Making a TEDEd Lesson Synesthesia and playing cards

In this short video,

we’re going to show you
how we used animation

to make custom playing
cards to do magical tricks

in TED-Ed’s Lesson on synesthesia.

Synesthesia is a neurological condition

in which two or more
senses are paired together

to create a completely new experience.

For example, many synesthetes see letters

and numbers in colors,

even when they are printed in black.

Or they can taste certain words.

For instance, jail tastes like bacon.

Because synesthesia generally involves

the brain pairing up two or more senses,

we paired up playing cards

with unique,

colorful,

and visceral symbols.

We then used an animation technique

called stop motion

to manipulate the cards in ways

that would be otherwise
physically impossible.

And as the cards were flipping,

shuffling,

and sliding,

we used a mixture of animation and reality

to ensure that the symbols on the cards

did their part to explain
the nuances of synesthesia.

This type of animation is very
difficult to pull off

without some planning first.

A storyboard is a series of still images

that basically serve as a road map

for an animation from beginning to end.

An animatic is a storyboard in motion.

By making the animatic,

we were able to review the digital
motion for each shot,

which allowed us to progressively
work out timing,

camera positioning,

and, most importantly,

any challenges we anticipated

in the final animation process.

How many hands do you need
to shuffle a deck of cards?

Here, we wanted to emphasize
each nucleotide

in the DNA sequence

and stop motion allows for more control.

By shuffling between individual frames,

we could ensure that each card

had a controlled amount of screen time,

in this case, three frames,

and that the card’s placement
was consistent.

But sometimes four hands
just isn’t enough.

We use this trick a lot in this lesson,

all thanks to one secret ingredient:

Play-Doh!

By molding the Play-Doh
into different sized pyramids,

the cards can be held
in different positions,

always keeping the pyramid big enough

to support the card,

but small enough to not be seen

and to not cast its own revealing shadow.

Making an animated movie

is like making a delicious layer cake.

It’s up to the animators

to create the many planes, or layers.

The use of green screen

enables us to shoot
individual elements moving,

and to later assemble those layers

one on top of the other.

Using software, we key
out the green color,

both on the background

and Play-Doh.

Layer the cards,

add the hands,

insert a background,

and if you planned
your ingredients carefully,

everything should come
together just right.

So, grab some fishing wire,

glue,

masking tape,

chopsticks,

and whatever else you can find.

We’d love to see you make some of your own

animated illusions.

在这个简短的视频中,

我们将向您
展示我们如何使用

动画制作自定义
扑克牌,以

在 TED-Ed 的联觉课程中表演魔术。

联觉是一种神经系统疾病

,其中两种或多种
感觉配对在一起

以创造全新的体验。

例如,许多联觉者会看到

彩色的字母和数字,

即使它们是黑色的。

或者他们可以品尝某些词。

例如,监狱尝起来像培根。

因为联觉通常

涉及大脑将两种或多种感官配对,所以

我们将扑克牌

与独特、

多彩

和本能的符号配对。

然后,我们使用了一种称为定格动画的动画技术

,以在
物理上不可能的方式来操纵卡片。

当卡片在翻转、

洗牌

和滑动时,

我们混合使用了动画和现实,

以确保卡片上的符号能够

发挥作用来解释
联觉的细微差别。

如果没有事先计划,这种类型的动画
很难完成

故事板是一系列静止图像

,基本上作为动画从头到尾的路线图

样片是一个动态的故事板。

通过制作动画,

我们能够
查看每个镜头的数字运动,

这使我们能够逐步计算
时间、

相机位置,

以及最重要的是,

我们

在最终动画过程中预期的任何挑战。

洗一副牌需要多少手?

在这里,我们想强调

DNA 序列中的每个核苷酸,

并且定格动画允许更多的控制。

通过在各个帧之间进行洗牌,

我们可以确保每张卡片

都有一个受控的屏幕时间,

在本例中为三帧,

并且卡片的位置
是一致的。

但有时
四只手是不够的。

我们在本课中经常使用这个技巧,

这要归功于一个秘密成分:

Play-Doh!

通过将 Play-Doh 塑造
成不同大小的金字塔

,卡片可以
放在不同的位置,

始终保持金字塔足够大

以支撑卡片,

但又小到不被看到

,也不会投射出自己暴露的阴影。

制作动画

电影就像制作美味的千层蛋糕。

由动画师

来创建许多平面或层。

绿幕的使用

使我们能够拍摄
移动的单个元素,

然后将这些图层一层

一层地组装起来。

使用软件,我们

在背景

和 Play-Doh 上抠出绿色。

将卡片分层,

添加手,

插入背景

,如果你
仔细计划你的成分,

一切都
应该恰到好处。

所以,拿一些钓鱼线、

胶水、

胶带、

筷子

和任何你能找到的东西。

我们很乐意看到您制作一些自己的

动画幻象。