What makes a poem a poem Melissa Kovacs

Muhammad Ali spent years training
to become the greatest boxer

the world had ever seen,

but only moments to create
the shortest poem.

Ali captivated Harvard’s
graduating class in 1975

with his message of unity and friendship.

When he finished,
the audience wanted more.

They wanted a poem.

Ali delivered what is considered
the shortest poem ever.

“Me, we.”

Or is it “me, weeee”?

No one’s really sure.

Regardless, if these two words are a poem,
then what exactly makes a poem a poem?

Poets themselves have struggled
with this question,

often using metaphors to approximate
a definition.

Is a poem a little machine?

A firework?

An echo?

A dream?

Poetry generally has certain
recognizable characteristics.

One - poems emphasize language’s
musical qualities.

This can be achieved through
rhyme, rhythm, and meter,

from the sonnets of Shakepeare,

to the odes of Confucius,

to the Sanskrit Vedas.

Two - poems use condensed language,

like literature with all the water
wrung out of it.

Three - poems often feature
intense feelings,

from Rumi’s spiritual poetry

to Pablo Neruda’s “Ode to an Onion.”

Poetry, like art itself, has a way
of challenging simple definitions.

While the rhythmic patterns
of the earliest poems

were a way to remember stories
even before the advent of writing,

a poem doesn’t need to be lyrical.

Reinhard Döhl’s “Apfel”

and Eugen Gomringer’s “silencio”

toe the line between visual art
and poetry.

Meanwhile, E.E. Cummings wrote poems
whose shapes were as important

as the words themselves,

in this case amplifying the sad loneliness
of a single leaf falling through space.

If the visual nature of poetry
faded into the background,

perhaps we’d be left with music,

and that’s an area that people
love to debate.

Are songs poems?

Many don’t regard songwriters as poets
in a literary sense,

but lyrics from artists like Paul Simon,

Bob Dylan,

and Tupac Shakur

often hold up even without the music.

In rap, poet elements like rhyme,
rhythm, and imagery

are inseparable from the form.

Take this lyric from the Notorious B.I.G.

“I can hear sweat trickling
down your cheek

Your heartbeat sound
like Sasquatch feet

Thundering, shaking the concrete.”

So far, all the examples we’ve seen
have had line breaks.

We can even imagine the two words
of Ali’s poem organizing in the air -

Me, We.

Poetry has a shape
that we can usually recognize.

Its line breaks help readers navigate
the rhythms of a poem.

But what if those line breaks disappeared?

Would it lose its essence as a poem?

Maybe not.

Enter the prose poem.

Prose poems use vivid images
and wordplay

but are formatted like paragraphs.

When we look at poetry less as a form
and more as a concept,

we can see the poetic all around us:

spiritual hymns,

the speeches of orators like
Martin Luther King, Jr.,

JFK,

and Winston Churchill,

and surprising places like social media.

In 2010, journalist Joanna Smith tweeted
updates from the earthquake in Haiti.

“Was in b-room getting dressed
when heard my name.

Tremor. Ran outside through sliding door.

All still now. Safe. Roosters crowing.”

Smith uses language in a way
that is powerful, direct,

and filled with vivid images.

Compare her language to a haiku,

the ancient Japanese poetic form
that emphasizes bursts of brief intensity

with just three lines of five,
seven, and five syllables.

The waters of poetry run wide and deep.

Poetry has evolved over time,

and perhaps now more than ever,

the line between poetry,
prose, song, and visual art has blurred.

However, one thing has not changed.

The word poetry actually began
in verb form,

coming from the ancient Greek poiesis,
which means to create.

Poets, like craftsman, still work with
the raw materials of the world

to forge new understandings

and comment on what it is to be human
in a way only humans can.

Dartmouth researchers tested this idea
by asking robots to pen poetry.

A panel of judges sorted
through stacks of sonnets

to see if they could distinguish those
made by man and machine.

You may be happy to know that while
scientists have successfully

used artificial intelligence
in manufacturing,

medicine,

and even journalism,

poetry is a different story.

The robots were caught red-handed
100% of the time.

穆罕默德·阿里花了数年时间
训练成为世界上最伟大的拳击手

但只需要片刻才能创作
出最短的诗。

1975

年,阿里以团结和友谊的信息吸引了哈佛的毕业班。

当他完成时
,观众想要更多。

他们想要一首诗。

阿里发表了被
认为是有史以来最短的诗。

“我,我们。”

还是“我,weeee”?

没有人真正确定。

无论如何,如果这两个词是一首诗,
那究竟是什么让一首诗成为一首诗?

诗人自己一直在
为这个问题而苦苦挣扎,

经常使用隐喻来
近似定义。

一首诗是一台小机器吗?

烟花?

回声?

一个梦?

诗歌一般具有某些可
识别的特征。

一 - 诗歌强调语言的
音乐品质。

这可以通过
押韵、节奏和韵律来实现,

从莎士比亚

的十四行诗到孔子的颂歌,

再到梵文的吠陀经。

两首诗使用浓缩的语言,

就像把所有的水都
榨干了的文学。

从鲁米的精神诗

到巴勃罗·聂鲁达的“洋葱颂”,三首诗往往具有强烈的情感。

诗歌,就像艺术本身一样,有
一种挑战简单定义的方式。

虽然最早诗歌的节奏模式

甚至在写作出现之前就是一种记住故事的方式,但

一首诗不需要是抒情的。

Reinhard Döhl 的“Apfel”

和 Eugen Gomringer 的“沉默”

在视觉艺术
和诗歌之间划清界限。

与此同时,E.E.卡明斯写的诗
的形状

与文字本身一样重要,

在这种情况下,扩大了一片落叶落空的悲伤孤独感

如果诗歌的视觉本质
消失在背景中,

也许我们会留下音乐

,这是人们
喜欢争论的领域。

歌曲是诗吗?

许多人并不认为词曲作者
是文学意义上的诗人,

但保罗西蒙、鲍勃迪伦和图帕克沙库尔等艺术家的歌词

即使没有音乐也经常站得住脚。

在说唱中,韵律、节奏、意象等诗人元素

与形式密不可分。

以臭名昭著的 B.I.G. 中的这首歌词为例。

“我能听到汗水
顺着你的脸颊流下

你的心跳声像
野人的脚一样

雷鸣,摇晃着混凝土。”

到目前为止,我们看到的所有示例
都有换行符。

我们甚至可以想象
阿里诗中的两个词在空中组织起来——

我,我们。

诗歌
具有我们通常可以识别的形状。

它的换行符帮助读者驾驭
一首诗的节奏。

但是,如果这些换行符消失了怎么办?

它会失去作为一首诗的本质吗?

也许不会。

输入散文诗。

散文诗使用生动的图像
和文字游戏,

但格式像段落。

当我们少将诗歌视为一种形式
而更多地视为一种概念时,

我们可以看到我们周围的诗意:

精神赞美诗

,小马丁路德金,

肯尼迪

和温斯顿丘吉尔等演说家的演讲,

以及社交等令人惊讶的地方 媒体。

2010 年,记者乔安娜·史密斯在推特上
发布了海地地震的最新消息。

“听到我的名字时,他正在房间里穿衣服

颤抖。从推拉门跑出去。

现在一切都静止了。安全。公鸡在叫。”

史密斯
以有力、直接

和充满生动形象的方式使用语言。

将她的语言与俳句相比较

,这是一种古老的日本诗歌形式

仅用五、
七和五个音节的三行来强调短暂强度的爆发。

诗之水广而深。

诗歌随着时间的推移

而发展,也许现在比以往任何时候都更加

模糊,诗歌、散文、歌曲和视觉艺术之间的界限越来越模糊。

然而,有一件事没有改变。

诗歌这个词实际上
以动词形式开始,

来自古希腊语 poiesis
,意思是创造。

诗人和工匠一样,仍然使用
世界的原材料

来形成新

的理解,并以
只有人类才能做到的方式评论人类的意义。

达特茅斯学院的研究人员
通过让机器人写诗来测试这个想法。

一个评委小组对
成堆的十四行诗

进行分类,看看他们是否能
区分出人为和机器创作的那些。

您可能会很高兴地知道,尽管
科学家已经成功

地将人工智能
用于制造业、

医学

甚至新闻业,但

诗歌却是另一回事。

机器人
100% 的时间都被当场抓获。