What Machiavellian really means Pazit Cahlon and Alex Gendler

From Shakespeare’s plays
to modern TV dramas,

the unscrupulous schemer for whom
the ends always justify the means

has become a familiar character type
we love to hate.

So familiar, in fact, that for centuries

we’ve had a single word to describe
such characters: Machiavellian.

But is it possible that we’ve been using
that word wrong this whole time?

The early 16th century statesman Niccoló
Machiavelli

wrote many works of history, philosophy,
and drama.

But his lasting notoriety comes from a
brief political essay known as The Prince,

framed as advice to current
and future monarchs.

Machiavelli wasn’t the first to do this–

in fact there was an entire tradition of
works known as “mirrors for princes”

going back to antiquity.

But unlike his predecessors,

Machiavelli didn’t try to describe an
ideal government

or exhort his audience to rule
justly and virtuously.

Instead, he focused on the
question of power–

how to acquire it, and how to keep it.

And in the decades after it was published,

The Prince gained a diabolical reputation.

During the European Wars of Religion,

both Catholics and Protestants
blamed Machiavelli

for inspiring acts of violence and tyranny
committed by their opponents.

By the end of the century,

Shakespeare was using “Machiavel” to
denote an amoral opportunist,

leading directly to our popular use of
“Machiavellian”

as a synonym for manipulative villainy.

At first glance,

The Prince’s reputation as a manual for
tyranny seems well-deserved.

Throughout, Machiavelli appears entirely
unconcerned with morality,

except insofar as it’s helpful or harmful
to maintaining power.

For instance, princes are told to
consider all the atrocities necessary

to seize power,

and to commit them in a single stroke

to ensure future stability.

Attacking neighboring territories and
oppressing religious minorities

are mentioned as effective ways of
occupying the public.

Regarding a prince’s personal behavior,

Machiavelli advises keeping up the
appearance of virtues

such as honesty or generosity,

but being ready to abandon them as soon
as one’s interests are threatened.

Most famously, he notes that for a ruler,

“it is much safer to be feared
than loved.”

The tract even ends with an appeal to
Lorenzo de’ Medici,

the recently installed ruler of Florence,

urging him to unite the fragmented
city-states of Italy under his rule.

Many have justified Machiavelli as
motivated by unsentimental realism

and a desire for peace in an Italy torn by
internal and external conflict.

According to this view,

Machiavelli was the first to understand
a difficult truth:

the greater good of political stability

is worth whatever unsavory tactics
are needed to attain it.

The philosopher Isaiah Berlin suggested
that rather than being amoral,

The Prince hearkens back to
ancient Greek morality,

placing the glory of the state above the
Christian ideal of individual salvation.

But what we know about Machiavelli might
not fit this picture.

The author had served in his native
Florence for 14 years as a diplomat,

staunchly defending its elected
republican government

against would-be monarchs.

When the Medici family seized power,

he not only lost his position,

but was even tortured and banished.

With this in mind,

it’s possible to read the pamphlet
he wrote from exile

not as a defense of princely rule,

but a scathing description
of how it operates.

Indeed, Enlightenment figures like Spinoza

saw it as warning free citizens

of the various ways in which they can be
subjugated by aspiring rulers.

In fact, both readings might be true.

Machiavelli may have written a manual for
tyrannical rulers,

but by sharing it, he also revealed
the cards to those who would be ruled.

In doing so,

he revolutionized political philosophy,

laying the foundations for Hobbes and
future thinkers

to study human affairs based on their
concrete realities

rather than preconceived ideals.

Through his brutal and shocking honesty,

Machiavelli sought to shatter popular
delusions about what power really entails.

And as he wrote to a friend
shortly before his death,

he hoped that people would “learn the way
to Hell in order to flee from it."

从莎士比亚的戏剧
到现代电视剧

,不择手段的不择手段的阴谋家

已经成为我们又爱又恨的熟悉角色类型

如此熟悉,事实上,几个世纪以来,

我们只有一个词来描述
这些角色:马基雅维利。

但有没有可能我们一直以来都用
错了这个词?

16 世纪早期的政治家尼科洛·
马基雅维利(Niccoló Machiavelli)

写了许多历史、哲学
和戏剧作品。

但他持久的恶名来自
一篇名为《王子》的简短政治文章,

旨在为当前
和未来的君主提供建议。

马基雅维利并不是第一个这样做

的人——事实上,有一个
被称为“王子的镜子”的作品的完整传统

可以追溯到古代。

但与他的前任不同的是,

马基雅维利并没有试图描述一个
理想的政府,

也没有劝告他的听众
公正而有德地统治。

相反,他专注于
权力的问题——

如何获得它,以及如何保持它。

在它出版后的几十年里,

《王子》获得了恶魔般的名声。

在欧洲宗教战争期间

,天主教徒和新教徒都
指责马基雅维利

煽动对手的暴力和暴政
行为。

到本世纪末,

莎士比亚使用“马基雅维利”来
表示不道德的机会主义者,

直接导致我们普遍使用
“马基雅维利”

作为操纵性恶行的同义词。

乍一看,

《王子》作为暴政手册的名声
似乎是当之无愧的。

在整个过程中,马基雅维利似乎完全
不关心道德,

除非它对维持权力有帮助或
有害。

例如,王子被告知要
考虑夺取权力所需的所有暴行

并一次性实施这些暴行

以确保未来的稳定。

袭击邻近领土和
压迫宗教少数群体

被认为是
占领公众的有效方式。

关于王子的个人行为,

马基雅维利建议保持

诚实或慷慨等美德的外表,

但一旦个人利益受到威胁,就准备放弃这些美德

最著名的是,他指出,对于统治者来说,

“被恐惧
比被爱安全得多”。

小册子甚至以呼吁佛罗伦萨新上任的统治者
洛伦佐·德·美第奇 (Lorenzo de’ Medici) 结束

敦促他
在他的统治下统一意大利支离破碎的城邦。

许多人认为马基雅维利的
动机是出于无情的现实主义

和对内外部冲突蹂躏的意大利的和平渴望

根据这种观点,

马基雅维利是第一个明白
一个艰难事实的人:

政治稳定的更大利益

值得
为实现它而采取任何令人讨厌的策略。

哲学家以赛亚柏林建议
,王子不是不道德的,而是

听从
古希腊的道德,

将国家的荣耀置于
基督教的个人救赎理想之上。

但我们对马基雅维利的了解可能
不适合这张照片。

作者在他的家乡
佛罗伦萨担任了 14 年的外交官,

坚定地捍卫其民选
共和政府

免受潜在君主的侵害。

美第奇家族掌权后

,不仅失去了地位,

甚至遭到了酷刑和流放。

考虑到这一点

,可以阅读
他在流放中写的小册子,

而不是为君主统治辩护,

而是
对其运作方式的严厉描述。

事实上,像斯宾诺莎这样的启蒙运动人物

将其视为对自由公民

的警告,他们可以通过各种方式
被有抱负的统治者征服。

事实上,这两种解读都可能是正确的。

马基雅维利可能为暴虐的统治者写了一本手册

但通过分享它,他也
向那些将要被统治的人透露了这些卡片。

通过这样做,

他彻底改变了政治哲学,

为霍布斯和
未来的思想家奠定了

基础,使他们能够根据
具体现实

而不是先入为主的理想来研究人类事务。

通过他残酷而令人震惊的诚实,

马基雅维利试图打破大众
对权力真正意味着什么的幻想。

他在去世前不久写信给一位朋友

希望人们“学习
通往地狱的道路,以便逃离它”。