Virtual Reality The Future of our Heritage

[Music]

in 2016

i took a sabbatical from my job for

three months

to work on my debut instrumental music

album titled

think void i devoted the first month

to research and conceptualization of the

album

and focus on composing and producing it

in the remaining months

as i approach the final days of research

around the fifth element

in indian schools of thought what we

call akasha

or ether or void i stumbled upon this

magnificent

nataraja temple at chidambaram

shame on me for discovering it so late i

was always fascinated by history

and architectures in school yeah one of

those

outliers who loved history and scored

high

when the seven deputy of chidambaram and

ether

presented itself before me

i was completely taken over by it

i traveled to the temple to confirm on

the metaphysics

aspects like satyajad which in english

means

sudden bond or epiphany

was facing west in the temple much like

in the metaphysical symbology of the

creator brahma

the frequency of the temple

interestingly corresponded to the

musical note

d or the which is shot for rishabham

metaphysically denoted by shiva’s

vehicle nandi

the dishaba so i got back

and i based some of the tracks within

the album to my understanding of the

concept of ether

and its manifestation in the chidambaram

temple

as some of you may know the nataraja

statue has an astonishing astronomical

significance

the statue is modeled on the orion

constellation

and on the day of which falls

sometime in december january the star

beetle jews

as it is known in the west is aligned to

the idol

in the temple you’ll be wondering why am

i saying all this

well it turns out that the concept of

the element ether

itself is fractal in nature it is bigger

than the biggest

yet smaller than the smallest

akasha as it is conceived is all

pervading

and at the temple this fractal nature is

so aesthetically presented to us

we really must bow down to our elders

and ancients

personally it was an overwhelming

experience and every time it is

to be one with divinity under the open

skies

with the fractal nature of the universe

right before you

as included as above

so below well the album was finally

released

after the sabbatical and what it did to

me

internally eventually led me to quit

corporate life for good

and no not for music but to focus my

entire life

on unearthing untold stories of our

heritage

my name is ajit padmanap and i am the

founder of who we are

a startup where we are all passionate

about leveraging virtual reality

to help us connect to our heritage and

cultural

roots well with the album

out i started working on concerts to

promote the album

and i had these grand stage ideas as

they say

with elaborate orchestration and when i

think about it now i

pity those who heard these ideas

one day i had this vision yes during the

day i have visions told you i am an

outlier

there are people experiencing my music

wearing bands around their head and in

tents

dancing and watching my concert from far

flung areas and i was blown away with

this vision

the concert had all kinds of stages

moving stages crumbling stages

historical cities morphing into one

another

and during the course of the concert

even two of me

i was blown away i remember john lennon

once said

and i quote life happens to you while

you’re busy making other plans

and rightly so here i was looking to

promote my music

and to my surprise my inner entrepreneur

birthed

i eventually realized the power of

virtual reality

to create worlds past present future you

name it

and the ability to present an incredibly

immersive form of storytelling

learning and experience life like never

before

it transports audience to an alternate

universe

much like what cinema does today only at

a larger scale and with a better form

factor

at who we are my mission is to marry the

ancient with the modern

and bring out the sciences the

architecture the art

the metaphysics the astronomy behind our

ancient heritage

you know our temple sites ruins all

across the country

bring it on imagine

all the untold stories about these

temples

the artisans who worked there the kings

who sponsored them

simple tales which you might have never

heard of for example do you know the

height of the temple or the monolith is

proportionate to the height of the main

sponsor

mostly the king or that the temple

architecture follows principle of

fractals

yes they do there is an old saying in

our

ancient texts yatha

it just means that whatever is in the

macro cosmos reflects in the micro

cosmos

and this is exactly what the temples

reflect

so there each of these temple

architecture provides a scaled human

body

as the foundation of these temples

look at the tanjore temple or this

hoysala temple in beluz

their tools were elaborate and their

skills were exquisite

we owe it to our elders to not only

preserve their works unparalleled even

today but also honor

and imbibe their values of dedication

and patience

because most of the temple’s

construction spanned across generations

we should consider ourselves fortunate

to see these structures in their

complete form

something the artisans sacrifice their

entire lives for and were not able to

see

when like-minded professionals from

different walks of life

converge on a purpose far greater than

either of them

something unique manifests and that has

been the case with who we are

thanks to ancient and modern historians

accounts

experiencing ancient grandeur back in

their day

as a time travel nugget is now possible

and here’s one such time travel

experience of the nandi monolith

at lepakshi in the present tanja pradesh

what you will see in the video is an

experience

that is scaled and nandi’s anonymity is

evident

as compared to your height which is

extremely important

for the immersive experience and it

allows you to truly lose yourself

in the sheer grandeur of its presence

as you explore this terrain this becomes

a uniquely personal experience

at least that’s what we hope it becomes

for you

how about traveling back in time

[Music]

welcome to lee pakshi 400 years ago

look all around you such greenery

what led such a land to become one of

the most arid today

turns out that during the british raj

forest lands were raised in large

numbers with the wood used to develop

the railway coaches

and wooden sleepers below the tracks

with time

the ecosystem that the forests housed

went extinct

making the land today arid a topography

that is absolutely calm and pristine

with her natural springs this used to

nest

mighty elephants and bears prowling the

knights

from their rocky dense

this is just one of the many dark

secrets that the royal sema forest

hides from plain sight ladies and

gentlemen i believe we are living in the

best of times

technology today provides us immense

opportunities to realize possibilities

that would have been

impossible just decades ago my goal

therefore

is to leverage the latest and the

greatest and bring them to india

for our citizens to experience and

cherish our past

let me talk to you about this new field

called archaeoacoustics

it is a field concerned with the effects

of sound

in past societies it tries to understand

the human past

beyond its materiality by recovering a

set of

less tangible cultural signs relating to

the sense of hearing

this cave art for example is from france

and is one of the oldest ever

archaeoacoustic researchers recorded the

ambient sounds of these caves

and results suggest that motives in

general

or lines and dots you know whatever

those forms are

are statistically more likely to be

found in places where reverberation is

moderate

and where the low frequency acoustic

response has evidence of other zodian

behavior

does this mean that our ancients knew

sounds or the purpose of the sound and

they chose such caves for their art

we are trying to explore these kind of

properties

in our temples so whenever we go to our

temples we record sounds using this

ambisonic recorder

and recreate the most sonically pure

experience

to help us understand if there is any

such link

all right how about narrating the

history of a city or the town

giving the viewer a sense of deep-looted

history

amidst the urban bustle today helping

people connect with their hometown

in essence connecting with their roots

imagine what this could do for tourism

travel wellness

et tech and a host of other verticals

another exciting possibility is what i

call heritage games

games on pc console or

vr that allow you to build temples or

learn the various symbologies

based on ancient temple architecture

and you know you end up creating a work

of heritage in your own right

at the end of it we would like you to

take the

3d printed sauvinis of this temple not

only

as a piece that you will own but also

appreciating the thought process behind

building such heritage structures

moving on here’s a vr music concert

experience

it’s a work in progress prototype at the

ancient

sharda shrine which is situated in the

inaccessible part of kashmir

yet another powerful aspect of vr it

lets you travel to worlds otherwise not

possible

we have a digital avatar of the artist

performing a composition in the now

extinct

shada script which floats in space

as the concept progresses

[Music]

[Music]

namaste

[Music]

is

[Music]

me

[Music]

namaste

[Music]

ladies and gentlemen i believe i am on a

soul-purpose mission here

and i believe one can leverage

technology for good

most of today’s tech focuses on humans

being the problem

and technology being the solution but i

personally believe

humans are the solution and not the

problem

technology need not be a dividing facet

for humanity

but one that unites us all

we believe that history for the long

time has been uninteresting

filled with dates dynasties and wars

we want to challenge and change that

narrative to present history

in a way never attempted before hope to

see you all

in our journey to put the grand

narrative of ancient india on the world

stage

and realize the depth and power of our

heritage

and you know at the root of it all

realize who we are

and what we can do to make our world the

real world

a better place to live in thank you for

your

time interest and patience

you

[音乐

] 2016 年,

我休了三个月的假

来制作我的首张器乐

专辑

think void

我接近

印度思想流派中关于第五元素的研究的最后几天,我们

称之为 akasha

或 ether 或 void 我偶然发现了 chidambaram 这座

宏伟

的 nataraja 神庙,

我为这么晚才发现它而感到羞耻,

我一直对印度的历史

和建筑着迷 学校是的,当奇丹巴拉姆和以太的七位副手出现在我面前时,

那些热爱历史并得分高的异常值之一

我完全被它接管了

我前往寺庙确认

像satyajad这样的形而上学方面,这在英语中

意味着

突然的联系 或者顿悟

在寺庙中面向西方,就像

创造者梵天

的形而上学符号中一样 这座寺庙

有趣地对应于

音符

d 或为 rishabham 拍摄的音符,

用湿婆的

交通工具 nandi

the discaba 形而上学地表示,所以我回来了

,我根据

专辑中的一些曲目来理解

以太的概念

及其在 你们

中的一些人可能知道,奇丹巴拉姆神庙 nataraja

雕像具有惊人的天文

意义

这座雕像以猎户星座为模型,

在 12 月的某个时候落下的那一天,西方众所周知的星

甲虫犹太人

神庙里的神像 你会想为什么

我说得这么

好 结果证明

元素以太

本身的概念本质上是分形的 它

比最大的要大

但比最小的

阿卡莎要小

这种分形性质在寺庙中无处不在,

以美学的方式呈现给我们,

我们真的必须亲自向我们的长辈

和古人

鞠躬 是一种压倒性的

体验,每次

在开阔的天空下与神性合一,

在你面前的宇宙的分形性质

如上所述,

所以在下面这张专辑终于

在休假后发行了

最终导致我永远退出了

企业生活,

而不是为了音乐,而是将我的

一生都

集中在挖掘我们

遗产中不为人知

的故事上 虚拟

现实帮助我们与我们的遗产和

文化

根源建立了很好的联系 专辑发行

我开始举办音乐会来

宣传这张专辑

,我有这些宏伟的舞台创意,正如

他们所说

的精心编排的那样,当我

现在想到它时,我

同情那些 有一天听到这些想法

我有这个

愿景 r头,在

帐篷里

跳舞,从遥远的地方观看我的音乐会

,我被

这个愿景所震撼

,音乐会有各种各样的舞台,

移动的舞台,摇摇欲坠的舞台,

历史悠久的城市相互变形

,在音乐会过程中,

甚至我两个

我被震撼了,我记得约翰列侬

曾经说过

,当你忙于制定其他计划时,我引用了生活发生在你身上的一句话,

这是

正确的,所以我想在这里

推广我的音乐

,令我惊讶的是,我内心的企业家

诞生了,

我最终意识到了

虚拟

现实创造过去现在的未来世界,你可以

命名它

,并且能够呈现一种令人难以置信的

沉浸式讲故事的形式,

学习和体验前所未有的生活

它将观众带到另一个

宇宙

,就像今天的电影所做的那样,只是

在更大的范围内和 更好的形式

因素

我们是谁我的使命是将

古代与现代结合起来,

并带出科学、

建筑和艺术

形而上学 我们古老遗产背后的天文学

你知道我们的寺庙遗址 全国

各地的废墟

想象一下

关于这些寺庙的所有不为人知的故事

在那里工作的工匠 赞助他们的国王

简单的故事,例如,你可能从未

听说过 你知道

寺庙或巨石

的高度与主要

赞助商的

高度

成正比

吗 在

宏观宇宙中反映在微观

宇宙中

,这正是寺庙所

反映的,

所以这些寺庙

建筑中的每一个都提供了一个按比例缩放的人体,

因为这些寺庙的基础是

看看 tanjore 寺庙或

beluz 的这座 hoysala 寺庙,

他们的工具是 精心制作,他们的

技巧精湛,

我们应该感谢我们的长辈,不仅

将他们的作品保存得无与伦比,甚至

今天,但也要尊重

和吸收他们的奉献精神和耐心的价值观,

因为寺庙的大部分

建筑跨越了几代人,

我们应该认为自己很幸运

地看到这些结构的

完整形式

,工匠们为此牺牲了

一生,却无法

看到 来自各行各业的志同道合的专业人士

汇聚在一个

远大于他们任何

一个的目标上 现在是可能的

,这是

在当前 tanja pradesh 的 lepakshi 的 nandi 巨石的一次这样的时间旅行

体验 您将在视频中看到的是一种

按比例缩放的体验,与您的身高相比,nandi 的匿名性是

显而易见

的,这

对于 身临其境的体验,它

让你真正迷失

在s中

当您探索这片地形时,它的存在的宏伟壮丽 这将成为

一种独特的个人体验

至少这就是我们希望它成为的样子

时光倒流如何

[音乐]

欢迎来到 lee pakshi 400 年前

看看你周围的绿色植物

是什么导致 这样的土地成为今天最干旱的土地之一

事实证明,在英国拉吉期间

,大量的森林土地被

用来

开发铁路客车

和铁轨下方的木枕,

随着时间的推移

,森林所居住的生态系统

已经灭绝

使今天干旱的土地成为

绝对平静和原始的地形,这里

有天然泉水,曾经是

强大的大象和熊的巢穴,

骑士们

从茂密的岩石中徘徊,

这只是

皇家 sema 森林

隐藏的众多黑暗秘密之一 女士们,

先生们,我相信我们生活在

最好的时代,

今天的技术为我们

提供了实现可能性的巨大机会

在几十年前是不可能的,因此我的目标

是利用最新和

最伟大的技术,将它们带到印度,

让我们的公民体验和

珍惜我们的过去。

让我和你谈谈这个

名为考古

声学的新领域

借助声音

在过去社会中的影响,它试图

通过恢复一

与听觉有关的不太有形的文化符号来理解

人类的

过去 记录

了这些洞穴的环境声音

,结果表明,

一般的动机

或你知道的线条和点,无论

这些形式

是什么,统计上更有可能

在混响

适中

且低频声学

响应有其他星座行为证据的地方找到

这是否意味着我们的古人知道

声音或声音的目的,

他们选择了这样的

我们正在尝试

在我们的寺庙中探索这些属性,所以每当我们去寺庙时,我们都会

使用这款 Ambisonic 录音机录制声音,

并重现最纯净的声音

体验,

以帮助我们了解是否有任何

此类链接。

关于讲述

一个城市或城镇的历史,

让观众

在当今的城市喧嚣中感受到被掠夺的历史,帮助

人们与家乡联系

,本质上与他们的根源联系起来,

想象这对旅游、

健康和科技和 其他垂直领域的主机

另一个令人兴奋的可能性是我

称之为

PC 控制台或 VR 上的遗产游戏游戏,

它允许您建造寺庙或

学习

基于古代寺庙建筑的各种符号系统,

并且您知道您最终会以自己的方式创造

遗产作品

最后,我们希望您将

这座寺庙的 3D 打印 sauvinis 不仅

作为您将拥有的一件作品,而且还是

一件 欣赏建造此类遗产结构背后的思考过程

继续前进 这是一场 VR 音乐会

体验

这是位于克什米尔人迹罕至的古老 sharda 神殿的正在进行中的原型 这是 VR 的

另一个强大方面,它

可以让您以其他方式前往世界

不可能,

我们有一个艺术家的数字化身,

用现已

灭绝的

shada 脚本进行构图,随着概念的进展,它漂浮在太空

[音乐]

[音乐]

namaste

[音乐]

[音乐]

[音乐]

namaste

[音乐]

女士们 先生们,我相信我在这里有一个以

灵魂为目的的使命

,我相信人们可以利用

技术来造福

今天的大多数技术都关注人类

是问题

,技术是解决方案,但我

个人认为

人类是解决方案,而不是

问题

技术 不必成为人类的分裂面

而是将我们所有人团结在一起的面

我们相信长期以来的历史

一直是无趣的

充满了朝代和战争的日期

我们想要挑战和改变这种

叙述,以

前所未有的方式呈现历史希望

在我们将

古印度的宏大叙事推向世界

舞台

并实现其深度和力量的旅程中与大家见面 我们的

传统

,你知道这一切的根源是

了解我们是谁

以及我们可以做些什么来使我们的世界成为

一个更美好的生活场所 感谢

您的

时间兴趣和耐心