Everyday Matters

[Music]

hi

i’m going to share my ideas on every day

how often do we take a pause to think

about every day

does it even matter to think or talk

about

something which is ordinarily happening

in our day-to-day life

i think there is something that holds us

together

that something pushes us to perform our

daily tasks

and i as an artist try to get a hold on

that something

through art my fondness for everyday

has raised a concern for its

construction

majorly derived from my experiences and

journey as an art student

and a practitioner living in the

outskirts of the city

left me with no other choice but to

travel for

four to five hours a day and that landed

me into

utilizing my traveling time to life

sketch people

reciprocating my tendency to observe

minutely

leading to close encounters with people

who i met over and again for coming

years

people who were religiously following

the same routine each day

boarding the same bus at the same time

racing to sit on a windowside seat

or at least getting a hold of that pole

or finding

a comfortable spot some were

passing their time by looking out from

the window

and others were traveling to pass their

time

it was like a lot of different

narratives were unfolding at once

influencing each other in one or the

other way

leading to compositions like this

here the aversions and anxiety

of day-to-day travel in public transport

are expressed through my own

observations and experiences

in this composition and the subsequent

compositions the female form

continued to be sinking into herself

within desperate urge to maintain

the physical space the much needed

physical space in a public transport

continuing in successive compositions

for

next to three years but soon soon i

realized that my everyday also continued

to be in such a routine boarding the

same bus

at the same time meeting the same set of

people each day

standing between the seats in an order

to save myself from any sort of physical

touch

putting on my headphones and sketch

until until i started to question

the mechanism of my routine practices

diving deeper into the workability of

day-to-day life

and it started to raise many more

questions inside me

questions like what are the possible

factors

or elements that derive the emotional

right in our daily commute

what is seemingly the relationship

between the mental

and the bodily transition what do people

do

in this transition why do we perform

prohibited activities in public spaces

and how does a body manages to navigate

itself

even in a situation of utter chaos

my canvas became a workstation

for exploring the possible answers to

all these questions

and the daily sketches were like a raw

material

into the subsequent process for

understanding human behavior

in local spaces with an effort to

unravel

the hidden dialogue between stranger

bodies

i was now looking at objects and

elements

of day-to-day life that usually went

unnoticed

or were ignored and that somewhere

led to new explorations

for example led holdings

in market space or sign and symbols that

we have

these are some of the explorations that

were leading to my visual representation

into the form of paintings and

photographic collages

yes very ordinary ordinary like

the ordinary experience of a common

person but what

is ordinary how does an ordinary

constructs

i think being ordinary is a notion

that depicts our everyday and every day

itself

varies my everyday might be different

from yours every day

and yours might be different from your

family

or your siblings or your friends and so

does that continue

and we all have this segregation

now formulating all these contemplations

my ideas moved from self-expression

to a realization of a vast culture

a culture that we subconsciously follow

just like in automata but what i found

really

interesting in that is our daily

performativity

functions distinctly in distinct spaces

always segregating the private and the

public

now these observations were moving from

being just observation to investigation

into spaces and their inhibited objects

with a very subjective approach

and that expanded my area of exploration

from human experiences to many four

layers of spaces

and objects

now it stands beyond their physical

value

holding something much deeper more

metaphorical

like this composition

but is it possible to seek aesthetic

pleasure or aesthetic

value in something which is very common

which is banal which is normal yes

why not

i think we all have this in-built

tendency

this inbuilt sensitivity that we are

born with

to have an eye towards aesthetics

it is very much visible from the way we

perform our daily task however

the order or the manner is the way

we decorate the interiors in our homes

or how do we manage to click those

absolutely delicious meals

all this is very evident that

we desperately seek aesthetic pleasure

in our everyday life one of such object

that found space in my recent project

mind the gap

are coedomats domains are the

very common uh household object that we

all are aware of but core door mats are

like a long lost material

this ongoing project is an assimilation

of paintings

drawings link mechanism and these maths

as you can see in this picture these

maths are engraved with some text

taken from the excerpt practices of

everyday life written and written by the

social scientist and writer michelle di

shatte

with your attention to bring your focus

towards the

idea of actually being present the

viewers are invited to walk freely on

these maps

feel the texture read the text and

have a relation with the visuals that

are displayed on the walls

this is somewhere also an

effort to realize the value that arts of

doing hold

like arts of doing like walking talking

cleaning cooking thinking dwelling

everything

we as humans stand to be indulged in us

of doing

more frequently but we are

so indulged into it that we hardly

notice it our situation is somewhere

similar

to the led holding in a market space

which is always like unnoticed

until or unless it is captured

our eyes by being some glitch by

creating some glitch

in my thought current situation of

lockdown is also like being a glitch

into our set routine

bringing our focus more towards the arts

of doing

with an intention to raise your concern

towards the

everyday i want to leave you all

with this thought of actually being

present

observant and sensitive enough to value

the notion of

every day because something which was

something which was ignored if we are

able to see and identify it

that really matters our perception

matters

and hence every day matters thank you

[音乐]

嗨,

我要每天分享我的想法

我们多久停下来思考

一下每一天

思考或谈论日常生活中

通常发生的事情是否重要?

认为有什么东西把我们联系

在一起

,有什么东西推动我们完成

日常任务

,作为一名艺术家,我试图通过艺术抓住

一点 作为一名住在城市郊区的艺术学生

和从业者,

我别无选择,只能

每天旅行四到五个小时,这让

我开始

利用我的旅行时间来生活

素描人们

回报我观察

细微

领导的倾向 与

我在

接下来的几年里一次

又一次地遇到的人亲密接触 靠窗的座位,

或者至少抓住那根杆子

或找到

一个舒适的地方,有些人

从窗外看

过去打发时间,而另一些人则在旅行以打发

时间

,就像许多不同的

叙述同时展开,

相互影响 以一种或

另一种方式

导致这样的作品

在这里

通过我自己的观察和经验表达了对公共交通工具日常旅行的厌恶和焦虑,

以及随后的

作品女性形式

继续沉入自己

迫切希望

保持物理空间

公共交通工具中急需的物理空间在

接下来的三年中连续不断地组合,但很快我

意识到我的日常生活也

继续在同一时间登上

同一辆公共汽车

每天与

站在座位之间的同一组人见面,

以使自己免受任何形式的伤害

戴上耳机和素描的身体接触,

直到我开始质疑

我的日常实践的机制,

深入了解日常生活的可行性

,它开始在我内心提出更多的

问题,比如可能的因素是什么

在我们日常通勤中获得情感权利的元素

心理

和身体转变之间的关系看似是什么人们

在这种转变中做了什么 为什么我们

在公共场所进行禁止活动

以及身体如何设法在公共场所

自我导航

我的画布变成了一个工作站,

用于探索所有这些问题的可能答案,

而日常草图就像是

后续过程的原材料,用于

理解

当地空间中的人类行为,努力

解开陌生身体之间隐藏的对话

我现在正在研究

日常生活中通常会出现的物品和元素

被忽视

或被忽视,并且在某处

导致了新的探索

,例如

在市场空间或标志和符号中的领导

持有

这些

是导致我的视觉

表现形式为绘画和摄影拼贴形式的一些探索

是 非常普通 普通 就像

一个普通人的普通经历,

但什么

是普通的,一个普通的构造是怎样的?

或您的兄弟姐妹或您的朋友

,这种情况仍在继续

,我们现在都有这种隔离,

形成了所有这些沉思

真正

有趣的是我们的日常

表演

功能在不同的空间中明显不同 es

总是将私人和

公共区

分开

来 超越了它们的物理

价值,

拥有更深层次的

隐喻,

例如这种构图,

但是是否有可能

在非常普遍的事物中寻求审美乐趣或审美价值,

这是平庸的,这是正常的,是的,

为什么

我不认为我们都有这种内在的

倾向

这种与生俱来的对美学的内在敏感性

从我们执行日常任务的方式中非常明显,

但是顺序或方式是

我们在家里装饰室内的方式

或我们如何设法点击 那些

绝对美味的饭菜

这一切都非常明显地表明

我们

在你身上拼命寻求审美乐趣 r 日常生活

在我最近的项目中找到空间的此类对象之一

间隙

是 coedomats 域是我们都知道的

非常常见的家庭物品,

但核心门垫

就像是一种失传已久的材料

这个正在进行的项目是

同化 绘画

图纸 链接机制和这些数学,

正如你在这张图片中看到的,这些

数学刻有一些文字

,摘自

社会科学家和作家米歇尔·迪·沙特(michelle di

shatte)撰写和撰写的日常生活实践节选

,您的注意力将注意力

集中在

实际存在的想法

邀请观众在这些地图上自由行走

感受纹理 阅读文字

并与墙上显示的视觉效果产生联系

这也是

努力实现做艺术所具有的价值的地方

做事的艺术 像走路 说话

清洁 烹饪 思考 居住

一切 作为人类,我们都会沉迷于

我们做

更多的频率 uently 但我们是

如此沉迷于它,以至于我们几乎没有

注意到它我们的情况

类似于

市场空间中的 led 控股,

这总是像被忽视的那样,

直到或除非它

通过

在我的思想中制造一些故障而引起我们的注意 目前的

封锁情况也就像是我们设定的例程中的一个小故障,

使我们更多地关注

做事的艺术,

目的是提高你对日常生活的关注

我想让你们所有人

都有这样的想法,即实际上

足够敏锐和敏感 重视

每一天的概念,因为

如果我们

能够看到和识别它

,那是被忽略的东西,这对我们的感知很重要

,因此每一天都很重要,谢谢