Pictures that speak

Transcriber: Rania Mustafa
Reviewer: David DeRuwe

Hi, I’m Sonali Devnani,

a photographer and an independent
documentary filmmaker.

Wait a minute.

I don’t think that photographer
does justice to the work we do,

so I’d rather be called a storyteller.

In the few years of following my passion
of being in love with the camera,

not only did it make me explore the world
with a different lens every single time,

but also to explore the various facets
that coexist in this world together.

In this vast universe
where we are all made so differently,

I realized a universal language,

a language that brought people together,
even if I didn’t speak their dialect.

a medium where you went beyond
the different form of dressing

or the different traditions.

The camera suddenly was a tool
to make us one with each other.

From the tribes of Myanmar
to the tribes of Chhattisgarh -

different traditions, people living
in absolute different places of the world,

but one single tradition
of tattooing their bodies

From the fishermen of Sri Lanka
to the fishermen of Goa -

fishermen doing their duties
every single morning, but so differently.

I decided to document their stories
and to cherish these memories for life.

Photographs are very powerful.

A single image can take you back

to the beautiful rural
landscapes of Vietnam,

but it can also remind you
of the yummy delicacies

and the rice crackers that were made
by this kindhearted old woman.

How can we not document
this ever-changing world?

How can we not remind ourselves
at every point of how lucky we are

to embrace this multiculturalism?

We indeed are very lucky
to be able to know more of each other

with just a very simple
gadget, the camera.

In the genre of portrait photography,

I get connected to my subjects
beyond their superficial looks,

a deeper bond that connects
me to their souls.

Not only can a picture
speak a thousand words,

but in a flash of a second

you, as a viewer, can look at the image,

and suddenly you have unveiled
the emotion captured,

the struggle my subject has gone through.

Beauty is skin deep,
and my aim was only to bring out

the beauty in this world
through a language of emotions.

Suddenly, with this process
of creating images

and making a bond
between me and my subject,

I learned the entire world
is one big family,

and the only reason why
we were made so differently

is to understand each other
through the value of images,

how we look at some of the images

I have captured on my journey
as a photographer,

bringing together the diversity
and culture of this world.

The lens somehow magnified faith,

showed me how people lived
through hardship, even my life was unfair.

Cities I hadn’t visited earlier,
only because of the camera,

suddenly felt like I belonged there,

be it Varanasi or any city
in the royal state of Rajasthan.

The camera brought me
closer to my country;

the people I met and bonded with
weren’t strangers now.

My bond grew deeper

as and when I met them
again on my journey.

Life lessons were taught to me
by my older generation.

Who knew things would get clearer
when I looked behind that camera screen,

and life looked like it was now in focus.

They say that learning never stops,

and neither does the journey
of photography for me.

I look forward to each travel
like it’s my first.

Every picture I make on a trip
becomes a memoir.

As a photographer, while making
visually appealing images,

providing our viewers with stories
untold and unveiling the truth,

a social responsibility
gets attached to it as well.

And the time spent with my subjects
made me realize that somewhere

the form of media use
can make a big impact

and a huge difference to their lives.

Here we are in the world of numbers
where the number of followers,

the number of likes
and comments on your image,

on your social media platform,
decides your market standing.

I asked myself:

Was it just the number of likes
and comments that I was striving towards?

Was life as a creative person
just to please my viewers?

There was more to it,

and that’s when I realized
with very small efforts,

we can make content that’s not only
visually appealing to you,

but content for a cause.

The social responsibility of us
being a community to help each other

was taught to me by my DSLR camera.

Each one of us today with our fancy
smartphones are photographers.

We all make images.

An image of a child
selling balloons on your street,

a beautiful image
that you would like to capture.

In the world of photography,
the image is on-point

if I captured the lights and the shadows,
and his perfect smile,

but the image goes beyond
when there is a story to tell.

The camera makes you curious:

Who is this child?
Where has he come from?

Why is he selling balloons?
Is he the sole breadwinner of his family?

Why are his parents not around here?
Where does he live?

These are all the questions
that the camera questions,

and these little questions,

and this conversation
with this kid can change his life.

All you have to do is narrate the story,
and maybe he needs help.

Put that up on your social media.

Your friends and family will be the ones
going there to buy balloons from him.

Your social media followers
will be making the video viral

just to help his little boy
who’s trying to make an earning,

And I should say that I have been blessed
with all the followers and my friends

and family who have supported
me in this journey,

where we were able
to buy a house for a family

or bring back a bride from Pakistan
who was going through visa issues,

only with the form
of a small video that went viral.

Let’s not focus
on the exposure of the image

or the balance between
highlights and shadows.

Let’s create the perfect
balance for ourselves

as artists creating the image,

and as human beings,

being a part of the community
to help each other

and make this world a better place.

抄写员:Rania Mustafa
审稿人:David DeRuwe

嗨,我是 Sonali Devnani

,摄影师和独立
纪录片制片人。

等一下。

我不认为摄影师
对我们所做的工作公正,

所以我宁愿被称为讲故事的人。

在追随我爱上相机的激情的几年里,

它不仅让我
每次都用不同的镜头探索世界,

也让我一起探索
这个世界共存的方方面面。

在这个
我们都如此不同的广阔宇宙中,

我意识到一种通用

语言,一种将人们聚集在一起的语言,
即使我不会说他们的方言。

一种
超越不同着装形式

或不同传统的媒介。

相机突然变成
了使我们彼此合一的工具。


缅甸的部落到恰蒂斯加尔邦的部落——

不同的传统,生活
在世界上完全不同的地方的人们,

但只有一种
纹身传统


斯里兰卡的渔民到果阿的渔民——

渔民们都在履行自己的
职责 早上,但如此不同。

我决定记录他们的故事
,并将这些记忆珍藏一生。

照片很有力量。

一张照片可以带你

回到越南美丽的乡村
风景,

但它也可以让你
想起这位善良的老妇人制作的美味佳肴

和米果

我们怎么能不记录
这个不断变化的世界呢?

我们怎能不时时刻刻提醒自己

拥抱这种多元文化是多么幸运呢?

我们真的很幸运
能够

通过一个非常简单的
小工具——相机来了解更多彼此。

在人像摄影这一类型中,

我与我的拍摄对象建立了联系,
超越了他们肤浅的外表,

一种将我与他们的灵魂联系起来的更深层次的纽带

不仅一张图片能
说出一千个字,

而且在一瞬间,

你作为一个观众,你可以看到图像

,突然间你揭示
了捕捉到的情感,

我的主题所经历的挣扎。

美丽是肤浅的
,我的目标只是通过一种情感语言来展现

这个世界的美丽

突然间,通过
这个创造图像


在我和我的主题之间建立联系的过程,

我了解到整个世界
是一个大家庭

,我们之所以如此不同的唯一原因


通过图像的价值来了解彼此,

如何 我们看看


作为摄影师在旅途中拍摄的一些照片,这些照片

汇集
了这个世界的多样性和文化。

镜头以某种方式放大了信仰,

向我展示了人们如何
度过艰难困苦,甚至我的生活也不公平。

我之前没有去过的城市,
只是因为相机,

突然觉得我属于那里

,无论是瓦拉纳西还是
皇家拉贾斯坦邦的任何城市。

相机让我
离我的国家更近了;

我遇到并与之建立联系的
人现在并不陌生。

当我在旅途中再次遇到他们时,我的联系变得更深了
。 我的老一辈

人教给我人生的教训

谁知道
当我看着相机屏幕后面时事情会变得更加清晰

,生活看起来就像现在是焦点一样。

他们说学习永远不会停止

,我的摄影之旅也不会停止

我期待每一次旅行,
就像这是我的第一次旅行。

我在旅途中拍的每一张照片都
变成了回忆录。

作为一名摄影师,在制作
具有视觉吸引力的图像、

为我们的观众提供
不为人知的故事并揭开真相的同时

,社会责任也
随之而来。

与我的对象相处的时间
让我意识到,

媒体使用的形式
可以在某个地方

对他们的生活产生巨大影响和巨大差异。

在这里,我们处于数字世界
中,在您的社交媒体平台上,关注者的数量

、对您的形象的喜欢和评论的数量

决定了您的市场地位。

我问自己:

仅仅
是我努力争取的点赞数和评论数吗?

作为一个有创造力的人的生活
只是为了取悦我的观众吗?

还有更多内容

,那时我意识到
,只要付出很小的努力,

我们就可以制作出不仅在
视觉上吸引您的

内容,而且还可以为您的事业提供内容。

我的数码单反相机教会了我作为一个社区互相帮助的社会责任。

今天,我们每个拥有精美
智能手机的人都是摄影师。

我们都制作图像。

一个孩子
在你的街道上卖气球的图像,

一个
你想捕捉的美丽图像。

在摄影的世界里,

如果我捕捉到光影
和他完美的笑容,

图像就很到位,但是
当有故事要讲时,图像就超越了。

镜头让你好奇:

这孩子是谁?
他是从哪里来的?

他为什么要卖气球?
他是家里唯一的经济支柱吗?

为什么他的父母不在?
他住在哪里?

这些都是
摄像机提出的问题

,这些小问题,

和这个孩子的谈话可以改变他的生活。

你所要做的就是讲述这个故事
,也许他需要帮助。

把它放在你的社交媒体上。

你的朋友和家人会
去那里从他那里买气球。

您的社交媒体追随者
将制作视频病毒

只是为了帮助
他试图赚钱的小男孩,

我应该说,我很幸运
拥有所有在这段旅程中支持我的追随者以及我的朋友

和家人,

在哪里 我们能够
为一个家庭买房子

或从巴基斯坦带回
一个正在经历签证问题的新娘,

只是通过
一个小视频的形式在网上疯传。

让我们不要
关注图像的曝光

或高光和阴影之间的平衡

让我们为自己创造完美的
平衡,

作为创造形象的艺术家

,作为人类,

成为社区的一部分,
互相帮助

,让这个世界变得更美好。