When the world is burning is art a waste of time R. Alan Brooks

Transcriber:

I grew up in Atlanta, Georgia,
and I didn’t know very many white people,

but I was raised
in a Southern Black church

that was under the shadow
of white supremacy

and run by Black people

who in many ways were taught
to hate themselves.

The generation that raised me
was still familiar with lynchings.

So in order to not be murdered by racists,

some of the Black people
in the generation before me

learned to make themselves smaller.

We couldn’t be too loud,

too smart, too attractive, too bold.

On some level, they felt

like anything that we did
that made us stand out

might get us murdered.

In the midst of that, I emerged,

this straight-A student who rapped,

loved “Weird Al” Yankovic

and read comic books.

So much for not standing out.

So the grownups around me
regularly discouraged my artistry.

To them, comic books
were the pursuit of a kid

who didn’t really understand the world.

They told me that art was silly

and I was in for some hard lessons
about the real world.

Back then, I only had one other friend
who was into comic books

and he went to a different school.

So when I was around 11,

he and I went to our
very first comic book convention.

They were so unused
to seeing Black kids there,

that one grown white man
mistook me for security

and showed me his convention badge
in order to get in.

Remember, I was 11.

But me and my friend
loved these conventions.

Finally, we had other people to talk to
about the important questions,

like, why does the Hulk
always wear purple pants?

About a year or so later
with every free moment that we had

me and that same friend
were actively drawing comic books.

His father took notice of this
and he sat us down in the living room.

He loved us both, and he decided
it was time to set us straight.

He said, “It’s great that you two
love these comic books,

but you need to pick a serious profession,

something that’s going to take care
of you and your families.

And you’re not going to be able
to do that with comic books.”

My friend’s father
wasn’t trying to hurt us.

He was trying to prepare us for the world

and underneath that was this fear
that was shared by my own parents.

That being a Black artist
would make me stand out

and that I might be murdered by racists.

And it’s not like that was a far jump.

My parents were born
in the early 50s.

In 1955, a white woman accused
a 14-year-old boy of whistling at her.

He was Black

and two grown white men
brutally murdered him

just for her accusation.

These men never went to prison.

The boy’s name was Emmett Till.

So my parents grew up in a time

where just the accusation
of whistling at a white woman

could get a Black boy brutally murdered.

So why wouldn’t they be concerned about me
standing out as some bohemian artsy dude?

So as a Black artist,
I’ve had to ask myself:

when the world seems like it’s burning,
is art really worth it?

I grew up and I worked serious jobs
and did art on the side.

Let me tell you about
the most serious job that I ever worked.

I ran an insurance agency

and I know everything
that you’ve learned about me so far

screams insurance agent.

Predictably, I hated that job.

So after a few years and against
all the wise advice I heard in my life,

I decided to close my insurance agency
and try my hand at writing graphic novels.

I wanted to address the social issues
that I was passionate about.

Police brutality, sexism, racism,
that kind of thing.

But to make it clear,

I was leaving the serious insurance job

in order to pursue writing comic books.

You know, art,

which is silly,

especially in the face of a world
that seemed dedicated to murdering me.

This was 2016

and there was this reality show host
running for president.

You guys probably never heard of him,

but there were all these
disturbing things arising in the world.

Nazis were feeling bolder.

People were feeling less shame
about their racism,

hate crimes arising.

In response,

my Black and Brown friends
organize public protest and boycotts.

A lot of my liberal white friends were
marching on the Capitol every weekend.

And I wanted to write a comic book.

Was I being silly?

Vain?

I never made a living off of art before

and now I just quit my job

when it seemed like the world
was falling apart.

Art is silly, right?

I struggled with this for a while.

So I took a month to travel
in the UK for the first time.

I was nervous about this trip
because I was traveling alone.

And I didn’t know
how people in these countries

felt about Black people,

but I went to Berlin, Prague, Budapest,

and this tiny British town
called Melksham.

In Berlin, I sat down with the owner

of the biggest
comic book store chain there.

And we talked about how as a kid,
his favorite hero was Captain America,

but certain issues of that comic book
he never got to read as a kid

because Captain America
was fighting Nazis in those books.

And nothing with Nazis
was allowed in Germany,

even if they were getting beat up.

So let’s think about that for a moment.

In Germany,

Nazis were banished from everything

while here in the States,

we’ve erected statues to Confederates
who betrayed our country.

Anyway, I thought about this man,

this comic book fan
who grew up in Germany,

but fell in love with the story
of an American icon.

And I realized a well-written
comic book or graphic novel

could reach someone
all the way across the world.

And I thought about revolution,

how whenever society needs to change,

that change is inspired
at least in part by the artist.

I thought about how dictators and despots
regularly murder and discredit artists.

Hitler’s people came up with a term
specifically to discredit artists:

degenerate art.

They were burning books and paintings.

But why,

why were the leaders of the Nazi party

dedicating their attention
to destroying art?

If art really has no power,

if it’s really a silly waste of time,

then why are dictators afraid of it?

Why were Nazis
burning books and paintings?

Why was McCarthy so dedicated
to blacklisting artists in the 1950s?

Why was Stalin’s government so focused
on censoring artists in Russia?

Because art scares dictators.

Because they understood something

that I’ve been struggling
to understand my entire life.

Art is powerful. Art is important.

Art can change hearts and minds
all the way across the world.

In 1894, Russian author, Leo Tolstoy
wrote “The Kingdom of God Is Within You”.

It’s a book that advocates
for nonviolence.

In the 1920s, Mahatma Gandhi
listed Tolstoy’s book

as one of the three
most important influences in his life.

So Tolstoy inspired Gandhi.

And you know who Gandhi inspired?

Dr. Martin Luther King, Jr.

So how would the civil rights movement
in America have changed

if Tolstoy had never written his book?

Would I even be here talking to you now?

Tolstoy’s book made real changes
in the world by inspiring people.

During the civil rights struggle,

Black people would stand hand in hand

as police and dogs attacked us

and we’d sing gospel songs.

Those songs,

that art inspired these people

and it helped them make it through.

Activism is how we change the world.

And there are different ways
to engage in activism.

And for me, that way is art.

So I came back to the States

and I wrote about all those issues
that I mentioned before:

the police brutality,
the sexism, the racism.

Honestly, I didn’t know how the world
was going to receive it from me.

I just knew that I was tired
of giving my life

to things that I didn’t care about.

So I hired a comic book artist,

I ran a Kickstarter campaign

and my graphic novel
became “The Burning Metronome.”

It’s a supernatural murder mystery
about otherworldly creatures

who absorb magical power
from human cruelty.

They watch human beings

and they give us the chance to choose
between compassion and cruelty.

In one of the stories a police officer
has an opportunity to go back

and undo a time when he was
unnecessarily violent to someone.

So what happened as a result
of me writing this book?

I was interviewed on TV news, newspapers.

The university invited me to teach writing
in their master’s program.

I’m a professor now.

But more importantly,

I was able to reach into my heart,

pull out the truest parts of my soul

and see it have a positive impact
on other people’s lives.

I was signing books
in this comic book store

and this man made small talk
with me for about 20 minutes.

Eventually he said that my book
made him think about how he does his job.

So of course I asked,
what do you do for a living?

He was a police officer.

So my book made a police officer
think about how he does his job.

That never happened when I sold insurance.

I write comic books
and graphic novels for a living.

Now I’m a full-time artist.

If I hadn’t written that book,

none of you would be listening
to me right now.

And listen, my parents
weren’t wrong to warn me

about the lethal tendencies
of this country.

Just last year,

a white supremacist sent me death threats

over a book that I hadn’t
even finished writing yet.

But obviously the only reason
he was threatened

is because he recognized the power of art

to change hearts and minds
all the way across the world.

So I say to you now,

if there’s any art you want to create,

if there’s something in your heart,
if you have something to say,

we need you now.

Your art can be activism.

It can inspire people
and change the world.

If you’re afraid, that’s OK.

Just don’t let it stop you.

Go make art and scare a dictator.

Is art worth it?

Hell yeah.

Thank you.

抄写员:

我在佐治亚州亚特兰大长大
,我认识的白人不多,

但我
在南部黑人教堂长大,该教堂

处于白人至上

的阴影下,由黑人经营,

他们在很多方面都被教导
要 恨自己。

抚养我长大的那一代人
仍然熟悉私刑。

所以为了不被种族主义者谋杀,

我之前那一代的一些黑人

学会了让自己变小。

我们不能太大声、

太聪明、太有吸引力、太大胆。

在某种程度上,他们

觉得我们所做的
任何让我们脱颖而出的

事情都可能让我们被谋杀。

在这中间,我出现了,

这个说唱、

喜欢“奇怪的艾尔”扬科维奇

并阅读漫画书的优秀学生。

没有脱颖而出。

所以我周围的大人们
经常不鼓励我的艺术。

对他们来说,漫画书
是一个

不了解这个世界的孩子的追求。

他们告诉我艺术是愚蠢的

,我正在接受一些
关于现实世界的艰苦课程。

那时,我只有一个
喜欢漫画书的朋友

,他去了另一所学校。

所以当我大约 11

岁时,他和我参加了我们
的第一次漫画书大会。

他们非常不习惯
在那里看到黑人孩子,

以至于一个成年白人
误以为我是安全的

,并向我展示了他的大会
徽章以便进入。

记住,我 11 岁。

但我和我的朋友
喜欢这些大会。

最后,我们让其他人
讨论了一些重要问题,

比如,为什么绿巨人
总是穿紫色裤子?

大约一年左右之后
,我们和同一个朋友的每一个空闲时间

都在积极地画漫画书。

他的父亲注意到了这一点
,他让我们在客厅坐下。

他爱我们俩,他
决定是时候纠正我们了。

他说:“你们两个
喜欢这些漫画书真是太好了,

但你需要选择一个严肃的职业,

一个能
照顾你和你的家人的职业。

而你将无法
用漫画书做到这一点 。”

我朋友的父亲
并没有试图伤害我们。

他试图让我们为这个世界做好准备,

而在这背后
是我自己父母所共有的恐惧

。作为一名黑人艺术家
会让我脱颖而出

,我可能会被谋杀 种族主义者

。这并不是一个很大的跳跃。

我的父母出生
于 50 年代初

。1955 年,一名白人妇女指责
一个 14 岁的男孩对她吹口哨。

他是黑人

,两个成年白人男子
残忍地

仅仅因为她的指控而谋杀了他。

这些人从未入狱。

这个男孩的名字叫埃米特·蒂尔。

所以我父母成长的时代

,仅仅
指责一个白人女人吹口哨

就可以让一个黑人男孩被残忍地谋杀。

那为什么不 他们不担心我
作为一个波西米亚艺术的家伙脱颖而出吗?

所以作为一名黑人艺术家,
我不得不问自己:

当世界似乎在燃烧时
,艺术真的值得吗?

我长大了,我工作很认真 工作
和做艺术。

让我告诉你
我做过的最严肃的工作。

我跑了一个 保险代理

,我
知道到目前为止你所了解的关于我的一切都在

尖叫保险代理。

可以预见的是,我讨厌那份工作。

所以几年后,
我违背了我一生中听到的所有明智的建议,

决定关闭我的保险公司
,尝试写漫画小说。

我想解决我热衷的社会问题

警察暴行、性别歧视、种族主义
,诸如此类。

但要说清楚,

我是为了继续写漫画书而离开了严肃的保险工作

你知道,艺术,

这很愚蠢,

尤其是面对一个
似乎致力于谋杀我的世界。

这是 2016 年

,有一位真人秀主持人
竞选总统。

你们可能从未听说过他,

但是世界上出现了所有这些
令人不安的事情。

纳粹感觉更大胆了。

人们
对他们的种族主义和

仇恨犯罪感到不那么羞耻。

作为回应,

我的黑人和布朗朋友
组织了公众抗议和抵制。

我的很多自由派白人朋友
每个周末都在国会大厦游行。

我想写一本漫画书。

我傻了吗?

徒劳?

我以前从未以艺术为生

,现在我只是

在世界似乎
分崩离析的时候辞掉了工作。

艺术很愚蠢,对吧?

我为此挣扎了一段时间。

所以我花了一个月
的时间第一次去英国旅行。

我对这次旅行很紧张,
因为我是一个人旅行。

我不
知道这些国家的

人们对黑人有什么看法,

但我去了柏林、布拉格、布达佩斯

和这个
叫做梅尔克舍姆的英国小镇。

在柏林,我和那里

最大的
连环漫画连锁店的老板坐了下来。

我们谈到小时候,
他最喜欢的英雄是美国队长,

但他小时候从未读过那本漫画书的某些问题,

因为美国队长
在那些书中与纳粹作斗争。

纳粹
在德国是不允许的,

即使他们被殴打。

所以让我们考虑一下。

在德国,

纳粹被逐出一切,

而在美国,

我们为
背叛我们国家的同盟者竖立了雕像。

不管怎样,我想到了这个男人,

这个
在德国长大的漫画迷,

却爱上
了一个美国偶像的故事。

我意识到一本写得很好的
漫画书或图画小说

可以传播
到世界各地。

我想到了革命

,每当社会需要改变时,

这种改变
至少部分受到艺术家的启发。

我想到了独裁者和暴君如何
经常谋杀和抹黑艺术家。

希特勒的人想出了一个
专门用来诋毁艺术家的词:

堕落的艺术。

他们在烧书和画。

但是,为什么,

为什么纳粹党的领导人会

专注
于破坏艺术呢?

如果艺术真的没有力量,

如果真的是愚蠢的浪费时间,

那么独裁者为什么害怕它?

纳粹为什么要
烧书和画?

为什么麦卡锡
在 1950 年代如此致力于将艺术家列入黑名单?

为什么斯大林政府如此专注
于审查俄罗斯的艺术家?

因为艺术吓坏了独裁者。

因为他们理解

了我一生都在
努力理解的东西。

艺术是强大的。 艺术很重要。

艺术可以
改变世界各地的心灵和思想。

1894年,俄国作家列夫·托尔斯泰
写了《上帝的王国在你心里》。

这是一本倡导非暴力的书

在 1920 年代,圣雄甘地
将托尔斯泰的书

列为
他一生中最重要的三大影响之一。

所以托尔斯泰启发了甘地。

你知道甘地启发了谁吗?

小马丁路德金博士 那么,

如果托尔斯泰没有写过他的书,美国的民权运动会发生怎样的变化呢?

我现在还能在这里和你说话吗?

托尔斯泰的书
通过激励人们使世界发生了真正的变化。

在民权斗争中,

当警察和狗袭击我们时,黑人会手拉手站在一起

,我们会唱福音歌曲。

那些歌曲,

那种艺术启发了这些人

,并帮助他们度过了难关。

激进主义是我们改变世界的方式。

有不同的方式
来参与激进主义。

对我来说,这种方式就是艺术。

所以我回到美国

,写了我之前提到的所有问题

:警察暴行
、性别歧视、种族主义。

老实说,我不知道
世界将如何从我这里收到它。

我只知道我厌倦
了把生命

献给我不关心的事情。

所以我聘请了一位漫画艺术家,

我在 Kickstarter 上发起了一场活动

,我的图画小说
变成了“燃烧的节拍器”。

这是一个超自然的谋杀之谜,
关于

从人类残酷中吸收魔力的超凡脱俗的生物。

他们观察人类

,让我们有机会
在同情和残忍之间做出选择。

在其中一个故事中,一名警察
有机会回去

并撤销他
对某人不必要的暴力行为。

那么
,我写这本书的结果是什么?

我接受了电视新闻、报纸的采访。

大学邀请我
在他们的硕士课程中教授写作。

我现在是教授。

但更重要的是,

我能够深入内心,

挖掘出我灵魂中最真实的部分,

并看到
它对其他人的生活产生积极影响。


在这家漫画书店签书

,这个人和
我闲聊了大约20分钟。

最后他说我的书
让他思考他是如何做他的工作的。

所以我当然会问,
你以什么为生?

他是一名警察。

所以我的书让一名警官
思考他是如何工作的。

当我卖保险时,这从未发生过。

我以写漫画书
和图画小说为生。

现在我是一名全职艺术家。

如果我没有写那本书,

你们现在都不会
听我的。

听着,我的父母
警告我

这个国家的致命
倾向并没有错。

就在去年,

一位白人至上主义者就

一本我还没写完的书向我发出了死亡威胁

但显然,他受到威胁的唯一原因

是因为他认识到艺术的力量

可以
改变全世界的人心。

所以我现在对你说,

如果你有什么想创作的艺术,

如果你心里
有什么,如果你有话要说,

我们现在就需要你。

你的艺术可以是激进主义。

它可以激励人们
并改变世界。

如果你害怕,那没关系。

只是不要让它阻止你。

去做艺术,吓唬独裁者。

艺术值得吗?

地狱是的。

谢谢你。