Liam Young Planet City a scifi vision of an astonishing regenerative future TED

More than 10 billion people.

Over 7,000 languages spoken.

90 million songs, 42 billion fruit trees,

900 zettabytes of data,

90 million beehives,

six million dentists,

142 million square kilometers
of protected park

and one city.

(Ambient music)

A Planet City.

What I’ve just described
is my thought experiment

for this world called Planet City,

an imaginary city for 10 billion people.

The projected global population
of the world in 2050.

I design environments
for the film and television industry,

and I believe that by creating
imaginary worlds,

we can connect emotionally
to the ideas and challenges of our future.

So we’ve been creating Planet City

in response to the rising red line
on the graph of climate change

because world building and storytelling

can do so much more
than just visualize this data.

They can help us to dramatize data.

So in speculative cities,

we can immerse ourselves
in the various consequences

of the decisions we face today.

They can be both cautionary tales
or road maps to an aspirational future.

So I invite you all to join me as we
journey along the canals of Planet City.

If we listen, we can hear
the hum and crackle

of flickering blue and red LEDs

as they illuminate the lower reaches
of the city’s farm fields.

It smells of soil and hard drives

and sweet fruit.

A purple sunrise over a new kind of wild.

So five years ago,
seminal biologist Edward O. Wilson

proposed a new world he called Half-Earth,

a plan to stave off mass extinction
by devoting half the surface of the earth

completely to nature

and then consolidating human development
to the other half that would remain.

And this is where the speculation
of Planet City began.

And as we started to visualize and design

this radical reversal
of our planetary sprawl,

we soon realized we could
actually go much further.

In its most provocative form,

at the intensity of the densest
city that already exists,

Planet City could occupy
as little as 0.02 percent earth.

Could we imagine coming
to such a global consensus,

radically reversing
all of our existing assumptions?

What would it take?

What would it look like?

(Ambient music)

So our Planet City
would allow us to surrender

almost the entirety
of the globe to nature,

to return stolen lands
and rewild in our wake.

A new national park of the world
to be visited and tended,

not engineered for extraction.

The invisible lines that once divided us
would fade beneath this planet of trees.

In the streets of Planet City

we can prototype some of the necessary
lifestyle changes that might be required

in order for us to sustain human life.

We can explore how
such a new world could evolve,

not in a singular forced move,

but perhaps in a slow, multigenerational
retreat from the world we once knew.

To build Planet City, we could remine
our old cities rather than virgin ground.

No new resources would need to be consumed
or extracted to build this city.

The world’s shipping fleet that currently
scatters matter ripped from the earth

into our malls and storefronts

could be reversed

and repurposed to bring
all this material back together again

into the geological strata
of our new city.

The ghosts of nation states
would give way to new neighborhoods

that could be formed around
shared cultural practices

as we perform new myths
of care, belonging and recreation.

(Ambient music)

If we were to map all the world’s
celebrations onto a calendar,

then we’d realize
that running through Planet City

would be this continuous
festival procession

dancing across a 365 day loop,
each day amongst the flickering confetti.

It would intersect
with the new carnival culture,

endlessly cycling through new colors,
costumes and cacophonies.

And to design the systems of Planet City,

we travelled to and filmed

all of the megascaled renewable energy
and agriculture sites

that currently exist
around the world today:

the world’s largest solar farm
in the Mojave Desert,

the illuminated indoor farms protecting
crops from harsh Siberian winters,

the most productive wind energy
network in Gansu, China,

the world’s largest algae farm
in Western Australia.

These monumental infrastructures

are evidence that much
of the technologies required

to support the generation of our climate

are actually already here.

And in Planet City, we just remove
the political roadblocks

or the lack of cultural investment
that’s currently holding them back

and we visualize them operating
at these global scales,

but not forgotten
out on an industrial periphery,

but woven through the very fabric
and life of the city itself.

So before dawn breaks in Planet City,

thousands of autonomous cleaning blades
squeak along the solar fields.

Waves of mirrors will ripple
to rotate to chase the changing light.

A billion panels collected
from all over the world.

And the batteries of Planet City
will be alive with fish and pink algae,

as excess wind and solar power

will be used to pump water
through the canals

to high-altitude holding lakes
in the city’s upper floors.

Power will be stored here
as potential energy

rather than resource-intensive
lithium batteries.

And tides rise and fall
as the lights glow and turbines spin.

So although wildly provocative,

imaginary worlds can be grounded

in the real science and technology
of the present moment,

meaning we can project ourselves
into these futures.

What would it be like to live here,
to fish amongst the city battery lakes,

to follow the seasons
up through the towers,

collecting honey
with the Planet City beekeepers,

to fall in love amongst
the pink algae blooms before harvest?

So Planet City is not a proposal.

However, it’s a provocation.

It’s a thought experiment that shows us

we don’t need to tread so hard
across the Earth

because if we can get these systems
working at the scale of 10 billion,

then the only things stopping us

rethinking and consolidating
our existing cities is ourselves,

our own politics and prejudices,
biases and blind spots.

So in many ways,

all of us have been living
in a planetary-scaled city all along.

We have urbanized our planet

from the scale of the cell
to the tectonic plate.

Planet City is both entirely fictional,

but also already here.

Simultaneously, a challenging image
of a possible tomorrow

and an urgent illumination
of the environmental questions

that are facing us today.

So at the end of our journey,

as we’ve been wandering through
this sci-fi safari through Planet City,

we will return to where we first started
to look back on our own cities again,

but with new eyes.

This journey has been a call to actively
visualize our possible futures.

Imaginary worlds in which
we can collectively shape

where we all might want to go next.

Thank you.

超过100亿人。

使用超过 7,000 种语言。

9000 万首歌曲、420 亿棵果树、

900 泽字节的数据、

9000 万个蜂箱、

600 万个牙医、

1.42 亿平方公里
的保护区

和一座城市。

(环境音乐

)星球城市。

我刚才描述的
是我

对这个名为行星城市的世界的思想实验,这

是一个拥有 100 亿人口的想象城市。

预计
到 2050 年的全球人口。


为电影和电视行业设计环境

,我相信通过创造
想象的世界,

我们可以在情感
上与未来的想法和挑战联系起来。

因此,我们一直在创建行星城市

以响应
气候变化图表上不断上升的红线,

因为世界建设和讲故事

可以做的
不仅仅是可视化这些数据。

它们可以帮助我们将数据戏剧化。

因此,在投机城市中,

我们可以沉浸

我们今天面临的决策的各种后果中。

它们既可以是警示故事,也可以是
通往理想未来的路线图。

所以我邀请你们和我
一起沿着行星城市的运河旅行。

如果我们倾听,我们可以听到

闪烁的蓝色和红色 LED 灯

照亮
城市农田下游时发出的嗡嗡声和噼啪声。

它闻起来有泥土、硬盘

和甜水果的味道。

一种新的荒野上的紫色日出。

所以五年前,
开创性的生物学家 Edward O. Wilson

提出了一个他称之为半地球的新世界,

该计划
通过将地球表面的一半

完全用于自然

,然后将人类发展整合
到另一半,从而避免大规模灭绝。 保持。

而这
也是星球城的猜测开始的地方。

当我们开始想象和设计

这种彻底
逆转我们行星扩张的过程时,

我们很快意识到我们
实际上可以走得更远。

在其最具挑衅性的形式中,

在已经存在的最密集城市的强度下

行星城可能
只占地球的 0.02%。

我们能想象
达成这样一个全球共识,

从根本上扭转
我们现有的所有假设吗?

需要什么?

它会是什么样子?

(环境音乐)

因此,我们的星球城市
将让我们将

几乎
整个地球交给大自然,

归还被盗的土地
并在我们身后重新野化。

一个可供参观和照料的世界新国家公园

而不是为开采而设计的。

曾经将我们分开的无形界线
将在这颗树木星球下消失。

在 Planet City 的街道上,

我们可以对一些必要的生活方式改变进行原型设计,这些
改变可能

是我们维持人类生命所必需的。

我们可以探索
这样一个新世界是如何演变的,

而不是在一个单一的强迫行动中,

而是在一个缓慢的、多代人的
从我们曾经知道的世界中撤退的过程中。

为了建造行星城市,我们可以重新挖掘
我们的旧城市而不是处女地。

建造这座城市不需要消耗或提取新的资源。

目前
将地球上的物质散布

到我们的商场和店面的世界航运船队

可以逆转

和重新利用,将
所有这些物质重新聚集


我们新城市的地质地层中。 当我们演绎关爱、归属感和娱乐的新神话时

,民族国家的幽灵
将让位于新的社区

,这些社区可以围绕
共同的文化习俗形成

(环境音乐)

如果我们将世界上所有的
庆祝活动映射到一个日历上,

那么我们就会意识到
,穿过行星城市

将是这个连续的
节日游行

,在 365 天的循环中跳舞,
每天在闪烁的五彩纸屑中。

它将
与新的嘉年华文化相交融,

在新的色彩、
服装和刺耳的声音中无休止地循环。

为了设计 Planet City 的系统,

我们前往并拍摄了当今世界各地存在的

所有大型可再生能源
和农业场所

:莫哈韦沙漠中世界上最大的太阳能农场

,照明的室内农场保护
农作物免受西伯利亚严酷的侵袭 Winters,

中国甘肃最具生产力的风能
网络

,世界上最大的藻类农场
位于西澳大利亚。

这些巨大的基础

设施证明,

支持我们的气候生成所需的

许多技术实际上已经存在。

而在行星城市,我们只是消除
了目前阻碍他们前进的政治障碍

或缺乏文化投资

,我们想象它们
在这些全球范围内运作,

但并没有被
遗忘在工业外围,

而是交织在城市的结构
和生活中 城市本身。

因此,在 Planet City 黎明破晓之前,

成千上万的自动清洁刀片
在太阳能场上发出吱吱声。 波光

粼粼的镜子
会旋转,追逐变化的光线。 从世界各地

收集的十亿个面板

行星城市的电池
将充满鱼和粉藻,

因为多余的风能和太阳能

将被用来
通过运河将水抽到

城市上层的高海拔湖泊。

电力将作为势能储存在这里

而不是资源密集型的
锂电池。

随着灯光的发光和涡轮机的旋转,潮汐涨落。

因此,尽管极具挑衅性,但

想象的世界可以立足

于当下的真实科学和
技术,

这意味着我们可以将自己投射
到这些未来中。

住在这里,
在城市的炮台湖中钓鱼

,跟随
季节穿越塔楼,

与行星城市的养蜂人一起收集蜂蜜,

在收获前爱上粉红色的藻类花朵,会是什么感觉?

所以星球城不是一个提议。

然而,这是一种挑衅。

这是一个思想实验,向我们展示了

我们不需要如此努力地
穿越地球,

因为如果我们能让这些
系统以 100 亿的规模运行,

那么唯一阻止我们

重新思考和
巩固现有城市的就是我们自己,

我们的 自己的政治和偏见、
偏见和盲点。

所以在很多方面,

我们所有人一直生活
在一个行星规模的城市中。

我们已经将我们的星球

从细胞的规模城市化
到构造板块。

星球城既完全是虚构的,

也已经在这里。

同时,一个可能的明天的具有挑战性的形象

我们今天面临的环境问题的紧迫照明。

因此,在旅程结束时,

当我们一直在
行星城市的科幻野生动物园中漫步时,

我们将回到我们最初开始的地方
,再次回顾我们自己的城市,

但用新的眼光。

这段旅程一直在呼吁积极
想象我们可能的未来。

想象的世界,
我们可以在其中共同

塑造我们下一步可能想去的地方。

谢谢你。