A host of heroes April Gudenrath

Transcriber: Andrea McDonough
Reviewer: Bedirhan Cinar

“I need a hero!”

So many people in distress have said this,

but why?

What kind of hero do we need

and do we even really even need a hero at all?

Well, if you look at any piece of literature

written for page,

script,

or stage,

the answer is yes!

But, heroes come in all shapes and sizes,

depending on what needs to be dealt with.

First, you have your epic heroes.

Epic heroes usually come from a famous family,

have super-human strength,

are unusually good-looking.

They take on challenges that no one else will

and succeed.

They have great journeys and adventures,

some supernatural

and some, right here on Earth.

Beowulf does all of this.

He travels across the sea with his band of warriors

to help another king defeat a supernatural monster

that has been terrorizing his kingdom.

He defeats the monster

and the monster’s mother

in an epic battle,

and then goes back home

and becomes king himself.

In his old age, he has one more monster to face,

one more threat that he must keep from his people,

a dragon.

Now, being an epic hero,

of course he wins,

but he is also human,

and so he also dies.

But he leaves behind stories

to inspire others even today.

Next, we have our tragic heroes.

Tragic heroes are usually leaders or powerful characters,

but the tragic hero is also majorly flawed

and that flaw usually leads him down the path

to a horrible and tragic death.

Take the story of Oedipus the King, for example.

One day, a young man travels to a town called Thebes.

On the way, he kills a man

for not yielding to him on the road

in the first documented case of road rage.

He also defeats a magical creature

and is rewarded by becoming the King of Thebes,

and thus, marrying their queen.

Well, that’s not so tragic, right?

Wrong!

The queen he just married is actually his birth mother!

Oedipus was supposed to have been killed

as a child by a servant,

but instead he was given to another family.

Oh, and the man he killed on the road,

the previous King of Thebes

and his dad.

So he killed his father and married his mother.

Now that is quite tragic.

Not tragic enough for you?

Try this one.

Romeo Montague is a guy born into a wealthy family

and finds the love of his life at a party, Juliet.

But, Juliet is from a different family

that just so happens to hate his family.

Instead of being patient

and working through the family feud,

Romeo decides he must have his love now,

and his impatience leads to bloodshed and death,

including his own and Juliet’s.

Moving on to romantic heroes.

Now these guys might sound like

they might have a better love life and chance at happiness,

but that’s not always the case.

These heroes are emotional

and very human.

But there is something magical about them.

Some have a miraculous birth

and then are separated from their family.

Others use enchanted swords

or get help from magical beans.

They could also reject the expectations of society

and adhere to their own code of morality.

And in the end,

the hero triumphs over evil in an idyllic way,

but at great personal, emotional sacrifice.

King Arthur is a good example of a romantic hero.

Sure, he became king and married the love of his life,

but he was also killed by his son,

who was born out of wedlock,

and had his wife cheat on him with his best friend.

So, although he, too, like Beowulf, was a great king,

he suffered much more

for the greater purpose of society,

which makes him more human and relatable to us all.

There are different heroes for different situations.

Sometimes we need the strong warrior

to slay the evils of the world.

At other times,

we need a common person who becomes great

so that they can inspire us all to be better.

So do we need heroes?

Absolutely!

No matter what the time or place,

we still need something to believe in.

They remind us of the good in each of us,

and the need for hope

and the importance of knowledge.

抄写员:Andrea McDonough
审稿人:Bedirhan Cinar

“我需要一个英雄!”

这么多苦恼的人都这么说,

但为什么呢?

我们需要什么样的英雄

,我们甚至真的需要英雄吗?

好吧,如果您查看

为页面、

脚本

或舞台编写的任何文学作品

,答案是肯定的!

但是,英雄有各种形状和大小,

取决于需要处理的内容。

首先,你有你的史诗英雄。

史诗英雄通常出身名门,

拥有超人的实力

,长得异常好看。

他们接受其他人

不会成功的挑战。

他们有很棒的旅程和冒险,

有些超自然

,有些就在地球上。

贝奥武夫做到了这一切。

他与他的战士们一起穿越大海,

帮助另一位国王击败

一直在恐吓他的王国的超自然怪物。

他在一场史诗般的战斗中打败了怪物

和怪物的母亲

然后回到家中

,自己成为了国王。

在他的晚年,他还要面对一个怪物,

一个他必须远离他的人民的威胁

,一条龙。

现在,作为史诗英雄

,他当然会赢,

但他也是人

,所以他也死了。

即使在今天,他也会留下故事来激励他人。

接下来,我们有我们的悲剧英雄。

悲剧英雄通常是领导者或强大的人物,

但悲剧英雄也存在重大缺陷,

而这种缺陷通常会导致他

走向可怕而悲惨的死亡之路。

以俄狄浦斯王的故事为例。

一天,一个年轻人前往一个叫底比斯的小镇。

在路上,他

在第一个记录在案的路怒案中杀死了一个在路上不屈服于他的人。

他还击败了一个神奇的生物

,并获得了成为底比斯国王的奖励,

并嫁给了他们的女王。

好吧,这不是那么悲惨,对吧?

错误的!

他刚刚娶的王后,居然是他的生母!

俄狄浦斯应该在

孩提时代就被仆人杀死,

但他却被交给了另一个家庭。

哦,还有他在路上杀死的那个人

,前底比斯国王

和他的父亲。

于是,他杀了他的父亲,娶了他的母亲。

现在这是相当悲惨的。

对你来说还不够悲惨吗?

试试这个。

罗密欧·蒙塔古出生在一个富裕的家庭,

并在一次聚会上找到了他生命中的挚爱,朱丽叶。

但是,朱丽叶来自另一个家庭

,恰好讨厌他的家人。

罗密欧没有耐心地解决家庭不和,而是

决定他现在必须拥有他的爱

,他的不耐烦导致流血和死亡,

包括他自己和朱丽叶的。

继续谈浪漫英雄。

现在这些人

听起来可能会有更好的爱情生活和幸福的机会,

但情况并非总是如此。

这些英雄情绪化

,非常人性化。

但是他们有一些神奇的东西。

有些人奇迹般地出生

,然后与家人分离。

其他人则使用附魔剑

或从魔豆获得帮助。

他们也可以拒绝社会的期望

并坚持自己的道德准则。

最后

,英雄以一种田园诗般的方式战胜了邪恶,

但付出了巨大的个人情感牺牲。

亚瑟王是浪漫英雄的典范。

当然,他成为国王并嫁给了他的一生挚爱,

但他也被他的私生子杀害,

并让他的妻子和他最好的朋友出轨。

因此,尽管他也像贝奥武夫一样是一位伟大的国王,

为了社会的更大目标,他遭受了更多的痛苦,

这使他更加人性化,与我们所有人相关。

不同的情况有不同的英雄。

有时我们需要强大的战士

来杀死世界的邪恶。

在其他时候,

我们需要一个变得伟大的普通人,

这样他们才能激励我们变得更好。

那么我们需要英雄吗?

绝对地!

无论何时何地,

我们仍然需要相信一些东西。

它们提醒我们每个人的优点,

以及对希望的需要

和知识的重要性。