Why books are here to stay Small Thing Big Idea a TED series

Transcriber: TED Translators admin
Reviewer: Krystian Aparta

I will lend books to people,
but of course, the rule is

“Don’t do that unless you never
intend to see that book again.”

[Small thing.]

[Big idea.]

The physical object of a book
is almost like a person.

I mean, it has a spine
and it has a backbone.

It has a face.

Actually, it can sort of be your friend.

Books record the basic human experience

like no other medium can.

Before there were books,

ancient civilizations would record things

by notches on bones
or rocks or what have you.

The first books as we know them
originated in ancient Rome.

We go by a term called the codex,

where they would have
two heavy pieces of wood

which become the cover,

and then the pages in between
would then be stitched along one side

to make something that was relatively
easily transportable.

They all had to completely
be done by hand,

which became the work
of what we know as a scribe.

And frankly, they were luxury items.

And then a printer
named Johannes Gutenberg,

in the mid-fifteenth century,
created the means to mass-produce a book,

the modern printing press.

It wasn’t until then

that there was any kind of consumption
of books by a large audience.

Book covers started to come into use
in the early nineteenth century,

and they were called dust wrappers.

They usually had advertising on them.

So people would take them off
and throw them away.

It wasn’t until the turn of the nineteenth
into the twentieth century

that book jackets could be seen
as interesting design

in and of themselves.

Such that I look at that and I think,

“I want to read that.

That interests me.”

The physical book itself represents
both a technological advance

but also a piece of technology
in and of itself.

It delivered a user interface

that was unlike anything
that people had before.

And you could argue
that it’s still the best way

to deliver that to an audience.

I believe that the core purpose
of a physical book

is to record our existence

and to leave it behind
on a shelf, in a library, in a home,

for generations down the road
to understand where they came from,

that people went through
some of the same things

that they’re going through,

and it’s like a dialogue
that you have with the author.

I think you have a much more human
relationship to a printed book

than you do to one that’s on a screen.

People want the experience of holding it,

of turning the page,
of marking their progress in a story.

And then you have, of all things,
the smell of a book.

Fresh ink on paper
or the aging paper smell.

You don’t really get that
from anything else.

The book itself, you know,
can’t be turned off with a switch.

It’s a story that you can
hold in your hand

and carry around with you

and that’s part of what makes
them so valuable,

and I think will make them valuable
for the duration.

A shelf of books, frankly,

is made to outlast you, (Laughs)

no matter who you are.

抄写员:TED Translators admin
审稿人:Krystian Aparta

我会把书借给别人,
但当然,规则是

“除非你再也不想看那本书,否则不要这样做
。”

[小东西。]

[大创意。]

一本书的实物
几乎就像一个人。

我的意思是,它有一个脊椎
,它有一个骨干。

它有一张脸。

实际上,它可以成为你的朋友。

书籍记录了其他媒介无法记录的基本人类

经验。

在没有书籍之前,

古代文明会

通过骨头
或岩石上的刻痕来记录事物。

我们所知道的第一本书
起源于古罗马。

我们使用了一个叫做抄本的术语

,他们将有
两块重

木片作为封面,

然后将中间的页面
沿着一侧缝合,

以制作相对
容易运输的东西。

它们都
必须完全由手工完成,

这成为
我们所知道的抄写员的工作。

坦率地说,它们是奢侈品。

然后,一位
名叫约翰内斯·古腾堡的印刷商

在 15 世纪中叶
创造了批量生产一本书的手段,

即现代印刷机。

直到

那时,才出现
了广大观众对书籍的任何形式的消费。

书籍封面
在 19 世纪初开始使用

,被称为防尘包装纸。

他们通常有广告。

所以人们会把它们取
下来扔掉。

直到 19 世纪
进入 20 世纪之交

,书皮才被
视为有趣的

设计。

这样我看着那个,我想,

“我想读那个。

这让我很感兴趣。”

实体书本身
既代表了一项技术进步

,也代表了一项
技术本身。

它提供了一个

不同于
人们以前所拥有的任何用户界面。

你可能会争辩
说,这仍然

是向观众传达这一点的最佳方式。

我相信实体书的核心目的

是记录我们的存在

,并将其留
在书架、图书馆、家中

,世代相传,
以了解它们来自哪里

,人们经历了
一些 他们正在经历同样的事情

,这就像
你与作者的对话。

我认为
与印刷书籍

相比,与屏幕上的书籍相比,您与人的关系要好得多。

人们想要拿着它

、翻页
、标记故事进展的体验。

然后你有,所有的东西,
一本书的味道。

纸上的新鲜墨水
或老化的纸张气味。

你真的不能
从其他任何东西中得到它。

这本书本身,你知道,
不能用开关关掉。

这是一个您可以
握在手中

并随身携带的故事

,这就是使它们如此有价值的部分原因

,我认为这将使它们
在整个过程中都变得有价值。

坦率地说,一个书架

是为了让你比你更长寿,(笑)

不管你是谁。