The Importance of Creative Writing

[Music]

it’s late at night

on a weekend i have that chemistry

assignment to complete

i think but instead my mind drifts off

to the fantasy world that i’ve been

creating

i open up the google document and slip

into the mentality of my characters

running around in old english-style

messy streets watched over by looming

castles

it’s the cheesy high fantasy setting

sure

but there’s a lovable romance to it like

an over baked cake

critics might say it’s dry but it still

tastes sweet

to me i write short stories on the bus

draft poems in between math practice

sets and hassle my friends

for their feedback in creative writing

club

creative writing is an open-ended prose

or poetic construction

that is intended to entertain rather

than to impart information

and it comes in three main categories

creative nonfiction poetry and fiction

i love all three mediums a lot

but more than anything fiction is my

home

and fiction is my home because it’s so

freeing and it stretches my imagination

but more than anything i find it fun

it’s sheer joy to me and i want to share

that joy

with others and that’s the same reason

why

it comes as a disappointment to find

that the underclassmen english programs

don’t often offer creative writing

and fiction as a class assignment or

educational opportunity

more so they focus on skills like

rhetoric or argumentation

i truly believe that creative writing

and fiction

specifically has so much power and

potential

as an educational opportunity for

students to learn

social english and moral education

and now i shall proceed to use all those

skills

the underclassmen english program

painstakingly

imparted in me about argumentation and

rhetoric

to talk about why maybe those same

skills should step

out of the limelight and share it with

fiction

in my research i discovered esteemed

teacher

harold kieber who has been teaching in

denver public school systems for the

past

30 years he was also life magazine’s

teacher of the year

in 1960. he wrote in the english journal

that it is mostly college-bound 11th and

12th graders

taking his creative writing class with

the occasional sophomore

and from this we can see that creative

writing

and fiction isn’t an opportunity

regularly offered

to underclassmen students now that was

60 years ago and things have changed

since then

but just take a look at any of the

standardized examinations that schools

are obligated to prepare underclassmen

for when they take it in their

upperclassmen years

be it the american sats and aps

international ibs or british gcses and

a-levels

you will be hard-pressed to find a

creative writing or fiction examination

this is not to say that creative writing

and fiction necessarily needs to be

in those standardized tests but only to

say that we can clearly see

where the priorities of schools lie

personally my school only offers

one proper opportunity for freshmen

and sophomores to write fiction and two

opportunities in total

for them to write creatively

and as a writer that’s exhausting

i truly believe that fiction has so

much potential as an educational

opportunity

but every time i i choose to write a

story on the bus

when i really should have just been

taking a much needed nap

or writing a poem when i really should

have just been focusing exclusively on

my math

it reminds me that i’m making a

sacrifice between

my passions and my obligations in

schools

and that that really tires me high

school is still

tiring a big part of why

i wrote the speech is just because i

wanted to stand

up for that one kid sitting at the back

of the classroom

working on their epic fantasy romance

novel

while the teacher is working on simple

and complex sentences

at the front of the classroom

in that same 60 year old store a study

by the english journal

harvard professor edwin h sauer

commented that

there is little value in the able

college-bound student in learning

creative

writing in fact there is a great deal of

harm if he picks up an easy going

impressionism

about all writing and thus aggressively

resists

the disciplines of exposition and

persuasion

now you can tell that this quote is a

little bit outdated

because the default for a college

student is a he

but aside from that you can also see

that fiction

and creative writing in high schools is

so disregarded

why if school is meant to only prepare

you

for the skills that you will directly

use in the future

then i guess it makes sense after all

how often do working adults use skills

such as

writing character development arcs or

magic systems in their day-to-day lives

unless you work in the fiction industry

i’d wager

not much this is what dr harvard was

talking about

but remember that was 60 years ago

the true power in fiction lies in

something that’s really fundamental

these worlds these people these stories

they aren’t real yeah

that’s really obvious but there’s a true

power in that

our world is changing and freeing up the

boundaries of education is the vehicle

for the mindset of our students to

change

with it that’s why liberal arts is such

a popular education outlook

nowadays in the united states one that

the association of

colleges and universities in america

describes as interdisciplinary and

experiential

experiential learning is learning by

doing

by really diving headfirst into the

change you wish to see

in the world and making that happen as a

learning experience

and i want to focus on experiential

learning because that’s

exactly what fiction is princeton

psychologist diana tamir

discovered that reading fiction gives

you better social cognition

well sort of so in her study

participants were first made to

take a test measuring their empathy

levels

and then read a fiction story and then

take another test

measuring how emotionally connected they

were to the story

as researchers were exiting the room

they dropped a few pens it was found

that the participants

that felt more emotional connection to

the story

were more likely to pick up those pens

what’s special about this is that

reading itself

doesn’t make you a better person because

all the participants

read the same story it is instead the

amount of emotional connection with the

text that you actually

feel that delivers the moral and social

education

and fiction writing ups the amp on this

after all

the emotional connection to a story you

have is so much higher

when you’re actually penning it instead

of just reading it

when students create characters they

have to spend time wondering

how this character thinks and speaks

to write about someone else’s emotions

or even to feel them

we only have one pair of eyes

one pair of ears and one perspective

while it very much feels like the world

revolves around us

it doesn’t and fiction offers

the unique perspective to take us out of

that continuum

because at the end of the day when we

write fiction

our world revolves around someone else

when freshmen come into high school they

are

instantly challenged to take on tough

and multifaceted

problems in society be it

totalitarianism

wealth and power that corrupts or a

systemic oppression

when i came into this school the very

first book i read

was night by eli wyzelle which is a

semi-semi-autobiographical book

about his experiences in the holocaust

it doesn’t underestimate the ruler and

it doesn’t underestimate the reader

and it’s a brutally honest retelling

about his experiences

in the jewish genocide the very next

year

i read the hate u give by angie thomas

about about the life-threatening racism

that can explode in

any any normal american town

of mice and men the great gatsby the

crucible

all of these are very popular choices in

high school fiction and literature

and all of these take on difficult

themes

rightfully so from the moment freshmen

enter high school they’re immediately

challenged

to understand these topics through

analysis

debate and essay writing but

that’s all through the role of an

observer

to write fiction students cannot afford

to be

just observers they really have to grasp

the governmental system or the world

that they want to study

and interpret it or come up with it

themselves

imagine a student discussing with their

teacher

how they want to portray totalitarianism

and over surveillance and and what they

want to say about it

isn’t this so much better than just

reading about it in 1984

now don’t get me wrong i don’t think a

high schooler is going to write the next

1984

at least you know i i don’t think so but

at the end of the day what that high

schooler takes away

is a closeness and a deep understanding

and emotional connection to the story

they wrote

and the systems that they wrote in the

story because at the end of the day

it’s theirs and no one can take that

away from them

this is ownership one of the

fundamentals

in experiential learning angela m

passarelli and david a kobe of case

western university

discovered that students develop

subconscious identities about how they

learn

you either have a fixed identity where

you believe your abilities are fixed

you can’t grow and you can’t change or

you have a learning identity where you

believe that you can learn

and you can grow and you can change

unsurprisingly

students with learning identities were

more able

to be flexible and take on more

challenges thus

learning better this is the power of

ownership

now that was a lot of educational jargon

but essentially it means that students

who

believe in themselves are able to learn

better

that’s why ownership is important

because students can look back at how

far they’ve come

and say well that was me

and fiction writing offers this unique

ownership because they wrote the story

and that’s so important and this kind of

education

is so urgent in today’s world just look

at it

covet 19 rising social fractures

oppression hate crimes increased climate

disasters

we are no longer in an era where

students

only need to understand what a writer 90

years ago

said in their magnum opus literary work

no as a young person living in these

times i demand

that the next generation get the kind of

education

that forces them to really think about

what they want to say that really forces

them to figure out how to solve

problems even even in a fictional

context

instead of just analyzing it so that we

have a fighting chance for the future

but aside from that writing is also

something that is

deeply personal when i write

i start subconsciously mimicking the

actions of my characters

for example i’ll just be typing you know

writing my story

and saying my character shakes someone’s

hands i’ll take out my hand

and i’ll intensely stare at it figure

out every muscle

and every shake every way of shaking my

hand

and then i’ll write it or say my

character sees someone in the distance

so i’ll i’ll be typing right and then

i’ll turn my head

with my character and kind of feel how

the other person

approaches imagine it and then i’ll

write it

i think my parents think i’m really

weird when i write but i i’ve just

accepted that

but from this we can see that writing

has always been something that is

intensely intensely personal and it’s

helped me through

many many personal problems so

i used to study in singapore in local

school for eight years of my life

actually an incredibly long time and in

singapore we use a slang known as

singlish

it was and still is my primary form of

expression

my friends in local school like to

describe me as a

disgruntled auntie one that i was very

disgruntled to find out about but coming

to this international school i was

stripped

of that form of communication i mean why

use a slang that no one else around you

understands

don’t get me wrong i could still speak i

could still speak english i could just

delete

all of the singlish from my vocabulary

but i couldn’t truly

express myself it was like there was a

wall of expression

that i couldn’t break through

but i will always remember the day i

stepped into creative writing club for

the very first time

when the eccentric dr seuss like club

president who

if you want a visual on this just

imagine a very very long human being

with a mop of blonde hair at the top

he read out my piece for the first time

to a whole room

of people that politely clapped

and it felt like for the very first time

in the school

that wall had been chipped and that that

meant so much to me

what i didn’t know then was that those

people in the room

the upperclassmen ended up giving me the

best

high school advice i have ever gotten in

my life

and the peers in that room they’re my

closest friends today

from this at least in my experience

fiction writing because i mostly wrote

fiction

in that class is something that is so

intensely personal

and connective at the end of the day i

i strongly believe that writing fiction

allows students not

just to tell a story but to truly

express themselves in a way that

ironically

can’t be put into words and that’s the

true power of fiction

because after i spend 10 minutes

agonizing over

two words in a short story and this

happens way

too often i’m back to doing that

chemistry assignment

due tomorrow 10 am but in that time that

i’ve taken

to write something fictional i’ve gained

some soft skills

creativity sensitivity a new perception

of the historical era that my story is

likely set in

fiction isn’t just an escapism or just a

hobby or just something

fun that people do instead

it gives us space to take a deep breath

to prepare for the next battle and to

gain a new perspective

essentially you can think of it as

a meaningful recess from reality

thank you

[音乐]

周末深夜,我想完成那项化学

作业,

但我的思绪飘向了

我一直在创造的幻想世界,

我打开谷歌文档,

进入角色奔跑的心态

在古老的英式

杂乱街道上,隐约可见的城堡注视着

这肯定是俗气的高度幻想环境,

但它有一种可爱的浪漫,

就像烤过头的蛋糕

评论家可能会说它很干但

对我来说仍然很甜我在上面写短篇小说 公共汽车

在数学练习集之间草拟诗歌,

在创意写作俱乐部中向我的朋友提出反馈意见

创意写作是一种开放式散文

或诗歌结构

,旨在娱乐而

不是传递信息

,它分为三个主要类别

创意非小说诗歌 和小说

我非常喜欢这三种媒介,

但最重要的是,小说是我的

,小说是我的家,因为它是如此

自由和延伸 是我的想象力,

但最重要的是,我觉得它很有趣,

这对我来说是纯粹的快乐,我想与他人分享

这种快乐

,这也是

为什么

发现低年级英语课程

不经常提供创造性写作而感到失望的原因

和小说作为课堂作业或

教育机会,

因此他们更专注于

修辞或

论证等

技能 将继续使用

低年级英语课程

煞费苦心地

传授给我的关于论证和

修辞的所有技能

来谈论为什么这些相同的

技能应该

走出聚光灯并

在我的研究中与小说分享我发现尊敬的

老师

哈罗德·基伯 在

过去的

30 年里,他在丹佛公立学校系统教书,他也是生活杂志 ne 1960 年

的年度最佳老师

。他在英文杂志

上写道,大多数 11 年级和

12 年级的学生都会上

他的创意写作课

,偶尔会有二年级的学生

,从中我们可以看到创意

写作

和小说不是一个机会

现在定期向低年级学生提供

60 年前的情况,从那时起情况发生了变化

但只要看看

学校

有义务为低

年级学生在高

年级时准备的任何标准化考试,无论是美国的 sats 和 aps

国际 ibs 或英国 gcses 和

a-levels

你将很难找到

创意写作或小说考试

这并不是说创意写作

和小说一定需要

参加这些标准化考试,而只是

说我们可以清楚地 看看

学校的重点在哪里

我的学校只

为大一

和大二的学生提供一个合适的机会写小说

总共有两次机会

让他们创造性地写作

,作为一个令人筋疲力尽的作家,

我真的相信小说

作为一种教育机会有很大的潜力,

但每次我选择

在公共汽车上写一个故事

时,我真的应该只是

当我真的应该只专注于我的数学时,非常需要打盹或写一首诗

它提醒我我正在

我的激情和我在

学校的义务之间做出牺牲

,这真的让我很累

高中仍然

很累

我写这篇演讲的部分原因是因为我

支持那个坐在教室后面的孩子

正在写他们史诗般的幻想浪漫

小说,

而老师正在教室前面写简单

和复杂的句子

同一个 60 岁的人存储了

一份英国期刊

哈佛教授 edwin h sauer 的研究,他

评论说,

能上

大学的学生在学习中没有什么价值。 g

创造性

写作 事实上,

如果他

对所有写作都采取随和的印象主义,从而积极

抵制阐述和

说服的原则,那么

现在你可以看出这句话

有点过时了,

因为默认为

大学生是他,

但除此之外,您还可以看到

高中的小说和创意写作是

如此无视,

为什么如果学校只是为了

让您为将来直接使用的技能做好准备,

那么我想这是有道理的 毕竟

,工作的成年人在日常生活中使用

诸如

编写角色发展弧或

魔法系统等技能的频率,

除非你在小说行业工作,否则

我敢打赌

这不是哈佛博士

所说的,

但请记住 是 60 年前

小说的真正力量

在于真正基础的东西

这些世界 这些人 这些故事

他们

不是真实的 re 是一种真正的

力量,因为

我们的世界正在发生变化,并且放开

教育的界限

是我们学生的思维方式

随之改变的工具

,这就是为什么文科是当今美国

如此流行的教育观

美国的大学和学院

将跨学科和

体验式

学习描述为边

做边学

,真正一头扎进

你希望

在世界上看到的变化,并将其作为一种

学习体验实现

,我想专注于体验式

学习,因为这

正是 小说是普林斯顿的

心理学家戴安娜塔米尔

发现阅读小说可以让

你更好地了解社会

认知,所以在她的研究中,

参与者首先被要求

进行一项测试,测量他们的同理心

水平

,然后阅读一个小说故事,然后

再进行另一项测试,

测量他们的情感联系程度

当研究人员离开房间时,他们听到了这个

故事 他们掉了几支笔

发现对故事有更多情感联系的

参与者更有可能拿起那些

笔特别之处在于

阅读本身

并不能使您成为更好的人,因为

所有参与者都

阅读相同 故事相反,它是

与您实际感受到的文本的情感联系量,

它提供了道德和社会

教育,

而小说写作则提高了这一点

,毕竟

当您实际上与故事的情感联系要高得多时

当学生创造角色时,他们

必须花时间去

思考这个角色是如何思考和说话的,

才能写出别人的情绪

,甚至是去感受它们。

我们只有一对眼睛、

一对耳朵和一个

视角 非常感觉世界是

围绕着我们转的

,但并非如此,而小说提供

了独特的视角,将我们带出

那个连续统一体,

因为在 一天结束时,当我们

写小说时,

我们的世界围绕着另一个人,

当新生进入高中时,他们

立即面临挑战,以应对社会中棘手

和多方面的

问题,无论

是腐败的极权主义财富和权力,还是

当我进入这个世界时的系统性压迫 学校

我读的第一本书

是 eli wyzelle 的《夜晚》,这是一

关于他在大屠杀中的经历的半半自传体的书

犹太人种族灭绝的经历 就在第二

年,

我读到了安吉·托马斯(angie thomas)

写的关于威胁生命的种族主义的仇恨,这种种族主义

可能在

美国任何一个普通

的老鼠和男人小镇上爆发 了不起的盖茨比

坩埚

所有这些都是非常受欢迎的选择 在

高中小说和文学中

,所有这些都正确地承担了困难的

主题,

所以从新生进入高中的那一刻起,

他们 ‘立即

挑战

通过

分析

辩论和论文写作来理解这些主题,但这

一切都是通过观察者的角色

来写小说的学生不能

仅仅成为他们真正必须

掌握政府系统或

他们想要研究的世界的观察者

和 自己解释或想出它

想象一个学生和他们的

老师

讨论他们想如何描绘极权主义

和过度监视,以及他们

想要说的

这并不比现在仅仅

阅读 1984 年的内容要

好得多。 不要误解我的意思,我不认为

高中生会写下一个

1984

至少你知道我不这么认为,

但归根结底,

高中生带走的

是一种亲密感和深刻的理解

, 与他们写的故事和他们在故事中

写的系统的情感联系,

因为归根结底,

这是他们的,没有人可以

从他们手中夺走它,

这就是所有权

体验式学习的基本原理之一 凯斯西方大学的 angela m

passarelli 和 david a kobe

发现,学生会发展出

关于他们如何

学习

的潜意识身份 t改变,或者

你有一个学习身份,你

相信你可以学习

,你可以成长,你可以改变

毫无疑问,

具有学习身份的学生

能够更灵活,接受更多

挑战,从而

学得更好,这就是所有权的力量,

现在 是很多教育术语,

但从本质上讲,这意味着

相信自己的学生能够学

得更好

,这就是所有权很重要的

原因,因为学生可以回顾

他们已经走了多远,

然后说那是我

,小说写作提供了这种独特的

所有权,因为他们写了这个故事

,这非常重要,这种

教育

在当今世界非常紧迫 Orld 只是

看看它

垂涎 19 不断上升的社会裂痕

压迫仇恨犯罪 增加气候

灾难

我们不再处于一个

学生

只需要了解 90 年前作家

在他们的巨著文学作品中所说的话的时代

不是作为一个年轻人生活在这些

有时我

要求下一代接受那种

教育

,迫使他们真正思考

他们想说什么,这真的迫使

他们

即使在虚构的环境中也能弄清楚如何解决问题,

而不是仅仅分析问题,以便我们

有 一个为未来而战的机会,

但除此之外,写作也是

我写作时非常个人化的

东西 我会伸出我的手

,我会紧紧盯着它,弄清楚

我的每一块肌肉和每一次摇晃,每一种握手的方式

,然后我会写下我 t 或说我的

角色看到远处有人,

所以我会正确打字,然后

我会

用我的角色转过头,并感觉

对方如何

接近想象它,然后我会

它 认为我的父母认为我在

写作时真的很奇怪,但我刚刚

接受了这一点,

但从这一点我们可以看出写作

一直是

非常个人化的东西,它

帮助我解决

了许多个人问题,所以

我过去常常 我在新加坡本地

学校学习了八年,

实际上是非常长的时间,在

新加坡,我们使用一种被称为 singlish 的俚语,

它曾经是现在仍然是我的主要表达方式,

我在本地学校的朋友喜欢

形容我为

心怀不满的阿姨 一个我很

不高兴发现但

来到这所国际学校我被

剥夺

了那种交流方式我的意思是为什么要

使用你周围没有其他人理解的俚语

不要误会我的意思我仍然可以说我

仍然会说英语 我可以

从我的词汇表中删除所有的单一英语

但我无法真正

表达自己就像有一堵

我无法突破的表达墙

但我会永远记得我

踏入创意的那一天

第一次写作俱乐部

,古怪的苏斯博士喜欢俱乐部

主席,

如果你想看到这个,

想象一下一个非常长的人

,头顶有一头金色的拖把,

他第一次念出我的文章

整个房间

的人都礼貌地鼓掌

,感觉在学校里第一次觉得

那面墙被削了,

这对我来说意义重大,

当时我不知道的

是房间里

的那些人高年级学生结束了 给我

最好的

高中建议,我有生以来得到的最好的高中建议

和那个房间里的同龄人,他们是我

今天最亲密的朋友

,至少在我的小说写作经验中,

因为我

在那堂课上主要写小说是

在一天结束时是如此强烈的个人和连接性我

坚信写小说

不仅可以让学生

讲述一个故事,而且可以

以一种

讽刺

性无法用语言表达的方式真正表达自己,这就是

真正的力量 小说,

因为在我花了 10 分钟

为一个短篇小说中的两个词而苦恼之后,这种

情况发生

得太频繁了,我又回到了

明天上午 10 点到期的化学作业,但在那段时间里,

开始写一些虚构的东西了 获得了

一些软技能

创造力 敏感性

对历史时代的新认识 我的故事很

可能以

小说为背景 不仅仅是一种逃避现实或一种

爱好或

只是人们做的一些有趣的事情 相反

它给了我们深呼吸的空间

为下一场战斗做准备,并

获得一个新的视角,

你可以把它看作

是从现实中有意义的休息,

谢谢