How do you teach empathy Jonathan Juravich

I grew up with two working parents,

and their schedules didn’t often align–

so my brother and I would spend
afternoons and long summer days

at my grandparents’ house.

This was a place where you were sure to
put things back where they belonged

and didn’t leave objects out on the floor.

It wasn’t because my grandparents
were strict.

My grandmother, Josie, was blind.

And if we messed with that order,

and didn’t put things back
where they belonged,

it could cause confusion, frustration,

or even physical harm.

I remember as a kid trying to understand
what it would be like to navigate spaces

without my sense of sight.

I would close my eyes real tight,

and I would try to remember the way my
grandparents’ living room looked–

I walked with my small hands
outstretched in front of me–

until I ran into a chair, and then a
lamp, and then the wall.

It was in that moment that
I was in awe of her.

On the occasion that my brother and I
would be spending the entire day

at my grandparents' house,

we would bring along our VHS tapes,

you know pre-DVD or streaming service?

And many, if not all of those tapes were
Disney movies–

we were American children
of the late 80s early 90s.

We would sit on that bright red
carpet staring up at their large TV

housed in an even larger
entertainment center.

In between preparing meals,

my grandmother would come in and she’d sit
down in her recliner,

and she’d say, “Tell me about
your stories,”

referencing the action taking place
on the screen.

Aladdin was one of our favorites
to enjoy together.

I would describe the desert backgrounds,

the clothing on the characters,
the expressions on their faces.

I can recall her smile as I described a
“whole new world”

and that magic carpet ride
through the clouds.

I wanted her to feel included,
to be a part of what we were watching.

And those thoughts were a
response to my feelings of empathy.

I had this unique childhood where I was
learning about empathy

through my relationship with my
grandmother…

through our watching of Disney movies.

But I know not everyone has an
experience like that.

But I believe that it is important
and crucial

that we provide our children with
opportunities

to have relationships that foster
empathetic connections.

Now as a quick aside, I know the word
empathy comes with its own baggage.

Maybe in your circles it’s a word that’s
thrown around so much

that you’re sick of hearing about it,

or it’s lost its meaning altogether.

Or, maybe you’ve heard it said that
empathy is a “soft skill”

that needs to be shared with our students.

I attest that there is nothing “soft”
or mooshy about it.

Instead, it is a critical
skill to be honed

as we learn what it means to be human.

I’m an elementary art educator.

I teach my students about
artists, culture,

and the purposeful use of art materials.

But I also see it as my role
to engage them

in conversations about
character education,

and specifically empathy.

But how do we often define empathy
to our youngest children?

Think about it.

Often times you might use the…

“Walk in someone else’s shoes.”

Sure that works as a metaphor,

but now I want you to put yourself in the
mind of a kindergartner.

A kindergartner that might go,

“Why am I putting on someone else’s
shoes!?”

That is weird to them,

they don’t understand the language we’re
using for this really important topic.

And even a simplified definition such as

“understanding and sharing the feelings of
others”

is really hard to internalize
as a 5-year-old.

So instead, very purposeful conversations
about practical, observable behaviors

is necessary.

How do I show empathy in the classroom,
at the park with my friends,

to my grandmother,

to someone that looks
differently than me,

to someone that acts differently than me…?

A year ago, I was sitting around with my
colleagues at school,

and we were talking about
character education.

We were developing a
school-wide curriculum,

and we went around and around
about definitions and explanations.

And then one summer night,
it hit those of us in the room–

our eyes were opened to the fact, that the
root of empathy lies in awareness.

Awareness: “a noticing of what is
happening in and around you

so that you can make a choice.”

You can have a response, have
an empathetic response.

But first, we have to have an
awareness of ourselves.

I’m the grocery shopper in our family.

I take my list and enjoy the thrill of the
hunt as I try to stay below budget,

which I mostly do.

And one week I was notified
that we needed new napkins.

And I came upon these
illustrated beauties.

They’re conversation napkins.

And we got a real kick out of them
as we went around the table.

Every night, we would go around
at dinner time and answer them,

and have fun, and laugh together.

But it really got me thinking about a very
purposeful teaching opportunity

I had with my own family.

And so, I thought, we often times
talk about our feelings

“I’m happy,” “I’m sad,”

but do we spend time together
talking about why we feel that way?

And so I’ve gotten into the practice of
asking my 5-year-old daughter

about her day at school in this way:

I say, “Tell me about a part of your
day when you were proud.

Tell me about a part of your day
when you were frustrated.

Tell me about a part of your day
when you were really excited.”

Different nights I may ask about a
different emotion, a different feeling.

My favorite, “Tell me about
a part of your day

where you laughed so hard
you fell on the floor.”

And I’m also sure as the adult,
to tell her

that I too, in that day, had moments
where I was scared,

and moments that I was proud,

and definitely moments where I laughed
so hard that I fell on the floor.

But you see, she’s quick.
She’s real quick.

And one day, I said, “Tell me about a
part of your day when you were sad.”

And she said, “Well I wasn’t sad,

but my friend Ellie was sad when she
didn’t get to play with the magnatiles.”

See, the observed behaviors and
feelings of others

have become a part of who she is as
a person, and as a friend.

And it all leads us to having
an awareness of others.

I was teaching a unit on architecture

when Hurricane Harvey hit Houston.

And it was to my fourth graders,

and I had several fourth grade
students come to class asking questions

about how this natural disaster

would affect the buildings in the city.

And they were asking these questions,
they led us to other conversations

and soon we were talking
about how the elements

would affect the lives
of the people there.

Soon the whole class was in conversation,
and I sat back and listened,

as I watched them turn the story into
about the art room

of the students in Houston,

and watching them almost see themselves
in that place,

to then begin having conversations about
what would happen to the art supplies,

and the furniture, and all of the art work
that they had spent their time on.

As I listened, I wanted
to provide them with another opportunity,

a way to artistically process the thoughts
and the feelings that they had.

So, what I did is I introduced them to
two artists

that cover items, and rooms,
and actual houses with polka dots.

What these artists are doing is talking
about our unity, about trauma,

about community.

And as a result, we created this
5 foot tall house structure.

Now there’s a lot more here than just
playful polka dots–

each of those dots represents
an art supply

that a fourth grade student donated
to a school in Houston.

See it wasn’t health supplies, or food,
but it was art supplies.

It had become very real to them.

The idea that our room, our art room is a
safe place

where they learn about themselves,
about community, about the world,

all while having fun.

And the idea that there’d be
children in Houston

that maybe miss out
on those opportunities

really resonated with them.

It became real to them.

See these thoughts, these
feelings of empathy,

led to practical practice…

Their awareness led to practical practice.

I no longer sit on the floor in front my
grandmother watching Disney movies.

Those days are long gone.

But now, I sit on the floor next to my
5-year-old daughter, also named Josie.

We watch as Aladdin and Jasmine take
flight on the magic carpet.

And there’s this moment where the
carpet takes a deep dive

and Princess Jasmine braces herself in
fear by covering her eyes with her hands.

As she does so on the screen,
so does my 5-year-old daughter.

She is experiencing empathy
for this animated princess,

she’s experiencing fear along with her.

But it’s then that Aladdin responds
to Jasmine and he says,

“Don’t you dare close your eyes”
and he pulls her hands from her face,

opening her eyes to the experiences
around her.

And as he does, so do I with
my 5-year-old daughter.

I pull her fingers from her face.

May we open our children’s eyes to the
world around them

to engage them in opportunities, thoughts,
actions, and relationships,

that get them to not only “walk in someone
else’s shoes”

but to live lives that consider others
more than themselves.

Thank you.

我和两个工作的父母一起长大

,他们的日程安排并不经常一致——

所以我和我的兄弟会在我祖父母家度过
下午和漫长的夏日

在这里,您可以确保
将物品放回原处,

并且不会将物品留在地板上。

这不是因为我的祖父母
很严格。

我的祖母乔西是盲人。

如果我们弄乱了这个顺序

,没有把东西放回原
处,

它可能会导致混乱、沮丧,

甚至是身体伤害。

我记得小时候试图
理解在

没有我的视觉的情况下导航空间的感觉。

我会紧紧地闭上眼睛

,我会努力回忆我
祖父母客厅的样子——

我的小
手在我面前张开——

直到我撞到椅子上,然后是一
盏灯,然后是 墙。

那一刻,
我对她充满了敬畏。

如果我哥哥和我会

在祖父母家度过一整天,

我们会带上我们的 VHS 磁带,

你知道预 DVD 或流媒体服务吗?

许多,如果不是所有这些磁带都是
迪斯尼电影——

我们是
80 年代末 90 年代初的美国孩子。

我们会坐在那张明亮的红地毯上,
凝视着他们

位于更大
娱乐中心的大电视。

在准备饭菜的间隙,

我的祖母会进来,她会
坐在她的躺椅上

,她会说,“告诉我
你的故事”,

指的
是屏幕上发生的动作。

阿拉丁是我们一起享受的最爱之一

我会描述沙漠的背景,

人物的衣服,
脸上的表情。

当我描述一个
“全新的世界”

和穿越云层的魔毯时,我可以回忆起她的微笑

我想让她感到被包容
,成为我们正在观看的节目的一部分。

这些想法是
对我的同理心的回应。

我有一个独特的童年,

我通过与
祖母的关系……

通过观看迪斯尼电影来学习同理心。

但我知道不是每个人都有
这样的经历。

但我相信,

我们为孩子们提供

建立关系的机会来培养
同理心的联系是很重要的。

现在顺便说一句,我知道
同理心这个词有它自己的包袱。

也许在你的圈子里,这个词
被扔得太多了

,以至于你已经厌倦了听到它,

或者它完全失去了它的意义。

或者,也许您听说过
同理心是

一种需要与我们的学生分享的“软技能”。

我证明它没有任何“柔软”
或闷闷不乐的地方。

相反,

当我们了解成为人类的意义时,它是一项需要磨练的关键技能。

我是一名小学美术教育家。

我教我的学生关于
艺术家、文化

和艺术材料的有目的使用。

但我也认为我的职责
是让他们

参与有关
品格教育的对话

,特别是同理心。

但是,我们通常如何定义
对最小孩子的同理心呢?

想想看。

很多时候你可能会使用……

“穿上别人的鞋”。

当然,这可以作为一个比喻,

但现在我想让你把自己放在
幼儿园的脑海里。

一个幼儿园的孩子可能会说,

“我为什么要穿别人的
鞋!?”

这对他们来说很奇怪,

他们不理解我们在
这个非常重要的话题上使用的语言

。即使是

“理解和分享他人的感受”这样的简化定义

也很难内
化为 5 年——

所以,相反,有必要
就实际的、可观察的行为进行非常有目的性的对话

我如何在课堂上、
在公园里和我的朋友、

对我的祖母、

对长得
与我不同

的人、对举止与我不同的人表现出同理心 我……?

一年前,我和我的
同事在学校坐在一起

,我们正在谈论
品格教育。

我们正在制定
全校范围的课程

,我们围绕定义和解释四处走动

。然后是一个夏天的夜晚 ,
它击中了房间里的

我们——我们的眼睛被打开了,即
同理心的根源在于意识。

意识:“注意到
你身边和周围发生的事情,

这样你就可以做出选择。”

你可以有回应,
有同理心的回应。

但首先,我们必须
了解自己。

我是我们家的杂货店购物者。

我拿着我的清单,享受狩猎的快感,
因为我试图留在下面 预算

,我大多这样做

。一周后我被
告知我们需要新的餐巾纸。

我遇到了这些
插图美女。

它们是谈话餐巾纸。

当我们围着桌子走时,我们真的很兴奋。

每个 晚上,我们会
在晚餐时间四处走动并回答他们

,玩得开心,一起笑。

但这真的让我想到了一个非常
有目的的教学机会,

我和自己的家人在一起

。所以,我想,我们经常
交谈 关于我们的感受

“我很高兴”,“我很伤心”,

但是我们是否会花时间一起
谈论我们为什么会有这种感觉

?所以我开始
询问我 5 岁的

女儿 她在学校的一天是这样的:

我说,“告诉我你
一天中的某段时间,你感到骄傲。

告诉我你一天中的某段时间
, 你很沮丧。

告诉我你一天
中真正兴奋的部分。”

不同的夜晚,我可能会询问
不同的情绪,不同的感觉。

我最喜欢的,“告诉
我你一天

中的某个时刻,你笑得很厉害
,摔倒在地。”

作为成年人,我也肯定
会告诉她

,在那一天,
我也有害怕

的时刻,也有骄傲的

时刻,当然还有
我大笑到倒在地板上的时刻。

但你看,她很快。
她真的很快。

有一天,我说,“告诉
我你一天中悲伤的时候。

”她说,“好吧,我并不难过,

但我的朋友艾莉(Ellie)
没能与 巨头。”

看,观察到
的他人的行为和感受

已经成为她
作为一个人和朋友的一部分。

这一切都让
我们意识到他人的存在。

当哈维飓风袭击休斯顿时,我正在教一个建筑单元。

那是给我四年级的学生

,我让几个四年级的
学生来上课,

问这个自然灾害

将如何影响城市的建筑物。

他们问这些问题,
他们引导我们进行其他对话

,很快我们就开始
讨论这些元素

将如何影响
那里人们的生活。

很快全班都在交谈
,我坐下来听

,我看着他们把故事变成

休斯顿学生的艺术室

,看着他们几乎
在那个地方看到自己

,然后开始讨论
什么 美术用品

、家具和
他们花时间在上面的所有艺术品都会发生这种情况。

当我听的时候,我
想为他们提供另一个机会,

一种艺术地处理他们的想法
和感受的方式。

所以,我所做的就是将他们介绍给
两位艺术家

,他们涵盖了物品、房间
和带有波尔卡圆点的实际房屋。

这些艺术家正在做的是
谈论我们的团结,关于创伤,

关于社区。

因此,我们创建了这个
5 英尺高的房屋结构。

现在,这里不仅仅是
俏皮的波尔卡圆点,

每一个圆点都代表

一个四年级学生捐赠
给休斯敦一所学校的艺术品。

看那不是卫生用品或食物,
而是艺术用品。

这对他们来说变得非常真实。

我们的房间,我们的艺术室是一个
安全的

地方,让他们了解自己、
了解社区、了解世界

,同时享受乐趣。

休斯顿的孩子

们可能会
错过这些机会的想法

确实引起了他们的共鸣。

这对他们来说变得真实。

看到这些想法,这些
同理心,

导致了实践……

他们的意识导致了实践。

我不再坐在祖母面前的地板
上看迪士尼电影。

那些日子已经一去不回。

但现在,我坐在我
5 岁的女儿(也叫乔西)旁边的地板上。

我们看着阿拉丁和茉莉
在魔毯上起飞。

就在这一刻,
地毯深陷

,茉莉公主
用手捂住眼睛,惊恐万分。

正如她在屏幕
上所做的那样,我 5 岁的女儿也是如此。


对这位活泼的公主感到同情,

她也和她一起经历着恐惧。

但就在那时,阿拉丁回应
了茉莉花,他说,

“你不敢闭上眼睛”,
然后他把手从她的脸上拉开,

睁开眼睛看着
她周围的经历。

正如他所做的那样,我和
我 5 岁的女儿也是如此。

我把她的手指从她的脸上拉开。

愿我们睁开孩子的眼界,让他们看到
周围的世界

,让他们参与机会、思想、
行动和人际关系,

让他们不仅“站在
别人的立场上走”,

而且过上考虑他人
多于自己的生活。

谢谢你。