Being Comfortable with the Uncomfortable

[Music]

i just want to start off with a song

that i wrote it’s

called hero complex and it’s about my

experiences noticing different women

around us and

how we just need to take a promise to

just

be there for each other and as many

women as we can

so

that girl on the street begging for arms

no shoes on her feet

i should have been there for her

that girl on the train sitting all alone

the night was getting late

i should have been there for her

that man on the scene he’s screaming out

i can’t breathe i should have been there

i should have been there for my sister

should have been there for my brother i

should have been there for

her i should have been there for her

i should have been there for my mother

we should have been there for each other

i should have been there for her i

should have been

there for her

that girl in the magazine trying to get

smaller for the bigger screen

i should have been there for her

[Music]

that girl at the club left drunk looking

for love

did she get home i should have been

there

i should have been there for my sister

should have been there for my brother i

should have been there for her

i should have been there for her i

should have been there for my mother

we should have been there for each other

should have been there for her i should

have been

there for her that girl in the mirror

that girl in the mirror i should have

been there for her

i should have been there for her

that girl in the mirror that girl in the

mirror

i should have been there for her

[Music]

okay so that was a song i wrote called

hero complex and uh

yes i am a singer songwriter actor

voiceover artist

just as many things as i can do as an

artist i try to be all of those things

and

i actually grew up on a stage because i

was very blessed to be born into a

family

my grandparents jalabala gopal sharman

they built literally with their own

hands a beautiful theater in delhi

called the akshara

which is where i have grown up i have

learned singing dancing kathak i have

watched my grandparents perform i have

performed with them

whether it’s just accompanying my

grandfather for poetry readings or

singing the beatles with him or

singing kale seagull or just doing

little bits here and there

two full-blown plays as i got older

and the thing is uh for me

the idea of gender it was broken very

long ago by my own grandmother

jalavalavedya because she did this play

the ramayana

uh written in english by my grandfather

toured all over the world

and she performed all characters of the

play on her own

it was a solo performance so she

performs dashirath she does kaikei she

does hanuman

ram sita and i am watching her as a

child

seamlessly transition between all these

different characters i won’t even call

them different genders just different

characters

and so as a child who grew up in this

environment on this safe space i called

home which was the stage this idea of

gender didn’t really

bother anyone at home because it’s not

what we were about and

i think the place where it really

started to exist

these idea of genders and like tagging

people etc was

when i started going to school in delhi

and i went to a

you know a very delhi school where

everybody was like from a business

delhi family and i was the only girl i

think in my class

who first of all who was south indian

second of all it was from an artist

sort of background and uh you know it

was a sort of place where

if you’re somebody who’s not sure about

your gender if you’re a boy who’s

slightly

how do you say feminine if you’re a girl

who’s a little boyish blah blah blah

you get teased you know and you are from

a very early age

made to sort of feel uncomfortable and

sort of lost

about where you sort of belong and

that was my sort of experience in a

school you know i had these parallel

lives going on

as this theater girl was a little rock

star in my head

and then in school as this mute child

who barely spoke to anyone

never participated in a school play or

choir or anything

and so it became very difficult for me i

i you know i was teased for many things

including like

my skin color and whatnot and

uh this went on for a long time till i

shifted to a boarding school in masuri

beautiful school where

i had a very uh filmy kabhi khushi gavin

moment my first week in school in

boarding school i’m sitting in assembly

and

we had to practice jana ganamana because

uh

independence day was coming so i sat

down in assembly and there are kids from

all over the world in the school there’s

a australian student sitting here south

korean student sitting here canadian

behind me

you know and then jenna ganawana starts

playing on the speakers the lyrics come

up

and everybody got up you know the

chinese student got up the korean

student got up

i got up and everybody in their

different accents and their different

backgrounds

they started singing just you know it

and that was a beautiful moment for me i

remember crying

at that very moment i think i was about

14 and a half years old

because i suddenly saw myself in the

midst of so many people

from so many different backgrounds

coming together

appreciating each other’s you know where

they come from

who they are it becoming a part of you

and i suddenly felt more like i belong

in this place

where there were 100 nationalities

rather than belonging to my delhi school

where there were kids from just

one section of delhi you know and uh one

one turning point for me was um when

this irish

physics teacher of mine heard me singing

one day and i was just practicing

with my roommate and she was korean and

he heard me singing this kelly clarkson

song he said you guys

must perform this you’re going to

perform this after lunch tomorrow in the

lunch area

and i was just like oh my god no i you

know i’ve never performed outside of my

family’s

like theater my home safe space my stage

and he said no nothing doing you’re

doing it i’m setting up a mic i’m

setting up a speaker

keyboard you better show up at 4pm so

when the bell rang

i’m running to the lunch area there are

kids everywhere shouting chatting and

i’m shouting i’m like i’m performing

guys please you know come watch me this

is my first time performing

and you know in the middle of lunch i

suddenly started singing and my roommate

starts playing and

everybody who’s playing and eating

talking they just

became quiet they heard my voice they

walked towards me

and you know that was the first time i

had really broken away from this

safe sort of space i called home and i

realized that hey

maybe i can do this on my own and i was

shaking you know

i still shake sometimes when i perform

like right now i was still shaking you

can probably hear it in my voice

but um and i thought about this quote

because i love

will smith very much and he says you

know if you can’t

face your fear just do it scared and

that’s

exactly i think what being an artist

also has a lot to do with you know we

sometimes i think we’re mad to think

that we’ll write a song and hundreds of

people will actually

connect to it and hear it we really have

to just put ourselves out there

and that’s why the topic i was sort of

wanting to touch upon was just

the journey of you know going from

uncomfortable to being uncomfortable

from going from comfortable to being

uncomfortable and just

transitioning between these two

throughout your life

as an artist and the ironical part about

being in this

industry where you know either you’re a

writer

actor singer comedian whatever you are

you put yourself out there you know no

matter what religion background that

doesn’t matter

you put your art out there and the more

comfortable you seem to the public the

more uncomfortable sometimes it makes

them like

you know when i see a friend of mine who

might be an influence or something

post a picture where she’s feeling

really comfortable in her skin or with

her body hair or something

that person is immediately of course

appreciated but she’s also immediately

trolled

and so it’s so it’s so ironical that

when one decides to sort of really come

out

and try to be comfortable with

themselves they are made to feel so

uncomfortable by people around

them and why is it such a threat to the

public

and to people to see this person sort of

growing and why don’t they support this

growth

and i think that’s a huge part of this

sort of industry

the media industry or whatever the

artist industry that we are a part of

and um of course as a singer i’ve done

so many things i’ve

done musicals i’ve done jingles shows

blah blah blah

and i was you know kind of tired of the

scene i wanted a change of scene and one

of the things i did

last year was i sort of ran off to new

york city

i said you know maybe i want to live

here or maybe i want to be a musician

here

and i tried to you know i set up gigs

for myself

i did independent shows i met musicians

there and it was the first time i had

actually received

feedback from a foreign audience and

they even

enjoyed like this hindi song i did and i

was just like i want to stay in the city

i

began working as a waitress to support

myself over there because i was just

like mom i don’t think i want to come

back right now

you know and that was a whole new

experience for me just like

first of all being in the service

industry you know not everybody was very

excited that nisa has

gone to become a waitress you know in

new york city

but it was just me saying yes to

experiences me not taking people’s

judgments like oh my god you know you’re

working as a waitress

because those words were said to me by

people close to me you know and

it’s not about that it’s about you as an

artist every experience

you feel you put it into your work

it just happens and it may come from a

place of discomfort comfort wherever it

comes from

it will and it should go into your work

and again you know one of the the reason

i

left new york at all was because i got

this huge opportunity to

record a song with er hemansha which i

got to really i mean which released this

year

it’s called you got me it’s on youtube

but uh yeah and it was such

an amazing experience interacting with

er himan

and he’s just such a wonderful person

he’s all about the music and he doesn’t

care who you are where you’re from

he wants to hear your voice and that’s

what it’s about

and so for me if i go into a studio

mostly i’m feeling very nervous but here

i’m answering

made me feel comfortable why because all

he expected from me

was my voice and the scale of my voice

so the message i kind of just wanted to

leave with

was that um issues these days especially

for

women especially for women who put

themselves out there or anybody who puts

themselves out there

people who are watching and consuming it

goes beyond our petty

problems and competition and jealousy

you know there needs to be a movement

towards

supporting people who are transitioning

into becoming

comfortable as people who you know put

their thoughts there put their opinions

out there

and i think you know people like bhikaji

karma rani lakshmi by even rosa parks

they didn’t just do one thing to change

the world

they did something every day so as an

artist what is it that i’m going to do

in my next song in my next film in my

next ad

whatever i do what is it that when a

person watches me

what is that one thing that they’re

going to really

you know grab from that experience that

will make them want to do something good

something for the betterment of society

all in all

and um yeah that’s basically the message

i wanted to sort of work on and

leave with is to have this sort of

feeling of being together

and really letting people be the best

version of themselves

and i’m going to end by singing this

song

by alicia keys it’s based on the poem

i know why the cage bird sings and i’m

dedicating it to my mom

because she just finished fighting kovit

oh my god

anyway but she really likes the song um

so yeah it’s based on the maya angelou

poem

i know why the cage bird sings okay

[Music]

um

right now i feel like

a bird

cage without a key

everyone comes to stare

at me

with so much joy and revelry

they don’t know how i feel

inside

through my smile i cry

[Music]

they don’t know what they’re doing to me

keeping me from flying

that’s why i say that i know why

the cage bird sings

[Music]

only joy comes from

she’s so rare and beautiful

to others

when i just said her free

so she can fly fly

fly

spreading her wings and her song

[Music]

let her fly fly

fly

for the world to

see

[Music]

let her fly fly

fly

fly fly

for the world to see

for the world to

[Music]

see

all right thank you very much

[音乐]

我只想从我写的一首歌开始,这首歌

叫做英雄情结,它是关于我

注意到我们周围不同女性的经历

以及我们如何只需要承诺

只为彼此和尽可能多的

女性在一起 我们可以

那个在街上乞求武器

的女孩 脚上没有鞋子

我应该

在火车上的那个女孩独自坐着

出来

我无法呼吸 我应该在那里

我应该在那里 我姐姐应该在那里 我应该在那里 我应该在那里 我应该在那里 我应该在那里 我

应该在那里 我

应该在那里

我应该在那里 我应该为我妈妈

我们应该在那里 一直为彼此而

存在 我应该为她在那里 我

应该

为她

在那里 杂志上的那个女孩试图

为更大的屏幕变得更小

我应该为她在那里

[音乐]

俱乐部里的那个女孩喝醉了 看着

因为爱

她回家了吗我应该在

那里

我应该在那里我姐姐

应该在那里我哥哥我

应该在那里

我应该在那里我

应该在那里我应该在那里我应该在那里我妈妈

我们应该 为彼此

而存在 应该为她而存在 我应该为她

存在 镜中的那个女孩 镜中的

那个女孩 我应该

为她而存在

我应该为她而存在

镜中的那个女孩 那个女孩 在

镜子里

我应该为她

[音乐]

好吧,那是我写的一首歌,叫做

英雄情结,嗯,

是的,我是一名歌手,词曲作者,演员,

配音艺术家

所有这些

我实际上是在舞台上长大的,因为

我非常幸运地出生在

我的祖父母 jalabala gopal

sharman 的家庭中,他们用自己的

双手在德里建造了一个美丽的剧院,

叫做 akshara

,这就是我拥有的地方 长大了,我

学会了唱歌跳舞卡塔克我

看过我的祖父母表演我

和他们一起表演,

无论是陪我

祖父读诗,还是

和他一起唱披头士乐队,还是

唱羽衣甘蓝海鸥,或者只是在

这里和那里做点点滴滴,

两个成熟的 随着年龄的增长

,对我来说,事情是呃

性别的概念它

很久以前就被我自己的祖母

jalavalavedya 打破了,因为她这样做

了我祖父用英语写的罗摩衍那,呃

,在世界各地巡回演出

,她表演了所有

这出戏的角色是她自己的,

这是一场独奏表演,所以她

表演了dashirath,她表演了kaikei,她表演了hanuman

ram sita,我看着她

小时候

在所有这些不同的角色之间无缝过渡,

我什至不会称

他们为不同的性别,只是不同

角色

等等,作为一个在这个环境中长大的孩子,

在这个我称之为

家的安全空间里,这是这个性别观念所没有的舞台

真的

打扰了家里的任何人,因为这不是

我们

想要的,我认为真正

开始存在

这些性别观念的地方,比如给人贴标签

等是

当我开始在德里上学的时候

,我去了一个

你知道的很 德里学校,

每个人都来自德里的商业

家庭,我是班上唯一一个女孩

她首先是南印度人,

其次是来自艺术家

的背景,嗯,你知道这

是一种

如果你是一个不确定

你的性别的人 如果你是

一个稍微有点小气的男孩

你怎么说女人味

小时候

让我有点不舒服,

有点迷失

自己的归属,

这就是我在学校的经历

然后在学校里 是

一个几乎不和任何人说话的哑巴孩子,

从来没有参加过学校戏剧或

合唱团或其他任何事情

,所以这对我来说变得非常困难,

你知道我因为很多事情而被取笑,

包括

我的肤色等等,

嗯,这持续了很长时间 直到我

转到马苏里美丽学校的一所寄宿学校,在

那里

我度过了一个非常电影化的kabhi khushi gavin

时刻我在

寄宿学校上学的第一周我正在参加集会

我们不得不练习jana ganamana,因为

独立日快到了 所以我

在集会中坐下来,

学校里有来自世界各地的孩子,有

一个澳大利亚学生坐在这里,

韩国学生坐在这里,加拿大人

在我身后,

你知道,然后 jenna ganawana

开始在扬声器上播放歌词出现

,每个人都听懂了 你知道

中国学生起床韩国

学生起床

我起床每个人都有

不同的口音和不同的

背景

他们开始唱歌 你知道的

,那对我来说是一个美好的时刻我

记得

那一刻我哭了我想我大约

14 岁半

因为我突然看到自己在

这么多来自不同背景的

人聚在一起

欣赏每一个 其他人你知道

他们来自哪里

他们是谁成为你的一部分

我突然觉得我更像是

属于这个

有 100 个民族的地方

而不是属于我的德里学校

那里只有

德里一个地区的孩子你 知道,呃,

对我来说,一个转折点是,当我的

这位爱尔兰

物理老师有一天听到我唱歌时

,我正在

和我的室友一起练习,她是韩国人,

他听到我唱这首 kelly clarkson 的

歌,他说你们

必须表演 这个你

明天午饭后在午餐区表演

,我就像哦,我的上帝,不,我你

知道我从来没有在我

的剧院之外表演过我的家安全 sp 王牌我的舞台

,他说没有,你在

做,我正在设置一个麦克风我正在

设置一个扬声器

键盘你最好在下午 4 点出现,所以

当铃声响起时,

我会跑到午餐区有

到处都是孩子们在大喊聊天,

我在大喊,我就像在表演,

伙计们,请你知道,来看我,这

是我第一次表演

,你知道在午餐中间我

突然开始唱歌,我的室友

开始演奏,

每个人 玩耍和吃饭

说话 他们只是

安静了 他们听到了我的声音 他们

朝我

走来 你知道那是我第

一次真正脱离

这种我称之为家的安全空间 我

意识到嘿

也许我可以在我的 自己,我在

发抖,你知道,

当我像现在这样表演的时候,我有时还在发抖

你无法

面对你的恐惧 r 只是害怕地去做,

正是我认为作为一名艺术家

也与你有很大关系的人知道我们

有时我认为我们很疯狂地

认为我们会写一首歌并且数百

人实际上

会与之产生联系 听到它,我们真的必须

把自己放在那里

,这就是为什么我

想谈的话题只是

你知道的从不

舒服到不舒服

,从舒服到不

舒服,只是

在这两者之间过渡的旅程

在你

作为艺术家的整个生命中,以及在这个行业中具有讽刺意味的部分

,你知道你是

作家

演员歌手喜剧演员无论你是什么

你把自己放在那里你知道

无论什么宗教背景

都无关紧要

你把你的 艺术在外面,

你在公众看来

越舒服,有时就越不

舒服 一张照片,她

在她的皮肤或

体毛或其他东西上感觉非常舒服

,当然,这个人会立即受到

赞赏,但她也立即受到了

拖钓

,所以它是如此具有讽刺意味,以至于

当一个人决定真正出来

并尝试 对自己感到满意,

他们让

周围的人感到如此不舒服

,为什么看到这个人在成长对公众和人们造成如此大的威胁

,为什么他们不支持这种成长

,我认为这是一个巨大的 这类

行业

的一部分 媒体行业或我们所属的任何

艺术家行业,

当然,作为一名歌手,我

做过很多事情,我

做过音乐剧,我做过歌曲节目

等等等等。

你知道我厌倦了那个场景吗?

我想换个场景吗?去年

我做的一件事

是我跑到了

纽约市,

我说你知道,也许我想住

在这里,或者我想成为 这里的音乐家

我试着告诉你我为自己安排了演出

我做了独立演出我在那里遇到了音乐家

这是我第一次

真正

收到外国观众的反馈

他们甚至

喜欢我所做的这首印地语歌曲

我就像 我想留在城里

开始在那儿当女服务员来养活

自己因为我

就像妈妈一样我想我现在不想回来

你知道这对我来说是一种全新的

体验就像

第一次一样 在所有从事服务

行业的人中,你知道并不是每个人

都对妮莎成为纽约市的女服务员感到非常兴奋,

但只是我说是的,因为

我不接受人们的

判断,就像天哪,你知道你' 重新

担任女服务员,

因为这些话是我

亲近的人

对我说

的 迪的 无论它来自哪里,都会感到舒适

,它应该进入你的工作

,你再次知道

离开纽约的原因之一是因为我有

这个巨大的机会

与 er hemansha 一起录制一首歌,

我真的 意思是今年发布的

它叫你让我在 youtube 上,

但是嗯,是的,

与 er heman 互动真是

太棒了

,他是一个非常棒的人,

他对音乐很感兴趣,他

不在乎你是谁 ‘来自

他想听到你的声音,这

就是它的意义所在

,所以对我来说,如果我进入录音室

大部分时间我会感到非常紧张,但

我在这里回答

让我感到很舒服,为什么因为

他对我的所有期望

都是我的 声音和我的声音的规模,

所以我只是想

留下的信息

是这些天的问题,尤其是

对于女性,尤其是对于那些把

自己放在那里的女性或任何把

自己放在那里的

人,那些正在观看和c的人 假设它

超越了我们的小

问题、竞争和嫉妒,

你知道需要一场运动

支持那些正在过渡

舒适的人,因为你认识的人

把他们的想法放在那里

,我认为你认识像比卡吉这样的人

甚至 rosa parks 的 karma rani lakshmi

他们不只是做一件事来

改变世界

他们每天都在做一些事情所以作为一个

艺术家我将

在我下一部电影的下一首歌中的下一首歌中做什么 在我的

下一个广告

无论我做什么,当一个

人看着我

时,你

真正知道的

一件事是什么 是的,这基本上就是

我想要处理和

离开的信息是有这种

在一起的感觉

,真正让人们成为

最好的自己

,我将结束 b 你唱这

首歌

的艾丽西亚·凯斯它是基于这首诗

我知道笼中鸟为什么唱歌我要把

它献给我妈妈

因为她刚刚结束了与科维特的战斗

哦我的上帝

无论如何但她真的很喜欢这首歌

所以是的它是基于 玛雅安吉洛的

我知道为什么笼子里的鸟唱歌好听

[音乐]

嗯,

我现在感觉就像

一个

没有钥匙的鸟笼

每个人都

带着如此喜悦和陶醉的目光注视着我,

他们不知道我内心的感受

微笑我哭泣

[音乐]

他们不知道他们对我做了什么

让我无法飞行

这就是为什么我说我知道

笼中鸟为什么唱歌

[音乐]

只有快乐来自

她对别人来说是如此稀有和美丽

当我 刚刚说她自由了

所以她可以飞 飞

展开她的翅膀和她的歌

[音乐]

让她飞 飞

让世界

看到

[音乐]

让她飞 飞

让世界看到

[音乐] ] 可以

看到非常感谢