Why design should include everyone Sinad Burke

I want to give you a new perspective.

That sounds grandiose, and it is.

I left Ireland yesterday morning.

I traveled from Dublin to New York

independently.

But the design of an airport,

plane and terminal

offers little independence when
you’re 105 and a half centimeters tall.

For Americans, that’s 3' 5".

I was whisked through the airport
by airline assistants in a wheelchair.

Now, I don’t need to use a wheelchair,

but the design of an airport

and its lack of accessibility

means that it’s my only way
to get through.

With my carry-on bag between my feet,

I was wheeled through
security, preclearance

and I arrived at my boarding gate.

I use the accessibility
services in the airport

because most of the terminal
is just not designed with me in mind.

Take security, for example.

I’m not strong enough
to lift my carry-on bag

from the ground to the carousel.

I stand at eye level with it.

And those who work in that space
for safety purposes cannot help me

and cannot do it for me.

Design inhibits my autonomy
and my independence.

But traveling at this size,
it isn’t all bad.

The leg room in economy
is like business class.

(Laughter)

I often forget that I’m a little person.

It’s the physical environment
and society that remind me.

Using a public bathroom
is an excruciating experience.

I walk into the cubicle

but I can’t reach the lock on the door.

I’m creative and resilient.

I look around and see if there’s
a bin that I can turn upside down.

Is it safe?

Not really.

Is it hygienic and sanitary?

Definitely not.

But the alternative is much worse.

If that doesn’t work, I use my phone.

It gives me an additional
four- to six-inch reach,

and I try to jam the lock closed
with my iPhone.

Now, I imagine that’s not what Jony Ive
had in mind when he designed the iPhone,

but it works.

The alternative
is that I approach a stranger.

I apologize profusely

and I ask them to stand guard
outside my cubicle door.

They do

and I emerge grateful

but absolutely mortified,

and hope that they didn’t notice

that I left the bathroom
without washing my hands.

I carry hand sanitizer with me
every single day

because the sink, soap dispenser,
hand dryer and mirror

are all out of my reach.

Now, the accessible bathroom
is somewhat of an option.

In this space, I can reach
the lock on the door,

the sink, the soap dispenser,
the hand dryer and the mirror.

Yet, I cannot use the toilet.

It is deliberately designed higher

so that wheelchair users
can transfer across with ease.

This is a wonderful
and necessary innovation,

but in the design world, when we describe
a new project or idea as accessible,

what does that mean?

Who is it accessible to?

And whose needs
are not being accommodated for?

Now, the bathroom is an example

of where design impinges upon my dignity,

but the physical environment impacts
upon me in much more casual ways too,

something as simple
as ordering a cup of coffee.

Now, I’ll admit it.

I drink far too much coffee.

My order is a skinny vanilla latte,

but I’m trying
to wean myself off the syrup.

But the coffee shop,
it’s not designed well,

at least not for me.

Queuing, I’m standing
beside the pastry cabinet

and the barista calls for the next order.

“Next, please!” they shout.

They can’t see me.

The person next to me in the queue
points to my existence

and everyone is embarrassed.

I order as quick as I can
and I move along to collect my coffee.

Now, think just for a second.

Where do they put it?

Up high and without a lid.

Reaching up to collect a coffee
that I have paid for

is an incredibly dangerous experience.

But design also impinges
on the clothes that I want to wear.

I want garments
that reflect my personality.

It’s difficult to find
in the childrenswear department.

And often womenswear
requires far too many alterations.

I want shoes that affect my maturity,
professionalism and sophistication.

Instead, I’m offered sneakers
with Velcro straps and light-up shoes.

Now, I’m not totally opposed
to light-up shoes.

(Laughter)

But design also impacts
on such simple things,

like sitting on a chair.

I cannot go from a standing
to a seating position with grace.

Due to the standards
of design heights of chairs,

I have to crawl on my hands and knees

just to get on top of it,

whilst also being conscious
that it might tip over at any stage.

But whilst design impacts on me

whether it’s a chair,
a bathroom, a coffee shop, or clothes,

I rely on and benefit

from the kindness of strangers.

But not everybody is so nice.

I’m reminded that I’m a little person

when a stranger points,

stares,

laughs,

calls me a name,

or takes a photograph of me.

This happens almost every day.

With the rise of social media,
it has given me an opportunity

and a platform to have a voice
as a blogger and as an activist,

but it has also made me nervous

that I might become a meme

or a viral sensation,

all without my consent.

So let’s take a moment right now

to make something very clear.

The word “midget” is a slur.

It evolved from PT Barnum’s era
of circuses and freak shows.

Society has evolved.

So should our vocabulary.

Language is a powerful tool.

It does not just name our society.

It shapes it.

I am incredibly proud
to be a little person,

to have inherited
the condition of achondroplasia.

But I am most proud to be Sinead.

Achondroplasia is
the most common form of dwarfism.

Achondroplasia translates
as “without cartilage formation.”

I have short limbs
and achondroplastic facial features,

my forehead and my nose.

My arms do not straighten fully,

but I can lick my elbow.

I’m not showing you that one.

Achondroplasia occurs in approximately
one in every 20,000 births.

80 percent of little people
are born to two average-height parents.

That means that anybody in this room
could have a child with achondroplasia.

Yet, I inherited my condition from my dad.

I’d like to show you a photo of my family.

My mother is average height,

my father is a little person

and I am the eldest of five children.

I have three sisters and one brother.

They are all average height.

I am incredibly fortunate
to have been born into a family

that cultivated
my curiosity and my tenacity,

that protected me from the unkindness
and ignorance of strangers

and that armed me with the resilience,
creativity and confidence

that I needed to survive and manipulate
the physical environment and society.

If I was to pinpoint any reason
why I am successful,

it is because I was
and I am a loved child,

now, a loved child
with a lot of sass and sarcasm,

but a loved child nonetheless.

In giving you an insight
into who I am today

I wanted to offer you a new perspective.

I wanted to challenge the idea

that design is but a tool
to create function and beauty.

Design greatly impacts
upon people’s lives,

all lives.

Design is a way in which
we can feel included in the world,

but it is also a way in which
we can uphold a person’s dignity

and their human rights.

Design can also inflict vulnerability

on a group whose needs aren’t considered.

So today, I want
your perceptions challenged.

Who are we not designing for?

How can we amplify their voices

and their experiences?

What is the next step?

Design is an enormous privilege,

but it is a bigger responsibility.

I want you to open your eyes.

Thank you so much.

(Applause)

我想给你一个新的视角。

这听起来很宏大,而且确实如此。

我昨天早上离开了爱尔兰。

我独立地从都柏林前往纽约

但是当你身高 105 厘米半时,机场、

飞机和

航站楼的设计几乎没有独立性

对于美国人来说,那是 3 英尺 5 英寸。

我被
坐在轮椅上的航空公司助理带过机场。

现在,我不需要使用轮椅,

但机场的设计

和缺乏可达性

意味着它是我唯一的

我的双脚夹着我的随身行李,通过

安检和预检,

然后到达登机口。

我使用机场的无障碍
服务,

因为大部分
航站楼都不是为我设计的 请注意。

以安全为例。

我没有足够的
力气将我的随身行李

从地上举到旋转木马上。

我与它保持视线水平

。那些出于安全目的在那个空间工作的人
无法帮助我

和 不能为我做。

设计抑制了我的自主性
和独立性。

但是以这种尺寸旅行,
还不错。

经济舱的腿部空间
就像商务舱。

(笑声)

我经常忘记我是一个小人物

. 是物理环境
和社会提醒我.

使用公共浴室
是一种痛苦 ng经验。

我走进隔间,

但够不到门上的锁。

我富有创造力和韧性。

我环顾四周,看看是否有
一个可以倒置的垃圾箱。

安全吗?

并不真地。

卫生和卫生吗?

当然不。

但另一种选择要糟糕得多。

如果这不起作用,我会使用我的手机。

它给了我额外的
四到六英寸的距离

,我试着
用我的 iPhone 把锁塞住。

现在,我想这不是 Jony
Ive 在设计 iPhone 时的想法,

但它确实有效。

另一种选择
是我接近一个陌生人。

我深表歉意,

并要求他们
在我的隔间门外站岗。

他们这样做了

,我很感激,

但绝对感到羞愧,

并希望他们没有注意到

我没有洗手就离开了浴室。

我每天都随身携带洗手液,

因为水槽、皂液器、干
手器和镜子

都够不着。

现在,无障碍浴室
是一种选择。

在这个空间里,我可以够到
门上的锁

、水槽、皂液器、
干手器和镜子。

然而,我不能上厕所。

它被故意设计得更高,

以便轮椅使用者
可以轻松移动。

这是一个美妙
且必要的创新,

但在设计界,当我们将
一个新项目或新想法描述为可访问时,

这意味着什么?

谁可以访问?

谁的
需求没有得到满足?

现在,浴室是

设计影响我尊严的一个例子,

但物理环境也
以更随意的方式影响我,

就像点一杯咖啡一样简单。

现在,我承认了。

我喝太多咖啡了。

我的订单是一份薄薄的香草拿铁,

但我正试图
让自己戒掉糖浆。

但是咖啡店,
它的设计并不好,

至少对我来说不是。

排队,我
站在糕点柜旁边

,咖啡师要求下一个订单。

“下一个!” 他们大喊。

他们看不见我。

排在我旁边的人
指着我的存在

,大家都尴尬了。

我尽可能快地订购,
然后我继续收集我的咖啡。

现在,想一想。

他们把它放在哪里?

高高无盖。

伸手去拿一杯我付过钱的咖啡

是一次非常危险的经历。

但设计也会
影响我想穿的衣服。

我想要
能反映我个性的服装。

在童装部很难找到

通常女装
需要太多的改动。

我想要能影响我的成熟度、
专业性和成熟度的鞋子。

取而代之的是,我提供了
带有魔术贴带子和发光鞋的运动鞋。

现在,我并不完全
反对发光鞋。

(笑声)

但是设计也会影响
到一些简单的事情,

比如坐在椅子上。

我不能优雅地从站立
到坐下。

由于
椅子的设计高度标准,

我必须用手和膝盖爬行

才能爬上它,

同时也
意识到它可能在任何阶段翻倒。

但是,尽管设计对我

有影响,无论是椅子
、浴室、咖啡店还是衣服,

我都依赖

陌生人的善意并从中受益。

但并不是每个人都那么好。

当陌生人指着我、

盯着我看、

大笑、

叫我名字

或给我拍照时,我会想起我是个小人物。

这几乎每天都在发生。

随着社交媒体的兴起,
它给了我一个机会

和一个平台,让我
作为博主和活动家有发言权,

但它也让我

担心我可能会成为模因

或病毒式轰动,

这一切都未经我的同意 .

因此,让我们现在花点时间

把事情说清楚。

“侏儒”这个词是一个诽谤。

它是从 PT Barnum
的马戏团和畸形秀时代演变而来的。

社会已经进化。

我们的词汇也应该如此。

语言是一种强大的工具。

它不只是为我们的社会命名。

它塑造它。

作为一个小人物

,继承
了软骨发育不全的状况,我感到无比自豪。

但我最自豪的是成为 Sinead。

软骨
发育不全是侏儒症最常见的形式。 软骨

发育不全翻译
为“没有软骨形成”。

我的四肢短
,面部有软骨发育不全

,前额和鼻子。

我的手臂没有完全伸直,

但我可以舔我的肘部。

我不会给你看那个。

大约每 20,000 例新生儿中就有 1 例发生软骨发育不全。

80% 的小人
是由两个中等身高的父母所生。

这意味着这个房间里的任何人
都可能有一个患有软骨发育不全的孩子。

然而,我从我父亲那里继承了我的条件。

我想给你看一张我家人的照片。

我母亲中等身高,

父亲是个小人

,我是五个孩子中的老大。

我有三个姐姐和一个弟弟。

他们都是平均身高。

我非常幸运
地出生在一个家庭,这个家庭

培养了
我的好奇心和坚韧

,保护我免受陌生人的不友善
和无知,

并赋予我生存和操纵物理环境所需的韧性、
创造力和信心

和社会。

如果我要指出
我成功的任何原因,

那是因为我曾经
而且我是一个被爱的孩子,

现在
,一个充满讽刺和讽刺

的被爱的孩子,但仍然是一个被爱的孩子。

在让您深入
了解我今天的身份时,

我想为您提供一个新的视角。

我想挑战

设计只是
创造功能和美感的工具的想法。

设计极大地影响
着人们的生活,

所有的生活。

设计是一种让
我们感到融入世界的

方式,但它也是一种
我们可以维护一个人的尊严

和人权的方式。

设计还可能

对未考虑需求的群体造成脆弱性。

所以今天,我希望
你的看法受到挑战。

我们不是为谁设计的?

我们怎样才能放大他们的声音

和他们的经历?

你下一步怎么做?

设计是一项巨大的特权,

但也是一项更大的责任。

我要你睁开眼睛。

太感谢了。

(掌声)