Using Art and Technology for Public Advocacy

[Music]

the idea that justice is apolitical and

exists in a vacuum

is incorrect it’s a fallacy that we must

call out as wrong

because it gives the impression that

justice cannot be influenced by powers

of good or bad

the law is human law is political

it is a social contract that is

continuously evolving

to be able to change things for the

better one must first

understand and accept this reality at

justice project pakistan

this reality shapes our representation

day in and day out

we are a legal action firm that

represents the most vulnerable pakistani

prisoners

facing the harshest punishments at home

and abroad

at jpp we investigate we litigate

we advocate and we agitate in the public

sphere pakistan currently has the second

largest reported death row in the world

with over 4 000 people on death row

we have over 33 crimes that merit the

death penalty in pakistan

which include non-violent crimes such as

cyber crimes blasphemy and even sabotage

of the railway

since 2014 when pakistan lifted the

moratorium

it has executed over 500 individuals

including the mentally ill the

physically disabled

the wrongfully convicted and sometimes

even the innocent

pakistan also has severely overcrowded

prisons

with almost 80 000 prisoners

at an occupancy rate of 124

the death penalty not just in pakistan

but throughout history has always been a

political tool

it has nothing to do with deterring

crime

but it has everything to do with

quenching dissent

policy makers choose to enact this

punishment

even in the face of overwhelming

evidence that it doesn’t work and this

is certainly

demonstrated by how our own country

reacted

in the wake of the horrific army public

school attack in peshawar

the very first decision taken in the

wake of this national

tragedy was to lift the seven year

moratorium

sure enough in 2015

pakistan ramped up his executions and

went from being a non-executing state

to the third largest executioner in the

world

in the first year alone over 300 people

were executed that’s almost one

execution a day

for the whole year most often

we were hanging those who were

wrongfully convicted and even the

innocent

two brothers from bahavalpur were

amongst those who were executed

a year later they were acquitted by the

supreme court

that is a travesty of justice

but in this highly charged atmosphere we

at jpp had to think

of new ways to talk about the death

penalty

amid a narrative albeit false that

capital punishment was somehow the

antidote to our terrorism problem

because the dominant narrative had

shifted completely

we had to tread very carefully in our

advocacy

because in the current times opposing

the death penalty

meant condoning terrorism and terrorists

but in fact

we’ve only wanted to break the cycle of

violence and

highlight those who we were hanging

we realized soon enough that we had to

be more savvy

more subtle about our cause and about

advocating for our clients

six years ago we decided to do this

by venturing into digital advocacy on

social media

because at that time social media was a

lot less

regulated than the conventional press

but soon enough that space started to

shrink as well

and we had to think more and more

outside the box

so we decided that instead of speaking

about

facts and figures we’re going to use

emotion

and we’re going to use that emotion

through art now

being told something and being able to

experience it for yourself

are two vastly different things what we

attempted to do at jpp was to bridge the

gap

between the two our goal was to make the

experience of what our clients on death

row go through

as real as possible for you as the

viewer so you can truly contemplate

what justice would look like in that

case

look the fact is telling the stories of

our clients whether

it is within a courtroom or outside of a

courtroom is

equally important because courts

don’t operate in a vacuum they are a

reflection of our

society and of our shared values and

contain

the very same biases that we inhabit in

our society as human beings

so our advocacy at jpp is meant to

change the hearts and minds

and it is meant for everybody

our first ever production our first ever

foray

into art and advocacy was through a play

called lorelai

it was based on the real life story of a

case from the deep south in the united

states

it is a story of a mother’s immediate

pain and rage

evolving over a period of years and

learning more and more about the causes

that led to the loss of her son’s life

the play deals with themes of compassion

of dealing with loss understanding of

mental illness

and humanity we at jpp were watching the

audience

and their reaction while they were

watching the performance

what we were amazed to see that there

was not a dry eye in the house

not just for the tragedy that was

loralyze loss of her son

but also for the tragedy there was a

life

of this monster this convicted pedophile

and what had led him as in his childhood

to evolve into committing these horrific

acts so once we saw how the newspapers

who originally were reluctant to write

about the death penalty and executions

in pakistan

were covering this performance from page

to page

we were hooked we knew we were on to

something special

so for our next production we decided to

make a documentary on the death penalty

but this wasn’t going to be a

documentary a typical documentary on the

death penalty

that even i don’t like watching because

they’re so depressing

the subject of our documentary was going

to be

the executioner we wanted to appeal

not only to those who oppose the death

penalty but we wanted to to appeal to

the sense of the macabre in those people

who actually support the death penalty

and we wanted to appeal to the curiosity

and we did this by finding an

executioner in punjab who had conducted

over 600

executions the documentary tracked

the toll that his job took over a

period of years not only on himself

but on his family and on his community

and the shame

that was associated with him carrying

out this senseless violence

you know when the state decides to

execute it is the most premeditated of

murders

in 2018 on the world day against the

death penalty

jpp presented no time to sleep

it was a 24-hour livestream

charting the final hours of a death row

prisoner’s life

before his execution think of it more as

like

big brother meets the prison rules

we were able to get pakistan’s foremost

actor sarmat kusat

and put him in a constructed prison cell

for 24 hours

to tell the story loosely based on our

client zulfikar

the performance was groundbreaking

and it caused an absolute stir

it was it received critical acclaim both

domestically and internationally

it had over 1.4 million views 6 000

tweets

and a hashtag that trended on twitter

for several hours

throughout the performance it was so

real that an actual petition was started

to save sarmat from being executed

the dawn newspaper that was carrying the

live stream was getting non-stop

calls this year was different kovit blew

any plans we had out of the water

so we decided to do a live theater

performance

online bringing together writers actors

musicians

visual artists across two continents

to perform live theater the best part

was and my favorite part

was that we got mohammed hanif one of

pakistan’s

foremost writers on board hanif

wrote four brilliant and haunting

stories touching upon

four death row prisoners contemplating

their lives

before the dawn of their execution

narrated by sarmat kusat the one hour

live

performance titled before the sun comes

up received

outstanding reviews and premiered on the

largest english news website in pakistan

and was trending on twitter throughout

but as we continue to use art we’re also

continuously looking for ways to break

new ground

at jpp to go where the change is

after experimenting with art and

advocacy to change hearts and minds

we’re now developing technology to

provide effective legal representation

to hundreds of prisoners by matching

them with thousands of lawyers

willing to represent them in real time

we’ve also created technology for

justice forum

that brings together other people doing

law and tech in pakistan to solve

access to justice issues it’s important

to remember that change does not always

come overnight

it can be a long sustained struggle but

justice has a way

of finding its allies no matter who or

where they are

it is important to be open to these

allies and to creating meaningful

collaborations that empower each other

you know when i first moved back from

law school to pakistan

my mentor who was a very successful

criminal lawyer

would always tell me that visiting my

clients in prison

is not what a lawyer is supposed to do

he would also tell me that being

emotionally connected

to the case made for bad lawyering

so while i respect my mentor who was

far ahead of his time for giving me the

first female associate in his criminal

chamber a chance

he was wrong on the other fronts

my emotional connection to my clients

helps me fight

harder to save their lives and it helps

me get up

when we lose again and again and again

to fight the next day

my experience as a lawyer in pakistan

has been rewarding

frustrating and overwhelming but i would

have it no other way

over the course of my journey i’ve been

an investigator

a litigator a trainer a policy analyst

a producer a tv commentator and a tech

developer

thankfully i no longer need to be

booking slots on cooking shows

to speak about the death penalty but

this has been my journey as a human

rights lawyer

and i wish the same for you

[Music]

you

[音乐]

正义与政治无关并且

存在于真空中的想法

是不正确的,这是一个我们必须指出为错误的谬论,

因为它给人的印象是

正义不受好坏的力量影响

法律是人类法律是政治的

是一种不断发展的社会契约,

为了能够使事情

变得更好,人们必须首先

理解并接受

巴基斯坦司法项目的

这一现实这一现实日复一日地塑造着我们的代表

我们是一家

代表最弱势群体的法律行动公司 巴基斯坦

囚犯

在 jpp 面临国内外最严厉的惩罚 我们调查 我们诉讼

我们倡导并在公共

领域鼓动 巴基斯坦目前有世界第二

大死囚牢房,

有超过 4 000 人在死囚牢房

我们有超过 33 起罪行

在巴基斯坦应判处死刑,

其中包括非暴力犯罪,例如

网络犯罪亵渎甚至

破坏铁路 y

自 2014 年巴基斯坦解除暂停令以来,

它已经处决了 500 多人,

其中包括精神病患者、

肢体

残疾人、被错误定罪、有时

甚至

是无辜的人。

就在巴基斯坦,

但纵观历史,它一直是一种

政治工具,

它与阻止

犯罪

无关,而是与

平息异议有关

政策制定者选择实施这种

惩罚,

即使面对压倒性的

证据表明它不起作用和 这

无疑可以

从我们自己的国家在白沙瓦

可怕的军队公立学校袭击事件后的反应中得到证明

在这场国家悲剧发生后做出的第一个决定

就是取消 2015 年的七年

暂停令

巴基斯坦加大了对他的处决力度 并

从一个不执行

死刑的国家变成了第三大刽子手 世界

上仅第一年就有 300 多人

被处决,这几乎是全年

每天执行一次处决

最常见的情况是,

我们绞死那些被

错误定罪的人,甚至

来自巴哈瓦尔布尔的无辜的两个兄弟也在

一年后被处决的人中 被最高法院宣判无罪,

这是对正义的嘲弄,

但在这种高度紧张的气氛中,

我们 jpp 不得不

想出新的方式来谈论死刑

主导叙事已经

完全转变,

我们必须非常谨慎地进行

宣传,

因为在当今时代,

反对死刑

意味着纵容恐怖主义和恐怖分子,

但事实上,

我们只想打破暴力循环,

突出那些被我们绞死的人

我们很快意识到,我们必须

对我们的事业和倡导

六年前,我们的客户决定

通过在社交媒体上进行数字宣传来做到这一点,

因为当时社交媒体的

监管比传统媒体少得多,

但很快空间也开始

缩小

,我们不得不考虑更多, 更多的

跳出框框,

所以我们决定,而不是谈论

事实和数字,我们将使用

情感

,我们将通过艺术来使用这种情感

,现在

被告知一些东西并能够

自己体验它

是两件截然不同的事情 我们

试图在 jpp 做的是

弥合两者之间的差距 我们的目标是让

我们的客户在死囚牢房所经历的体验

对于作为观众的你来说尽可能真实,

这样你就可以真正思考

正义会是什么样子 在那种

情况下

无论是在法庭内还是法庭外,事实都在讲述我们客户的故事

同样重要,因为法庭

不是在真空中运作的 它们

反映了我们的

社会和我们共同的价值观,并

包含

我们作为人类在社会中所存在的相同偏见,

因此我们在 jpp 的倡导旨在

改变人们的思想和思想

,它适用于每个人,这是

我们有史以来的第一部作品 我们第一次

涉足艺术和宣传是通过一部

名为 lorelai 的戏剧

它基于美国

南部深处的一个案例

的真实故事 这是一个母亲

在几年内不断演变的痛苦和愤怒的故事 并且

越来越多地了解

导致她儿子丧生

的原因该剧涉及同情

的主题处理失去的

精神疾病

和人性的理解我们在 jpp 正在观察

观众

以及他们在

观看表演时的反应

我们惊讶地看到

房子里没有干眼症,

不仅是因为失去儿子的悲剧,

而且因为悲剧,有一个

生命 这个怪物,这个被定罪的恋童癖者,

以及是什么导致他在童年时代

演变成这些可怕的

行为,所以一旦我们看到

最初不愿

报道巴基斯坦死刑和处决

的报纸如何

一页一页地报道这一行为

我们被迷住了,我们知道我们正在做

一些特别的事情,

所以对于我们的下一部作品,我们决定

制作一部关于死刑的纪录片,

但这不会是一部

关于死刑的纪录片,一部典型的死刑纪录片

,即使我也不喜欢 观看,因为

他们是如此令人沮丧

,我们纪录片的主题将

成为刽子手,我们

不仅要吸引那些反对

死刑的人,还要吸引那些真正支持死刑的

人的恐怖感

死刑

,我们想引起人们的好奇

,我们通过

在旁遮普找到一名执行了 600 多次处决的刽子手来做到这一点

,纪录片 tr

承认他的工作

多年来不仅对他自己

而且对他的家人和他的社区都造成了损失,

并且

与他

进行这种毫无意义的暴力有关的耻辱

你知道当国家决定

执行它时是最有预谋的

2018 年世界反对

死刑日的谋杀案

jpp 没有时间睡觉

这是一个 24 小时的直播,

描绘了死囚

在被处决前生命的最后几个小时 认为它更像是

老大哥符合监狱规则

我们找到了巴基斯坦最重要的

演员 sarmat kusat

并将他关在一个建成的牢房

里 24 小时

,根据我们的客户 zulfikar 粗略地讲述这个故事

,表演是开创性的

,它引起了绝对的轰动

,因为它在国内和国内都获得了一致好评

在国际上,

它有超过 140 万的浏览量 6 000

条推文

和一个标签,在整个演出期间在推特上流行

了几个小时

真正开始了实际的请愿书

以挽救 sarmat 免于被处决

进行直播的黎明报纸今年

接到不间断的

电话是不同的,科维特破坏了

我们的任何计划,

所以我们决定做一个现场剧院

在线表演

汇集两大洲的作家 演员 音乐家 视觉艺术家

进行现场表演 最好的部分

是,我最喜欢的部分

是我们得到了穆罕默德·哈尼夫

巴基斯坦

最重要的作家之一 哈尼夫

写了四个精彩而令人难以忘怀的

故事 触及

四名死囚

在被执行死刑之前思考他们的生活

由 sarmat kusat 讲述

标题为“太阳升起之前”的一小时现场表演

获得了

出色的评价,并

在巴基斯坦最大的英语新闻网站上首映,

并在推特上一直流行,

但随着我们继续使用艺术 我们也在

不断寻找

在 jpp 开辟新天地的方法

在尝试艺术和

倡导改变心灵和思想之后,

我们正在开发技术,

通过将数百名囚犯

与愿意实时代表他们的数千名律师匹配,为他们提供有效的法律代理

我们还创造了技术 对于

将其他

在巴基斯坦从事法律和技术工作的人聚集在一起以解决

获得司法问题的司法论坛,重要的是

要记住,变革并非

总是在一夜之间发生,

这可能是一场长期持续的斗争,但

无论谁,正义都有办法找到它的盟友 或者

他们在哪里

对这些

盟友开放并建立有意义的

合作是很重要的

狱中的委托人

不是律师应该做的事

他还会告诉我

情感上的联系

这个案子的律师很糟糕,

所以虽然我尊重我的导师,他

远远领先于他的时代,让我有机会

成为他刑事法庭的第一位女性助理,他

在其他方面是错误的

,我与客户的情感联系帮助我

更努力地战斗 为了挽救他们的生命,

当我们一次又一次地输掉比赛时,它帮助我起床

第二天战斗

我在巴基斯坦的律师经历令人

沮丧和压倒性的收获,但

在我的旅程中我别无他法 我曾经是

一名调查员

、诉讼律师、培训师、政策

分析师、制片人、电视评论员和技术

开发人员,

谢天谢地,我不再需要

预订烹饪节目的时段

来谈论死刑,

但这一直是我作为

人权的旅程 律师

,我希望你也一样

[音乐]