How to take a great picture Carolina Molinari

Hmmm, that’s not what we want, is it?

Today’s digital cameras do a lot for us,

but there’s no replacement for the human eye.

It’s important to learn

how cameras work with light to create an image,

that way we’ll know what’s going on

when it’s time to capture a moment.

There are three variables

that determine if you’re getting the right amount of light

for the correct exposure.

With a manual camera,

we’re able to change any of the variable ourselves.

Different settings can result in really different pictures.

Let’s look at the process together.

First, see this here?

This is the aperture.

It’s the hole that light passes through.

If we make the aperture big,

we’ll have more light, true,

but the sharpness of your photo will decrease

very quickly from your focus point,

backward and forward.

This is what we call shallow depth of field.

If we have a very small aperture,

we’ll have less light but a deeper depth of field.

For portraits, it can be nice to have a sharp figure

separate from a somewhat blurry background

so I would suggest a large aperture.

Aperture is measured in f-stops.

This can get a little confusing

because lower numbers mean bigger apertures

and higher numbers mean smaller apertures.

Next, there’s shutter speed to think about.

The shutter acts like a curtain

that covers the sensor,

and it only opens when you release the shutter button.

If we want less light,

we open the shutter for a shorter time.

If we want more light,

we open it for a longer time,

but we run the risk of getting

a motion-blurred picture.

The speed is measured in seconds

and fractions of seconds.

For shooting sports or anything with a lot of movement,

we’ll need faster speeds.

For taking awesome night landscapes,

longer exposures will be better,

but we’ll need a tripod to steady the shot

and prevent motion blur.

Another cool thing we can do with light exposures

is light painting,

drawing in the dark with a torch

or the light of a cell phone.

Lastly, ISO sensitivity controls

how sensitive the sensor is to light.

If we use low sensitivity,

we’ll need more light to register a photo.

With a higher sensitivity,

we’ll be able to get a picture

with less available light.

100 ISO is a low sensitivity,

while 6400 ISO is a high one.

If we increase sensitivity,

we’ll be able to use faster speeds

and smaller apertures,

but we’ll get noisier images.

Good thing we have something to tell us

if we’re getting the correct amount of light

to get a good exposure,

the light meter.

Sound good to you?

Now it’s time to get out there

and practice taking pictures

under different conditions,

so you know what to do

any time you want to take the best picture.

嗯,这不是我们想要的,不是吗?

今天的数码相机为我们做了很多,

但没有人眼可以替代。

了解相机如何使用光来创建图像非常重要

,这样我们就可以在

需要捕捉瞬间时知道发生了什么。

有三个

变量可以确定您是否

获得了正确曝光的正确光量。

使用手动相机,

我们可以自己更改任何变量。

不同的设置会产生非常不同的图片。

一起来看看过程吧。

首先,看到这里了吗?

这是光圈。

这是光通过的孔。

如果我们把光圈调大,

我们就会有更多的光线,这是真的,

但是你的照片的锐度会

从你的焦点

,前后迅速下降。

这就是我们所说的浅景深。

如果我们有一个非常小的光圈,

我们将有更少的光但更深的景深。

对于人像,将清晰的人物

与有些模糊的背景分开可能会很好,

因此我建议使用大光圈。

光圈以 f 档测量。

这可能会有点令人困惑,

因为较低的数字意味着更大的光圈,

而更高的数字意味着更小的光圈。

接下来,要考虑快门速度。

快门就像一个

覆盖传感器的窗帘

,只有在您释放快门按钮时才会打开。

如果我们想要更少的光线,

我们打开快门的时间会更短。

如果我们想要更多的光线,

我们会打开它更长的时间,

但我们冒着

获得运动模糊图片的风险。

速度以秒

和几分之一秒为单位测量。

对于拍摄运动或任何有大量运动的事物,

我们需要更快的速度。

为了拍摄令人惊叹的夜景,

更长的曝光会更好,

但我们需要一个三脚架来稳定拍摄

并防止运动模糊。

我们可以用曝光做的另一件很酷的事情

是光绘,

用手电筒或手机灯在黑暗中绘画

最后,ISO 感光度控制

传感器对光线的敏感程度。

如果我们使用低灵敏度,

我们将需要更多的光线来注册照片。

使用更高的灵敏度,

我们将能够获得

可用光线较少的照片。

100 ISO 是低感光度,

而 6400 ISO 是高感光度。

如果我们提高灵敏度,

我们将能够使用更快的速度

和更小的光圈,

但我们会得到更嘈杂的图像。

好在我们有一些东西要告诉我们,

如果我们获得了正确的光量

以获得良好的曝光,

那就是测光表。

你觉得好听吗?

现在是时候走出

去练习

在不同条件下拍照了,

这样您就知道在

想要拍出最佳照片的任何时候该做什么。