Sustainability Must Mean Decolonization

hi everyone

i am so excited to share space with you

even if it’s virtual this time around

my name is adithy meyer and i’m a

sustainable fashion blogger

photojournalist and labor rights

activist

seven years ago my relationship with

fashion went from retail therapy

to following arbitrary notions of what

was in

to a deeply personal exploration of my

identity

and decolonization i remember my starts

in the sustainable fashion world clearly

it was 2013 and i was just about to

start my first year of my undergraduate

college career

design and aesthetics had always been

powerful mediums for me to explore my

south asian heritage

and fashion was quickly becoming another

medium to do so

however a few months later i learned

about the ronald plaza factory collapse

rana plaza was an eight-story garment

factory in dhaka bangladesh producing

for some of the world’s biggest

fast fashion retailers one day

structural cracks were found in the

building

and it was ordered to evacuate however

there was so much pressure from upper

management to have workers complete

orders

that they were called back into work the

next day

over one thousand one hundred workers

were killed when this eight story

garment factory collapsed

over 2500 were injured

rana plaza frames the biggest industrial

disaster

of our time and for me rwana plaza

catalyzed a new understanding of fashion

no longer was fashion just about that

pretty dress

fashion was about the politics of labor

to the environmental impact of fashion

to the fact that communities of color

globally are disproportionately affected

by the fashion industry but it wasn’t

just me that the rhonda plaza industry

shook up

the larger fashion narrative was

affected as well

what came next was the rise of

conversation around sustainability

and ethical fashion at its best

sustainable fashion was about

transparent supply chains to fair labor

practices

however there was a more insidious side

to sustainable fashion on the rise

the idea that sustainability was

something you had to buy

common sustainable fashion platitudes

like vote with their dollar

inform not only how one could engage

with this movement

but more importantly who could engage

with this movement

those who could afford it for me as

someone that came from a low income

background

i began to search for a narrative of

sustainability beyond just consumption

for me i came to realize that true

sustainability began at home

both as a cultural standard and economic

necessity

far before sustainability became

contextualized

in the consumer act that it is today

from

using all of our food containers to

saving our plastic bags to hand-me-downs

and

normal practices of mending clothes all

of these

were a lifestyle not just a consumer

choice and it was a lifestyle that i had

known before sustainability was

rebranded

recontextualized and reintroduced as a

purely consumer act

more and more sustainability became

about reorienting myself with ancestral

roots and practices

especially those that existed prior to

colonization

more and more sustainability became the

unlearning

of constant consumption but most

importantly

sustainability became a means for

decolonization

don’t get me wrong conscious consumerism

is incredibly

important however the onus of ethics

shouldn’t be completely on

the consumer rather we need to hold the

industry accountable

the industry that has largely normalized

violence

as part of its business model

sustainability requires context

we must question the systems and

structures at play

that set the conditions for that fateful

day of the ronald plaza factory collapse

because it’s important to remember rhona

plaza was not an unavoidable disaster

rather wanna plaza was the manifestation

of a system that was predicated on speed

at all costs even human lives

i began to question what is the

historical context that created a system

that operated in this way

rana plaza spoke to a deeper system of

oppression

that was predicated on the oppression of

black and brown bodies

based on a form of institutionalized

racism

and a colonial past

colonialism is often seen as a distant

abstraction

yet colonial mentalities and practices

continue to reign supreme in how

businesses

operate today when i speak about

colonial practice in the fashion

industry

it refers to systems predicated on the

exploitation

and extraction of resources or labor

as the means for infinite growth and

success

and most of these resources are

extracted precisely in countries

destabilized by colonial violence

like many industries that rely on

production in the global

south for consumption in the global

north the fashion industry is rooted in

an

unequal exchange the unequal exchange is

often the exchange of manufactured

products

produced at shockingly low prices due to

labor that costs

near nothing to be sold at higher

margins in the global

north we know this to be true especially

in the global fashion industry that is

predicated on the idea of the global

race to the bottom

which is the idea that brands produce as

much as they can

as fast as they can as cheap as they can

and this means heading to these

countries that are reeling from the

impacts of colonization

making them an especially vulnerable

workforce

the business model has always headed to

these countries

poorest countries to plunder and this is

not because

of better infrastructure or better

factories rather

this is because these are sacrifice

zones

so what are sacrifice zones

sacrifice zones are places in the world

whose vulnerable populations

undergo resource extraction and

exploitation

for the sake of continued economic

prosperity and growth but we need to

question

economic prosperity and growth for who

this is the racism built into the system

throughout history we’ve seen how false

hierarchies of power

often rooted in race have been the first

steps towards dehumanization

and violence in order to maintain

colonial projects

history shows that this is especially

true for the textile

and fashion industry in 1664

the east india company was established

as the largest importer of cotton to

europe

a systemic plan was implemented to

subdue the indian textile economy

which made up 25 of the world’s economy

at that time

and coerced indian farmers to abandon

their farming

which was of subsistence crops to cotton

crops

not only would this eventually subject

farmers to a cycle of interest-laden

debt

it would also greatly diminish the food

supply

india was to constantly supply britain

with the raw material of cotton

and britain would then sell us back the

cotton cloth

at a premium this would ensure

a relationship where the colonizers

remained in power and the colonized were

made subdued and profitable for the

colonizers

the extraction and destruction of

artisanal

industries and agricultural practices

that the land could not sustain

ensued what’s really important to note

here

is the pattern of exploited labor around

the world

which positioned britain as the workshop

of the world

british manufactured clots severely

undermined the indian cotton industry

during the 19th century

especially due to the speed of the u.s

britain

caught in production system which was

predicated

by the use of slave labor in america

enslaved african peoples allowed white

plantation owners in the south

to garner unsurmountable wealth from

cotton

exploited labor and agricultural

dexterity set the groundwork for

the international fashion industry which

was america’s

first big business boom that is

after america’s indigenous populations

were forcibly removed for their land

to set the groundwork for the fertile

land for plantations

history also shows us that localized

textile production and fashion systems

can often freely sacrifice zones from

their hostage positions

during india’s fight for independence

from the british raj

we had the rise of the kadhi movement

kadhi which is an indian indigenous form

of hand-spun

hand-woven cotton was used as a tool of

resistance

gandhi helped spur the kadhi movement

which sought to boycott cloth

manufactured

industrially in britain promoting the

spinning of kadhi for rural

self-employment and self-reliance

this constructed the framework for the

larger swadeshi movement

now known as the make in india campaign

knowing this history is important

because it helps inform the literal ways

that we can decolonize our system

which lies in reorienting our

relationship with

land and labor if the sustainable

fashion industry

exists to challenge the way the industry

has operated

it must go beyond buying our way into a

new reality

remember we need to question what is the

type of system that we are trying to

sustain

true sustainability means we must

decolonize fashion

after all we can’t expect to fix the

problem

with the same culture that has created

it

so what does it mean then to decolonize

the industry

to decolonize the industry is to address

wealth inequality

the fashion industry cannot operate

without the high-skilled labor of

garment workers

yet ceos make millions off the backs of

those that earn the least

we need to remember it’s not capitalists

who

create capital it is the labor behind

the label

to decolonize the fashion industry is

also to reorient

metrics of success beyond the idea of

unlimited

exponential monetary growth the

sustainable fashion movement must mark a

key shift on how we view labor

garment workers are not expendable

garment workers are artisans and

fashion is art not a disposable

commodity

the sustainable fashion movement must

explore business models that are rooted

in circularity and longevity

to decolonize the fashion industry is to

dismantle

a system predicated on speed so much

speed

that it comes at the sacrifice of

quality the environment

and garment worker rights

to decolonize the fashion industry is

also to go beyond

a model rooted in arbitrary trends that

are constantly changing

a key pillar of sustainability is after

all

personal style

and most importantly to decolonize

fashion

is therefore to also interrogate power

and hierarchy

a conversation that demands an

intersectional approach

that is tied to talking about class

gender race and more

we need a question who has access an

agency in this space

who is stripped of that and why

the sustainable fashion movement must

center black

indigenous and people of color as

leading actors

these communities have nearly always had

a historical sustainable relationship

i want to close with this idea

sustainability is not about reinventing

the wheel sustainability

is about following the leads of cultures

that have always had

symbiotic regenerative relationships to

the planet and people

that’s to say sustainability is

decolonization thank you

大家好,

我很高兴能与你们分享空间,

即使这次是虚拟的,

我的名字是 adithy meyer,我是一名

可持续时尚博主、

摄影记者和劳工权利

活动家,

七年前,我与

时尚的关系从零售疗法

转变为随心所欲

对我的身份和非殖民化进行深入的个人探索的想法

清楚地记得我在可持续时尚界的开始

是在 2013 年,我即将

开始我大学本科生涯的第一年

设计和美学一直很

强大 探索我的

南亚传统

和时尚的媒介迅速成为另一种

媒介,

但几个月后,我

了解到 ronald plaza 工厂倒塌

rana plaza 是

孟加拉国达卡的一家八层服装厂,

为世界上的一些人生产

一天,最大的快时尚零售商

在建筑物中发现了结构裂缝

,并被责令 然而

,高层

管理人员要求工人完成

订单的压力太大

,以至于第二天他们被召回工作,

当这家八层的服装厂倒塌时,超过一千一百名工人丧生,

超过 2500 人受伤

拉纳广场框架最大的工业

我们这个时代的灾难,对我来说,卢瓦纳广场

促成了对时尚的新理解

时尚行业,但

不仅仅是我,朗达广场行业

震撼

了更大的时尚叙事,随之

而来的是

围绕可持续发展

和道德时尚的对话兴起

然而,sustainab 有更阴险的

一面 le 时尚正在

兴起 可持续性是

你必须购买的东西

常见的可持续时尚陈词滥调,

比如用美元投票,

不仅告诉人们如何

参与这项运动

,更重要的是,谁能

参与这项运动,

那些有能力为我买得起的人 作为

一个来自低收入

背景的人,

我开始寻找对我来说不仅仅是消费的可持续发展的叙述,

我开始意识到,真正的

可持续发展始于家庭,

既是一种文化标准,也是一种经济

必要性,

远在可持续发展成为

消费者法案的背景之前 今天

使用我们所有的食品容器到

保存我们的塑料袋到

旧衣服和修补衣服的正常做法

所有这些

都是一种生活方式,而不仅仅是消费者的

选择,而且这是我

在可持续发展之前就知道的生活方式 被

重新

命名 重新定位并重新引入

纯粹的消费者行为

越来越多的可持续性成为 e

关于用祖传的根源和做法重新定位自己,

尤其是那些在

殖民化之前就

存在的做法 道德

不应完全

取决于消费者,而是我们需要

追究行业的责任

已将

暴力

作为其商业模式的一部分在很大程度上正常化的行业

可持续性需要背景

我们必须质疑

为那个决定性的日子设定条件的系统和结构

ronald plaza 工厂倒塌,

因为重要的是要记住 rhona

plaza 不是一场不可避免的灾难,

而是希望 plaza 是

一个以速度为基础的系统的体现,

不惜一切代价甚至是人的生命

我开始

质疑创造一个

在 th 中运行的系统

拉纳广场是在谈论更深层次的

压迫

制度

今天的企业运作方式中,当我谈到

时装业的殖民实践时,

它指的

是以资源或劳动力的开发和提取为基础的系统,

作为无限增长和成功的手段,

而这些资源中的大部分

正是在

因殖民统治而不稳定的国家中提取的

像许多依赖南半球

生产而在北半球

消费的行业一样,暴力

时装业植根于

不平等的交换 不平等

的交换通常是由于劳动力成本低得惊人的制成品的交换

在全球范围内以更高的利润率出售

在北方,我们知道这是真的,尤其是

在全球时尚行业,它

基于全球

竞相逐底竞争

的理念,即品牌

尽可能快地生产尽可能便宜的产品,

而这 意味着前往

这些受到殖民化影响的国家,

使他们成为特别脆弱的

劳动力商业模式一直前往

这些国家

最贫穷的国家进行掠夺,这不是

因为更好的基础设施或更好的

工厂,而是

因为这些都是牺牲

所以什么是牺牲区

牺牲区是世界上

弱势群体

为了持续的经济

繁荣和增长而进行资源开采和开发的地方,但我们需要

质疑

经济繁荣和增长,因为

这是谁贯穿整个系统的种族主义

历史上,我们已经看到

植根于种族的错误权力等级制度如何影响 为维持殖民项目而

朝着非人化和暴力迈出的第一步

历史表明,

1664 年纺织和时装业尤其如此

东印度公司成立,

成为欧洲最大的棉花进口商

实施了一项系统计划以

制服

占当时世界经济25%的印度纺织经济

,迫使印度农民放弃

以维持生计的作物为棉花作物的农业,

这不仅最终使

农民陷入负债累累的循环

,还将大大 减少粮食

供应

印度将不断向英国

供应棉花原料,

然后英国会以高价将棉布卖回给我们

,这将

确保殖民者

继续掌权,而被殖民者

被压制并为英国获利的关系

殖民者

对手工工业和农业的开采和破坏

土地无法维持的做法

随之而来,这里真正需要注意的

是,世界各地的剥削劳动力模式将

英国定位为世界工厂

英国制造的凝块严重

破坏了 19 世纪的印度棉花工业

尤其是由于速度 美国

陷入了以

在美国使用奴隶劳动为前提的生产体系中,被

奴役的非洲人民让

南方的白人种植园主

从棉花剥削的劳动力中获得了不可逾越的财富,

而农业的

灵巧性为国际时装业奠定了基础。

美国的

第一次大商业繁荣是

在美国原住民

被强行移走

土地为种植园奠定肥沃土地之后的

历史也向我们表明,本地化的

纺织品生产和时尚系统

通常可以在

他们的人质位置上自由地

牺牲区域 g 印度争取

脱离英国

统治的独立斗争 我们兴起了 kadhi 运动

kadhi 是一种印度土著

手纺棉布形式,

被用作抵抗工具

甘地帮助刺激了

寻求抵制布的 kadhi 运动

在英国进行工业制造

促进农村

自营职业和自力更生的卡迪纺纱

这为

现在被称为印度制造运动的更大的 swadeshi 运动构建了框架

知道这段历史很重要,

因为它有助于告知我们可以采取的文字方式

非殖民化我们的系统

,这在于重新定位我们

土地和劳动力的关系如果可持续

时尚产业

存在挑战该行业

的运作方式

它必须超越购买我们的方式进入

新现实

记住我们需要质疑什么

是系统类型 我们正在努力

维持

真正的可持续性,这意味着我们必须将

时尚非殖民化

,毕竟我们无法指望修复

与创造它的文化相同的问题

那么,非殖民化行业意味着什么 非

殖民化行业是解决

财富不平等问题

没有服装工人的高技能劳动力,时尚业就无法运作,

但首席执行官们却赚了数百万美元 在

那些赚得最少的人中,

我们需要记住,创造资本的不是资本家

而是标签背后的劳动力

使时尚业非殖民化

也是重新调整

成功指标,超越

无限

指数货币增长的想法,

可持续的时尚运动必须标志着

我们如何看待劳动

服装工人不是消耗品的关键转变

服装工人是工匠,

时尚是艺术不是一次性

商品 可持续时尚运动必须

探索植根

于循环性和长寿

的商业模式 时装业非殖民化是

拆除

一个基于 速度如此之

以至于牺牲了

q 实际上,环境

和服装工人的权利

使时尚业非殖民化

也超越

了植根于不断变化的任意趋势的模式

可持续性的一个关键支柱

毕竟是

个人风格

,因此,非殖民化时尚最重要的

是也要审问权力

和 等级制度

需要一种与谈论阶级

性别种族相关的交叉方法的对话以及更多

我们需要一个问题,谁可以

在这个领域获得一个机构

谁被剥夺了这一点,以及

为什么可持续时尚运动必须以

黑人

土著和有色人种为中心 作为

主要参与者,

这些社区几乎总是

有着历史上的可持续关系

我想以这个想法结束

可持续发展不是重新发明

轮子可持续发展

是关于追随与地球和人类

一直具有

共生再生关系

的文化的引领

可持续性是非

殖民化 谢谢