Global Footprint of Indigenous Peoples in Contemporary Media

[Music]

[Music]

how did a story

that you’ve heard read or seen make you

feel

storytelling is universal to the human

experience

and it is surely as old as language

itself

i’m jan and i’m joy me and jan are

apache kiowa

native american twins and although we

were born in the united states

we lived in britain for 20 years and

grew up in england

as third culture kids as multimedia

storytellers specializing in digital

marketing and content development

we’ve mastered the art of telling

cross-cultural stories

in new immersive ways

johnny bow have you ever heard people

shout that iconic name

we’re actually direct descendants of

geronimo

he is known across the globe for being a

prominent leader of

several bands of the apache tribe and

his name is recognized as a war cry

in pop culture as indigenous peoples

our stories have echoed throughout

centuries

from petroglyphs to forklord paintings

to graphic novels

and now with the uptick in creating

digital simulations

in our physical world we’re utilizing

augmented reality

all these artistic expressions have a

global footprint

and personify the old adage show

don’t tell multimedia storytelling

humanizes your brand because of its

power to make emotional connections

to it in a way that no other method can

by pulling your audience into your own

story

people are moved by your authenticity

creating empathy that can nurture

and sustain customer loyalty for years

to come

so now we’re going to walk you through a

short journey of visual storytelling

from our native american ancestors other

indigenous tribes

and me we will give examples of art

forms from

ancient to traditional media and then

from contemporary to

immersive media giving you a unique

insight into a world of visual

storytelling that is not often in the

spotlight

first let’s look at a couple of examples

of ancient media art forms

what you see is a picture of kiowa tribe

history

painted on a bison hide the painted

timeline depicts the years

1833-1892

the image that you see now is of a

pictograph

that is drawings or or paintings on rock

this one was found at newspaper rock and

southwestern utah

now not only did tribes create these

images in order to record a history of

events

but it was also a means to showcase

ceremonial images and even maps of

hunting areas

so in ancient media before the time of

the book

a picture literally painted a thousand

words

now let’s look at a couple of examples

of traditional art forms

before the dawn of digital media a

famous kiowa photographer

from our maternal grandmother’s side was

horus pula

who lived from 1906 to 1984

his photographs celebrated the life of

his friends and family

and of his multi-cultural tribal

community

and told the story of native america of

the southern plains

during the mid 20th century and that

continued for the next 50 years

what you see here is a photograph from

the american indian exposition parade

in anadarko oklahoma in 1941.

this picture was also featured in an

exhibition

at the national museum of the american

indian in new york city in 2015

which we attended another renowned cairo

storyteller is robert redbird senior

who passed away in 2016 he was an

award-winning native american artist

who painted in order to preserve and

communicate the kiowa culture

he is known primarily for his

blanket-wrapped southern plains figures

and depiction of kiowa foreclore

what you see here is an image of robert

redbird’s painting called

the gathering now in 1967 he designed

the poster

for the u.s international open polo

tournament

when he met prince charles of wales

he was also served as a he also served

as a cultural consultant

on server motion pictures including the

1990 film

dances with wolves and oklahoma declared

on

june 7 2003 that it was robert redbird

day

to celebrate the artist’s many creative

and humanitarian achievements

it’s imperative to take the time to

ensure your messaging

your story has authentic voices

inclusion and representation will

provide that depth

and that accuracy in your storytelling

to give your work the respect

it deserves from these traditional

mediums we

move into the digital space in

contemporary media

with an example of a digital platform

which highlights the work of native

american master writers and storytellers

called native realities digital led by

lee francis

in comics and graphic novels native

american characters

aren’t usually very prominent but since

2015

native realities has published more than

a dozen comics

and graphic novels with award-winning

titles such as

tales of the mighty code talkers dear

women

and native entrepreneurs that have

continued to delight and inform

audiences throughout the world

what you see here is an image of the

cover of its latest crowd-funded graphic

novel

ahau a werewolf comic anthology which

features new comics by accomplished

writers

and illustrators distributed by native

realities distribution arm

red planet books and comments native

realities is also the founder of the

indigenous

comic con

keep your ear to the ground for emerging

artists

what’s been seems to lead to what’s next

so collaborate to innovate

so we’ve talked about ancient

traditional and contemporary media in

indigenous storytelling

but now we’re going to walk you through

an example of augmented reality

which is a new type of immersive media

so jan what exactly is it augmented

reality

overlays digital content onto the

physical world

as if the object is actually there with

you

in your own space as an indigenous

visual artist also known as kiowa jan

i tell cross-cultural stories in new

immersive ways

my digital art series indigenous planet

is based on the four seasons

one of the seven lessons of the native

american medicine will

where i digitally painted the spring

summer and

upcoming winter of my life

what you see here is indigenous planet

in augmented reality

filmed by using mnbit viewing room an

augmented reality app

on location at the oculus in downtown

manhattan

yellow represents spring when i was born

in oklahoma

where the bison used to roam freely red

represents summer

when i grew up in england black

represents fall

where i currently live in new york city

white represents winter

where we all just might end up in space

the medicine wheel shows where each of

these stages of my life

falls on the colors of the wheel

you can see the indigenous planet ar

show in the minbit viewing room app

wherever you are in the world be it

inside or outside

at indigenousplanet.art

augmented reality allows you to engage

people’s imaginations

and expand people’s beliefs your story

becomes an immersive experience and not

simply

something visual we are in the age of

merging old and new ways of storytelling

with digital tools that open a number of

possibilities of

interactions across international

borders without the need to even travel

so we’ve looked at examples of ancient

media which

gives you a look into what life was like

before the time of the book

and then more traditional ways of

storytelling with photographs and four

floor paintings

which stand by time and place so we get

a glimpse into other people’s lives in

those moments

the graphic novel example took us into

contemporary media

where we absorb digital stories with

words and visuals

and even sound my augmented reality art

show created a digital interactive

experience

in a physical world which provides a

unique

method of entry into storytelling by

completely involving your audience

so let’s consider the question we asked

at the beginning of our talk

how did a story that you’ve heard read

or seen

make you feel as stories let us see

how others think and feel we empathize

with the storyteller and even with the

people around us

who are engaging in this shared

experience

in order to nurture the level of

customer loyalty needed for long-term

business success

you have to make genuine connections

with your audience

at every touch point throughout the

customer journey

tell stories that share your

vulnerability are sincere

and emotionally compelling

when your audience is fully immersed in

the story you are telling them

they will experience it along with you

you will be in control of the experience

and the customer will follow you

wherever you want to take them

indigenous storytelling has echoed

throughout centuries with

art forms that have a global footprint

connecting with the traditions of

peoples

from every continent celebrating

universal narratives of

family unity strength and perseverance

stories that can be retold whomever and

wherever you are

feel the impact learn the innovation

and be inspired as we say in

iowa a whole debate hao

thank you very much

you

[音乐]

[音乐]

你听过或看过的故事是如何让你

觉得

讲故事对人类

经验来说是普遍的,它肯定和语言本身一样古老

我是简,我很高兴我和简

apache kiowa

美国原住民双胞胎,虽然我们出生在美国,但

我们在英国生活了 20 年,

在英国长大,

作为第三文化的孩子,作为多媒体

故事讲述者,专门从事数字

营销和内容开发,

我们已经掌握了讲述

跨文化的艺术。

沉浸式新方式的文化故事

johnny bow 你有没有听过人们

大喊这个标志性的名字

我们实际上是 geronimo 的直系后裔

他因是

apache 部落几个乐队的

杰出领袖而享誉全球

作为土著人民,流行文化中的战争呐喊声

几个世纪以来,我们的故事一直在回响,

从岩画到 forklord 绘画

再到图画小说

,现在随着创建

数字模拟的兴起

在我们的现实世界中,我们正在利用

增强现实

所有这些艺术表达方式都具有

全球影响力

并体现了古老的格言节目

不要讲多媒体讲故事使

您的品牌人性化,因为

它具有以一种其他方法无法与之建立情感联系的能力 可以

通过将您的听众吸引到您自己的

故事中,

人们会被您的真实性所感动,

从而产生同理心,可以在

未来几年内培养和维持客户忠诚度,

因此现在我们将带您完成一段来自美国本土祖先

的视觉故事的短途旅行

土著部落

和我,我们将给出

古代到传统媒体,然后

从当代到

沉浸式媒体的艺术形式的例子,让您

对一个不经常成为焦点的视觉叙事世界有独特的洞察力

首先让我们看几个

例子 古代媒体艺术形式

你所看到的是一幅基奥瓦部落

历史

画在野牛上隐藏画

时间线描绘了 1833-1892 年

您现在看到的图像是一个

象形文字

,它是在岩石上的绘画或绘画

这是在报纸岩石和犹他州西南部发现的

现在不仅部落创造这些

图像是为了记录历史

事件,

但它也是展示

仪式图像甚至狩猎区地图的一种方式,

因此在本书时代之前的古代媒体中

一张图片字面上画了一千个

现在让我们看几个

在黎明之前的传统艺术形式的例子 数字媒体

我们外祖母身边的一位著

名基奥瓦

摄影师是 horus pula,他从 1906 年到 1984 年

生活,他的照片庆祝了

他的朋友和家人

以及他的多元文化部落

社区的生活,

并讲述了南部平原美洲原住民的故事。

20 世纪中叶以及

接下来的 50 年

,你在这里看到的是一张

来自美国印第安人博览会游行

的照片 1941 年,俄克拉荷马州的黑暗。

这张照片还出现

在 2015 年纽约市美洲印第安人国家博物馆的展览中

,我们参加了另一位著名的开罗

讲故事者是

2016 年去世的老罗伯特·雷德伯德,他是一位

屡获殊荣的本地人 美国艺术家

,他的绘画是为了保存和

传播基奥瓦文化,

他主要以其

裹着毯子的南部平原人物

和对基奥瓦前景色的描绘而闻名

您在这里看到的是罗伯特·雷德伯德 (robert

redbird) 的画作,称为

现在的聚会,他在 1967 年设计

美国国际马球公开赛海报,

当他遇到威尔士王子查尔斯时,

他还担任过他还担任

服务器电影的文化顾问,包括

1990 年的电影

与狼共舞,俄克拉荷马州

2003 年 6 月 7 日宣布是罗伯特 红鸟

日庆祝艺术家的许多创造性

和人道主义成就

,必须花

时间 确保您的消息传递

您的故事具有真实的声音

包含和表示将

在您的讲故事中提供深度和准确性,

以使您的工作

从这些传统媒体中得到应有的尊重我们

以数字平台的示例进入当代媒体的数字空间

突出美国原住民

大师作家和讲故事的人的作品,

由李·弗朗西斯(lee francis)领导的本土现实数字

漫画和图画小说

美国本土人物

通常不是很突出,但自 2015 年以来,

本土现实已经出版

了十多本漫画

和图画小说,获得了奖项- 获奖

作品,例如

强大的密码说话者的故事,亲爱的

女性

和本土企业家,它们

继续为世界各地的观众带来欢乐和信息

,您在这里看到的

是其最新的众筹图画

小说《

狼人漫画选集》的封面图片

以有成就的

作家

和插画师的新漫画为特色 由本地

现实发行机构分发的

演员 红色星球 书籍和评论 本地现实也是土著漫画展的创始人 密切关注新兴艺术家

已经发生的事情似乎会导致接下来的

事情 所以合作创新

所以我们已经讨论过 土著故事讲述

中的古代传统和当代媒体,

但现在我们将向您

介绍增强现实的示例,

它是一种新型的沉浸式媒体,

所以 jan 它到底是什么增强

现实

将数字内容叠加到

物理世界上

,就好像物体一样 作为土著视觉艺术家,实际上与

您同

在,

也被称为 kiowa jan

我以全新的身临其境的方式讲述跨文化故事

我的数字艺术系列土著

星球基于四个季节

,是美洲原住民的七个课程之一

医学将

在那里我以数字方式绘制

我生命中的春夏和即将到来的冬天

你在这里看到的是土著

使用 mnbit 观景室拍摄的增强现实中的美国星球 位于曼哈顿市中心 oculus 的

增强现实应用程序

黄色代表我出生

在俄克拉荷马州的春天,

那里野牛曾经自由漫步 红色

代表

我在英国长大的夏天 黑色

代表 秋天

,我目前住在纽约市

白色代表冬天

,我们都可能最终进入

太空 药轮显示

我生命的每个阶段都

落在轮子的颜色上

你可以

无论您身在何处,无论您身在何处,minbit 观影室应用程序都可以在土著星球

内部或外部

。艺术

增强现实让您可以激发

人们的想象力

并扩大人们的信念,您的故事

将成为一种身临其境的体验,而不仅仅是

我们在融合旧时代的视觉效果

以及使用数字工具讲述故事的新方式,

这些工具开启了跨国际互动的许多

可能性

甚至不需要旅行就可以跨越国界,

因此我们查看了古代媒体的示例,这些示例

让您了解

本书时代之前的生活

,然后是更传统的

讲故事方式,包括照片和四层

楼的

画作 并且放置以便

我们在那些时刻瞥见其他人的生活

图形小说示例将我们带入

当代媒体

,我们用文字和视觉吸收数字故事

,甚至声音 我的增强现实艺术

展在物理世界中创造了数字互动

体验

通过让您的听众完全参与进来,提供了一种独特的讲故事的方法,

所以让我们考虑一下

我们在演讲开始时提出的问题

,您听过

或看过的

故事如何让您感受到故事让我们

了解其他人的想法和 觉得我们

同情讲故事的人,甚至是

我们周围参与这种共同

经历的人

,以培养他们

长期业务成功所需的客户忠诚度水平

您必须

在整个客户旅程的每个接触点

与您的

受众建立真正的联系

正在告诉他们

他们将与您一起体验它

您将控制体验

,客户将跟随您到

任何您想带他们去的地方

本土故事讲述

在几个世纪以来与

具有全球足迹的艺术形式相呼应,与

人民的传统联系在一起

来自各大洲 庆祝

家庭团结力量和毅力的普遍叙述

可以重述的故事

无论您身在何处

感受到影响 学习创新

并受到启发 就像我们在

爱荷华州所说的那样 整个辩论 hao

非常感谢您