A child of the state Lemn Sissay

having spent 18 years as a child of the

state in children’s homes and foster

care you could say that I’m an expert on

the subject and in being an expert I

want to let you know that being an

expert does in no way make you write in

light of the truth if you’re in care

legally the government is your parent

loco parentis Margaret Thatcher was my

mother

let’s not talk about breastfeeding Harry

Potter was a foster child pip from Great

Expectations

was adopted Superman was a foster child

Cinderella was a foster child Lisbeth

Salander The Girl with the Dragon Tattoo

was fostered and institutionalized

Batman was orphaned Lyra Belacqua from

Philip Pullman’s Northern Lights was

fostered Jane Eyre adopted Roald Dahl’s

James from James and the Giant Peach

Matilda Moses Moses Moses the the boys

in Michael Morpurgo friends or foe alum

in Benjamin Zephaniah refugee boy Luke

Skywalker Luke Skywalker Oliver Twist

Cassie in the concubine of Shanghai by

honking Seeley in in in Alice Walker’s

color purple all of these great

fictional characters all of them who

were hurt by their condition all of them

who spawned thousands of other books and

other films all of them

were fostered adopted or often it seems

that writers know that the child outside

of family reflects on what family truly

is more than what it promotes itself to

be that is they also use extraordinary

skills to deal with extraordinary

situations on a daily basis how have we

not made the connection and why have we

not made the connection between how has

that happened between these incredible

characters of popular culture and

religions and the fostered adopted or

orphaned child in our midst

it’s not our pity that they need

it’s our respect I know famous musicians

I know actors and film stars and

millionaires and novelists and top

lawyers and television executives and

magazine editors and national

journalists and dustbin men and

hairdressers all who were looked after

children fostered adopted or orphaned

and many of them grow into their adult

lives in fear of speaking of their

background as if it may somehow weaken

their standing in the foreground as if

it was somehow kryptonite as if it were

a a time bomb strapped on the inside

children in care who’ve had a life in

care deserve the right to own and live

the memory of their own childhood it is

that simple my own mother and I should

say this here she came to this country

in in the late 60s and she she was young

she found herself pregnant as women did

in the late sixties they found

themselves pregnant and she sort of she

had no idea of the context in which

she’d landed

in the 1960s I should give you some

context in the 1960s if you were

pregnant and you were single you were

seen as a threat to the community you

were separated from your family by the

state you were separated from your

family and placed into a mother and baby

homes you were appointed a social worker

the adoptive parents were lined up it

was the primary purpose of the social

worker the aim to get the woman at her

most vulnerable time in her entire life

to sign the adoption papers so the

adoption papers were signed the mother

and babies homes were often run by nuns

the adoption papers were signed the the

the child was given to the adoptive

parents and the mother shipped back to

her community to say that she’d been on

a little break a little break a little

break the first secret of shame for a

woman for being a woman a little break

the adoption process took like a matter

of months so it was a closed shop you

know seal deal an industrious

utilitarian solution government the

farmer the the adopting parents the

consumer the mother the earth and the

child the crop it’s it’s kind of easy to

patronize the past to forego our

responsibilities in the present what

happened then is a direct reflection of

what is happening now everybody believed

themselves to be doing the right thing

by God and by the state for the big

society fast-tracking adoption so anyway

she comes here 1967 she’s she’s pregnant

and she comes from Ethiopia that was

celebrating its own Jubilee at the time

under the emperor haile selassie and she

lands months before the Enoch Powell

speech the rivers of blood speech she

lands months before the Beatles released

the White Album months before Martin

Luther King was killed it was a Summer

of Love if you were white if you were

black it was a summer of hate so she

goes from Oxford she sent to the north

of England to a mother and baby home and

appointed a social worker she it’s her

plan you know I have to say this in the

housing it’s her plan to have me

fostered for a short period of time

while she studies but the social worker

he had a different agenda

he found the foster parents and he said

to them treat this as an adoption he’s

yours forever his name is Norman no

No um so they they they they took me I

was a message they said I was a sign

from God they said I was Norman Marc

Greenwood now for the next 11 years all

I know is that this woman this birth

woman should have her eyes scratched out

for not signing the adoption papers she

was an evil woman too selfish to sign so

I spent those 11 years kneeling and

praying I tried praying I swear I tried

praying God can have a bank for

Christmas but I would always answer

myself yes of course she’d gone and then

I was supposed to determine whether that

was the voice of God or it was the voice

of the devil and it turns out I’ve got

the devil inside of me who knew

so anyway two years sort of passed and

they had a child of their own and then

another two years passed and they had

another child of their own and then

another time passed and they had another

child that they called an accident which

I thought was an unusual name and I was

on the cusp of sort of adolescence so I

was starting to take biscuits from the

tin without you know without asking I

was starting to stay out a little bit

late at cetera et cetera now in their

religiosity in their naivety my mom and

dad which I believe them to be forever

as they said they were my mom and dad

conceived that that I had the devil

inside of me and what I should say this

here because this is how they engineered

my leaving they sat me at a table my

foster mum and she said to me you don’t

love us do you at 11 years old they’ve

had three other children

I’m the fourth the third was an accident

and I said yeah of course I do because

you do foster mother asked me to go away

to think about love and what it is and

to read the scriptures and to come back

tomorrow and give my most honest and

truthful answer so this was an

opportunity if they were asking me

whether I love them on

then I mustn’t love them which led me to

the miracle of thought that I thought

they wanted to me to get to I will ask

God for forgiveness and his light will

shine through me to them how fantastic

this was an opportunity the theology was

perfect the timing unquestionable and

the cancerous honest as a sinner could

get a mustn’t love you I said to them

but I will ask God for forgiveness

because you don’t love us Norman clearly

you’ve chosen your path 24 24 hours

later my social worker this strange man

who used to visit me every couple of

months he’s waiting for me in the car as

I say goodbye to my parents I didn’t say

goodbye to anybody and my mother my

father my sisters my brother’s my aunt’s

my uncle’s my cousins my grandparents

nobody on the way to the children’s home

I started to ask myself what’s happened

to me it’s not that I’d had the rug

pulled from beneath me as much as the

entire floor had been taken away when I

got to do for the next four five years I

was held in four different children’s

homes on the third children’s home at 15

I started to rappel and what I did was I

got three tins of paint Airfix paint

that you used for models and and I was

it is a big children so I’m a big

Victorian children’s own when I was in a

little turret at the top of it and I

toured them red yellow and green the

cause of Africa down the tiles you

couldn’t see it from the street because

the home was surrounded by beech trees

for doing this I was incarcerated for a

year in an assessment centre which was

actually a remand Center it was a

virtual prison for young people um by

the way the years later my social worker

said that I should never have been put

in there I wasn’t charged for anything I

hadn’t done anything wrong but because I

had no family to inquire about me they

could do anything to me

I’m 17 years old and they had a padded

cell they would March me down corridors

in LA size order they I was put in a

dormitory with a confirmed Nazi

sympathizer all of the staff were

ex-police interesting and ex probation

officers the man who ran it was an

ex-army officer every time I had a visit

by a person who I did not know who would

feed me grapes once every three months I

was strip-searched that home was full of

young boys who were on remand for things

like murder and this was the preparation

that I was being given after 17 years as

a child of the state I have to tell this

story I have to tell it because there

was no one to put two and two together I

slowly became aware that I knew nobody

that knew me for longer than a year see

that’s what family does

it gives you reference points I’m not

defining a good family from a bad family

I’m just saying that you know when your

birthday is by virtue of the fact that

somebody tells you when your birthday is

a mother a father a sister a brother an

ounce an uncle or cousin a grandparent a

master someone and therefore it matters

to you understand I was 14 years old

tattooing myself into myself and I

wasn’t touched either physically touched

I’m reporting back I’m reporting back

simply to say that that when I left the

children’s home I had two things that I

wanted to do one was to find my family

and the other was to write poetry in

creativity I saw light in the

imagination I saw the endless

possibility of life the endless truth

the permanent creation of reality the

v.v the place where anger was an

expression in the search for love a

place where dysfunction is a true

reaction to untruth I’ve just got to say

to you all I found all of my family in

my adult life I’ve spent all of my adult

life finding them and I’ve now got a

fully dysfunctional family just like

everybody else but I’m reporting back to

you to say quite simply that you can

define how strong a democracy is by how

its government treats its child I don’t

mean children I mean the child of the

state thanks very much it’s been an

honor

you

作为

国家儿童在儿童之家和

寄养机构度过了 18 年,您可以说我是这方面

的专家,作为专家,我

想让您知道,作为

专家绝不会让您写作

如果你在

法律上受到照顾,政府是你的

父母,而不是父母,玛格丽特·撒切尔是我的

母亲,

我们不要谈论母乳喂养哈利·

波特是寄养儿童《

远大前程》中的皮普

被收养了超人是寄养儿童

灰姑娘是寄养儿童 孩子 Lisbeth

Salander 龙纹身的女孩

被收养和

收容 蝙蝠侠成为孤儿

菲利普·普尔曼的《北极光》中的 Lyra

Belacqua 被收养 简·爱

从詹姆斯和大桃子那里收养了罗尔德·达尔的詹姆斯

玛蒂尔达·摩西·摩西·摩西

·迈克尔·莫珀戈中的男孩朋友或敌人

Benjamin Zephaniah 难民男孩 Luke

Skywalker Luke Skywalker Oliver Twist

Cassie 在上海的

妃子中的校友 冰沃克的

紫色 所有这些伟大的

虚构人物 所有这些

都受到了他们的状况的伤害 所有这些

都产生了成千上万的其他书籍和

其他电影 所有这些

都是被收养的,或者

似乎作家们通常知道

家庭之外的孩子 反思家庭的真正意义,

而不是它所宣传

的家庭,他们每天也使用非凡的

技能来处理非凡

的情况 在

流行文化和

宗教的这些令人难以置信的人物与我们中间被收养的收养或

孤儿之间

,他们需要我们的尊重并不是我们的遗憾

杂志编辑、国家

记者、垃圾箱男和

理发师,他们都是

照看孩子的 被收养或成为孤儿

,他们中的许多人长大成人

,害怕谈论他们的

背景,好像这会以某种方式削弱

他们在前景中的地位,好像

它是某种氪石,好像它是

一颗绑在孩子们内心的定时炸弹

照顾生活的人

应该有权拥有并过

上自己童年的记忆 就

这么简单 我和我自己的母亲应该

在这里说

60年代末她来到这个国家 她还年轻

她发现自己怀孕了,就像

60 年代后期的女性一样,她们发现

自己怀孕了,她有点

不知道

在 1960 年代登陆的背景如果你怀孕了,我应该给你一些

1960 年代的背景

单身 你被

视为对社区的威胁

你被国家与家人分开 你与

家人分开并被安置在母婴之

家 你被任命为社会

工作者 养父母 被排成一排 这

是社会工作者的主要目的,

目的是让

在她一生中最脆弱的时候的妇女

签署收养文件,因此在

收养文件上签字 母亲

和婴儿的家通常由修女经营

收养 签署了文件

孩子被交给了

养父母 母亲被运回

她的社区 说她

有点休息

有点

休息 收养过程花了

几个月的时间 所以它是一个关闭的商店 你

知道海豹交易 勤奋的

功利主义解决方案 政府

农民 收养父母

消费者 地球母亲和

孩子 庄稼 这很容易

光顾过去放弃我们

现在的责任

当时发生的事情直接反映了

现在正在发生的事情每个人都相信

自己在做上帝正确的

事 国家为大

社会快速收养,所以不管怎样,

她在 1967 年来到这里,她怀孕了

,她来自埃塞俄比亚,当时

在海尔·塞拉西皇帝的统治下庆祝自己的禧年,她

在伊诺克·鲍威尔演讲前几个月登陆

在披头士乐队

发行白色专辑的几个月前,在马丁

·路德·金被杀的几个月前,她发表了滔滔不绝的演讲

,如果你是白人,那是一个爱的夏天,如果你是

黑人,那是一个充满仇恨的夏天,所以

她从牛津出发,被送到了

在英格兰北部搬到母婴之家,

并任命了一名

社工 一个不同的议程

他找到了养父母 他

对他们说 把这当作收养 他

永远是你的 他的名字是诺曼 不

不 嗯 所以他们他们他们带走了我 我

是他们说我的信息

他们说我是诺曼·马克·格林伍德(Norman Marc

Greenwood),在接下来的 11 年里,

我只知道这个女人,这个出生的

女人,

因为没有在收养文件上签字,她的眼睛应该被划掉,她

是一个邪恶的女人,太自私了,所以

我 在那 11 年里跪着

祈祷 我试着祈祷 我发誓我试着

祈祷上帝可以在圣诞节有一个银行

但我总是会回答

自己是的 当然她已经走了 然后

我应该确定那

是上帝的声音还是 那是魔鬼的声音

,事实证明

我心里有魔鬼,

无论如何,两年过去了,

他们有了自己的孩子,然后

又过了两年,他们有了

另一个孩子 自己的,然后

又过了一段时间,他们又生了一个

孩子,他们称之为

事故 我开始在其他地方呆得有点

晚了,现在

他们天真地信仰宗教

我应该

在这里说这些,因为这就是他们设计

我离开的方式他们让我坐在一张桌子我的

养母她对我说你不

爱我们吗你在 11 岁时

还有另外三个孩子

我 我第四次第三次是一个意外

,我说是的,我当然会这样做,因为

你确实让养母让我离开

去思考爱情和它是什么

,阅读经文,

明天回来,给我最诚实和最诚实的

真实的回答,所以这是一个

机会,如果他们问

我是否爱他们,

那么我一定不能爱他们,这让我

想到了一个奇迹,我认为

他们想让我得到我会请求

上帝的宽恕和他的 光会

透过我照耀他们,多么

美妙 s 是一个机会 神学是

完美的 时机是毋庸置疑

的 癌变的诚实作为一个罪人可能会

得到一个 不能爱你 我对他们说

但我会请求上帝的宽恕

因为你不爱我们 诺曼 显然

你已经选择了 你的路 24 24 小时

后 我的社工 这个陌生的男人

曾经每隔几个月来拜访我

他在车里等

我 我和父母说再见 我没有

和任何人说再见 我和我的母亲 我的

父亲 我的姐妹们 我哥哥是我阿姨

我叔叔是我堂兄弟我祖父母

在去儿童之家的路上没人

我开始问自己发生

了什么事并不是我

从我脚下拉了地毯就像

整个地板都被拿走了 在

接下来的四五年里,我

被关押

在第三个儿童之家的四个不同的儿童之家 15 岁时,

我开始垂降,我所做的是我

得到了三罐

你用于模型的 Airfix 油漆和 我

是我 一个大孩子,所以我是

维多利亚时代的大孩子,当我在

它顶部的一个小塔楼里时,我

带着他们参观了红色黄色和绿色

的非洲事业,沿着

你从街上看不到的瓷砖,因为

因为这样做,家被山毛榉树包围了我

在评估中心被监禁了一年,这

实际上是一个还押中心,它

是年轻人的虚拟监狱,嗯

,几年后我的社工

说我不应该

放在那里 我没有因为任何事情被指控 我

没有做错任何事 但是因为我

没有家人来询问我 他们可以对我

做任何事情

我已经 17 岁 他们有一个软垫

牢房 他们会让我失望

洛杉矶大小顺序的走廊他们把我

和一个确认的纳粹同情者放在一个宿舍里

所有的工作人员都是

前警察有趣和前缓刑

官员每次我拜访一个人时,运行它的人都是

前陆军军官

谁我不知道

谁会 每三个月给我吃一次葡萄我

被脱衣搜身,家里到处都是

年轻男孩,他们因谋杀等罪名被还押候审

,这是

我在 17 年后作为

国家的孩子得到的准备,我必须告诉 这个

故事我必须讲述,因为

没有人将两个和两个放在一起我

慢慢意识到我认识的人没有

认识我超过一年的人看看

这就是家庭所做的

它给你参考点我不是在

定义一个 好家庭来自

坏家庭 因此对你来说很重要的

是,我 14 岁时

在自己身上纹身,

我没有被触动,也没有被身体触动过

我要回报告 我回报告

只是说当我离开

儿童之家时,我有两件事 那 我

想做的一件事是找到我的

家人另一件事是创造性地写诗

我在

想象中看到了光我看到

了生命的无限可能无限的真相

现实的永久创造

vv愤怒

表达的地方 寻找爱情 一个

功能障碍是

对谎言的真实反应的地方 我必须

对你说一切 我在成年生活中找到了我所有的家人

我花了我所有的成年

生活来寻找他们,我现在 和其他人一样,有一个

完全不正常的家庭,

但我要向你汇报,

很简单地说,你可以

通过政府对待孩子的方式来定义民主的强大程度。

我不是

指孩子,我是指国家的孩子

非常感谢你很

荣幸