Amanda Gorman Using your voice is a political choice TED

[Music]

[Applause]

i

have two questions for you one

whose shoulders do you stand on and

two what do you stand for

these are two questions that i always

begin my poetry workshops with students

because at times

poetry can seem like this dead art form

for like old

white men who just seem like they were

born to be old like you know

benjamin button or something and i asked

my students these two questions

and then i share how i answer them which

is in these three sentences that go

i am the daughter of black writers were

descended from freedom fighters who

broke their chains and changed the world

they call me and these are words i

repeat in a mantra before

every single poetry performance in fact

i was like doing it in the corner over

there i was like making faces um

and so i repeat them to myself as a way

to gather myself because i’m not sure if

you know

but public speaking is pretty terrifying

um i know i’m on stage and i have my

heels

i look all glam but i’m horrified um

and the way in which i kind of

strengthen myself

is by having this mantra most of my life

i was particularly terrified of speaking

up because i had a speech impediment

which made it difficult to pronounce

certain letters

sounds and i felt like i was fine

writing on the page

once i got on stage i was worried my

words might jumble and stumble what was

the point

in trying not to mumble these thoughts

in my head if everything’s already been

said

before but finally i had a moment of

realization

where i thought if i choose not to speak

out of fear

then there’s no one that my silence is

standing for

and so i came to realize that i cannot

stand standing to the side

standing silent i must find the strength

to speak

up and one of the ways i do that is

through this mantra where i call back to

what i call

honorary ancestors these are people who

might not be related to you by blood

or by birth but who are more than worth

saying their names

because you stand on the shoulders all

the same and it’s only from the height

of these shoulders that we might have

the sight to see the mighty power

of poetry the power of language made

accessible accessible poetry

is interesting because not everyone is

going to become

a great poet but anyone can be and

anyone can enjoy poetry

and it’s this openness this

accessibility of poetry that

makes it the language people poetry has

never been the language barriers it’s

always been

the language of bridges and it’s this

connection making that makes

poetry yes powerful but also makes it

political one of the things that

irritates me to no end is when i get

that phone call and it’s usually from a

white man

and he’s like man amanda we love your

poetry we’d love to get you to write a

poem about this subject but don’t

make it political which to me

sounds like i have to draw a square but

not make it a rectangle

or like build a car and not make it a

vehicle it doesn’t make much sense

because all art is political

the decision to create the artistic

choice to have a voice

the choice to be heard is the most

political act of all

and by political i mean poetry is

political at least

three ways one what stories we tell

when we’re telling them how we’re

telling them if we’re telling them

why we’re telling them so so much about

the political beliefs we have about

what types of stories matter secondly

who gets to have those stories told i’m

talking who is legally allowed to read

who has the resources to be able to

write who are we reading in our

classrooms

says a lot about the political and

educational systems

that all these stories and storytellers

exist in

lastly poetry is political because it’s

preoccupied with people

if you look in history notice that

tyrants often go after the poets and the

creatives first they burn

books they try to get rid of poetry in

the language arts

because they’re terrified of them poets

have this

phenomenal potential to connect the

beliefs of the

private individual with the cause of

change of the public

the population the polity the political

movement and when you leave here i

really want you to try to hear

the ways in which poetry is actually at

the center

on our most political questions about

what it means to be a democracy

maybe later you’re going to be at a

protest and someone’s gonna have a

poster that says

they buried us but they didn’t know we

were seeds

that’s poetry you might be in your u.s

history class and your teacher may play

a video

of martin luther king jr saying we will

be able to hew

out of this mountain of despair a stone

of hope

that’s poetry or maybe even here in new

york city you’re going to go visit the

statue of liberty where there’s a sonnet

that declares as americans

give us you’re tired you’re poor your

huddled masses

yearning to be free so you see when

someone asks me to write a poem

that’s not political what they’re really

asking me is to not ask

charged and challenging questions in my

poetic work

and that does not work because poetry is

always at the pulse

of the most dangerous and the most

daring questions that a nation

or world might face what path

do we stand on as a people and what

future

as a people do we stand for and the

thing about

poetry is that it’s not really about

having the right answers it’s about

asking

these right questions about what it

means to be

a writer doing right by your words and

your actions

and my reaction is to pay honor to those

shoulders of people who use those pens

to roll over boulder so i might have a

mountain of hope

on which to stand so that i might

understand the power of telling stories

that matter no matter what

so that i might realize that if i choose

not out of fear

but out of courage to speak then there’s

something unique that my words can

become

and all of a sudden that fear that my

words my jumble and stumble

go away as i’m humbled by the thoughts

of thousands of stories a long time

coming that i know

are strumming inside me as i celebrate

those people in their time who stood up

so this little black girl could vine

as i celebrate and call their names all

the same these people

who seemed like they were just born to

be bold

maya angelou and ozaki shanghai phyllis

wheatley

lucille clifton gwendolyn brooks joan

wicks audrey lord and so

many more it might feel like every story

has been told before but the truth is

no one’s ever told my story in the way i

would tell it

as the daughter of black writers who

were descended from freedom fighters who

broke their chains and changed the world

they call me i call them and one day

i’ll write a story right

by writing it into tomorrow on this

earth

more than worth standing for

[音乐]

[掌声]

有两个问题要问你,一个

你站在谁的肩膀上,

两个你支持什么

这是两个问题

对于像老

白人一样,他们似乎

生来就老了,就像你知道

本杰明·巴顿之类的一样,我问了

我的学生这两个问题

,然后我分享了我如何回答他们

,在这三个句子中

我是女儿 黑人作家

是自由战士的后裔,他们

打破了枷锁,改变了

他们称之为我的世界,这些是我

在每一次诗歌表演之前在口头禅中重复的话

,事实上

我就像在那边的角落里做这件事

我喜欢做鬼脸 嗯

,所以我对自己重复一遍,作为一种让自己振作起来的方式

,因为我不确定

你是否知道,

但公开演讲非常可怕,

嗯,我知道我在舞台上,我有

我的高跟鞋 H 吓坏了,嗯

,我

增强自己

的方式是在我生命的大部分时间里都有这个口头禅

我一上台就在纸上写字 我担心我的

话可能会混乱和跌跌撞撞 如果之前一切都已经说过了,那么

努力不把这些想法喃喃自语有什么意义,

但最后我有一个意识到的时刻

,我想如果 我选择不

说话是因为害怕

然后没有人是我的沉默所

代表

的所以我开始意识到我不能

站在一边

沉默我必须

找到说话

的力量和我这样做的方法之一

通过这个咒语,我唤回

了我所谓的

名誉祖先,这些人

可能与你没有血缘

或出生关系,但他们非常值得

说出他们的名字,

因为你圣 在肩膀上

都是一样的,只有从

这些肩膀的高度,我们才能看到

诗歌的强大力量,语言的力量使人们

可以理解诗歌

是有趣的,因为不是每个人

都会

成为伟大的诗人,但 任何人都可以,

任何人都可以享受诗歌

,正是这种开放性这种

诗歌的可及性

使它成为人们的语言诗歌

从来没有成为语言障碍它

一直

是桥梁的语言,正是这种

联系使

诗歌变得强大但也使它成为

政治 最让

我恼火的一件事是当我

接到那个电话时,通常是一个白人打来的

,他就像男人阿曼达一样,我们喜欢你的

诗,我们很想让你写一

首关于这个主题的诗,但不要

不要让它变得政治化,这对我来说

听起来像是我必须画一个正方形而

不是让它变成一个矩形,

或者像造一辆汽车而不是让它成为一辆

汽车,这没有多大意义,

因为 使用所有的艺术都是政治性

的 决定创造艺术

的选择 有发言权 被倾听的选择是

所有行为中最具政治性的行为

,我所说的政治是指诗歌具有

政治性 至少

三种方式 一种

我们在讲述时讲述的故事 他们我们如何

告诉他们如果我们告诉他们

为什么我们要告诉他们这么多关于

我们对

哪些类型的故事很重要的政治信念其次

谁来讲述这些故事我在

说谁是法律允许的 阅读

谁有资源能够

写作我们在

课堂上阅读

谁说了很多关于政治和

教育系统

的所有这些故事和讲

故事的人

最后诗歌是政治性的,因为

如果你查看历史通知,它会全神贯注于人

暴君往往先追赶诗人和

创作者他们烧

书他们试图摆脱

语言艺术中的诗歌

因为他们害怕他们诗人

有这种

惊人的潜力 o 将个人的

信仰

公众变革

的原因、人口、政体、政治

运动联系起来,当你离开这里时,我

真的希望你尝试

听听诗歌实际上是如何成为

我们最政治化的中心的方式 关于

民主意味着什么的问题,

也许稍后你会参加

抗议活动,有人会有一张

海报,上面写着

他们埋葬了我们,但他们不知道我们

是种子

,你可能会在美国

历史课上写诗 你的老师可能会播放

一段

马丁路德金的视频,说我们将

能够

从这座绝望之山中凿出一块

希望之石,

那就是诗歌,或者甚至在

纽约市,你可能会去参观

自由女神像 那里有一首十四行诗

宣称美国人

给我们你累了你很穷你

拥挤的群众

渴望自由所以你看当

有人让我写一

首不政治的诗时他们真正

要我的是 不要

在我的诗歌作品中提出充满挑战和挑战性的问题,

这是行不通的,因为诗歌

总是处于一个国家或世界可能面临

的最危险和最

大胆的问题的脉搏中

,作为一个民族,我们将站在什么道路上,

未来会怎样

作为一个民族,我们代表着我们,而

关于

诗歌的问题在于,它实际上并不是要

获得正确的答案,而是要

提出

这些正确的问题,

即作为

一名作家通过你的言行正确行事意味着什么,

而我的反应是付出代价 向

那些用这些笔

在巨石上翻滚的人表示敬意,这样我就可以有一座

希望之山

可以站立,这样我就可以

理解讲述无论如何都重要的故事的力量,

这样我就可以意识到,如果我选择

不是出于恐惧,

而是出于勇气说出来,然后

我的话语可以变得独特

,突然之间,我害怕我的

话语我的混乱和

跌跌撞撞消失了,因为我对这个想法感到谦卑

当我庆祝

那些在他们那个时代站起来的人时,我知道很久以后成千上万的故事在我

心中

回荡 刚出

生就大胆

玛雅安吉卢和小崎 上

海菲利斯

惠特莉 露西尔克利夫顿 格温多林布鲁克斯 琼威克斯 奥黛丽洛德

等等,感觉每个故事

都曾被讲述过,但事实是

没有人以我会的方式讲述我的故事

讲述

黑人作家的女儿,他们

是自由战士的后裔,

他们打破枷锁,改变了

他们称之为我的世界

为了