A music education for the mind body and soul

how many of you are familiar with this

sound

most of you probably heard it it may

bring back memories of

music class or music lessons did you

enjoy playing scales

probably not or maybe you didn’t mind

them but you didn’t see them as fun

does this still sound like a scale to

you did you ever think of taking a scale

and rearranging it and turning it into

your own idea

probably not a scale is a system much

like the alphabet

let’s see what happens when i take this

scale improvise with it by rearranging

it and changing the order

over the slope i’ve created

now the scale takes on a life of its own

it’s no longer notes up and down

in succession but rather it’s a tool for

making music

my name is leslie d schazer and i am a

freelance musician and educator

i have the privilege of teaching young

minds all over the metro detroit area

or rather i have the privilege of being

taught by smart

energetic young beautiful minds all over

the metro detroit area

and what you’ve just heard is one of

many ways i use scales to help students

better access this thing

we call music music should be fun

creative and innovative but

unfortunately we’ve fallen into teaching

it

with the same abstractness and

inaccessibility with which we teach so

many other subjects

i’m working to change that i want to

emphasize and bring out

the symbiotic nature of the

student-teacher relationship

create an environment where learning to

think new things together is fun

where we can make music and nurture

relationships

and teach the whole person in my many

years of teaching i’ve learned more

lessons than a student could ever dream

of

and in that i’m seeing the need more and

more to throw away convention

think outside of the box and be flexible

because most of the students i teach

have no desire to become professional

musicians they just want to have fun and

see what it’s like to play

fully understanding this has given me

freedom freedom to

take the pressure from the student and

the pressure from myself

focus on a holistic experience one that

will give both student and teacher a

lifetime of experiences

that have yet to show their lasting

impact

i teach and perform a lot and with that

i’m constantly involving

however one thing that never changes is

the joy and the beauty that music brings

to the world

music is so powerful that often the

reason a person wants in

is because they’ve heard a beautiful

melody or a great musician

and they say to themselves i want to

play that or i want to sing that

and then they get the instrument in

their hand for the first time and it

sounds like this

there’s nothing more hilarious and

rewarding than the look on a student’s

face when they play an instrument for

the first time

sometimes they’re thrilled by the sound

under their nose and sometimes they look

like they smelled the most awful thing

known to man

nevertheless they have something they

want to learn and i’m here to teach them

meet felix felix is currently working on

the blues creating patterns on the blue

scale

the theme song from plants vs zombies

and the gevat from suzuki book 2.

he’s 8 years old when i asked him last

year what he’d like to learn next he

said a blues

and i said great but i was faced with a

challenge in that moment

there are not many blues that are

conducive to a young violin player

that will be technically appropriate and

also offer him some new challenges

so i wrote one for him and i called it

blues for felix

he loved it and from that he learned his

a minor pentatonic

his a blues scale 12 bar blues form and

he’s currently learning how to improvise

over the blues

[Music]

improvisation is something that we

typically think of in a jazz context

or more specifically for students of a

certain level proficiency and typically

not for violins

i however believe that it is extremely

vital to the development of all

musicians of all

genres to learn the skill and therefore

introduce it to beginners

like these

[Music]

when this video was taken these were

first-year students and what i love most

about this video is that

these students are doing something that

is generally unheard of and would clear

a room of professional classical

musicians but why is that

it’s because of an education with too

much emphasis on imitation and

perfection

and not enough emphasis on creativity

children are naturally creative

but over time in years being told wrong

wrong wrong

they start to doubt themselves

additionally in my opinion

we measure and pressure students too

much sometimes students are in a

difficult place in life and could use

a slower pace or a change in direction

there’s always room for growth and

always something to learn and this can

be achieved in a less rigorous time

pressured environment

i have a student who was accepted into a

very competitive school last year

she would frequently show up to her

lessons very frustrated before she even

played a note

the student was stressed and her lessons

just represented one more thing to be

stressed out about

i didn’t want her to quit so we

restructured her lessons i gave her one

solo piece to work on and the rest of

the time we spend doing things she wants

to learn

just the other day she was so swamped

with schoolwork she had not had time to

prepare for her lesson

no sweat so i made a loop like the one

you heard in the beginning

it went from a major to a minor we

discussed the parallels between major

and minor

reviewed her minor and major triads and

we improvised on those sounds

it was definitely time well spent

overall the student is enjoying the

ability to decompress in her lessons and

expand her overall knowledge of music

she’s thriving and getting some much

needed time for exploration

and expression in my opinion this

journey can be long and there’s no

reason to rush students into learning

things that they are legitimately not

ready for

knowledge is best acquired through true

desire

or knowledge can be acquired through

good old-fashioned fun in playing songs

that you’ve heard on the radio

[Music]

this was an interesting adventure many

people would look at this video and

think that there wasn’t much learning

involved

however to get these students to play

the syncopated rhythms of a pop tune

fit into a groove and play with the

lyricism of a singer

required a great deal of preparation i

had to write all of the words on the

board

and create a color coded system to help

them know which fingers went on every

string

these students frequently i asked them

if they’d like to learn something as a

class

and as long as they can as long as it’s

age-appropriate

and i can adapt it to beginning violin

we make it happen

i do this for two reasons one is because

it’s just fun but the other reason is

because i want them to see that the

violin is just not for classical music

i try as much as i can to create an

environment

where we learn in many different ways

students become better violinists when

they are developing skills that may seem

irrelevant to violin playing

like when we do eurythmic inspire

movement or multirhythmic patterns on

the body

they improve coordination and right and

left side independence

when we sing what we play or sing and

play they develop better pitch

recognition and ability to phrase

when we do call and response or rote

learning they develop their ears

and become better ensemble players being

a musician requires a high level of

intuition and sensitivity to one’s

surroundings which we can all agree is a

skill

we can take to other social situations

but please don’t misunderstand me

i do value tradition and i do value

convention in some regard

i also have a high level of expectation

for students and expect them to rise to

it whenever possible

however i’m not caught up in the must

do’s and the have-twos when it comes to

learning something as diverse

as music and also i want students to see

that it is okay to choose the unpopular

thing

i’d like to leave you with this most of

us will teach someone something in our

lifetime

and in that we will learn from those who

we teach be open be creative and stay

humble because we never know the true

impact of the knowledge that we impart

upon others

teaching is an opportunity to learn it

is a mutual understanding between

teacher

and student that there will be a

significant exchange of our shared human

experience

the possibilities are endless and all

that i do

i endeavor most to give students

something new to wonder provocative to

ponder

and a whole lot of laughter and fun

你们中有多少人熟悉这种声音 你们中的

大多数人可能听说过 它可能

会勾起你对

音乐课或音乐课的回忆 你是否

喜欢演奏音阶

可能不喜欢或者你不介意

它们但你不认为它们很有趣

这对你来说听起来仍然像一个音阶

你有没有想过拿一个音阶

并重新排列它并将它变成

你自己的想法

可能不是一个音阶是一个很像字母表的系统

让我们看看当我

用它即兴创作这个音阶时会发生什么 通过重新排列

它并改变

我创建的斜坡上的顺序,

现在音阶有了自己的生命,

它不再是连续上下音符,

而是一种制作音乐的工具

我的名字是 leslie d schazer,我是 一位

自由音乐家和教育家

我有幸在底特律地铁地区教授年轻人的

思想,

或者更确切地说,我有幸在底特律地铁地区

受到聪明、

精力充沛的年轻美丽思想的教导,

以及你所拥有的 刚刚听到是

我使用音阶帮助学生

更好

地理解我们称之为音乐的

许多方法之一

我正在努力改变我想要

强调的并带

出师生关系的共生本质

创造一个学习

一起思考新事物很有趣的环境

,我们可以制作音乐并培养

关系

并在我的

多年的教学,我学到的

课程比学生想象

的要多,而且我看到

越来越需要摒弃常规,

跳出框框思考并变得灵活,

因为我教的大多数学生

都没有 渴望成为专业

音乐家 他们只想玩得开心,

看看演奏是什么感觉

充分理解这给了我

承受压力的自由 来自学生和

来自我自己的压力

专注于整体体验 一种

可以给学生和老师

一生的

体验 尚未显示其持久

影响

的体验 我教书和表演了很多

东西 永远不会改变的

是音乐带给世界的快乐和美丽

音乐是如此强大以至于

一个人想要加入的原因通常

是因为他们听到了优美的

旋律或伟大的音乐家

,他们对自己说我想

演奏 或者我想唱那首歌

,然后他们

第一次把乐器拿到手上,听起来

没有什么

比学生第一次

演奏乐器时脸上的表情更有趣和有益的了

他们鼻子底下的声音惊呆了,有时他们看起来

像是闻到了人类所知的最可怕的东西

但他们有一些他们

想学的东西,我来这里是为了教你 hem

meet felix felix 目前

正在蓝调上创作蓝调模式

植物大战僵尸的主题曲

和铃木书 2 的 gevat。

去年我问他接下来想学什么时,他 8 岁

说布鲁斯

,我说很好,但在那一刻我面临着一个

挑战,

没有多少布鲁斯有

利于年轻的小提琴演奏者

,这在技术上是合适的,

也给他一些新的挑战,

所以我为他写了一个,我

felix 称它为布鲁斯,

他喜欢它,并从中学习了他

的小五声音阶

他的布鲁斯音阶 12 小节布鲁斯形式,

他目前正在学习如何在布鲁斯上即兴创作

[音乐]

即兴创作是我们

通常在爵士乐背景下想到的东西

或者更具体地说,对于具有

一定水平熟练程度的学生,通常

不适合小提琴

,但我认为,

对于所有流派的所有音乐家的发展来说,

学习技能和技巧是极其重要的。

因此,在拍摄此视频时将其介绍给

像这些

[音乐] 的初学者

,这些是

一年级学生,我最

喜欢此视频的是,

这些学生正在做一些

通常闻所未闻的事情,并且会清理

一个专业古典音乐家的房间

但为什么

这是因为教育

过于强调模仿和

完美

而没有足够强调创造力

孩子天生就有创造力

但随着时间的推移被告知错误

错误错误

他们开始怀疑自己

另外在我看来

我们衡量和压力 学生

太多 有时学生

在生活中处于困难的境地,可以

使用较慢的速度或改变方向 总

有成长的空间,

总有一些东西要学习,这

可以在时间压力不那么严格的

环境中实现

我有一个学生 去年被一所

竞争激烈的学校录取

了,她经常去

上课,非常沮丧 在她甚至

弹奏一个音符之前

,学生就感到压力很大,她的课程

只是代表了一件需要强调的事情,因为

我不想让她退出,所以我们

重组了她的课程,我给了她一

首独奏曲,其余

的 我们花时间做她

想学的事情

,就在前几天她忙于功课,没有时间

准备她的课

没有汗水所以我做了一个循环,就像

你一开始听到的那样,

它从专业到 一个小调,我们

讨论了大调和小调之间的相似之处,

回顾了她的小调和大调三和弦,

我们即兴创作了这些声音

在我看来,获得一些非常需要的时间来探索和表达,这个

旅程可能很长,没有

理由让学生去学习

他们合法不

读的东西 y 因为

知识最好通过真正的

愿望

获得,或者知识可以通过

播放

您在广播中听到的

歌曲的

老式乐趣获得 没有太多的学习,

但是要让这些学生演奏

流行曲调的切分节奏,

并以歌手的歌词演奏,

需要大量的准备,我

必须在黑板上写下所有的单词

和 创建一个颜色编码系统,以帮助

他们知道

这些学生经常在每

弦上使用哪些手指 开始小提琴,

我们做到了,

我这样做有两个原因,一个是因为

它很有趣,但另一个原因是

因为我想让他们看到

小提琴不适合古典音乐

我尽可能多地尝试c 创造一个

我们以多种不同方式学习的环境,

当学生

发展似乎

与小提琴演奏无关

的技能时,他们会成为更好的小提琴手

唱我们演奏的曲子或一边唱一边

演奏 他们在我们呼叫和响应或死记硬背时会发展出更好的音高

识别和表达能力

他们会发展耳朵

并成为更好的合奏演奏者

作为音乐家需要高度的

直觉和对

周围环境的敏感性 我们都同意这是一项

我们可以在其他社交场合中使用的技能,

但请不要误解我,

我确实重视传统,我

在某些方面

也重视惯例我对学生也有很高的期望

,并希望他们能够

接受 但是,只要有可能

,在学习 som 时,我就不会陷入必须

做的事情和必须做的事情中

像音乐一样多样化的东西

,而且我希望学生们看到

,选择不受欢迎的东西是可以的,

我想把它留给你

教学要开放 要有创意并保持

谦虚 因为我们永远不

知道我们传授给他人的知识的真正影响

教学是一个学习的机会 这

是教师和学生之间的相互理解

,我们共同的人类经验将会有重要的交流

可能性是无穷无尽的

,我所做的一切我都

尽最大努力为学生提供

一些新奇的东西,激发他们的

思考

和大量的笑声和乐趣