Acting Poetry and Hypnosis An Entry into the Subconscious Mind

[Applause]

[Music]

as an actor

i can’t reach to play characters on the

big screen

but i have a thin body and a small face

not enough masculine grace you’re not

manlina

they say but today my feelings will see

the light of day

no no we’re not foes here it goes

i have some questions some apprehensions

such as why should he see a shrink if he

likes the color pink

and why should she do if she likes the

color clue

who decided these molds who made these

gender roles

what gives them their hold no there’s

nothing bored about calling someone tiny

about calling someone fat your ego

isn’t shiny and your morality is a death

your body is shaming which is just

blaming your own inadequacies on another

person’s

build no there’s nothing skilled you’re

just

wrong yes there’s no rhyme there but i

don’t really care i know i’m a poet and

i don’t need to show it

but here’s something you need to know

the size of your brain

it needs to grow

using poetry to tell my story feels

extremely cathartic

catharsis is when an open expression of

emotions

provides mental relief and

maybe the reason why we find art so

cathartic

is because it allows an open expression

of emotions

and today i’m going to talk about how

hypnosis

acting and poetry provide an entry to

the subconscious mind

clinical hypnosis is a technique that

allows us to access

the subconscious mind i

before i became an actor i studied

psychology

and i specialize as a clinical

hypnotherapist and past life regression

therapist

and i started treating patients using

clinical hypnosis

now in clinical hypnosis there are

multiple things that can be done

and it’s basically a technique that is

used to access

that hidden part of your mind that is

usually beyond our awareness

called the subconscious mind

there are multiple techniques of

inducing a hypnotic trance

and there are multiple things that can

be done once a trance is induced

memories can be accessed from a present

or past life

you can heal an inner child which is a

younger version of yourself

that may have experienced a trauma but

how is the subconscious mind related to

art and cinema

content can be called successful based

on the number of hearts it touches

in industry language content that

resonates with the majority

is called masi content

cinema and art simply represent the

collective fantasies

of the masses in literature we call

these

collective mental elements psychic

archetypes or the universal themes

present

across humankind which when effectively

embodied in literature

evoke a profound response from the

audience because we

share the same psychic archetypes

expressed by the author

psychoanalyst renowned psychoanalyst

carl jung

called these collective mental elements

the psychic

residue of repeated patterns of

experience

that survive in the collective

unconscious of the human race

and are expressed in dreams literature

fantasies and cinema

and when i look at my own work i think

this makes sense

my poems are based on my life

experiences with issues such as

gender roles body shaming and human

rights

and when i started sharing my story

through poetry

it seemed to resonate with the masses

thousands of people began liking and

sharing my poems

i remember a female son to be married

messaged me

about how her fiance wasn’t masculine

enough

but how my poem on gender roles made her

realize

that not his masculinity but his heart

is what is going to stay with them

my story resonated with her story the

content of my subconscious mind

resonated with the content of her

subconscious mind and it is

the shared mental feelings that strike a

chord

between audience and artists

in order to create content that

resonates with my audience’s

suffering or celebration i must first

explore

my own suffering or celebration and my

acting course was basically a deep dive

into self-exploration every day i had to

unlearn and confront

aspects of myself that i didn’t even

know existed

and then i had to channelize my emotions

into scenes characters and scripts

initially i kept getting feedback that

the audience couldn’t see the real

me in a scene that i was playing

my version of a character rather than

the character my acting coach told me to

just be myself in the scene

he told me to just bring myself and my

version of the character into the scene

rather than a super imposed version of

the character into the scene

and one day i was tired of trying to get

it right so i just brought myself into

the scene and tried being myself

that was the day that my scene got

applaused because it looked believable

organic and natural acting was no longer

about pretending

to be a character it was about becoming

the character

i started channelizing these new

versions of myself into male and female

characters

that i created for my content on

instagram

that’s tanya an exotic french diva

who doesn’t understand indian culture

but lives in mumbai

that’s tanya promoting a bollywood film

interviewing

actors rajkumar and others as part of

the movie promotion

another main character i create is

chacha chaturvedi

an old school man who grew up on a farm

in a village

he doesn’t understand millennials or

social media culture

but he only speaks in hindi another

female character i created is tiakabul

she is an interesting character with an

interesting backstory

the reason i love creating and acting

characters

is because when i get to act i get to

create the inner world of a new

individual

and operate from a new mental space

which is a refreshing feeling

and now my characters have developed an

audience of admirers

not to mention some awkward requests

such as wanting to tackle tanya’s

autograph

on their body can you imagine that the

same person who had been bullied

for not being masculine enough was now

being celebrated for his female

characters

this tells us something interesting

about stereotypes and biases

they limit us from accessing sides of

our own self that we suppress

and hide because we don’t really find

acceptance in society

and then we create characters and films

to live the drives that we didn’t allow

ourselves to live

but it’s the year 2020. it’s the

beginning of

a new decade and i believe it’s time to

start telling real stories that are a

departure from stereotypical content

because the more reality finds

representation online and in cinema

the more everyone’s collective anxiety

will be reduced

because we no longer need to pursue the

unrealistic ideals of beauty

and romance that we see in cinema

we’re all different and the more we

accept people for being original and

don’t condemn them

for being different the more freshness

we will start seeing

in society we need to learn to celebrate

art for what it is without forcing

people

into boxes or as the french say art

or art for the sake of art because

you’re not weird you’re original

my study of myself began

when i started attending the discourses

of spiritual leader puja gurudev

and it is his discourses that helped me

better understand

and nourish myself i believe

that if you can convert your scars into

your stars

then you’re an artist for example

growing up

i had acne this gave me scars across

my face many call them a disgrace

someone once told me every morning

through

splash your face with piss this is the

secret

to clear skin bliss a stranger once

pointed to my acne covered face and said

do you have chickenpox what are these

spots on your head

defeated i said no sorry this is my skin

and sorry it doesn’t grow

but about natural processes and hormones

who is expected to know

either i’m too fat or too thin or i have

a double chin

or i need to go to the gym to build my

mastic like

body society i am sorry that i am

scrawny

but it is your brain that needs a

workout not my body and for her double

chin do not make her feel sorry for

every food that someone holds carries

the story to be told

let’s be done with these more than these

narrow-minded worlds

because darling we are gold this is our

story

and it will be told because darling we

are

gold this is our story and it will be

told

[鼓掌]

[音乐]

作为演员

,大银幕上演不了角色,

但我瘦小脸蛋

不够阳刚之气,你不是

他们说的manlina,但今天我的感情见分晓

不,不,我们不是敌人

性别角色

是什么让他们有把握 没有

称某人

渺小 称某人肥胖 没有什么无聊 你的

自我没有光泽,你的道德是一种死亡

你的身体是可耻的 这只是

将你自己的不足归咎于另一个

人的

体格 没有什么是熟练的 您

了 诗歌讲述我的故事感觉

极度宣泄的

宣泄是当一种开放的情绪表达

提供精神解脱时,

也许我们发现艺术如此宣泄的原因

是因为它允许一种开放

的情绪表达

,今天我将讨论

催眠

表演和诗歌如何提供一个入口

潜意识

临床催眠是一种

允许我们

进入潜意识的技术,

在我成为演员之前,我学习

心理学

,我专攻临床

催眠治疗师和前世回归

治疗师

,我开始使用临床催眠治疗患者,

现在在临床催眠中 有

多种可以做的事情

,它基本上是一种技术,

用于访问

你头脑中通常超出我们意识的隐藏部分,

称为潜意识

有多种

诱导催眠恍惚的技术

,有多种事情

可以 一旦进入恍惚状态,

就可以从现在

或过去的 li 访问记忆

你可以治愈一个内心的孩子,这是

一个可能经历过创伤

年轻版本的自己 大多数

被称为 masi content

电影和艺术只是代表

大众在文学中的集体幻想,我们将

这些

集体心理元素称为心理

原型或人类普遍存在的主题

,当它们有效地

体现在文学中时,会

引起观众的深刻反应,

因为我们

分享

作者

精神分析家所表达的相同心理原型著名的心理分析家

卡尔荣格

将这些集体心理元素称为

重复经验模式的心理残余,这些经验模式

存在于人类的集体

无意识中,

并在梦境文学幻想和电影中表达

,当我看 在我自己的 w 好吧,我认为

这是有道理的

我记得一个要结婚的女儿子

给我发

信息说她的未婚夫不够阳刚

但我关于性别角色的诗如何让她

意识到,与他们在一起的不是他的男子气概,而是他的心

我的故事与她的故事产生了共鸣

我的潜意识

内容与她潜意识的内容产生共鸣

,正是

这种共同的心理感受

在观众和艺术家之间

引起了共鸣,为了创造出与观众的

痛苦或庆祝产生共鸣的内容,我必须首先

探索

我自己的痛苦或 庆祝活动,我的

表演课程基本上

每天都在深入自我探索,我不得不

忘记和面对我的

各个方面 如果我什至不

知道它的存在

,然后我不得不将我的情绪引导

到场景角色和脚本中,

最初我不断收到反馈

说观众

在我正在扮演

我的角色版本的场景中看不到真实的我,而不是 而

不是我的表演教练告诉

我在场景中做

我自己的角色,他告诉我把自己和我

的角色版本带入场景,

而不是将角色的超级强加

版本带入场景

,有一天我厌倦了 试图把

它做对,所以我只是把自己

带入场景并尝试做我自己

,那是我的场景得到

掌声的那一天,因为它看起来令人信服,

有机和自然的表演不再

假装是一个角色,而是成为

我的角色 开始将这些新

版本的自己转化为男性和女性

角色

但住在

孟买的 tanya 正在宣传一部宝莱坞电影

采访

演员 rajkumar 和其他人

作为电影宣传的一部分

我创造的另一个主角是

chacha chaturvedi

一个在村庄的农场长大的老学生,

他不了解千禧一代或

社交 媒体文化,

但他只说印地语

我创造的另一个女性角色是 tiakabul,

她是一个有趣的角色,有着

有趣的背景故事

我喜欢创造和表演角色的原因

是因为当我开始表演时,我可以

创造一个新个体的内心世界

并从一个新的心理空间进行操作,

这是一种令人耳目一新的感觉

,现在我的角色已经发展了

一群崇拜者

,更不用说一些尴尬的要求,

比如想要处理

他们身上 tanya 的签名,你能想象

那个被欺负的人吗?

现在

因为他的女性角色而庆祝不够男性化,

这告诉我们一些有趣的

事情 刻板印象和偏见,

它们限制我们接触

我们自己压抑

和隐藏的一面,因为我们并没有真正

在社会中找到接受

,然后我们创造角色和电影

来生活我们不允许自己生活的驱动力,

但它是 2020 年。这

是新十年的开始,我相信是时候

开始

讲述与陈规定型内容不同的真实故事了,

因为现实在

网上和电影中

的表现越多,每个人的集体焦虑

就越会减少,

因为我们不再 需要追求

我们在电影中看到的不切实际的美丽和浪漫理想,

我们都是不同的,我们越是

接受人们的原创性,而

不是谴责他们

的不同,

我们就会开始

在社会中看到更多的新鲜感,我们需要 学会庆祝

艺术的本来面目,而不是强迫

人们

进入盒子,或者像法国人所说的艺术

或为艺术而艺术,因为

你并不奇怪,你是原始人 最后

当我开始参加精神领袖 puja gurudev 的演讲时,我对自己的研究开始了

,正是他的演讲帮助我

更好地理解

和滋养了自己

长大后

我长了粉刺 这给了

我脸上的伤疤 许多人称它们为耻辱

有人曾经告诉我每天早上

用小便泼你的脸 这是

清除皮肤幸福的秘诀 一个陌生人曾经

指着我长满粉刺的脸说

你 有水痘你头上的这些斑点是什么被

打败了我说不抱歉这是我的皮肤

很抱歉它不会生长

但是关于自然过程和荷尔蒙

谁应该

知道我太胖或太瘦或者我

有双 下巴

或我需要去健身房建立我的

乳香般的

身体社会我很抱歉我

骨瘦如柴

但需要锻炼的是你的大脑而

不是我的身体她的双

下巴不要让她感到难过

有人拿着的每一种食物都承载

着要讲述的故事,

让我们结束这些,而不是这些

狭隘的世界,

因为亲爱的我们是金子,这是我们的

故事

,它将被讲述,因为亲爱的我们

金子,这是我们的故事,它将是

告诉