An Internet Without Screens Might Look Like This Tom Uglow TED Talks

I’d like to start by asking you all
to go to your happy place, please.

Yes, your happy place,

I know you’ve got one even if it’s fake.

(Laughter)

OK, so, comfortable?

Good.

Now I’d like to you to mentally answer
the following questions.

Is there any strip lighting
in your happy place?

Any plastic tables?

Polyester flooring?

Mobile phones?

No?

I think we all know that our happy place

is meant to be
somewhere natural, outdoors –

on a beach, fireside.

We’ll be reading or eating or knitting.

And we’re surrounded
by natural light and organic elements.

Natural things make us happy.

And happiness is a great motivator;
we strive for happiness.

Perhaps that’s why
we’re always redesigning everything,

in the hopes that our solutions
might feel more natural.

So let’s start there –

with the idea that good design
should feel natural.

Your phone is not very natural.

And you probably think
you’re addicted to your phone,

but you’re really not.

We’re not addicted to devices,

we’re addicted to the information
that flows through them.

I wonder how long you would be
happy in your happy place

without any information
from the outside world.

I’m interested in how we access
that information,

how we experience it.

We’re moving from a time
of static information,

held in books and libraries and bus stops,

through a period of digital information,

towards a period of fluid information,

where your children will expect to be able
to access anything, anywhere at any time,

from quantum physics
to medieval viticulture,

from gender theory to tomorrow’s weather,

just like switching on a lightbulb –

Imagine that.

Humans also like simple tools.

Your phone is not a very simple tool.

A fork is a simple tool.

(Laughter)

And we don’t like them made of plastic,

in the same way I don’t really like
my phone very much –

it’s not how I want
to experience information.

I think there are better solutions
than a world mediated by screens.

I don’t hate screens, but I don’t feel –

and I don’t think any of us feel that good

about how much time
we spend slouched over them.

Fortunately,

the big tech companies seem to agree.

They’re actually heavily invested
in touch and speech and gesture,

and also in senses –

things that can turn
dumb objects, like cups,

and imbue them with the magic
of the Internet,

potentially turning this digital cloud

into something we might touch and move.

The parents in crisis over screen time

need physical digital toys
teaching their kids to read,

as well as family-safe app stores.

And I think, actually,
that’s already really happening.

Reality is richer than screens.

For example, I love books.

For me they are time machines –
atoms and molecules bound in space,

from the moment of their creation
to the moment of my experience.

But frankly,

the content’s identical on my phone.

So what makes this
a richer experience than a screen?

I mean, scientifically.

We need screens, of course.

I’m going to show film,
I need the enormous screen.

But there’s more than you can do
with these magic boxes.

Your phone is not
the Internet’s door bitch.

(Laughter)

We can build things –
physical things,

using physics and pixels,

that can integrate the Internet
into the world around us.

And I’m going to show you
a few examples of those.

A while ago, I got to work
with a design agency, Berg,

on an exploration of what the Internet
without screens might actually look like.

And they showed us a range ways

that light can work with simple senses
and physical objects

to really bring the Internet to life,
to make it tangible.

Like this wonderfully mechanical
YouTube player.

And this was an inspiration to me.

Next I worked with
the Japanese agency, AQ,

on a research project into mental health.

We wanted to create an object

that could capture the subjective data
around mood swings

that’s so essential to diagnosis.

This object captures your touch,

so you might press it
very hard if you’re angry,

or stroke it if you’re calm.

It’s like a digital emoji stick.

And then you might revisit
those moments later,

and add context to them online.

Most of all,

we wanted to create
an intimate, beautiful thing

that could live in your pocket

and be loved.

The binoculars are actually
a birthday present

for the Sydney Opera House’s
40th anniversary.

Our friends at Tellart in Boston
brought over a pair of street binoculars,

the kind you might find
on the Empire State Building,

and they fitted them with 360-degree views

of other iconic world heritage sights –

(Laughter)

using Street View.

And then we stuck them under the steps.

So, they became this very physical,
simple reappropriation,

or like a portal to these other icons.

So you might see Versailles
or Shackleton’s Hut.

Basically, it’s virtual
reality circa 1955.

(Laughter)

In our office we use
hacky sacks to exchange URLs.

This is incredibly simple,
it’s like your Opal card.

You basically put a website
on the little chip in here,

and then you do this and … bosh! –

the website appears on your phone.

It’s about 10 cents.

Treehugger is a project
that we’re working on

with Grumpy Sailor and Finch,
here in Sydney.

And I’m very excited
about what might happen

when you pull the phones apart
and you put the bits into trees,

and that my children
might have an opportunity

to visit an enchanted forest
guided by a magic wand,

where they could talk to digital fairies
and ask them questions,

and be asked questions in return.

As you can see,

we’re at the cardboard stage
with this one.

(Laughter)

But I’m very excited

by the possibility of getting kids
back outside without screens,

but with all the powerful magic
of the Internet at their fingertips.

And we hope to have something like this
working by the end of the year.

So let’s recap.

Humans like natural solutions.

Humans love information.

Humans need simple tools.

These principles should underpin
how we design for the future,

not just for the Internet.

You may feel uncomfortable about the age
of information that we’re moving into.

You may feel challenged,
rather than simply excited.

Guess what? Me too.

It’s a really extraordinary period
of human history.

We are the people
that actually build our world,

there are no artificial intelligences…

yet.

(Laughter)

It’s us – designers, architects,
artists, engineers.

And if we challenge ourselves,

I think that actually
we can have a happy place

filled with the information we love

that feels as natural and as simple
as switching on lightbulb.

And although it may seem inevitable,

that what the public wants
is watches and websites and widgets,

maybe we could give a bit of thought
to cork and light and hacky sacks.

Thank you very much.

(Applause)

我想首先请大家
去你们快乐的地方,拜托。

是的,你快乐的地方,

我知道你有一个,即使它是假的。

(笑声)

好吧,那么,舒服吗?

好的。

现在我想请你在心里
回答以下问题。

你快乐的地方有灯带吗?

有塑料桌子吗?

聚酯地板?

手机?

不?

我想我们都知道,我们快乐的

地方应该是在
自然的地方,在户外——

在海滩上,在炉边。

我们将阅读或吃饭或编织。

我们
被自然光和有机元素所包围。

自然的事物使我们快乐。

快乐是一种巨大的动力;
我们为幸福而奋斗。

也许这就是为什么
我们总是重新设计一切

,希望我们的解决方案
可能会感觉更自然。

所以让我们从这里开始——

好的设计
应该让人感觉自然。

你的手机不是很自然。

而且您可能认为
自己沉迷于手机,

但实际上并没有。

我们不沉迷于设备,

我们沉迷于
流经它们的信息。

我不知道在没有任何外界信息的情况下,你会
在你快乐的地方快乐多久

我对我们如何访问
这些信息

以及我们如何体验它感兴趣。

我们正在从

书籍、图书馆和公共汽车站保存的静态信息

时代,通过数字信息

时代,走向流动信息时代

,您的孩子将希望能够
随时随地访问任何东西 ,

从量子物理学
到中世纪的葡萄栽培,

从性别理论到明天的天气,

就像打开灯泡一样——

想象一下。

人类也喜欢简单的工具。

你的手机不是一个非常简单的工具。

叉子是一种简单的工具。

(笑声

) 我们不喜欢它们是塑料制成的

,就像我不太喜欢
我的手机一样——

这不是我
想要体验信息的方式。

我认为有
比以屏幕为媒介的世界更好的解决方案。

我不讨厌屏幕,但我不觉得——

而且我认为我们中的任何人都不会对我们花

了多少时间
无精打采地在屏幕上感觉良好。

幸运的是

,大型科技公司似乎同意这一点。

他们实际上
在触觉、语言和手势

以及感官方面投入了大量资金——这些

东西可以把
像杯子这样的愚蠢的物体变成愚蠢的物体,

并让它们充满
互联网的魔力,有

可能把这个数字云

变成我们可以触摸和触摸的东西。 移动。

处于屏幕时间危机的父母

需要物理数字玩具来
教他们的孩子阅读,

以及家庭安全的应用程序商店。

我认为,实际上,
这已经真正发生了。

现实比屏幕更丰富。

例如,我喜欢书。

对我来说,它们是时间机器——
原子和分子束缚在空间中,

从它们创造
的那一刻到我体验的那一刻。

但坦率地说,

我手机上的内容是一样的。

那么是什么
让它比屏幕更丰富的体验呢?

我的意思是,科学地。

当然,我们需要屏幕。

我要放映电影,
我需要巨大的屏幕。

但是你可以
用这些魔法盒做更多的事情。

你的手机
不是互联网的门狗。

(笑声)

我们可以构建东西——
物理的东西,

使用物理和像素

,可以将互联网
整合到我们周围的世界。

我将向您展示
其中的一些示例。

不久前,我
与一家设计机构 Berg 合作

,探索
没有屏幕的互联网实际上可能是什么样子。

他们向我们展示了

光可以与简单的感官
和物理对象

一起工作的一系列方式,从而真正将互联网带入生活,
使其变得有形。

就像这个奇妙的机械
YouTube 播放器。

这对我来说是一个启发。

接下来,我
与日本机构 AQ 合作

开展了一项关于心理健康的研究项目。

我们想要创建一个对象

,该对象可以捕获

对诊断至关重要的情绪波动的主观数据。

这个物体会捕捉你的触摸,

所以
如果你生气,你可能会用力按压它,

如果你平静,你可能会抚摸它。

它就像一个数字表情符号棒。

然后您可能会
在稍后重新访问这些内容,

并在线为它们添加上下文。

最重要的是,

我们想创造
一个亲密、美丽的东西

,可以放在你的口袋

里并被爱。

双筒望远镜实际上

是悉尼歌剧院成立
40 周年的生日礼物。

我们在波士顿 Tellart 的朋友
带来了一副街景双筒望远镜

,你可能会
在帝国大厦上找到这种望远镜

,他们用街景为它们配备

了其他标志性世界遗产景点的 360 度全景——

(笑声)

然后我们把它们粘在台阶下。

所以,它们变成了这种非常物理的、
简单的再挪用,

或者就像是通往这些其他图标的门户。

所以你可能会看到凡尔赛宫
或沙克尔顿的小屋。

基本上,它是
1955 年左右的虚拟现实。

(笑声)

在我们的办公室里,我们使用
hacky sacks 来交换 URL。

这非常简单,
就像您的 Opal 卡一样。

你基本上
在这里的小芯片上放了一个网站,

然后你这样做…… bosh!

– 网站出现在您的手机上。

大约是 10 美分。

Treehugger
是我们在悉尼

与 Grumpy Sailor 和 Finch 合作的一个项目

我很兴奋

当你把手机拆开
然后把碎片放进树里时

会发生什么

并问他们问题,

并被问到问题作为回报。

如您所见,

我们正处于纸板
阶段。

(笑声)

但是我很

兴奋可以让孩子们
在没有屏幕的情况下回到户外,

但互联网的所有强大
魔力都触手可及。

我们希望
在今年年底之前能有这样的工作。

所以让我们回顾一下。

人类喜欢自然的解决方案。

人类喜欢信息。

人类需要简单的工具。

这些原则应成为
我们为未来设计的基础,

而不仅仅是为互联网设计。

您可能
会对我们正在进入的信息时代感到不安。

你可能会感到挑战,
而不仅仅是兴奋。

你猜怎么着? 我也是。

这是人类历史上一个非常不平凡的时期

我们是
真正构建我们的世界的人,

还没有人工智能……

但是。

(笑声

) 是我们——设计师、建筑师、
艺术家、工程师。

如果我们挑战自己,

我认为实际上
我们可以拥有一个

充满我们喜欢的信息的快乐地方

,感觉就像打开灯泡一样自然和简单

尽管

公众想要的
是手表、网站和小工具这似乎是不可避免的,但

也许我们可以
考虑一下软木塞、轻便的麻袋。

非常感谢你。

(掌声)