Whats Wrong with Science and How Can the Arts Help

[Music]

science has a communication obstacle

more accurately the obstacle is creating

entry points for understanding

entry points are the language used

activities done and images viewed

that allow those without the training

background or jargon to engage with

what’s being communicated

entry points are doorways into new

worlds of understanding and experience

albert einstein himself once said it

would be possible to describe

everything scientifically but it would

make no sense it would be without

meaning

as if you described a beethoven symphony

as a variation

of wave pressure my friend dr eileen

habit studies

quote the diversity associated with

communication systems

with concentration and interest-specific

communication relating to reproductive

behavior

trust me it’s super cool and way more

interesting than it sounds

in regular human speech it means she

studies the interesting and myriad ways

creatures communicate through mating

rituals

and her creatures of choice are

arachnids

if you walk into your laboratory you’ll

find a room with three walls stacked to

the ceiling

filled with terrariums containing

thousands of arachnids and other spiders

for an arachnophobe it’s a pure

nightmare yet for eileen

she loves spiders not only is her

research helping us understand more of

the natural world

it is helping us understand the complex

yet elegant solutions nature has served

up to problems of design

and function there is so much we don’t

understand yet about the world and she

is one of many scientists helping us

figure it out

her challenge is how to communicate the

importance of her research

because it is critical for scientists to

communicate the importance of their

research

they have to communicate well in order

to secure grant funding

share their findings with industry and

to teach and enlighten the public

entry points into scientific thought are

vital because as einstein said

they can’t just communicate

scientifically it would lack meaning

which begs the question what is the best

way to do this

what if the arts came alongside science

to create the entry points

what if music and dance could help

eileen share her research

with a greater audience a few years ago

unl associate professor of dance susan

oreda

and i created a magical collaboration

that transformed eileen’s data

into something new emotional and

powerful

and that is why i’m in front of you

today i want you to experience a new

entry point to scientific thought

i also want you to experience a

transformative collaboration between

science

dance and music i also want to ask a few

important questions along the way such

as

why is it that the arts can create these

entry points and what is it about the

arts and music specifically that allows

it to transform concepts and ideas

into emotional experiences and what does

it look like when the artistic

experiences create

opportunities to connect with the

natural world

because here’s the thing the arts don’t

need ideas

ideas need the arts to become even more

powerful

so why does art influence people in this

way and how can the sciences leverage it

to their advantage

first of all the arts and especially

music are emotional by that i mean they

heighten and can even manipulate

the emotional responses of viewers and

listeners studies have shown

that people listen to music because of

the emotional and physiological

responses it causes in them

both john sloboda of keel university and

carol krumhonzel of cornell university

have proven this to be true and those

they studied the emotional and

physiological responses

ranged from laughter to tears and from

anxiety

to chills science has also shown

that music aids in memory formation what

this means is that music

when paired with another experience

makes that experience

more and sticky it heightens the

response

and aids in creating deeply held

memories

this is also why filmmakers marry their

images with music

and why many of your most emotional and

deeply held memories

can be resurfaced by hearing a

particular piece

who doesn’t well up with tears when

miguel sings remember me to his

great-grandmother

at the end of pixar’s coco or has their

heart rate increased and adrenaline

course through their body

at the opening chord and fanfare at the

start of every star wars movie

whereas feelings of love and passion

recreated in you

when you hear the song that was playing

when you first held hands with or

kissed your partner our emotional

responses

stick to what we are seeing hearing

feeling and tasting when coupled with

music

now let me bring this back to where i

started i claimed earlier that science

has an obstacle in creating

entry points for understanding so what

does it look like when the arts comes

alongside science

and the arts deals and emotional

responses and creates those entry points

well it makes science more accessible

the arts are one way perhaps a wonderful

way to create doorways to help people

engage with science in new ways

the arts also help people who normally

would not engage with science

to begin interacting with it when i have

shared the music and dance that i’m

about to share with you

people without fail respond with at

least two comments

first i never knew spiders could make so

much sound

and second i’ve never thought of spiders

as beautiful before

we have opened the door to a new level

of understanding of the natural world

and the creatures that

literally surround us

therefore we have established that a

marriage between science and the arts is

a good idea

maybe even a great idea the next step

was to figure out exactly how to do that

for my part i had music to write and

questions i had to answer before i could

even begin

such as what does music based on spiders

even sound like

and how am i going to transform

scientific research

into art i decided to start with the

audio and video recordings of the

arachnids

that eileen had produced in her lab

you’d be stunned and possibly even

horrified

to learn just how much sound these tiny

eight-legged creatures can make

just listen to this

[Music]

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i took the audio and i transformed it i

transformed some of the sounds by

allowing them

to map onto my keyboard which allowed me

to create melodies and chords

some of them i stretched or reduced in

length to fit within my beaten meter

some i left alone in the end i created a

new piece of art

named after a particular genus of the

wolf spider that eileen studies

schizokoza and outside of noise itself

every sound in the piece was originally

produced

by an arachnid at the same time i was

collaborating with professor orada on

this project

along with her dancers she was explored

what it meant to be a spider

that spider’s on you inside you and a

part of you

she researched the literature of spiders

such as the itsy bitsy spider

as well as eileen’s writings and then

improvised around them

the dancers are not trying to be

directly representational they’re not

mimicking spider movements instead they

use the human form

to bring us inside the world of the

arachnid

together with the combined art forms of

dance and music we found a way to

transform eileen’s research

into something new something beautiful

and something profound schizokoza has

indeed become an entry point into the

fascinating world of arachnids

we have performed at dance festivals

music concerts and festivals

science conventions and at showings of

eileen’s traveling science exhibit

eight-legged encounters there was an

alchemical process where the arts relied

on the underlying research of the

scientists

yet at the same time opened doorways

entry points for understanding

into the world around us perhaps now you

understand what i mean when i say the

arts

don’t need ideas it’s when ideas

meet the arts they become compelling in

visceral ways

they become even more powerful

in this shortened version of the piece i

invite you to experience a fabulous

example

of how the arts can transform concepts

and ideas

into emotional experiences

and now schizocoza

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so

don’t

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my

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foreign

[音乐]

科学有一个

更准确的交流障碍 障碍是

为理解创建入口点

入口点是使用的语言

完成的活动和查看的图像

允许没有培训

背景或行话的人参与

正在交流的内容

入口点是通往新事物的大门

理解和体验的世界

阿尔伯特·爱因斯坦本人曾经说过,

可以科学地描述

一切,但

如果你将贝多芬交响曲描述

为波压的变体

,我的朋友艾琳博士

习惯研究

引用了 与通信系统相关的多样性

与集中度和与生殖行为有关的特定兴趣的

通信

相信我,这

普通人类语言听起来更酷,更有趣这意味着她

研究了

生物通过交配

仪式

和她的生物进行交流的有趣和无数种方式 选择是

蛛形纲

动物 如果你走进你的实验室,你会发现一个房间,三个墙壁堆叠到天花板上,里面装满了包含

数千只蛛形纲动物和其他蜘蛛的玻璃容器,

对于蜘蛛恐惧症来说,这是一场纯粹的

噩梦,但对于艾琳来说,

她不仅喜欢蜘蛛,而且她的

研究 帮助我们更多地

了解自然世界

它帮助我们了解复杂

而优雅的解决方案 大自然已经

解决了设计和功能方面的问题

我们

对这个世界还有很多不了解的地方,她

是帮助我们的众多科学家之一

弄清楚

她的挑战是如何传达

她的研究的重要性,

因为对于科学家来说,

传达他们研究的重要性至关重要,

他们必须进行良好的沟通

才能获得拨款资金

与行业分享他们的发现,

并教导和启发公众

科学思想的切入点

至关重要,因为正如爱因斯坦所说,

它们不能仅仅传达

科学思想 这将缺乏意义

,这引出了一个问题,什么是最好的

方法来做到这

一点,如果艺术与科学

一起创造

切入点,如果音乐和舞蹈可以帮助

艾琳

几年前与更多的观众分享她的研究,

unl associate 舞蹈教授 susan

oreda

和我创建了一个神奇的合作

,将 eileen 的数据

转化为新的情感和

强大的东西

,这就是为什么我今天在你面前

我希望你体验

到科学思想的新切入点

我也希望你 体验

科学

舞蹈和音乐之间的变革性合作 我还想在此过程中提出一些

重要问题,例如

为什么艺术可以创造这些

切入点,以及

艺术和音乐是什么特别

可以改变概念 和想法

转化为情感体验,以及

当艺术

体验创造

与自然世界联系的机会时会是什么样子

因为这是艺术不需要想法的东西

想法需要艺术变得更加

强大

那么为什么艺术会以这种方式影响人们

以及科学如何利用它

来发挥自己的优势

首先艺术,尤其

是音乐 我的意思是它们

可以增强甚至可以操纵

观众和听众的情绪反应

研究表明

,人们听音乐是因为

它在他们身上引起的情绪和生理反应

龙骨大学的约翰·斯洛博达和康奈尔大学的

卡罗尔·克鲁姆泽尔

都证明了这一点 说实话,

他们研究的情绪和

生理反应

从笑到眼泪,从

焦虑

到发冷 提高

反应

并帮助创造深刻的

记忆

这也是为什么电影制作人 用音乐重温他们的

形象

,为什么你的许多最情绪化和

根深蒂固的记忆

可以通过听到一个

特定的

片段重新

浮出水面 在每部星球大战电影的开头和弦和大张旗鼓的开始,他们的

心率增加,肾上腺素

在身体

中流动

合作伙伴 我们的情感

反应

坚持我们所看到的

与音乐结合时的听觉感受和品尝

现在让我把它带回到我

开始的地方 我之前声称科学

在创造理解的切入点方面存在障碍,

所以当 艺术

与科学

和艺术交易以及情感反应并驾齐驱,

并很好地创造了这些切入点,

它使科学更

容易获得艺术 是一种方式,也许是一种很好的

方式来帮助人们

以新的方式接触科学

艺术也可以帮助那些通常

不会接触科学的人

在我

分享我即将分享的音乐和舞蹈时开始与它互动

与您分享,

人们一定要回复

至少两条评论,

首先我从来不知道蜘蛛可以发出这么

多声音

,其次,在我们打开对自然世界的新理解水平的大门之前,我从来没有想过蜘蛛

是美丽的

真正围绕着我们的生物

因此我们已经确定

科学与艺术之间的结合是

一个好主意

甚至是一个好主意下一步

是弄清楚如何为我做这件事

我有音乐要写并且我有

问题 在我开始之前必须回答,

例如基于蜘蛛的音乐

听起来像

什么,我将如何将

科学研究

转化为艺术我决定从 au 开始

艾琳在她的实验室制作的蛛形纲动物的 dio 和视频记录,当

听到这些八足小动物能发出多大的声音时,你会感到震惊,甚至可能会惊恐万分。

音频和我对其进行了转换 我

通过

允许

它们映射到我的键盘来转换了一些声音,这使我

能够创建旋律和和弦

,其中一些我拉伸或缩短了

长度以适应我打过的米,

一些我最终独自离开了我 创作了

一件新的艺术作品,

以艾琳研究 schizokoza 和噪音本身的特定狼蛛属命名,

作品中的每个声音最初

都是

由蜘蛛产生的,与此同时,我正在

与 orada 教授合作开展

这个

项目 她的舞者们探索

了蜘蛛在你身上意味着什么

l 作为艾琳的作品,然后

在他们周围即兴创作

,舞者并没有试图

直接表现出来,他们没有

模仿蜘蛛的动作,而是

使用人类

形式将我们带入蜘蛛的世界,

以及舞蹈和音乐的结合艺术形式

我们找到了一种

将艾琳的研究

转化为新事物、美丽

而深刻的方法 schizokoza

确实成为了进入

迷人的蛛形纲动物世界的入口,

我们在舞蹈节、

音乐会

和科学节以及

艾琳的巡回科学展览

8 上进行了表演 有腿的相遇有一个

炼金术的过程,艺术依赖

于科学家的基础研究,

但同时打开

了了解

我们周围世界的入口点,也许现在你

明白我说艺术不是什么意思了

需要创意 当创意

与艺术相遇时,它们在 visc 中变得引人注目

邀请您体验

艺术如何将概念

和想法

转化为情感体验的绝妙例子

,现在 schizocoza

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所以

不要

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我的

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外国