What pingpong taught me about life Pico Iyer

Every other night in Japan,

I step out of my apartment,

I climb up a hill for 15 minutes,

and then I head into my local health club,

where three ping-pong tables
are set up in a studio.

And space is limited,

so at every table,

one pair of players practices forehands,

another practices backhands,

and every now and then,
the balls collide in midair

and everybody says, “Wow!”

Then, choosing lots,
we select partners and play doubles.

But I honestly couldn’t
tell you who’s won,

because we change partners
every five minutes.

And everybody is trying really hard

to win points,

but nobody is keeping track
of who is winning games.

And after an hour or so
of furious exertion,

I can honestly tell you

that not knowing who has won

feels like the ultimate victory.

In Japan, it’s been said,

they’ve created a competitive spirit
without competition.

Now, all of you know that geopolitics
is best followed by watching ping-pong.

(Laughter)

The two strongest powers in the world
were fiercest enemies

until, in 1972, an American ping-pong team

was allowed to visit Communist China.

And as soon as the former adversaries

were gathered around
some small green tables,

each of them could claim a victory,

and the whole world
could breathe more easily.

China’s leader, Mao Zedong,

wrote a whole manual on ping-pong,

and he called the sport
“a spiritual nuclear weapon.”

And it’s been said that the only
honorary lifelong member

of the US Table Tennis Association

is the then-President Richard Nixon,

who helped to engineer
this win-win situation

through ping-pong diplomacy.

But long before that,

really, the history of the modern world

was best told through
the bouncing white ball.

“Ping-pong” sounds
like a cousin of “sing-song,”

like something Eastern,

but actually, it’s believed
that it was invented by high-class Brits

during Victorian times,

who started hitting wine corks
over walls of books after dinner.

(Laughter)

No exaggeration.

(Laughter)

And by the end of World War I,

the sport was dominated by players
from the former Austro-Hungarian Empire:

eight out of nine
early world championships

were claimed by Hungary.

And Eastern Europeans grew so adept

at hitting back everything
that was hit at them

that they almost brought
the whole sport to a standstill.

In one championship match
in Prague in 1936,

the first point is said to have lasted
two hours and 12 minutes.

The first point!

Longer than a “Mad Max” movie.

And according to one of the players,
the umpire had to retire with a sore neck

before the point was concluded.

(Laughter)

That player started hitting
the ball back with his left hand

and dictating chess moves between shots.

(Laughter)

Many in the audience
started, of course, filing out,

as that single point lasted
maybe 12,000 strokes.

And an emergency meeting of
the International Table Tennis Association

had to be held then and there,

and soon the rules were changed

so that no game could last
longer than 20 minutes.

(Laughter)

Sixteen years later,
Japan entered the picture,

when a little-known
watchmaker called Hiroji Satoh

showed up at the world championships
in Bombay in 1952.

And Satoh was not very big,
he wasn’t highly rated,

he was wearing spectacles,

but he was armed with a paddle
that was not pimpled,

as other paddles were,

but covered by a thick spongy rubber foam.

And thanks to this silencing
secret weapon,

the little-known Satoh won a gold medal.

One million people came out
into the streets of Tokyo

to greet him upon his return,

and really, Japan’s postwar resurgence
was set into motion.

What I learned, though,
at my regular games in Japan,

is more what could be called
the inner sport of global domination,

sometimes known as life.

We never play singles in our club,

only doubles,

and because, as I say,
we change partners every five minutes,

if you do happen to lose,
you’re very likely to win

six minutes later.

We also play best-of-two sets,

so often, there’s no loser at all.

Ping-pong diplomacy.

And I always remember
that as a boy growing up in England,

I was taught that the point
of a game was to win.

But in Japan, I’m encouraged to believe
that, really, the point of a game

is to make as many people as possible
around you feel that they are winners.

So you’re not careening up and down
as an individual might,

but you’re part of a regular,
steady chorus.

The most skillful players in our club

deploy their skills to turn
a 9-1 lead for their team

into a 9-9 game in which everybody
is intensely involved.

And my friend who hits
these high, looping lobs

that smaller players flail at and miss –

well, he wins a lot of points,
but I think he’s thought of as a loser.

In Japan, a game of ping-pong
is really like an act of love.

You’re learning how to play with somebody,

rather than against her.

And I’ll confess,

at first, this seemed to me
to take all the fun out of the sport.

I couldn’t exult after a tremendous upset
victory against our strongest players,

because six minutes later,
with a new partner,

I was falling behind again.

On the other hand,
I never felt disconsolate.

And when I flew away from Japan
and started playing singles again

with my English archrival,

I noticed that after every defeat,
I was really brokenhearted.

But after every victory,
I couldn’t sleep either,

because I knew there was
only one way to go,

and that was down.

Now, if I were trying to do
business in Japan,

this would lead to endless frustration.

In Japan, unlike elsewhere,

if the score is still level
after four hours,

a baseball game ends in a tie,

and because the league standings
are based on winning percentage,

a team with quite a few ties
can finish ahead

of a team with more victories.

One of the first times an American
was ever brought over to Japan

to lead a professional
Japanese baseball team,

Bobby Valentine, in 1995,

he took this really mediocre squad,

he lead them to a stunning
second-place finish,

and he was instantly fired.

Why?

“Well,” said the team spokesman,

“because of his emphasis on winning.”

(Laughter)

Official Japan can feel
quite a lot like that point

that was said to last
two hours and 12 minutes,

and playing not to lose

can take all the imagination,
the daring, the excitement, out of things.

At the same time,
playing ping-pong in Japan

reminds me why choirs
regularly enjoy more fun

than soloists.

In a choir, your only job is to play
your small part perfectly,

to hit your notes with feeling,

and by so doing, to help to create
a beautiful harmony

that’s much greater
than the sum of its parts.

Yes, every choir does need a conductor,

but I think a choir releases you
from a child’s simple sense of either-ors.

You come to see that the opposite
of winning isn’t losing –

it’s failing to see the larger picture.

As my life goes on,

I’m really startled to see that no event

can properly be assessed
for years after it has unfolded.

I once lost everything
I owned in the world,

every last thing, in a wildfire.

But in time, I came to see
that it was that seeming loss

that allowed me to live
on the earth more gently,

to write without notes,

and actually, to move to Japan

and the inner health club
known as the ping-pong table.

Conversely, I once stumbled
into the perfect job,

and I came to see that seeming happiness

can stand in the way of true joy

even more than misery does.

Playing doubles in Japan
really relieves me of all my anxiety,

and at the end of an evening,

I notice everybody is filing out
in a more or less equal state of delight.

I’m reminded every night

that not getting ahead
isn’t the same thing as falling behind

any more than not being lively
is the same thing as being dead.

And I’ve come to understand why it is

that Chinese universities
are said to offer degrees in ping-pong,

and why researchers
have found that ping-pong

can actually help a little
with mild mental disorders

and even autism.

But as I watch the 2020 Olympics in Tokyo,

I’m going to be keenly aware

that it won’t be possible
to tell who’s won or who’s lost

for a very long time.

You remember that point I mentioned

that was said to last
for two hours and 12 minutes?

Well, one of the players from that game
ended up, six years later,

in the concentration camps
of Auschwitz and Dachau.

But he walked out alive.

Why?

Simply because a guard in the gas chamber

recognized him from
his ping-pong playing days.

Had he been the winner of that epic match?

It hardly mattered.

As you recall, many people had filed out
before even the first point was concluded.

The only thing that saved him

was the fact that he took part.

The best way to win any game,

Japan tells me every other night,

is never, never to think about the score.

Thank you.

(Applause)

在日本,每隔一个晚上,

我就会走出公寓

,爬上一座小山 15 分钟,

然后前往当地的健身俱乐部,

那里
的工作室里摆着三张乒乓球桌。

而且空间有限,

所以每张桌子上,

一对选手练习正手,

另一位选手练习反手,时不时地

,球在半空中相撞

,每个人都说:“哇!”

然后,选择地段,
我们选择合作伙伴并打双打。

但老实说,我不能
告诉你谁赢了,

因为我们
每五分钟更换一次合作伙伴。

每个人都在

努力赢得积分,

但没有人
跟踪谁在赢得比赛。

经过一个小时左右
的激烈努力,

我可以诚实地告诉你

,不知道谁赢了

感觉就像是最终的胜利。

在日本,据说,

他们创造了一种没有竞争的竞争精神

现在,你们都知道,地缘政治
最好跟着看乒乓球。

(笑声)

世界上最强大的两个大国
是最凶猛的敌人

,直到 1972 年,一支美国乒乓球队

获准访问共产主义中国。

而一旦昔日的

对手聚集在
一些绿色的小桌子周围

,他们每个人都可以宣布胜利

,整个世界
都可以轻松呼吸。

中国领导人毛泽东

写了一本完整的乒乓球手册

,称这项运动是
“精神核武器”。

据说,美国乒乓球协会唯一的
终身荣誉会员

是时任总统理查德尼克松,

他通过乒乓外交促成了
这一双赢局面

但在那之前很久,

真的,现代世界的历史

最好
通过弹跳的白球来讲述。

“乒乓”听起来
像是“唱歌”的表亲,

像是东方的东西,

但实际上,人们
相信它是由维多利亚时代的高级英国人发明的

他们在晚餐后开始用酒塞
敲打书墙。

(笑声)

毫不夸张。

(笑声

) 第一次世界大战结束时,

这项运动
由前奥匈帝国的球员主导:

九个
早期的世界锦标赛

中有八个是匈牙利夺得的。

东欧人变得如此

擅长反击
所有攻击他们的东西,

以至于他们几乎
让整个运动陷入停顿。

1936 年在布拉格举行的一场冠军赛中,

据说第一分持续了
2 小时 12 分钟。

第一点!

比《疯狂的麦克斯》电影还要长。

根据其中一名球员的说法
,裁判在这一分结束之前不得不因脖子酸痛而退赛

(笑声)

那个棋手开始
用左手击球,

并在两次击球之间决定棋步。

(笑声) 当然,

观众中的许多人
开始排队,

因为那个单点可能持续了
12,000 次。

国际乒协不得不当场召开紧急会议

,很快规则就改变

了,比赛
时间不能超过20分钟。

(笑声)

十六年后,
日本进入了画面,1952

年,一个名不见经传
的钟表匠佐藤博司

出现在了孟买的世界锦标赛
上。

而佐藤不是很大,
他的评价不高,

他戴着眼镜 ,

但他手持的
桨没有

像其他桨那样起疙瘩,

而是被厚厚的海绵状橡胶泡沫覆盖。

并且多亏了这种沉默的
秘密武器

,鲜为人知的佐藤赢得了金牌。

100万人
走上东京街头

迎接他回来

,日本战后的
复兴真的开始了。

不过
,我在日本的常规比赛中学到

的更多的是可以称为
全球统治的内在运动,

有时也称为生活。

我们俱乐部从不打单打,

只打双打

,因为,正如我所说,
我们每五分钟更换一次搭档,

如果你碰巧输了,
你很有可能在

六分钟后赢。

我们也玩两局两胜制

,所以通常根本没有输家。

乒乓外交。

我一直记得
,作为一个在英格兰长大的男孩,

我被教导说
比赛的意义就是赢球。

但在日本,我鼓励我
相信,真的,游戏的意义

在于让尽可能多的
你周围的人觉得他们是赢家。

所以你不会
像一个人那样上下左右摇摆,

但你是一个有规律的、
稳定的合唱的一部分。

我们俱乐部中技术最精湛的球员

运用他们的技能将
他们球队的 9-1 领先优势

转变为每个人都积极参与的 9-9 比赛

还有我的朋友,他击中了

那些小球员连枷并错过的高循环吊球——

嗯,他赢了很多分,
但我认为他被认为是一个失败者。

在日本,打
乒乓球真的是一种爱的行为。

你正在学习如何与某人一起玩,

而不是与她对抗。

我承认,

起初,在我看来,这
似乎剥夺了这项运动的所有乐趣。

在与我们最强大的球员取得巨大的冷门胜利后,我无法欣喜若狂

因为六分钟后,
有了新搭档,

我又落后了。

另一方面,
我从未感到沮丧。

当我从日本飞离日本
,重新开始

和我的英国劲敌打单打时,

我注意到每次失败后,
我真的很伤心。

但是每次胜利之后,
我也睡不着,

因为我知道
只有一条路可以走

,那就是失败。

现在,如果我想
在日本做生意,

这会导致无尽的挫败感。

在日本,与其他地方不同,

如果
四个小时后比分仍然持平,

一场棒球比赛将以平局结束,

而且由于联赛排名
是基于胜率的,所以

平局数

多的球队可以领先胜率多的球队。 胜利。

1995 年,美国人
第一次被带到

日本领导日本职业
棒球队

鲍比·瓦伦丁,

他带领这支非常平庸的球队,

他带领他们获得了惊人的
第二名

,他立即被解雇 .

为什么?

“嗯,”球队发言人说,

“因为他强调胜利。”

(笑声)

日本官方的感觉
很像

据说持续
两个小时12分钟的那个点,为了

不输球而打球

可以把所有的想象力
、勇气和兴奋都带走。

与此同时,
在日本打乒乓球

让我想起了为什么合唱团
经常比独奏者更享受乐趣

在合唱团中,你唯一的工作就是
完美地演奏你的小部分,

用感觉敲击你的音符,

并通过这样做来帮助创造
一个

比各个部分的总和更大的美丽和声。

是的,每个合唱团都需要指挥,

但我认为合唱团可以让你
摆脱孩子对非此即彼的简单感觉。

你会发现,
赢的反面不是输——

而是看不到更大的图景。

随着我的生活的继续,

我真的很震惊地看到,在它展开多年后,没有任何事件

可以正确评估

我曾经在一场野火中失去了
我在世界上拥有的

一切,最后的一切。

但随着时间的推移,我
发现正是这种表面上的失落

让我能够
更温和地生活在地球上,

不带笔记地写作

,实际上,我搬到了日本


被称为乒乓球桌的内部健身俱乐部。

相反,我曾经偶然发现
一份完美的工作

,我发现看似幸福比痛苦

更能阻碍真正的快乐

在日本打双打
确实让我摆脱了所有的焦虑

,在一个晚上结束时,

我注意到每个人都
或多或少地处于同样的喜悦状态。

每天晚上都在提醒我

,不领先
和落后不是一回事,就像

不活泼
和死是一样的。

我开始明白为什么

据说中国的
大学提供乒乓球学位,

以及为什么研究
人员发现

乒乓球实际上
对轻度精神障碍

甚至自闭症有一点帮助。

但当我在东京观看 2020 年奥运会时,

我会敏锐地意识到

在很长一段时间内,谁赢谁输是不可能的。

你还记得我提到的

那一点,据说
持续两个小时十二分钟吗?

好吧,那场比赛的一名球员在
六年后最终

进入
了奥斯威辛集中营和达豪集中营。

但他活着出去了。

为什么?

仅仅因为毒气室里的一名警卫


他打乒乓球的日子里认出了他。

他是那场史诗般的比赛的赢家吗?

这几乎无关紧要。

你还记得,很多人
甚至在第一点结束之前就提出了要求。

唯一拯救他的

是他参与的事实。

赢得任何比赛的最好方法,

日本每隔一个晚上就告诉我

,永远,永远不要考虑比分。

谢谢你。

(掌声)