Play is Serious Business Creative Pedagogy to Foster Critical Thinking

boss just left with his rants and ravens

going on and on about the hierarchies

he’s creating

about his obvious superiority

about his big lavish life

he sneers at my hopelessness

toast to my defeat

a nobody a nothing but clanging and

dangling these chains

you’ll never escape your buns you don’t

even have a brain

maybe he’s right but i have a feeling

he’s wrong

he’s poisoned my mind and made me think

these words true

but i don’t see a chain a link a lock or

a key

so who’s to say i’m in prison who’s to

say i’m free

now i see my way out a chance to abandon

these chains

now it’s time to take boss man and show

him

how to take life by the reins

martin luther king took up the fight for

civil rights

he just raised our consciousness to

dizzying new heights

he died as a martyr at the way to feel

good night

we know we are equal

stand up stand up are you repressed

stand up stand up are you repressed

stand up stand up are you repressed

we know we are equal

my heart heading on the horrors of me

company kind

convictions handle out like some deals

on groupon

every day at the last the wasted

downtime marathon

one day we shall be free

help us help us are you remembering

help us help us are you free man

help us help us are you free

one day we shall be home

true justice have no race religion

college in the class

we must gather all together bringing

empathy to past

teach the kids he loved each other to

the

very last one day we shall

be home and

don’t stand up are you all oppressed

stand up stand

one day we shall have peace

speak i’ll speak out are you all right

do you believe me when i tell you i was

tired as

and i thought about suicide daily in

that cramped cell

i caught myself daydreaming how things

used to be

seeing people in movies studying wish it

was me

making money telling lies whatever they

did with them stars in their eyes

claiming they true another day another

dollar the statement got for me

they keep fussing about their money when

they could have just set me free

another day another time

another day another situation enough

about me

enough about me

this is really deep i’m sorry

for the emotion

another day another dollar state they

made for me they keep fussing about

their money when they could just set me

free

enough of my situation same stuff

different day

and yet my kids i got their mom and i’m

all alone

i ain’t saying mom i won’t last long in

this twilight zone

it was hard and depressed

but i made it the lanes took me down

with them for the stuff they did and if

i was possible in the day and time

how did i serve time for something i

didn’t even do

where was my family when my soul was

drowning in pain the statement took my

name

replaced my pride with shame

so if i’m tripping i’m not tripping

about

what i went through i’m tripping by the

phases i went through

i’m tripping on

how i will not lose

i’m going to master this thing i’m not

about to lose

it’s like hotel california but it’s not

paradise

but could you tell me how did i get life

i’m wendy ballou i’m the executive

director of reforming arts

this is royal grooms this is janelle

davis

and this is gloria parks and they have

demonstrated

our program of

creative critical thinking or the

results of critical

creative critical thinking that was an

excerpt of a play

that was created in prison

after two years of studying the concepts

of utopia

which our students quickly discovered

was a lot of the concepts of utopia is

exactly what their lives are like

so i’m here to talk to you today

about play and how it helps us

foster creative critical thinking

but before i go into that i want to tell

you a little bit about who i am

and how i came to this conclusion i

entered the a prison for the first time

as a teacher

in october 2009

terrified i wasn’t terrified of the

students

or even of the place i was terrified

because i had never taught and i

hadn’t directed since i was in college

15 years prior

so i really felt like i was a little bit

of an imposter

sure i had my undergraduate in theater

but i had focused on stage management

and then i went into construction and

then i’m sorry and then i went

to grad school in business and then

i went into wealth management and then i

went back to grad school

in american studies so here i was

walking into a prison to teach a class

on acting

and i felt like a total poser

that first day i walked in

and i was escorted into the prison

and i set up the room

like what i felt like was like a very

big open setting

i set the tables up into a u

and there was a desk for the instructor

and so i set my stuff up so i could like

sit on the front of the desk so there

would be no

separation between me and the students

so and i had done my homework

i had talked to my friends that were

theater

teachers in high school and college

they’d give me things to read

they had given me some strategies they

told me

don’t worry it’ll be fine

and i had developed a class plan

it was a two-hour class and so

i was using a text that

described object put out objectives

describe the exercise step by step each

exercise step by step

into three steps and the author

explained these steps because he was

like based on

every class every theater class he had

ever taught

through all ages and demographics

this is how people react so

i felt pretty comfortable with that and

he so he set out the objectives

and then the step-by-step directions for

the instructor

and the reason for those directions was

because he was saying that

that all people respond

with nervousness and discomfort

and so he’s teaching the instructor how

to coach people through

that discomfort to get to pass through

their filters

so here i am first day

teaching inside a prison

that i had volunteered to do teaching an

acting class which i had never done

before

and i had a plan

nothing went as planned

as soon as i came in i start my

introduction

and a student says are you afraid of us

and i said no and i was thinking

well i wasn’t before

[Laughter]

and she said well you’re so far away

from us if you’re not afraid of us why

are you so far away

so what i had thought was me being very

open

and accessible was read by her as me

being

having distance between us

okay so then we finish our introductions

and i launched

into the exercises

and the students went straight to step

three

every time and i was smiling

and i was applauding them and i said oh

you’re so great and you’re so advanced

and i was thinking what is going on here

and why and i’ve spent the last 11 years

of my life

trying to answer that question what’s

going on here

and why over the years

the students oh well i’ll say

back to that first quarter that first

quarter

um we started with a script

that’s how i learned to do theater is

you start with a play and you learn

along the way

and the students came to me they elected

somebody to come to me and say

we don’t like the script we don’t want

to do this play

and it wasn’t the play itself that they

didn’t like they liked the theme

but they were uncomfortable with the

memorization

that first quarter that really that

first year we had a huge range

of literacy levels and educational

attainment

so i said okay we can throw out the

script and

we can do improvisation and apply

theater

the problem was i had never done

improvisation

or applied theater so once again i’m

hitting the books

trying to figure out what’s going on and

how to do this

and i did and throughout the years

we have worked on we’ve tried things

we’ve tried new things we’ve tried

things again and we have developed many

plays

some of them completely improvised some

of them scripted

and then acted out by the students

eventually we added other disciplines

first with humanities and eventually we

started a transdisciplinary college

program

so after many years

i added another question and that was

what are we trying to achieve here not

just in prison

not just in an acting class

but in education in general

and in society and i really think

that it comes down to trying to foster

creative

critical thinking and i’ve come to that

conclusion because i really believe

as fast as the world is moving as we’ve

heard

from our last two speakers and as much

as automation is increasing

every day in order to thrive

in the next decades people are going to

have to

have critical and creative thinking

skills they’re going to have to be able

to adapt

and they’re not going to want to be chat

right

so our program

focuses on six things

self-actualization consciousness raising

community building self-narrative

um empathy or compassion

and creative becoming

but at the core of all of this before we

can

even get there we have to build trust

and foster a sense of play

or play as a way of being

and when i’m talking about play i’m not

think talking about something you do

i’m talking about a way of being

so i’m not saying uh we’re going to play

a game

or we’re playing baseball i’m talking

about something

that we become we are

that is a part of us and opens us up

to understanding

the way that happens in a theater class

is that after many trust exercises

and many games that people kind of find

silly they

become they enter in to a sense of play

and it happens

when people no longer worry about

some what they’re going to say or do is

going to be

judged and when over the years i’ve

watched my own students

and other people

enter in that collectively into that

sense of play

or play as a way of being and when it

happens

you can you can feel the shift

in the room and when it happens

it becomes a part of who that person is

and when it happens then we can begin

and what i mean is that after that

moment

people are open to understanding they’re

open to learning in the prison setting

they’ve moved from survival mode

to actually trying to understand

the world beyond themselves we can

start building consciousness we can

start attacking

and having very hard discussions with

each other

and it crosses disciplines

so i’m not here to say that everybody

has to be a theater or art major

but i am saying that everyone needs to

be

exposed to those disciplines as well

as humanities and philosophy and

engineering and math and science

and that once we a person enters

into a sense of play as

being as the what part of their being it

goes across the disciplines

i don’t train our instructors to

start out with theater exercises in the

algebra class

i don’t need to because once the

students

have opened up to learning and

understanding it goes

with them i’m wendy blue thank you for

listening

老板刚刚离开,他的咆哮和乌鸦

不断地谈论他正在创造的等级制度

关于他

对他的奢华生活的明显优势

他嘲笑我的绝望

为我的失败干杯

一个没有人除了叮当声和

悬挂这些锁链

你永远不会逃脱 你的小圆面包你

甚至没有大脑

也许他是对的但我有一种感觉

他错了

他毒害了我的思想让我认为

这些话是真的

但我没有看到链子链接锁

或钥匙

所以谁能说 我在监狱里

谁说我现在自由

了我看到了摆脱这些枷锁的机会

现在是时候抓住老板并向他

展示如何通过缰绳夺取生命

马丁·路德·金开始为公民而战

权利

他只是将我们的意识提升到

令人眼花缭乱的新高度

他作为烈士在感觉晚安的路上死了

我们知道我们是平等的

站起来站起来你被压抑

站起来站起来你被压抑

站起来站起来你被压抑

我们知道 我们是平等的

我的心 朝着我的恐惧前进

有一天你有空吗

我们会回家

真正的正义班里没有种族宗教

学院

我们必须聚集在一起把

同理心带到过去

教孩子们他爱彼此

直到最后一天我们

会回家

不要忍受 站起来,你们都受压迫吗

站起来,

有一天我们会和平

对话,我会大声说出来,你

还好吗,当我告诉你我

累了

,我每天都在想自杀在

那间狭窄的牢房里,

我发现自己在做白日梦 过去

在电影中看到人们在学习时的情况 希望

是我

赚钱 说谎 不管他们

对他们做了什么 他们眼中的星星

声称他们是真的 改天

再给我一美元 声明对我来说

他们一直在大惊小怪 关于他们的钱什么时候

他们本可以让我在

另一天另一天

另一天另一个情况足够

关于我

足够关于我

这真的很深刻我

另一天的情绪感到抱歉他们

为我制作的另一个美元状态他们一直在为他们的问题

大惊小怪 钱,当他们可以让我

从我的处境中得到足够的自由时,同样的事情,

不同的日子

,然而我的孩子们,我得到了他们的妈妈,

我一个人,

我不是说妈妈,我不会在这个暮光区持续很长时间,

这很难,而且 沮丧,

但我成功了

,因为他们所做的事情

,车道把我

带走了 痛苦的声明以我的

名字

取代了我的骄傲,

所以如果我绊倒我不会因为

我经历过的事情而绊倒我会因为我经历的

阶段而

绊倒

我会因为我不会失去

我而绊倒 要掌握这件事我

不会失去

它 就像加州酒店,但它不是

天堂,

但你能告诉我我是如何获得生活的

吗?

创造性批判性思维的结果或批判性创造性批判性思维的

结果,

这是经过两年研究乌托邦概念后在监狱中创作的戏剧的节选

,我们的学生很快

发现很多乌托邦的概念

正是他们的 生活就是这样,

所以我今天在这里和你

谈谈游戏以及它如何帮助我们

培养创造性的批判性思维,

但在我开始之前,我想告诉

你一些关于我是谁以及我是

如何得出这个结论的

2009 年 10 月作为教师第一次进入监狱

害怕 我不害怕

学生

,甚至不害怕我害怕的地方,

因为我从未教过书,

也没有指挥过犯罪 因为我 15 年前在上大学,

所以我真的觉得自己有点像

冒名顶替者,

当然我的本科生是在戏剧专业,

但我专注于舞台管理

,然后我进入了建筑行业,

然后我很抱歉,然后我 去

商学院读研究生,然后

我进入财富管理学院,然后我

回到

美国研究研究生院,所以我

走进监狱教

表演课

,第一天走路的时候我感觉自己像个装腔作势的人

进去后

,我被护送进了监狱

,我把房间

布置得就像我觉得是一个非常

大的开放式环境一样

可以喜欢

坐在课桌前,这样

我和学生之间就不会分开了

他们给了我一些策略

告诉我

不要担心会没事的

,我已经制定了一个课程计划,

这是一个两小时的课程,所以

我使用了一个

描述对象的文本,目标

是逐步描述练习每个练习一步一步

进入 三个步骤,作者

解释了这些步骤,因为他

就像

他在

所有年龄段和人口统计中教授过的每堂戏剧课一样,

这就是人们的反应,所以

我对此感到很舒服,

所以他设定了

目标 指导员的逐步指导

以及这些指导的原因是

因为他

说所有人都会

以紧张和不适的方式做出反应

,因此他正在教指导员

如何指导人们

克服不适以通过

他们的过滤器

所以我在这里的第一天

在监狱里教书

,我自愿教了一门

我以前从未做过的表演课

,我有一个计划,

一切都没有按计划

进行 当我进来时,我开始我的

介绍

,一个学生说你害怕我们

,我说不,我在

想我之前没有

[笑声

] 她说你离我们很远

,如果你是 不怕

我们你为什么这么远

所以我以为我很

开放

和容易被她读到因为我

和我们之间的距离

很好所以然后我们完成了我们的

介绍我

开始练习

然后学生们去了

每次都直奔第三步,我微笑着

为他们鼓掌,我说哦,

你太棒了,你太先进了

,我在想这里发生了什么

以及为什么,我已经度过了过去的 11 年

我一生中

试图回答这个问题

这里发生了什么

以及为什么这些年来

学生们哦,好吧,我会

回到第一季度,第一

季度

嗯,我们从一个剧本开始,

这就是我学会做戏剧的方式是

你从 一场戏,你一路学习

,学生们来了 o 我他们选了

一个人来找我说

我们不喜欢我们

不想做这个剧本

的剧本,他们不喜欢的不是剧本本身,

他们喜欢这个主题,

但他们不舒服

第一季度的记忆

第一年我们

的识字水平和教育程度范围很大,

所以我说好吧,我们可以扔掉

剧本,

我们可以即兴创作并应用

戏剧问题是我从未做过

即兴创作

或应用戏剧 所以我再一次

翻书,

试图弄清楚发生了什么以及

如何做到这一点

,我做到了,在我们工作的这些年里

,我们尝试了一些东西,

我们尝试了新的东西,我们再次尝试了

一些东西, 我们已经开发了许多

戏剧

,其中一些完全即兴创作

,其中一些

剧本然后由学生表演,

最终我们首先添加了其他学科

与人文学科,最终我们

开始了一个跨学科的大学

课程,

所以在人类之后 多年以来,

我添加了另一个问题,那

就是我们在这里努力实现的目标,不仅

是在监狱中,

不仅是在表演课上,

而且

在整个教育和社会中,我真的

认为这归结为努力培养

创造性的

批判性思维和 我得出这个

结论是因为我真的相信

,正如我们从前两位演讲者那里听到的那样,世界正在快速发展,

而且

自动化

每天都在增加,以便

在未来几十年里蓬勃发展,人们将

拥有

拥有批判性和创造性思维

技能,他们必须能够

适应

并且他们不想聊天,

所以我们的计划

专注于

自我实现意识提高

社区建设自我叙述

嗯同理心或 同情心

和创造性的成长,

但在我们到达那里之前,这一切的核心是

我们必须建立信任

并培养一种游戏感

或游戏作为一种存在方式

,当我谈论游戏时,我是 不要

想谈论你所做的事情

我在谈论一种存在方式

所以我不是说呃我们要

玩游戏

或者我们正在打棒球我在谈论

我们变成的东西我们就是

这样 我们的一部分,让

我们了解

戏剧课上发生的方式

是,经过许多信任练习

和许多人们觉得

很愚蠢的游戏,

他们会进入一种游戏感,

当人们不再 担心

他们将要说或做的一些

事情会受到

评判,这些年来,当我

看到我自己的学生

和其他人

集体进入

那种游戏感

或游戏作为一种存在方式时,什么时候 它

发生了

,你能感觉到

房间里的变化,当它发生时,

它成为那个人的一部分

,当它发生时,我们可以开始

,我的意思是,在那一刻之后,

人们愿意理解他们是

对在监狱环境中学习持开放态度,

他们已经 从生存模式

转变为真正尝试理解

超越自己的世界我们可以

开始建立意识我们可以

开始攻击

并相互进行非常激烈的讨论

它跨越学科

所以我不是在这里说每个人

都必须是一个剧院或 艺术专业,

但我是说每个人都需要

接触这些学科

以及人文科学、哲学、

工程、数学和科学

,一旦我们

进入一种游戏感,

就像他们存在的一部分

一样 跨学科

我不训练我们的教师

在代数课上从戏剧练习开始

我不需要因为一旦

学生开始学习和

理解它就会

与他们一起我是温迪蓝色谢谢你的

聆听