Illuminating photography From camera obscura to camera phone Eva Timothy

Transcriber: Andrea McDonough
Reviewer: Bedirhan Cinar

Let me guess,

you’ve got Facebook albums full of photos.

You have photos on your computer desktop,

on your mobile phone,

on your bedroom wall.

You see photos in magazines and newspapers,

on the side of buses,

and of course, in your family albums.

We take photos for granted in a major way.

But, creating a picture

that looked exactly like the person or thing

that you were photographing wasn’t always obvious.

In fact, in the past, it was a big mystery.

How could you, in essence,

take your reflection in the mirror

and freeze it in there?

In the 9th century,

the Arab scientist Alhazen

had come up with the idea

of using the camera obscura,

which was literally a dark room, or box,

with a single, small hole in one side that let light through.

This would project the image outside into the wall inside.

During the Renaissance,

artists like Leonardo DaVinci used this method

to introduce 3-D scenes onto a flat plane

so that they could copy things,

like perspective, more easily.

In 1724, Johann Heinrich Schultz discovered

that exposing certain silver compounds to light

altered their appearance

and left marks wherever the light touched.

Essentially, Schultz found a way to record the images

that Alhazen was able to project,

but only for a little while.

Schultz’s images disappeared soon after he had made them.

It wasn’t until 1839 that people figured out

how to project images onto light-sensitive surfaces

that would retain the image after exposure,

and thus, photography was born.

At that point, it was mostly two inventors

who fought for the best way to make photos.

One was British scientist Henry Fox Talbot,

whose calotype process used paper

and allowed many copies to be made

from a single negative.

The other inventor, Louis Daguerre,

was an artist and chemist in France.

He developed something called a daguerreotype,

which used a silvered plate

and which produced a sharper image.

But the daguerreotype could only make positive images

so copies had to be made by taking another photo.

In the end, the daguerreotype won out

as the first commercially successful photographic process

mostly because the government made it freely available to the public.

So now that photography was available,

getting a picture of yourself would be a snap, right?

Well, not exactly!

This process still required a whole dark room

at the location of the photograph,

which was a big hassle.

Picture the early photographers lugging

enormous trailers with all their equipment

wherever they wanted to take a picture.

Not only that, but the early processes

had extremely long exposure times.

To get a good photo, you would have to stand perfectly still

for up to two minutes!

This led to development of inventions like

the head holder,

a wire frame that would hide behind you

while supporting your head.

It’s also why you don’t see people smiling

in early photographs.

It’s not that life was that bad,

it was just hard to keep a steady grin

for more than a few seconds,

so people opted for a straight-faced look.

And then George Eastman came along.

Eastman believed that everyone

should have access to photography,

and he spent many late nights

mixing chemicals in his mother’s kitchen

to try to achieve a dry plate photographic process.

This would allow exposed negatives

to be stored and developed later

at a more convenient place

instead of carting those dark rooms,

necessary for wet plates, around.

After starting a business,

which initially made dry plates,

Eastman eventually discovered plastic roll film

that would fit in hand-held, inexpensive cameras.

These cameras sold by the millions under the tag line,

“You push the button,

we do the rest.”

While Eastman was largely responsible

for making photography a universal pastime,

even he could not have dreamed of the ways

photography had since shaped the world.

It’s now estimated that over 380 billion photographs

are taken each year.

That’s more photographs each day

than were taken in the first hundred years

after photography was invented.

Say cheese!

抄写员:Andrea McDonough
审稿人:Bedirhan Cinar

让我猜猜,

你的 Facebook 相册里满是照片。

你的电脑桌面上、

手机上、

卧室墙上都有照片。

你会在杂志和报纸上看到照片,

在公共汽车的一侧

,当然还有在你的家庭相册中。

我们在很大程度上认为照片是理所当然的。

但是,创建一张

看起来与您正在拍摄的人或事物完全一样的

照片并不总是显而易见的。

事实上,在过去,这是一个很大的谜团。

从本质上讲,

你怎么能把你的镜像放在镜子里,

然后把它定格在那里?

在 9 世纪

,阿拉伯科学家

Alhazen 提出了使用暗箱的想法

,暗箱

实际上是一个暗室或盒子,

一侧有一个小孔,可以让光线通过。

这会将外部的图像投射到内部的墙壁中。

在文艺复兴时期,

像达芬奇这样的艺术家使用这种方法

将 3D 场景引入平面上,

以便他们可以

更轻松地复制透视等事物。

1724 年,约翰·海因里希·舒尔茨 (Johann Heinrich Schultz)

发现将某些银化合物暴露在光线下会

改变它们的外观,

并在光线接触到的任何地方留下痕迹。

从本质上讲,舒尔茨找到了一种方法来记录

Alhazen 能够投射的图像,

但只是一小段时间。

舒尔茨的图像在制作后不久就消失了。

直到 1839 年,人们才想出

如何将图像投射到感光表面

上,这样曝光后图像会保留下来

,因此摄影诞生了。

那时,主要是两位发明家

为最好的照片制作方式而奋斗。

其中一位是英国科学家亨利·福克斯·塔尔博特,

他的刻板法使用纸张,

并允许

从一张底片制作许多副本。

另一位发明家路易斯·达盖尔

是法国的艺术家和化学家。

他开发了一种叫做银版照相法的东西,

它使用镀银板

,可以产生更清晰的图像。

但银版只能制作正面图像,

因此必须通过拍摄另一张照片来制作副本。

最终,银版照相法

成为第一个商业上成功的摄影工艺,

主要是因为政府将其免费提供给公众。

所以现在有了摄影,拍

一张自己的照片就很容易了,对吧?

嗯,不完全是!

这个过程在照片的位置仍然需要一个完整的暗室

这是一个很大的麻烦。

想象一下早期的摄影师

带着他们所有的设备拖着巨大的拖车去

任何他们想拍照的地方。

不仅如此,早期工艺的

曝光时间也非常长。

要拍出好照片,您必须完全静止不动

长达两分钟!

这导致了诸如头架之类的发明的发展

一种可以在支撑头部的同时隐藏在您身后的线框

这也是为什么你在早期照片中看不到人们微笑的原因

并不是生活那么糟糕

,只是很难保持稳定的

笑容超过几秒钟,

所以人们选择了板着脸。

然后乔治伊士曼出现了。

伊士曼相信每个人都

应该有机会接触摄影

,他花了很多个深夜

在母亲的厨房里混合化学物质,

试图实现干版摄影过程。

这样一来,暴露的底片就可以

在以后更方便的地方储存和显影,

而不是把湿板所必需的那些暗室运到

周围。

伊士曼创办了

一家最初生产干版的公司后,

最终发现了

适合手持式廉价相机的塑料胶卷。

这些相机在标语下以

“您按下按钮,

剩下的事情交给我们”的口号售出数百万。

虽然伊士曼主要

负责使摄影成为一种普遍的消遣,但

即使是他也无法想象

摄影已经塑造了世界。

现在估计每年拍摄超过 3800 亿张照片

这比摄影发明后

的头一百年里每天拍摄的照片还要多

说“茄子!