Embracing Your Liminal Identity

[Music]

so

where i’m from i’m from

poppies and the twisted vines of

cabernet

from coffee shop happiness

to buzzing stinging blissfulness

down a lavender walkway

i’m from stuff to the gills in

multi-night

from carne asada fries to cup ramen

at night i’m from

love is patient love is kind

from sunday best

to shinto shrines

curled up by the fireplace gathered

round the dining table

i listen to my family’s tales

i am from the war-torn the

immigrants the meek hard

working earnest furthest

from weak

generations that chose that road less

traveled by

strong men and women more than what

meets the

eye i am from the ashes

where the phoenix rises hopeful

adventurous a life full of surprises

i’m from two worlds bridging together as

one i don’t know where i’m going

but i know where i’m from

hello and welcome my name is erica i’m a

teacher here at csun international

school and i teach language and

literature

today i’m going to be talking about

embracing liminal identities

now a few years back i wanted to return

a textbook

and i went up to the counter handed the

textbook but the cashier

looked me up and down and said

what are you

i thought maybe i misheard so but the

person said again

what are you

uh i’m human

i don’t know what you want from me and

he said no no no i mean where are you

from

what’s your ethnicity

i sighed and i went into my five-second

rehearse bio that i’ve always said

all my life well i’m half

my mom’s japanese my dad’s american my

dad met my mom when he was in japan i

grew up in america oh

coco coco that’s what i wanted to know

can i return my textbook now

i’ve had so many interactions like these

where i’ve ended up having to talk about

my identity and share my whole life

story

with complete strangers

and now that i think about it when i

think about what that person said to me

what are you that person probably

genuinely didn’t care about my identity

or my family

but really was wondering

how should i label you what box

should i put you in

when we define people it’s a matter of

convenience

we can label someone we know how to

organize them into our mental

system and then from there on out we

know where that person

sits in our worldview

we know how to interact with that person

how to talk with that person

but what about someone like me

on my american side i’ve been told that

i’m not american enough

on my japanese side i’m not japanese

enough

i’ve even been told that i’m not

japanese american enough

so where do i fit in

my identity is somewhere between those

defined

and prescribed societal definitions my

identity is a liminal one somewhere in

between

so what are liminal spaces

in architecture they’re often defined as

the transitional

in between spaces where people often

go through them and then quickly leave

where they’re forgotten or abandoned

maybe some of you can connect to this

where you felt at some point in your

life

you don’t fit into those prescribed

spaces your identity

doesn’t fit neatly into one of the boxes

that already exist

you lie in the liminal space

today i want to talk about those

identities especially

children and young adults who really

haven’t developed a strong sense of self

and they might feel that they are lost

in that liminal space

as an educator i have the wonderful

privilege of working with children from

elementary all the way up to high school

and

one of the observations that i’ve

noticed is that children

when they’re young they are just

brimming with questions and answers

if you ask them who are you

they will confidently tell you about who

they are

and what they believe themselves to be

i’ve heard things like

i love cats i’m an artist

i’m caring or i’m going to be a unicorn

but then as the children grow older

there seems to be a disconnect when

their minds were once filled with

their passions and dreams it becomes

filled with the worries and expectations

often put onto them by their teachers

and adults around them

the poem that i shared at the beginning

was actually an assignment that i gave

my seventh grade class to start off

to start off our poetry unit i asked

them to write about

where they’re from for me i had a lot to

say about my identity so

it poured out in a matter of minutes but

what i soon realized was that my class

actually

they really struggled with this they

didn’t know where they were from they

didn’t know where they belonged

and it was a challenge for them to

express

who they are their identity was lost in

the liminal space

so educators

how can educators embrace liminal

identities

especially our students who might feel

that they don’t have a place they don’t

have a strong sense of self

the first way is to build positive

relationships

when i was in high school a teacher

called on me

in front of the whole class and asked me

and said erica

how did your parents meet followed by

did your mom marry your dad for money

and even further i heard that japanese

wives always

walk three steps behind their husbands

because they’re submissive

now this was totally unprompted

completely unrelated to what we were

learning

and you can imagine i didn’t know how to

respond to that

in fact i don’t even remember what i

said but i know how i felt

maybe maybe that teacher genuinely was

trying to build a relationship

maybe that teacher was just innocently

inquisitive

about my life and my family

but on the receiving end it was

absolutely intrusive and so insensitive

and i never wanted to share about myself

or my identity with my teacher

so then educators how do we build a

positive relationship

we need to step into their limital

identities

let the students talk to us let them

share

about us before you start asking

questions

before you start imposing your belief

systems

on them let them come to you and share

what they think what they believe

what they’re experiencing

the other aspect that we can do a simple

step for building a positive

relationship

is getting their names right

if you don’t know how to pronounce it or

spell them spell it just

ask them take the time what they care

about is if you are making that

connection

giving the effort to create a safe space

and when they’re ready they will come to

you

they will share about their lives

the second thing we need to remember as

educators is that identities

are precious and language absolutely has

power in another experience

it was december 7th we were learning

about pearl harbor

the teacher asked me to read that

section out loud to class

i did my part i read that section i sat

down

teacher then turned to me and said erica

what do you have to say for your people

that one comment maybe that teacher

doesn’t even remember saying that to me

but that one comment i carried that with

me from my teenage years into my

adulthood

it became a part of my identity

it made me ashamed for my japanese side

it made me feel guilty for something i

personally didn’t do

language has power what we say as

educators can either build or can hurt

students even if it’s a passing comment

language has power and identities are

precious

the last thing that we can do to embrace

liminal identities is to represent them

later on when i went off to university

this was the first time that i was

actually surrounded

by a diverse group of people i started

to see people who looked like me

who spoke like me just like me thought

like me

and i felt visible it was the first time

where i could feel comfortable in myself

and start to share

who i am educators it’s so important

that we look at our curriculum

we need to amplify liminal identities

by choosing texts topics and issues

that represent them we also need to

consider

what narratives what narratives are

being

privileged which ones are being

de-emphasized

and which ones are missing altogether

it’s so important that our students can

see themselves

in what they are learning

but what about those of us who are just

trying to

figure ourselves out how can you embrace

your own identity

now i thought about how i could approach

this

and i decided the best way would be to

write a letter to myself

to my teenage younger self so bear with

me for this

dear erica

as your older more mature self

there’s so much i want to tell you i

know that you just

want to fit in you’re of two worlds but

you feel like you’re really in neither

you’re stuck somewhere in between

you have to field so many questions

about yourself

and you wonder why do i have to answer

so many questions about myself

why do i have to work so hard to prove

myself

why can’t i fit in why is my thinking so

different

from people around me well

i’ll admit you’re not going to have the

answer and you’re going to be

really working on that even in your

adult self

but i can tell you the process that

helped you understand

who you are and we’re going to look at

it through a literary approach

the first thing you need to remember and

it’s not a no-brainer for you

is to read read read

you’ve always been surrounded by books

like a cactus

in a barren desert trying to soak up as

much as you can

and all the stories the experiences the

truths that are

in this world

you’ll start with what you know books

that you have

and then slowly dip into

some of the more complex but still safer

comfortable topics

and then when you’re ready you’ll dive

into the vast sea of context

concepts and conflicts

by now you’ve got all that knowledge in

your head and you start to have this

growing question who

am i what are my own beliefs

this is when you need to look at your

life and study your life like you would

study a story

your background where are you from

your themes the themes in your life what

patterns are emerging

the characters who are the people that

have shaped

who you are the events

what defining moments

challenged or affirmed your identity

when you think you’ve got that sorted

and you have a building sense of self

next you’ll realize that you’re ready to

be part of a community

now some people they have their

stronghold beside them

from when they’re little and they’re

ready to go out into the world

but for others for you erica you’re

going to need to forge

new bonds new connections and that’s

okay

look for people you can talk to be

honest with

who can challenge you whoever they

are they’re going to empower you to have

a voice and finally

when you think you have that voice and

you’re ready

to share with the world become a

storyteller

share your unique story with the world

tell

people that this identity exists

make yourself visible

maybe it’ll start with a short poem

a little creative piece here or there

but whatever way that you story tell

make sure that you’re including the

important moments the emotions the

memories that are so dear to your heart

and my young self i wish i could tell

you everything that you’re going to go

through

joy love happiness but also

heartbreak unbearable moments

things that you don’t want to remember

whatever happens

always remember to read

keep analyzing

keep discussing keep sharing this

will be the way to your identity the

path for you to understand yourself

and at some point you’ll realize that

your limital identity

it’s not a forgotten passage it’s not

something to be ashamed of

it’s a celebrated promenade a bridge

that connects identities together

thank you

[音乐]

所以

我来自哪里,我来自

罂粟花和赤霞珠的扭曲藤蔓,

从咖啡店的幸福

到薰衣草人行道上嗡嗡作响的刺痛幸福

我从东西到鳃在

多夜里

从浅田薯条到杯子

晚上的拉面 我来自

爱 是耐心 爱是善良

从星期天 最好

到神社

蜷缩在壁炉旁的神社

聚集在餐桌旁

我听着家人的故事

我来自饱受战争蹂躏的

移民 温顺

勤奋 认真 最远

来自弱小的

一代,他们选择了一条少有强者

走过的路

,多于

眼前所见的我来自

凤凰升起的灰烬充满希望的

冒险充满惊喜的生活

我来自两个世界桥接在一起的

世界我不 知道我要去哪里,

但我知道我来自哪里

你好,欢迎我的名字是埃丽卡,我是

csun 国际

学校的老师,我今天教语言和

文学

我要谈论

拥抱 liminal ide

现在几年前我想退

课本我走到柜台递

课本但收银员

上下打量我说

你是什么

我想也许我听错了但是那

个人又说

你是什么

呃 我是人类,

我不知道你想从我

这里得到什么,他说不,不,我的意思是你来自哪里,

你的种族是什么

我叹了口气,我进入了

我一生都在说的五秒钟的排练简历

嗯,我有一半是

我妈妈的日本人 我爸爸是美国人 我

爸爸在日本认识我妈妈 我

在美国长大 哦,

可可可可 这就是我想知道的,我

可以把我的课本还给我,现在

我有很多这样的互动

我最终不得不谈论

我的身份并与完全陌生的人分享我的整个人生

故事

,现在当我

想到那个人对我说了什么时,我想到了

那个人可能

真的不在乎你是什么 我的身份

或我的家人,

但真的很想知道

如何笑

如果我给你贴上标签,

当我们定义人时,我应该把你放在哪个盒子里,这是为了

方便

我们可以给一个我们知道如何将

他们组织到我们的心理

系统中的人贴上标签,然后从那里我们

知道那

个人在我们的世界观中的位置

知道如何与那个人互动

如何与那个人交谈

但是像我这样的人

在我的美国方面呢 我被告知

在我的日本方面我不够美国 我不够日本

我什至去过 告诉我我不是

足够的日裔美国人

所以我在哪里适合

我的身份在那些

定义

和规定的社会定义

之间

在人们

经常经过它们然后迅速

离开他们被遗忘或被遗弃的空间之间,

也许你们中的一些人可以连接

到你在生活中的某个时刻觉得

你不适合那些的地方 规定的

空间 你的身份

不能整齐地融入已经存在的盒子之一

你躺在临界空间

今天我想谈谈那些

身份,尤其是

那些真正

没有形成强烈自我意识的儿童

和年轻人,他们可能

作为一名教育工作者,我觉得他们迷失在那个临界空间中,我

有幸与从

小学一直到高中的孩子们一起工作

,我注意到的一个观察结果

是,孩子

们年轻的时候他们是 只是

充满了问题和答案,

如果你问他们你是谁,

他们会自信地告诉你他们是谁

以及他们认为自己是

什么 我将成为独角兽,

但随着孩子们的长大

,他们的脑海中似乎出现了脱节,

他们曾经

充满激情和梦想,但现在却

充满了

经常被置于 他们由他们的老师

和他们周围

的成年人写的我一开始分享的这首诗

实际上是我给

七年级班级的一个作业,

开始我们的诗歌单元我让

他们写下

他们来自哪里我

关于我的身份有很多话要说,所以

它在几分钟内就倾泻而出,但

我很快意识到我的班级

实际上

他们真的很挣扎他们

不知道他们来自

哪里他们不知道他们属于哪里

并且 对他们来说,

表达

自己的身份是一个挑战,他们的身份迷失

在阈限空间中,

所以教育

工作者如何接受阈限

身份,

尤其是我们的学生,他们可能

觉得自己没有一个地方,他们

没有强烈的意识

自我第一个方法是建立积极的

关系我在高中的时候一位老师

当着全班同学的面叫我,问

我说

你父母是怎么认识的

然后你妈妈嫁给你爸爸了f 或金钱

,甚至更进一步,我听说日本

妻子总是

比丈夫落后三步,

因为她们现在很顺从,

这完全是自发的,

与我们所学的完全无关

,你可以想象我实际上不知道如何回应

我什至不记得我

说了什么,但我知道我的感受

,也许那个老师真的

想建立一种关系,

也许那个老师只是天真地

对我的生活和我的家人好奇,

但在接收端,这

绝对是侵入性的,所以 麻木不仁

,我从不想

与老师分享我自己或我的身份,

所以教育工作者我们如何建立

积极的关系,

我们需要进入他们的有限

身份

让学生与我们交谈让他们

在你开始提问之前分享我们

你开始把你的信仰

系统

强加给他们,让他们来找你,分享

他们的想法,他们相信

他们所

经历的 希望我们可以做一个简单的

步骤来建立积极的

关系

如果你不知道如何发音或

拼写他们的名字就让他们的名字正确只是

问他们花点时间他们关心的

是你是否正在建立这种

联系

努力创造一个安全的空间

,当他们准备好时,他们会来找

你,

他们会分享他们的生活

作为教育工作者,我们需要记住的第二件事

是,身份

是宝贵的,语言

在另一种体验中绝对有力量,

那是 12 月 7th 我们正在学习

珍珠港,老师让我在

课堂上大声朗读那部分

我尽了我的一份力量我读了那部分我

坐下来

老师然后转向我说艾丽卡

你有什么对你的人

说的那一条评论 也许那个老师

甚至不记得对我说过那句话,

但是

我从十几岁到

成年时

一直带着的一句话,它成为了我身份的一部分,

这让我为我的日本人感到羞耻 另一方面,

它让我对我

个人没有

做过的事情

感到内疚

拥抱

阈限身份就是

在我上大学时代表他们,

这是我第一次

真正

被一群不同的人包围,我

开始看到那些看起来像我的

人,说话像我,就像我想的

那样 我

和我感到可见 这是我第一次

对自己感到自在

并开始分享

我是谁

还需要

考虑

哪些叙述 哪些叙述被

优先考虑 哪些叙述被淡化

哪些完全缺失

重要的是我们的研究 ent 可以

从他们正在学习的

东西中看到自己,但是对于我们这些只是

弄清楚自己如何接受

自己的身份的人

呢?

给自己的一封信

给我十几岁的年轻的自己所以请忍受

亲爱的艾丽卡

因为你年长的更成熟的

自己我想告诉你很多我

知道你只是

想适应你是两个世界但

你感觉像你 ‘真的没有

你被困在两者之间的某个地方

你必须提出这么多

关于你自己

的问题你想知道为什么我必须回答

这么多关于我自己的问题

为什么我必须如此努力来证明

自己

为什么不能 我很适合为什么我的想法

我周围的人如此不同

我承认你不会有

答案

,即使在你成年后你也会真正努力解决这个问题,

但我可以告诉你这个过程 这

有助于你了解

你是谁 我们将

通过文学的方式来看待它

你需要记住的第一件事,

这对你来说不是一件容易的事

就是阅读阅读阅读

你一直被书籍包围,

就像

贫瘠沙漠中的仙人掌一样尝试 尽可能

多地

吸收所有的故事、经历

、这个世界上的真相,

你将从你所知道的书开始

,然后慢慢地深入

一些更复杂但更安全、更

舒适的话题

,然后 当你准备好时,你会

潜入浩瀚的背景

概念和冲突

的海洋 现在你已经掌握了所有的知识

,你开始有这个

日益增长的问题

我是谁我自己的信念

是什么这就是当你 需要审视你的

生活并研究你的生活,就像你

研究一个故事

你的背景

你的主题在哪里你生活中的主题

正在出现什么模式

人物是谁

塑造了

你是谁事件

什么决定性时刻

当你认为你已经整理好

并且建立了自我意识时,

你会挑战或肯定你的身份 接下来你会意识到你已经准备好

成为社区

的一员

了 他们很小,他们已经

准备好走向世界,

但对于其他人来说,对于你,埃丽卡,

你需要建立

新的纽带,新的联系,这没关系

寻找你可以坦诚交谈的

人谁可以挑战你 无论他们

是谁,他们都会赋予

你发言权,最后

当你认为你有发言权并且

准备

好与世界分享时,成为一个

故事的人,与世界分享你独特的故事,

告诉

人们这种身份的

存在 你是可见的,

也许它会从一首短诗开始,

这里或那里的一个小创意,

但无论你以什么方式讲述,

确保你包括

重要的时刻,情感

,你心中如此珍贵的记忆

, 我年轻的自己,我希望我能告诉

你一切你将要

经历的

快乐爱幸福但也

心碎难以忍受的时刻

你不想记住的

事情无论发生什么

永远记得阅读

继续分析

继续讨论继续分享这

将是 通往你的身份之

路 让你了解自己的道路

,在某个时候你会意识到

你的有限身份

这不是一段被遗忘的段落 这不是

什么可耻的

事情 它是一条著名的长廊 一座

连接身份的桥梁

谢谢