to the baths in the morning to avoid the men

or to separate baths that are for women only.

Some do go in for the latest fad of the AD 70s:

nude bathing with men present.

Where they have no place

is where the men are:

in the Forum,

in the Law Court,

or in the Senate House.

Their place in public is in the porticos

with gardens,

with sculpture,

and with pathways for walking in.

When Domitia, Domitia, and Domitia want

to leave the house to go somewhere,

like the Portico of Livia,

they must get ready.

Domitia II and Domitia III are ready,

but Domitia I, who is betrothed to be married

in two years to darling Philatus,

isn’t ready.

She’s not slow, she just has more to do.

Being betrothed means she wears the insignia of betrothal:

engagement rings

and all the gifts Pilatus has given her -

jewels,

earrings,

necklaces,

and the pendants.

She may even wear her myrtle crown.

All this bling shouts,

“I’m getting married to that 19 year old

who gave me all this stuff I’m wearing!”

While as they wait, Domitia II and Domitia III play with their dolls

that mirror the image of their sister

decked out to be married.

One day, these dolls will be dedicated

to the household gods on the day of their wedding.

Okay, we’re ready.

The girls step into litters carried by some burly slaves.

They also have a chaperone with them

and will be meeting an aunt at the Porticus of Livia.

Carried high on the shoulders of these slaves,

the girls look out through the curtains

to see the crowded streets below them.

They traverse the city, pass the Coliseum,

but then turn off to climb up the hill

to the Porticus of Livia.

It was built by Livia, the wife of the first emperor Augustus,

on the site of the house of Vedius Pollio.

He wasn’t such a great guy.

He once tried to feed a slave

to the eels in his fish pond

for simply dropping a dish.

Luckily, the emperor was at the dinner

and tamed his temper.

The litters are placed on the ground

and the girls get out

and arm in arm, two by two,

they ascend the steps

into the enclosed garden with many columns.

Domitia III shot off and is drawing on a column.

Domitia II joins her

but seeks to read the graffiti higher up on the column.

She spots a drawing of gladiators

and tries to imagine seeing them fighting,

something she will never be permitted to do,

except from the very rear of the Coliseum.

From there, she will have a good view

of the 50,000 spectators

but will see little by way of blood and gore.

If she really wanted a decent view,

she could become a vestal virgin

and would sit right down the front.

But a career tending the sacred flame of Vesta

is not to everybody’s taste.

Domitia I has met another ten year old

also decked out in the insignia of betrothal.

Home time.

When they get there after the eighth hour,

something is up.

A smashed dish lies on the floor.

All the slaves are being gathered together in the atrium

and await the arrival of their master.

Dad is going to go mad.

He will not hit his children,

but like many other Romans,

he believes that slaves have to be punished.

The whip lies ready for his arrival.

No one knows who smashed the dish,

but Dad will call the undertaker

to torture it out of them, if he must.

The doorkeeper opens the front door to the house.

A hush comes over the anxious slaves.

In walks not their master

but, instead, a pregnant teenager.

It is the master’s eldest daughter, age 15,

who is already a veteran of marriage and child birth.

Guess what her name is.

There is a five to ten percent chance

she won’t survive giving birth to her child,

but, for now, she has come to dinner with her family.

As a teenage mother,

she has proved that she is a successful wife

by bringing children and descendants for her husband,

who will carry on his name in the future.

The family head off to the dining room

and are served dinner.

It would seem Dad has had an invite to dinner elsewhere.

With dinner concluded, the girls crossed the atrium

to bid farewell to their older sister

who is carried home in a litter,

escorted by some of Dad’s bodyguards.

Returning to the house,

the girls cross the atrium.

The slaves, young and old,

male and female,

await the return of their owner.

When he returns, he may exact vengeance,

ensuring his power over the slaves

is maintained through violence and terror,

to which any slave could be subjected.

But, for the girls, they head upstairs for the night,

ready for bed.

译者:Andrea McDonough
审稿人:Jessica Ruby

今天,我们将

通过一个年轻女孩的眼光来审视罗马的世界。

她在这里,

在她父亲的大房子的中庭画了一张自己的照片。

她的名字叫Domitia

,她只有5岁。

她有一个十四岁的哥哥,

Lucius Domitius Ahenobarbus,

以她父亲的名字命名。

女孩不会得到男孩有的这些长名字。

更糟糕的是,爸爸坚持要

叫他所有的女儿多米蒂亚。

“多米蒂亚!”

他在专栏 Domitia III 上对 Domitia 的呼吁

她有一个7岁的姐姐Domitia II。

然后是十岁的多米蒂亚一世。

本来会有 Domitia IV,

但妈妈在三年前试图生下她时死了。

使困惑?

罗马人也是。

他们可以通过

像卢修斯·多米蒂乌斯·阿赫诺巴布斯这样的好听的三方名字来确定男性血统。

但是当他们写下来时,他们陷入了真正的

混乱,Domitia与谁结婚

,是姑姑

或继母等等

Domitia III 不仅仅是在画柱子,

她也在观察动作。

你看,现在还早,

她父亲的所有客户和朋友

都来家里看望他以表示敬意。

Lucius Popidius Secundus,一个 17 岁的孩子,

他想

在未来五到七年内嫁给 Domitia II,他

也来了。

他似乎不是在追求他未来的妻子,

而是她的父亲。

可怜的卢修斯,他不知道多米蒂亚的父亲

认为他和他的家人很有钱,

但仍然是苏布拉的人渣。

毕竟,这是罗马

充满理发师和妓女的地方。

突然,所有的男人都和爸爸一起离开了。

这是他第二个小时

和时间在法庭上

与一群坚定的客户

一起为他的言论

和对他的对手的嘶嘶声喝彩。

屋子里现在更安静了。

这些人要等七个小时才能回来,

直到晚餐时间。

但是这七个小时在房子里发生了什么?

Domitia、Domitia 和 Domitia 整天都在做什么?

不是一个简单的问题!

我们今天所拥有的罗马人写下的一切都是人写的。

这使得构建女性的生活变得困难。

然而,我们不能只拥有罗马人的历史,

所以就这样吧。

我们可以从中庭开始。

有一台巨大的织布机

,爸爸的新任妻子正在织布机上织一件新的长袍。

Domitia、Domitia 和 Domitia 的任务

是纺制羊毛

,用于编织这件

30 英尺或更多英尺长且呈椭圆形的强大服装。

罗马人喜欢

他们的妻子工作羊毛的想法。

我们知道这一点,因为它写

在许多罗马女性的墓碑上。

与希腊的女性不同,

罗马女性走出家门

,在城里四处走动。

他们早上去澡堂是为了避开男人,

或者分开只为女人准备的澡堂。

有些人确实追上了公元 70 年代的最新时尚:

与在场的男人一起裸浴。

他们没有位置的地方

是男人所在的地方:

在论坛上、

在法院

或在参议院。

他们在公共场所的位置是在

带有花园

、雕塑

和步道的门廊中。

当 Domitia、Domitia 和 Domitia

想要离开房子去某个地方,

比如 Livia 的门廊时,

他们必须做好准备。

Domitia II 和 Domitia III 已经准备好了,

但 Domitia I 已经准备好在

两年内与亲爱的 Philatus 结婚

她并不慢,她只是有更多的事情要做。

订婚意味着她戴着订婚的标志:

订婚戒指

和皮拉图斯送给她的所有礼物——

珠宝、

耳环、

项链

和吊坠。

她甚至可能戴着她的桃金娘王冠。

所有这些闪闪发光的东西都在喊:

“我要嫁给

那个给了我所有这些东西的 19 岁女孩!”

当他们等待时,Domitia II 和 Domitia III 玩着他们的洋娃娃,这些洋娃娃

反映了他们准备结婚的妹妹的形象

有一天,这些娃娃将

在婚礼当天供奉给家庭神灵。

好的,我们准备好了。

女孩们走进由一些身材魁梧的奴隶抬着的垃圾箱。

他们还有一位陪伴者,

他们将在利维亚的门廊会见一位阿姨。 女孩们

高高地扛在这些奴隶的肩膀上,

透过窗帘向外望去

,看到她们下方拥挤的街道。

他们穿越城市,经过体育馆

,然后转身爬上山丘

到达利维亚门廊。

它是由第一任皇帝奥古斯都的妻子利维亚在

维迪乌斯·波利奥的房子的旧址上建造的。

他本来就不是什么好人。

他曾经试图用一个奴隶喂

他鱼塘里的鳗鱼,因为他

只是丢了一个盘子。

幸好皇上在

宴席上,缓和了他的脾气。

垃圾放在地上

,女孩们

伸出手,两两下车

,走上台阶,

进入有许多柱子的封闭花园。

Domitia III 射击并在柱子上绘图。

Domitia II 加入了她

的行列,但试图阅读柱子上方的涂鸦。

她发现了一幅角斗士的图画,

并试图想象看到他们在战斗,

这是她永远不被允许做的事情,

除非在体育馆的最后面。

从那里,她可以

清楚地看到 50,000 名观众,

但几乎看不到血迹。

如果她真的想要一个像样的视野,

她可以成为一个处女

,坐在前面。

但是照顾灶神星神圣火焰的职业

并不符合每个人的口味。

Domitia 我遇到了另一个十岁的孩子,

也穿着订婚的徽章。

回家时间。

当他们在第八个小时后到达那里时,

有些事情发生了。

一个砸碎的盘子躺在地板上。

所有的奴隶都聚集在中庭

,等待主人的到来。

爸爸会发疯的。

他不会打他的孩子,

但像许多其他罗马人一样,

他认为奴隶必须受到惩罚。

鞭子已经准备好迎接他的到来。

没有人知道是谁打碎了盘子,

如果必须的话,爸爸会叫殡仪馆的人把盘子拷出来。

门卫打开房子的前门。

焦急的奴隶们安静下来。

走进来的不是他们的主人

,而是一个怀孕的少年。

是师父的大女儿,15岁,

已经是婚育老手了。

猜猜她叫什么名字。 生下孩子后,她

有 5% 到 10% 的

可能性无法幸存,

但现在,她已经和家人一起来吃饭了。

作为一个十几岁的母亲,

她通过为丈夫带来孩子和后代,证明了她是一个成功的妻子

丈夫将来会继承他的名字。

一家人前往

餐厅享用晚餐。

看来爸爸已经被邀请到别处吃饭了。

晚饭结束后,女孩们穿过中庭,

被爸爸的一些保镖押送回家的姐姐告别。

回到房子里

,女孩们穿过中庭。

奴隶,无论

男女老少,都

在等待主人的归来。

当他回来时,他可能会进行报复,

确保他对奴隶的权力

通过暴力和恐怖

来维持,任何奴隶都可能遭受。

但是,对于女孩们来说,她们上楼过夜,

准备睡觉。