Screendance the art of combining film and dance in the void

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what if

you could experience physical movement

the same way a dancer does

you can become fully immersed in a

dancer’s performance

through the lens of screen dance

screen dance a term coined by katrina

macpherson

douglas rosenberg and a group of video

dance experts

is a hybrid art form that combines dance

and film

it provides a new perspective on the

movement and emotion of the performer

allowing for a very profound encounter

where the audience can take a closer

look

at the story being told by the artist

the videographer brings audience members

inside the dancers movement

through the use of close-up and

hand-held camera shots

creating an intimate connection and

kinesthetic

experience so imagine seeing the

dancer’s pupil dilate

their bicep twitch or a bead of sweat

dripped on their forehead

now envision yourself following their

exact

movement pathway and becoming their

dance partner

you might not be able to have an

experience like this from the nosebleed

section in a live show

but screendance enables these

microscopic details

and immersive moments to transform the

performance

then we have the order in which the

shots are arranged

ellen bromberg my screen dance professor

and mentor

taught me that the choreography is in

the edit

as the editor i have the ability to

re-choreograph the dance

and change the story by choosing the

sequencing of the shots

so a sequence featuring a head roll then

chaotic movement

then a calm eye looking back at you

tells a meaningful story that was

carefully pieced

together the screen dance i filmed and

edited

that i’ll be sharing with you today

tells a story of silent struggle

vulnerability and getting lost in one’s

own thoughts

i hope that you can feel this on a deep

level and really connect with the dancer

nicole smith as you move through the

performance

with her

lastly we have location location is

arguably the most important component of

screen dance

because it determines the entire

aesthetic of the film

the setting of the story and it lays out

the new sort of stage for dancers to

interact with

it also transports the audience to a new

place that is not the conventional

theater

each and every screen dance will be

radically different from the next

because each location produces a new

outcome

a new story my screen dance is

ironically a bit different

and that my goal was actually to

eliminate location completely

it’s not in a building or up in the

mountains

my screen dance takes the audience to a

place that does not exist

it is in the void

thank you

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so

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so

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so

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you

[掌声

] 如果

你能

像舞者一样体验肢体动作,

你可以通过银幕舞的镜头完全沉浸在

舞者的表演中

吗?

结合了舞蹈和电影的混合艺术形式,

它为表演者的动作和情感提供了一个新的视角,

让观众可以近距离地

看到

艺术家讲述的故事

,摄像师将观众带到表演者的

内部。 舞者

通过使用特写镜头和

手持摄影机进行

运动,创造了一种亲密的联系和动觉

体验,所以想象一下看到

舞者的瞳孔扩张

他们的二头肌抽搐或

额头上滴下的汗珠

现在想象自己跟随他们

确切的

运动路径和 成为他们的

舞伴,

你可能无法有

这样的经历

现场表演中流鼻血的部分,

但屏幕舞蹈使这些

微观细节

和身临其境的时刻改变了

表演,

然后我们有了安排镜头的顺序,

我的屏幕舞蹈教授和导师艾伦·布罗姆伯格

告诉我,编舞

正在编辑中,

因为 编辑我有能力

重新编排舞蹈

并通过选择镜头的顺序来改变故事,

所以一个以头部滚动、

混乱的动作、

然后平静的眼睛回头看着你的序列

讲述了一个

经过精心

拼凑的有意义的故事 我拍摄和

编辑

的屏幕舞蹈,今天我将与大家分享,

讲述了一个无声的挣扎

脆弱和迷失在

自己的想法中的故事,

我希望你能在深层次上感受到这一点,

并像你一样与舞者妮可史密斯真正联系起来

和她一起表演

最后我们有位置位置

可以说是屏幕舞蹈最重要的组成部分,

因为它 决定了电影的整体

审美

故事的背景

为舞者提供了与之互动的新舞台

也将观众带到了一个

不同于传统剧院的新地方

每一个屏幕舞蹈都将

完全不同 从下一个开始

因为每个地点都会产生一个新

的故事 一个新的故事 我的屏幕舞蹈具有

讽刺意味的是有点

不同 我的目标实际上是

完全消除地点

它不是在建筑物中或在

山上

我的屏幕舞蹈将观众带到一个

地方 不存在的

它在虚空中

谢谢

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所以

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