One is greater than a million.

[Music]

hi

my name is anj i’m a documentary

filmmaker and i have been for the last

seven years

for the purpose of this talk though i’d

like to take you back a year

the month was may 2020 roughly three

months after covert 19 was declared a

pandemic

what began as complete and utter

disbelief about the situation we found

ourselves in and the devastating effect

it was having on the world

was starting to transform into something

that resembles a mind-numbing hum

we’d spent night after night after night

consuming numbers the number of people

who were infected

the number of people who were dying the

number of people

who were losing their jobs the number of

migrants unable to return home

the numbers kept coming for us every

time we turned on the television

opened a newspaper or logged into

twitter

it was like one harrowing statistic

after another until it all just sort of

became white noise

it’s like when you’re living on a quiet

street and a single car passes by and

that’s enough to wake you up but if

you’re living next to the highway the

sound of a million cars sort of

transforms into a low consistent hum

that you can peacefully sleep through

and you don’t even notice

not noticing is a dangerous place to be

in and not noticing is

is a privilege this phenomena according

to psychologists

is called psychic numbing the effects of

this have been felt across some of the

world’s

biggest natural disasters wars

atrocities genocides

as the numbers of victims increased in

all of these cases

our willingness to help has usually

decreased

which led psychologists to this

unsettling realization that the value of

a single human life

diminishes against the backdrop of a

larger tragedy

when you’re a documentary filmmaker or a

journalist or an activist

or a member of a not-for-profit

organization like i

am right now and the sole focus of your

work is to drive change to drive action

in the face of a crisis

how do you cut through this tension the

flip side of this phenomena is called

the singularity effect which

is that an individual life in and of

itself is very valued

the plight of an individual affects us a

great deal and we usually go to great

lengths to protect a single person

or to rescue them from distress but as

the numbers increase

our ability to empathize doesn’t quite

heap up in fact mother teresa herself at

some point said

if i look at the mass i will never write

if i look at the one

i will in may 2020 as the united states

approached 100 000 pandemic deaths

simone landon assistant graphics editor

at the new york times grappled with a

similar problem

by this time the authorities as well as

the people had begun to get desensitized

to all of these horrifying statistics

and

were starting to settle into what we can

call a bit of an apathy slumber

so she came up with the idea of

compiling obituaries of

corvid 19 victims from across the

country big cities and small

each name was accompanied by one line

about the victim

fred walter gray 75 washington

liked his bacon and hash browns crispy

minnett golf cooper 79 louisiana

loved big and told people she loved them

all the time

kyra schwartz 33 new york volunteered

for pet rescue organizations

philip thomas 48 chicago his walmart

co-workers were like his family

these names and several others filled up

the front page of the new york times

each one a reminder that behind every

number is to the real human being

that was lost to this pandemic the front

page wasn’t even news anymore it was a

statement it was a call to action

this phenomena isn’t unique to our times

though

estimates say we lost 20 million people

in the first world war

close to 80 million in the second six

million jewish lives were lost during

the holocaust

and over a million people were reported

to have died during the india-pakistan

partition

and yet these numbers by themselves have

historically failed to spark meaningful

action

my first emotional response to the

partition of india despite having

studied about it in school early in my

life was actually after my grandmother

narrated her story to me

one summer vacation back when i was a

kid

my grandmother my nani is easily one of

the best storytellers i know and

she’s had a significant impact in not

just shaping my most intrinsic personal

values but also my approach to

filmmaking

i didn’t know it yet but as my 10 year

old self lay next to her on a warm

summer night

listening to stories of her 10 year old

self separated from her family

walking on foot from a village in

pakistan to her new home in india

the seeds of a lifelong obsession with

storytelling were being sown

the narrative of the partition is often

told through the monumental violence

appreciated chiefly for its magnitude

yet the true story of the subcontinent

is very often the story of its people

ordinary people living in

extraordinarily difficult times

experiencing unimaginable personal loss

hurt

and pain that runs far deeper than a

number can truly capture

when years later i became a filmmaker

and it was time for me to fill in the

blanks and write the story more fully

i knew i had to look away from these

news debates and political rallies

i knew that it was to the memory keepers

that i must turn

like the people of hunderman a tiny

village along the border of india and

pakistan

following the indo-pak war of 1971

hunderman changed hands overnight

as the borders began to shift residents

ran for cover and several families were

separated from their loved ones

in 2017 members of the village embarked

on an unlikely enterprise

to assemble a museum of memories in an

attempt to safeguard their past

and leave a legacy behind for those who

come after them

[Music]

[Music]

foreign

but i am by no means a pioneer in this

art form

several have come before me the first

day project an archive of immigrant

voices narrating their first day in

america

the 1947 archive a rich library of

stories from the partition

and of course the humans of new york

each of these examples utilizing

powerful individual stories set against

the backdrop of a larger issue

to raise awareness and spark action

but what is it about stories that

compels us to respond to them

in such a meaningful way while it’s

impossible to point at a particular time

and place in the history of human

evolution

at which we first began telling stories

i think it’s fair to assume that we’ve

been practicing some form of it

since we developed the ability to

express ourselves through art or through

speech or even through action

thousands of years stories have

performed two primary functions

to connect and to inform the urge to

tell stories and to listen to them

is driven by first and foremost a very

basic desire to connect with those

around us

to find unique overlaps in decidedly

distinct personal experiences

and use them as the basis of forming

deep emotional connections

it’s the social glue that holds us

together an inference by the way

supported by

evolutionary psychologist robin dunbar

according to whom about 65 percent of

all human conversation

held in public places is usually gossip

but stories also serve a second even

more important function

long before we gained access to any form

of formal education

fables taught us the consequences of our

actions good and bad

they taught us how to survive in the

world how to avoid danger how to avoid

pain how to prosper

an instruction manual of sorts disguised

as fairy tales

a combination of these two functions to

connect and to inform

when used effectively can activate what

are called mirror neurons in our brain

responsible for mimicking activities or

emotions we watch unfold in front of our

eyes

scientists believe that these neurons

are responsible for enhancing empathy

and consequently

encouraging generous behavior and

sparking action

today i’m working for a cause that faces

some of the same challenges i mentioned

early on we have a youth mental health

crisis upon us

and systems of support have not been

able to keep up

young people are struggling across the

world right now and we must act

to inspire action i am once again

looking to rely

[Music]

they might seem like an old-fashioned

tool to us and that’s because they are

but that’s also why they’re so effective

stories are

and have been woven within the very

fabric of our existence for as long as

we can remember

and so they can sneak into rooms that

numbers are not allowed to enter

data may be able to wake people up from

a slumber but to pull them out of bed

it is to stories that we must earn thank

you

[音乐]

嗨,

我的名字是 anj,我是一名纪录片

制作人,过去七年来我一直是

为了这次谈话的目的,尽管我

想带你回到一年,

那个月是 2020 年 5

月,大约在隐蔽三个月后 19 日被宣布为

流行病开始时完全

不相信我们所处的情况

以及它对世界造成的破坏性影响

开始转变为

类似于我们一夜又一夜度过的令人麻木的嗡嗡声

夜间

消费人数

感染人数

死亡人数 失业人数

无法返回家园

的移民人数 每次打开电视打开报纸时,数字都会不断涌现

或登录

推特,

这就像一个接一个令人痛心的统计数据

,直到一切都

变成了白噪音

,就像你住在一条安静的

街道上,一辆汽车经过

这足以让你醒来,但如果

你住在高速公路旁边,

百万辆汽车的声音会

变成一种低沉的嗡嗡声

,你可以平静地睡过去

,你甚至不会注意到不注意

是一个危险的地方

身临其境而不注意

是一种特权,根据心理学家的说法,这种现象

被称为精神麻木,这种现象的

影响已经在世界上一些

最大的自然灾害中感受到 战争

暴行

种族灭绝 在所有这些情况下,受害者人数都在增加

我们愿意 帮助通常会

减少

,这导致心理学家

令人不安地意识到,

当你是纪录片制片人、

记者、活动家

或非政府组织的成员时,在更大的悲剧背景下,一个人的生命的价值会降低。

我现在这样的盈利组织,你工作的唯一重点

是推动变革,

在危机面前采取行动

这种现象的

另一面被

称为奇点效应,

即一个人的生命

本身就很受重视

,一个人的困境对我们影响

很大,我们通常

不遗余力地保护一个人

或 将他们从痛苦中解救出来,但

随着数字的增加,

我们的同情心并没有完全

增加,事实上,特蕾莎修女自己曾

说过,

如果我看弥撒,

如果我看

2020 年 5 月的弥撒,我永远不会写 美国

接近 100 000 例大流行病死亡 纽约

时报的助理图形编辑 simone Landon 正在

努力解决

类似的问题

,此时当局

和人民已经开始

对所有这些可怕的统计数据不敏感,

并开始适应 我们可以

称之为冷漠的沉睡,

所以她想出了为

来自

全国大城市和小城市

的 19 名 Corvid 受害者编写讣告的想法。 s 伴随着

关于受害者的

一句话 弗雷德沃尔特格雷 75 华盛顿喜欢他的培根和土豆煎饼 脆明尼特高尔夫库珀 79 路易斯安那州

爱大,并告诉人们她一直很爱他们

凯拉施瓦茨 33 纽约自愿

为宠物救援组织

菲利普托马斯 48 芝加哥 他的

沃尔玛同事就像他的家人一样,

这些名字和其他几个名字都填满了

《纽约时报》的头版,

每个人都在提醒人们,每个

数字的背后都是真正的人

,在这场大流行中失去了

头版 甚至不再是新闻了,它是一种

声明,它是一种行动呼吁,

这种现象并不是我们这个时代所独有的,

尽管

据估计,我们在第一次世界大战中失去了 2000 万人

,在第二次世界大战中,有

近 8000 万人丧生了 600

万犹太人的生命。

据报道

,在印巴分治期间,大屠杀

和超过 100 万人死亡,但这些数字本身在

历史上并没有引发有意义的

尽管我早年在学校里研究过印度分裂,但我对印度分裂的第一个情感反应

实际上是在我小时候的一个暑假

给我讲述她的故事之后,

我的祖母很容易

成为最好的人之一 我认识的讲故事的人,

不仅对塑造我最内在的个人

价值观产生了重大影响,而且对我的

电影制作方法产生了重大影响

她 10 岁时

与家人分离,

从巴基斯坦的一个村庄步行步行

到她在印度

的新家,正在播下终生痴迷于讲故事的种子。

它的规模,

但次大陆的真实

故事往往是其人民的故事,

普通人生活在

非常困难的时期

经历 g 难以想象的个人损失

伤害

和痛苦远比一个

数字能够真正捕捉到的更深

,多年后我成为了一名电影制片人

,是时候让我填补

空白并更充分地写故事了

我知道我必须远离这些

新闻辩论与政治

集会 2017 年,轮班居民

四处奔走,几个家庭

与亲人失散,

村里的成员开始

了一项不太可能的事业

,组建了一个记忆博物馆,

试图保护他们的过去,并为追随他们

的人留下遗产

[ 音乐]

[音乐]

外国的,

但我绝不是这种艺术形式的先驱,

第一天就有几个人来到我面前,

项目是一个移民声音档案,

讲述他们的故事 在美国的第一天,

1947 年归档了来自分区的丰富故事库

,当然还有纽约的人类

这些例子中的每一个都利用

在更大问题的背景下设置的强大的个人故事

来提高认识并引发行动,

但它是关于什么的

迫使我们

以如此有意义的方式回应它们的故事,而我们

不可能指出

人类

进化史上我们第一次开始讲故事的特定时间和地点,

我认为假设我们一直在练习一些故事是公平的

自从我们发展出

通过艺术、言语甚至行动来表达自己的能力以来,它的形式

数千年来,故事已经发挥

了两个主要功能,

以连接和传达讲故事和聆听故事的冲动

,这首先是由

与我们周围的人建立联系的非常基本的愿望,

在明显不同的个人经历中找到独特的重叠,

并将它们用作基础 形成

深层情感

联系的社会粘合剂 将我们联系在一起的社会

粘合剂 进化心理学家罗宾·邓巴支持的推论

根据他的说法,在公共场所进行的所有人类对话中,大约 65%

通常是八卦,

但故事也能起到

更重要的作用

早在我们获得任何形式的正规教育之前就具有重要的功能

寓言教会了我们

行为的好与坏的后果

它们教会了我们如何在世界上生存

如何避免危险 如何避免

痛苦 如何繁荣

一本伪装的指导手册

就像童话故事一样

,这两种功能的结合

可以在有效使用时进行连接和通知,可以激活

我们大脑中所谓的镜像神经元

,这些神经元负责模仿我们在眼前展开的活动或情绪科学家认为,这些神经元

负责增强 同理心

并因此

鼓励慷慨的行为并

激发

行动 今天,我正在为一项面临

一些与我早先提到的相同

挑战的事业而工作

必须采取

行动激发行动 我再次

希望依靠

[音乐]

它们对我们来说似乎是一种过时的

工具,那是因为它们是,

但这也是为什么它们如此有效的

故事已经

并且已经被编织在

织物中 只要我们能记住我们的存在

,他们就可以潜入

不允许数字输入

数据的房间,也许能够将人们

从沉睡中唤醒,但要把他们从床上拉起来,

这是我们必须赚取的故事 谢谢