Anime and Empathy

i was first introduced to japanese media

at the age of seven

i would spend summer break at my

grandmother’s house those long hot

summer days seem to drag on for an

eternity

looking for a book in a drawer i found a

strange

i had unknowingly stumbled upon a copy

of dragon ball z vol

  1. the cover seemed fairly interesting a

bright blue car with the number 22

stamped on top of it

and the characters were dressed quite

casually with the one in the orange

floral shirt standing out the most to me

i opened the book and found out that i

read backwards and the characters were

drawn in a way i had never seen before

i was fascinated with the aliens

fighting and the way each blow exchange

seemed to carry weight with it

and how every panel was arranged in a

way to create a fast-paced scene

this chance encounter introduced me to a

new form of art

one that appealed to my boyish view on

masculinity with its big fights and even

bigger explosions i sought more of this

strange comic

i went online and found out that it had

an animated series

i would watch it on cartoon network’s

late night block toonami

and from there on i discovered the world

of anime

anime like most forms of media has

target audiences

shonen for example is a genre that

mainly appeals to boys between the ages

of 12 and 17.

shonen usually follows a young man’s

journey to achieve his dreams

and he does this through a summation of

power dragon ball z

is one such modern japanese manga

buildings roman

dragon ball z really provided me the

escape that i needed from my daily life

but what has most interested me is how

minority communities within the us

have embraced this series it’s really

become a mainstay of rap culture

with rappers constantly referencing it

whether it be the senzu beans

the flying nimbus or goku himself

however i feel the main appeal of dragon

ball z lies in how

the characters will often start off much

weaker than the villain but through

either intense physical training

or through intense emotion always manage

to overcome insurmountable odds

the way that dragon ball z has been able

to resonate with not only a japanese

audience

but with also young minorities

reinforces the idea

that art can be interpreted and

appreciated for diff

different reasons now if buff man

fighting to the death isn’t really your

thing

i would recommend the films of studio

ghibli

studio give these films have a childish

art style

but don’t stray from tackling more

mature issues which attracts an older

audience as well

this is best exemplified any south

takahata’s

grave of the fireflies grave of the

fireflies may seem simple

it follows two siblings satan and

satsuko and their struggles to survive

world war ii japan but to simply sum it

up like that

would be disingenuous the film touches

on many themes

but i want to talk about the lack of

empathy satan and setzko

are constantly asking for help whether

it be from their own

a farmer a doctor a police officer so on

they rarely receive the help they need

the war has caused

everyone to focus on their situation and

their situation

alone sata trying to figure out what’s

caused his sister to be so sickly

goes to a doctor and the doctor

dismisses his

her plight as malnutrition he gets

frustrated with this answer and exclaims

where am i supposed to get food the

story crafted by takahata places the

viewer in a very uncomfortable situation

it subverts the norm of most media

especially animation

that there must be a happy ending i

never really considered the effects of

war

might have on the citizens of the two

warring nations

and it seems that in most western

audiences it’s been forgotten as well

however this lack of empathy pervades

within the main characters themselves

they rarely acknowledge the death and

destruction around them

it is only until the death of their

mother do they really realize the full

gravity of their

situation sata goes to inform satsuko of

what has happened

and naturally she begins to mourn but

what seyta did next confused me in what

i guess was an attempt to cheer up his

sister he began to swing on a pull-up

bar

what i’m trying to get at here is the

strange reaction people often have to

death

see when my grandfather first died

i didn’t know what to do i just laughed

i didn’t laugh at a disbelief i didn’t

laugh hysterically

i simply laughed it was only after a few

days

that i cried putting my actions side by

side to satas

gave me a better understanding of what

he was going through

anyway on the lighter note i want to

talk about one of my favorite anime

mob cycle 100. mob cycle 100

follows shigeo kageyama also known as

mob

mob is a boy who possesses immense

psychic abilities

yet he has a number of problems he is

physically weak

he struggles to relate his emotions and

he’s pretty awkward

but he understands if he were to use his

powers frivolously

he would gain nothing from it and that’s

why he tries to improve his life through

other means

a part-time job weight training

advancing his social skills

and that’s what makes this god-like

being so relatable and endearing

you see mob works for a local psychic

agency

under a man named regan aritaka reagan

provided mob with the support he needed

to grow into a more well-rounded person

and it becomes difficult to watch

as he confronts reagan about his abusive

behavior

how he always calls him into work late

how he will

constantly belittle his opinion and he

just treats him like a child

despite his growth i’ve always struggled

with this dilemma myself

when should i consider my own feelings

over and others

it always seemed like this unspoken rule

that everyone understood but me

and it’s not a topic that’s covered in

most media it’s often expected that as

children

we must be simultaneously complacent and

assertive

seeing mob go through something similar

was quite comforting

who would have thought a chance

encounter at the age of seven would

leave such an impact

i understand that anime may seem

childish to some

people but i ask you in the audience

to pick up any new book show or movie

that may seem foreign

you may learn something new from it hey

it might even be that anime on your list

[Music]

[Applause]

我在七岁的时候第一次接触日本媒体

我会在我

祖母家度过暑假那些漫长炎热的

夏日似乎会拖延

永恒

在抽屉里寻找一本书 我发现了一个

奇怪的 mongo

我在不知不觉中偶然发现了

龙珠z第6卷的副本。

封面看起来很有趣一辆

亮蓝色的汽车,上面印有数字22

,人物穿着很

随意,我打开的橙色

花卉衬衫对我来说最

显眼 这本书,我发现我是

倒着读的,人物的

画法是我以前从未见过

的 为了创造一个快节奏的场景,

这次偶然的相遇向我介绍了一种

新的艺术形式,

它通过大打斗和更大的爆炸来吸引我对男子气概的孩子气的看法,

我寻求更多这种

艺术 范围漫画

我上网发现它有

一个动画系列

我会在卡通网络的深夜街区 toonami 上观看它

,从那里我发现了动漫的世界

动漫就像大多数形式的媒体一样,都有

目标受众

例如少年是一种流派 这

主要吸引

12 至 17 岁的男孩。

少年通常跟随一个年轻人

实现梦想的旅程

,他通过总结力量来做到这一点

龙珠 z

就是这样一个现代日本漫画

建筑罗马

龙珠 z 真的给了我

我需要逃离日常生活,

但最让我感兴趣的是美国的

少数族裔社区

如何接受这个系列,它真的

成为说唱文化的支柱,

说唱歌手不断引用它,

无论是 senzu beans、飞行的灵气还是悟空

然而,我觉得龙珠Z的主要吸引力

在于角色通常会

比反派弱得多,但

无论是通过 r 激烈的体能训练

或通过强烈的情感总是

设法克服不可逾越的困难

龙珠 z

不仅能引起日本观众的共鸣,也能引起

年轻的少数族裔的共鸣,这

强化了这样一种观念

,即可以出于不同的原因来解释和欣赏艺术

现在,如果 buff man

战斗到死真的不是你的

事,

我会推荐吉卜力工作室的电影,因为

这些电影有一种幼稚的

艺术风格,

但不要偏离解决更

成熟的问题,这也吸引了年长的

观众,

这是 最好的例证

任何南高畑

的萤火虫坟墓 萤火虫的坟墓

可能看起来很简单,

它讲述了两个兄弟姐妹撒旦和小

津子以及他们在二战日本生存的斗争,

但简单地

总结一下,

这部电影涉及许多主题是不诚实的

但 我想谈谈缺乏

同情撒旦和

塞茨科不断寻求帮助,

无论是来自他们自己

一个农民 一个医生 一个警察 所以

他们很少得到他们需要的帮助

战争让

每个人都专注于他们的处境和

他们的处境

萨塔试图找出是什么

导致他的妹妹病得很重

去找医生和医生

将他

的困境视为营养不良他

对这个答案感到沮丧,并惊呼

我应该在哪里得到食物高

畑精心制作的故事让

观众处于非常不舒服的境地

它颠覆了大多数媒体的规范,

尤其是动画

,必须有一个美好的结局 我

从来没有真正考虑过

战争

可能对两个交战国家的公民产生的影响

,似乎在大多数西方

观众中它也被遗忘了,

但是这种缺乏同理心

的主要角色本身普遍存在,

他们很少承认周围的死亡和

破坏 他们

直到母亲去世,

他们才真正意识到

自己

处境的严重性 a去告诉satsuko

发生了什么事

,她自然开始哀悼,但

seyta接下来做的事情让我感到困惑,

我猜他试图让他的妹妹振作起来,

他开始在引体向上的酒吧上荡秋千

到这里是

人们经常要死的奇怪反应

看到我祖父第一次去世时

我不知道该怎么办我只是

笑了我没有因为难以置信而笑我没有

歇斯底里

地笑我只是笑了

几天我哭了,把我的行动

和satas放在一起,

让我更好地理解了

他正在经历的事情

。我想

谈谈我最喜欢的动漫

mob cycle 100。mob cycle 100

跟随shigeo kageyama 也被称为

暴民

暴民是一个拥有巨大

精神能力

但他有许多问题的男孩他

身体虚弱

他努力表达自己的情绪而且

他很尴尬

但他知道如果他轻率地使用他的

力量

他将一无所获 这就是

为什么他试图通过其他方式改善生活

的原因 兼职重量训练

提高他的社交技能

,这就是让这个神一样的

人如此亲切和可爱的原因,

你会看到暴民在当地的心理

机构工作

名叫regan aritaka reagan 的人为

暴民提供了他

成长为一个更全面的人所需的支持

当他面对里根的虐待

行为时,很难

看到他如何总是叫他上班迟到

他会如何

不断贬低他的观点 尽管他在成长,但他

只是把他当作孩子一样对待

我自己一直在

为这种困境

而苦苦挣扎

大多数媒体通常认为,作为

孩子,

我们必须同时自满和

自信地

看到暴徒经历类似的事情

,这很令人

欣慰 何本以为

在七岁时的一次偶然相遇会

留下如此深刻的影响

新的东西嘿,

它甚至可能是你名单上的动漫

[音乐]

[鼓掌]