Exploring other dimensions Alex Rosenthal and George Zaidan

We live in a three-dimensional world

where everything has length,

width,

and height.

But what if our world
were two-dimensional?

We would be squashed down

to occupy a single plane of existence,

geometrically speaking, of course.

And what would that world
look and feel like?

This is the premise

of Edwin Abbott’s 1884 novella, Flatland.

Flatland is a fun, mathematical
thought experiment

that follows the trials
and tribulations of a square

exposed to the third dimension.

But what is a dimension, anyway?

For our purposes,
a dimension is a direction,

which we can picture as a line.

For our direction to be a dimension,

it has to be at right angles
to all other dimensions.

So, a one-dimensional
space is just a line.

A two-dimensional space is defined

by two perpendicular lines,

which describe a flat plane

like a piece of paper.

And a three-dimensional space

adds a third perpendicular line,

which gives us height

and the world we’re familiar with.

So, what about four dimensions?

And five?

And eleven?

Where do we put these new
perpendicular lines?

This is where Flatland can help us.

Let’s look at our square
protagonist’s world.

Flatland is populated by geometric shapes,

ranging from isosceles trianges

to equilateral triangles

to squares,

pentagons,

hexagons,

all the way up to circles.

These shapes are all scurrying
around a flat world,

living their flat lives.

They have a single eye
on the front of their faces,

and let’s see what the world looks like

from their perspective.

What they see is essentially
one dimension,

a line.

But in Abbott’s Flatland,

closer objects are brighter,

and that’s how they see depth.

So a triangle looks
different from a square,

looks different a circle,

and so on.

Their brains cannot comprehend
the third dimension.

In fact, they vehemently
deny its existence

because it’s simply not
part of their world

or experience.

But all they need,

as it turns out,

is a little boost.

One day a sphere shows up in Flatland

to visit our square hero.

Here’s what it looks like

when the sphere passes through Flatland

from the square’s perspective,

and this blows his little square mind.

Then the sphere lifts the square

into the third dimension,

the height direction where no
Flatlander has gone before

and shows him his world.

From up here, the square
can see everything:

the shapes of buildings,

all the precious gems hidden in the Earth,

and even the insides of his friends,

which is probably pretty awkward.

Once the hapless square

comes to terms with the third dimension,

he begs his host to help him

visit the fourth and higher dimensions,

but the sphere bristles
at the mere suggestion

of dimensions higher than three

and exiles the square back to Flatland.

Now, the sphere’s indignation
is understandable.

A fourth dimension is very difficult

to reconcile with our experience
of the world.

Short of being lifted
into the fourth dimension

by visiting hypercube,

we can’t experience it,

but we can get close.

You’ll recall that when the sphere

first visited the second dimension,

he looked like a series of circles

that started as a point

when he touched Flatland,

grew bigger until he was halfway through,

and then shrank smaller again.

We can think of this visit

as a series of 2D
cross-sections of a 3D object.

Well, we can do the same thing

in the third dimension
with a four-dimensional object.

Let’s say that a hypersphere

is the 4D equivalent of a 3D sphere.

When the 4D object passes
through the third dimension,

it’ll look something like this.

Let’s look at one more way

of representing a four-dimensional object.

Let’s say we have a point,

a zero-dimensional shape.

Now we extend it out one inch

and we have a one-dimensional
line segment.

Extend the whole line segment by an inch,

and we get a 2D square.

Take the whole square
and extend it out one inch,

and we get a 3D cube.

You can see where we’re going with this.

Take the whole cube

and extend it out one inch,

this time perpendicular
to all three existing directions,

and we get a 4D hypercube,

also called a tesseract.

For all we know,

there could be four-dimensional lifeforms

somewhere out there,

occasionally poking their heads

into our bustling 3D world

and wondering what all the fuss is about.

In fact, there could be whole

other four-dimensional worlds

beyond our detection,

hidden from us forever

by the nature of our perception.

Doesn’t that blow
your little spherical mind?

我们生活在一个三维世界

中,一切都有长度、

宽度

和高度。

但是如果我们的世界
是二维的呢? 当然,从几何上讲,

我们会被压扁

以占据一个存在平面

那个世界
会是什么样子和感觉如何?

是埃德温·阿博特 1884 年的中篇小说《平地》的前提。

Flatland 是一个有趣的数学
思维实验

,它遵循暴露在三维空间
中的正方形的试验和磨难

但究竟什么是维度?

对于我们的目的
,维度是一个方向

,我们可以将其描绘为一条线。

为了使我们的方向成为一个维度,

它必须
与所有其他维度成直角。

因此,一维
空间只是一条线。

二维空间

由两条垂直线定义,

它们描述了一个平面,

就像一张纸。

三维空间

增加了第三条垂直线,

它给了我们高度

和我们熟悉的世界。

那么,四个维度呢?

还有五个?

还有十一?

我们把这些新的垂直线放在哪里?

这就是 Flatland 可以帮助我们的地方。

让我们看看我们方形
主角的世界。

平地由几何形状组成,

从等腰三角形

到等边三角形,

再到正方形、

五边形、

六边形,

一直到圆形。

这些形状都
在一个平坦的世界里奔波,

过着平坦的生活。

他们的正面只有一只眼睛

,让我们从他们的角度看看这个世界是什么样子的

他们看到的本质上是
一个维度,

一条线。

但在雅培的平地,

更近的物体更亮

,这就是它们看到深度的方式。

所以三角形看起来
不同于正方形,

看起来不同于圆形,

等等。

他们的大脑无法
理解第三维度。

事实上,他们强烈
否认它的存在,

因为它根本不
属于他们的世界

或经验。

但事实证明,他们所需要

的只是一点推动力。

有一天,一个球体出现在平地,

来拜访我们的广场英雄。

这是从正方形的角度

看球体穿过平地时的样子

,这让他小小的正方形头脑感到震惊。

然后球体将正方形提升

到三维空间,

这是平面人从未去过的高度方向,

并向他展示了他的世界。

从这里往上看,广场
什么都可以看到:

建筑物的形状,

所有隐藏在地球上的珍贵宝石,

甚至他的朋友们的内心,

这可能是很尴尬的。

一旦倒霉的

广场与第三维度达成协议,

他请求他的主人帮助他

访问第四维度和更高维度,

但球体

对高于三维度的建议感到

愤怒,并将广场放逐回平地。

现在,球体的愤慨
是可以理解的。

第四维度

很难与我们
对世界的体验相协调。

没有通过访问超立方体被提升
到第四维度

我们无法体验它,

但我们可以接近。

你会记得,当球体

第一次访问第二维度时,

他看起来像一连串的圆圈

,从

他接触平面国的一个点开始,

到一半时变大,

然后又缩小。

我们可以将此访问

视为
3D 对象的一系列 2D 横截面。

好吧,我们可以

在三维
中用一个四维对象做同样的事情。

假设超球体

是 3D 球体的 4D 等价物。

当 4D 对象
通过三维时,

它看起来像这样。

让我们看看另

一种表示四维对象的方式。

假设我们有一个点,

一个零维形状。

现在我们将它延伸一英寸

,我们有一个一维
线段。

将整条线段延长一英寸

,我们得到一个二维正方形。

取整个正方形
并将其延伸一英寸

,我们得到一个 3D 立方体。

你可以看到我们的目标。

将整个

立方体延伸一英寸,

这一次垂直
于所有三个现有方向

,我们得到一个 4D 超立方体,

也称为 tesseract。

据我们所知,

那里可能有四维生命形式

偶尔会探出头

进入我们熙熙攘攘的 3D 世界

,想知道大惊小怪是怎么回事。

事实上,可能还有

我们无法察觉的其他四维世界,被我们感知的本质

永远隐藏在我们面前

这不会让
你的小脑袋大吃一惊吗?