As a Young Lesbian Queer Representation Saved Me

[Music]

there are things i can’t force

[Music]

i must adjust there are times when the

greatest change needed

is a change of viewpoint

[Music]

before i begin i’d like to acknowledge a

content warning about my talk

as you can see my talk discusses themes

of suicide

homophobia homophobic slurs and

repeatedly uses the word queer

in a reclaimed sense if any of these

things are uncomfortable or triggering

for you i advise you to click away from

the video

for a moment thanks

every queer person has a story of the

first time they saw another queer person

the light bulb moment a flash of

recognition

something that lay dormant in themselves

that they see active

in another for me

it was season two episode four of fox’s

hit teen drama

glee the series follows a group of

misfit teens performing in a show choir

at their mainly conservative high school

the episode in question centers around

two cheerleaders

brittany and santana kissing for the

very first time

i’ll never forget the moment that i saw

that kiss

i remember thinking to myself wait a

minute two girls are allowed

to kiss it was something i never even

thought of before

but the more that i did think about it

the more that i realized it was

something

i kind of wanted to do before i ever

heard the word lesbian or even

sexuality that kiss remained present in

my mind

and it was that kiss that launched my

journey into self-identity

and discovery that would lost last

throughout my entire jet my entire

adolescence

the theme of these this year’s

convention is the new age of

enlightenment and i believe no one

represents that theme better than my

generation

generation z gen z babies were born

anywhere from 1996

to 2012 and despite our young age we

have already made our mark on this world

climate change activism the black lives

matter movement

anti-gun violence protests these are all

things that my generation has taken an

active part

in participating in fun fact about gen z

we are actually the queerest generation

to exist thus far

according to a 2017 study by ipsis mori

66 of jen’s ears identify as

strictly heterosexual in comparison to

71 percent of millennials and 85

percent of but why is this

going to talk to you a little bit about

why queer representations specifically

on screen

matter so much to me and regardless of

your identity

it should matter just as much to you

now in order to have an educated

conversation about queer representation

on screen we first need to get

a baseline level of knowledge about how

queer people have been treated by the

film industry

and to do that we need to look to the

past and begin

by taking a look at the golden age of

hollywood which lasted from the early

1930s

until the late 1960s the pinnacle of the

film industry during this era was

something known as the studio system

wealthy producers created studios such

as mgm

20th century fox and others each of

which

had their own company of actors writers

directors and designers

all contracted under the specific

specific studios

to make movies the suits the studio

system ensured that these creatives were

given fair

livable wages but it often meant that

they had to sacrifice creative control

over their projects

together the heads of these studios

created a strict set of moral guidelines

any film produced under the studio

system had to follow

in order to be given a wide release the

set of rules was known as the haze code

one no picture shall lower the moral

standards of those who view it

hence the sympathies of the audience

shall not be thrown to the side of crime

wrongdoing evil or sin

two correct standards of life subject to

the requirements of drama

and entertainment shall be presented and

three

law human and natural shall not be

ridiculed

nor shall sympathy be created for its

violation

the haze code put a prohibition on any

studio system produced film

of nudity suggestive dancing superfluous

use of liquor

miscegenation ridicule religion lustful

kissing

scenes of passion and of course

discussions of

sexual perversity aka homosexuality

these guidelines put into place a system

in which no queer character could be

existing on a screen

in a studio system produced film unless

they were in some way punished

for their queer identity imagine being a

queer person

during this era going to see a movie

seeing a character on screen that for

some reason and or another

reminds you a little bit of yourself

watching that character

be brutally defeated the protagonists

celebrating that their evil

has been vanquished that sends the

message to that queer audience member

that not only is their queerness

something that they should be ashamed of

but it’s something that they deserve to

be punished for

now imagine every single movie you see

with a character that reminds you a

little bit of yourself

ends the exact same way

this is what the haze code did to its

queer audience members

in a time in which queer people were

already being isolated

mocked and even killed for their

queerness they couldn’t even find the

solace

seeing a movie the studio system died in

the late 1960s and the haze code along

with it

however the set of ideals that made

something like the haze code possible

in the first place still remained very

much ingrained into american culture

arguably

until the late 1990s that’s when things

began to take a turn for the better

in 1998 the history of queer characters

on screen would forever be changed

by the success of nbc’s hit sitcom will

and grace

the series followed two best friends a

gay man and a straight woman

living in new york city navigating love

life friendship

and career it was a massive hit running

for seven seasons and even garnering

revival

in 2017. will and grace was so important

because it was the first time a

mainstream sitcom showcased a queer main

character

in a positive light the character in

question

was a gay man but he was also a

successful lawyer

he was rich intelligent well spoken

he was masculine and defied many of the

harmful stereotypes that existed about

gay men at the time and his actor

eric mccormick quickly became the

household crush of men

women and people of all different

genders all across the country

will and grace was so important for

queer audiences because it showed for

the first time

that queer life was more than just

sadness

and death and interestingly enough

it wasn’t just queer audiences who were

affected by it

according to a study conducted by edward

shiapa of the massachusetts institute of

technology

71 of will and grace viewers he

interviewed

believed homosexual relationships to be

just as normal

as heterosexual ones and that’s in

comparison to 45

of those who believe the same thing who

did not watch the show

i’m not trying to say that this one tv

show caused an

entire generation of people to become

less homophobic

but i do think that will and grace is an

incredibly important piece of media that

showcased a time in which queer

issues were finally coming to the

forefront of public knowledge

when we look back on will and grace from

modern perspective it’s certainly not

perfect and there are absolutely aspects

of it that are outdated

but it arguably did more than any other

piece of media of its time

to further queer representation on

screen

so now you know a couple of examples of

what queer representation has looked

like in the past

but in order to fully understand why

this topic is so important i’d like to

talk to you a little bit about my

journey

to get here why i decided to start

speaking on this topic

in the first place

i grew up in southern california in an

area called orange county

and i was just like any other kid i like

to go to the mall

hang out with my friends eat pizza read

good books

but i always knew that there was

something different about me

i could never quite put my finger on it

but i just knew there was something that

set me apart from the rest of my friends

i felt disgusting and i had to kiss a

boy in the school play

my heart skipped a beat every time my

female best friend held my hand

when the boy i had a crush on asked me

out i completely panicked and stopped

talking to him altogether

and when i watched season 2 episode 4 of

glee

everything began to fall into place

now you would think of california as a

generally accepting open diverse

place and it is for the most part nobody

cares who you’re kissing in

san diego or l.a but in orange county

one of the state’s few historically

conservative districts

things are different they were nice

people

but i wasn’t anything like them

shortly after i came out one of my

classmates approached me

after jim and told me that i needed to

start changing

in the bathroom because it made her and

the rest of our female classmates

uncomfortable

to be sharing a locker room with a dyke

i was the only out queer woman i knew

and i felt completely and horribly alone

so i did what most lonely teenagers do

i went on the internet my google search

history was filled with

best lesbian movies tv shows with

lesbian characters best fictional

lesbian couples and on one particularly

frustrating day

oh my god why aren’t there any lesbian

rom-coms as good as the ones made for

straight people

i devoured every piece of queer media i

could get my hands on

one life was tough the fictional

lesbians of orange is the new black

imagine me and you but i’m a cheerleader

and buffy the vampire slayer

were there for me and they were enough

to get me through

at least for a while but my loneliness

always persisted

long after the end credits

along with a few other mental health

issues i was struggling with at the time

that loneliness eventually became so

overpowering

that in the spring of 2016 i attempted

to end my life

i’m still here as you can see

and my mental health has only gotten

better since then

but i got lucky i had a family that

supported me

when i came out with the financial means

to pay for my mental health treatment

and who have always strived to give me

the best

opportunities and support system that

they possibly could

not every queer kid has those things

and it’s a sad fact that suicide rates

amongst

queer youth are becoming dangerously

high

as of 2018 the cdc reports that 15

to 34 percent of queer students

have attempted suicide at least once in

their young lives

that’s in comparison to the three to

nine

percent suicide rate of their cisgender

heterosexual peers

my attempt to take my own life was

indicative of how i felt as a queer

person

existing in a straight world completely

alone

and the pieces of queer media that i

often relied on to help me feel less

alone

weren’t always quite right the movies

and tv shows that empowered my queer

identity were few and far between

most were hard to access painted a

negative stereotype about my identity or

were just

plain bad

the pieces of media that showed me that

my queerness was something to celebrate

help keep me alive during some of the

darkest points of my life

and the ones that told me it was

something to be ashamed of

worsened my pain

not all queer media is created equal but

there are ways we can assess it

the gay and lesbian alliance against

defamation

glaad was founded in 1985 and since its

origins

has strived to create a world with

impactful empowering queer media

one of the ways that they do this is

through the publication of their annual

studio responsibility index

a set of of modules and

and data that showcases every instance

of a queer character

in a mainstream film each year

according to the 2020 studio

responsibility index

the amount of queer characters present

in these films went up by 0.4 percent

which is amazing unfortunately it’s not

all perfect

more than half present had less than

three minutes of screen time each

bechtel test it’s a series of questions

composable

meant to assess how well any given movie

or tv show treats its female characters

named after their co-founder vito russo

to pass the veto russo test a film or tv

show

must have three big requirements one

it must contain an identifiably queer

character

two that character must not be solely

identified by their queer sexuality or

gender identity

and three that character must be tied to

the plot in such a way

that their removal would cause a

significant effect

with these three simple rules the

average consumer has the ability

to assess what any given piece of media

thinks

about its queer audience members and

as a young queer audience member

having a tool like that is an incredibly

empowering thing

growing up queer was not easy for me i

had a family that accepted me yes

my friends and peers did not and

honestly

i didn’t always accept myself

more often than not queer people have

been portrayed on screen as evil immoral

people who deserve to be punished

for their queer identities generations

of queer people have had to watch their

identities

mocked on screen for the purposes of

entertainment

and until today the media that society

has praised

has encouraged us to stay in the closet

the media of today paints a more

brighter picture

however it tells us queer audiences that

their queerness is not something to run

away from

but something to celebrate and it sends

the messages

to all of its audience members that

their identity is something that they

should be proud of

no matter what it may be

if what i had to say to you today has at

all

sparked your imagination

i have a challenge for you think

critically

about the media that you consume how it

treats its queer people

and specifically about what kind of

relationship it’s fostering

between the queer and cisgender

heterosexual communities

be an active consumer

you don’t have to pick something apart

to the point of no longer enjoying it

but be aware

of what messages the media you consume

is trying to tell you

because at least for me those meth

messages hold an incredible amount of

power

queer representation saved me and if we

think critically

about the media that we have access to

maybe it can save someone else

thank you

mental health resources for anyone for

anyone who might need it

thanks

[音乐]

有些事情我无法强求

[音乐]

我必须调整 有些时候

需要的最大改变

是改变观点

[音乐]

在我开始之前我想确认一个

内容警告关于我

作为你的演讲 可以看到我的演讲讨论

了自杀

同性恋恐惧症同性恋诽谤的主题,并

在回收的意义上重复使用酷儿这个词,如果这些

事情让你不舒服或

触发你,我建议你暂时离开

视频,谢谢

每个酷儿人都有

他们第一次看到另一个酷儿

的故事 灯泡时刻 一闪而过的

东西 在他们身上潜伏着

他们看到

在另一个对我

来说很活跃 这是福克斯

热门青少年剧集的第二季第四集

欢乐该系列跟随一群

格格不入的青少年

在他们主要保守的高中

的表演合唱团中表演 有问题的情节围绕着

两位拉拉队队员

布列塔尼和

桑塔娜第一次接吻

我永远不会 r忘记我看到那个吻的那一刻

我记得我在想

等一下两个女孩被

允许亲吻这是我以前从未想过的事情

但是

我越想它我就越意识到这是

我的事情 在我

听到“女同性恋”甚至“

性”这个词之前,我有点想做那个吻仍然存在于

我的脑海中

,正是那个吻开启了我

通往自我认同

和发现的旅程,这将

在我的整个喷气式飞机中消失我整个

青春期

的主题 今年的

大会是启蒙运动的新时代

,我相信没有人能

比我这一代更能代表这一主题

z 一代的婴儿出生

于 1996 年

至 2012 年的任何地方,尽管我们还很年轻,但我们

已经在这个世界气候中留下了自己的印记

改变激进主义 黑人的命也是命

运动

反枪支暴力抗议 这些都是

我们这一代人

积极

参与的关于 GE 的有趣事实 nz

根据 ipsis mori 2017 年的一项研究,我们实际上是迄今为止存在的最奇怪的一代

。与

71% 的千禧一代和 85

% 的千禧一代相比,仁的耳朵 66 被认为是严格的异性恋,但为什么这

会和你谈谈 关于

为什么

屏幕上的酷儿表现

对我如此重要,无论

的身份如何,它现在对你来说都应该同样重要

为了在屏幕上

进行关于酷儿表现的有教育意义的对话

,我们首先需要

获得关于如何

酷儿们受到

电影业的待遇

,要做到这一点,我们需要回顾

过去,

首先看看

1930 年代

初到 1960 年代后期的好莱坞黄金时代,这是

电影业在此期间的巅峰时期 时代被

称为工作室系统,

富有的制片人创建了诸如

mgm 20th century Fox 和其他工作室,每个

都有自己的公司 ors 编剧

导演和设计师

都在

特定的工作室

签约制作电影 工作室

系统确保这些创意人员

获得公平的

宜居工资,但这通常意味着

他们不得不牺牲

对项目的创意控制

这些工作室的负责人

创建 一套严格的道德准则

任何在制片厂制度下制作的电影

都必须

遵守才能获得广泛发行 这

一套规则被称为雾霾

代码 任何图片都不得降低

观看者的道德标准,

因此同情 不得将观众

抛到犯罪恶行的一边

雾霾代码禁止任何

工作室系统制作

的裸露暗示舞蹈电影是多余的

使用酒

混血 嘲笑 宗教 淫荡的

接吻

激情的场景,当然还有

关于

性变态的讨论,也就是同性恋

这些指导方针建立了一个系统,

在这个系统中,任何酷儿角色都不能出现

在工作室系统制作的电影的屏幕上,除非

他们以某种方式

因他们的酷儿身份而受到惩罚 想象

在这个时代成为一个酷儿 去看电影

看到屏幕上的一个角色,出于

某种原因或其他原因,

让你想起了自己

看着那个角色

被残酷击败的主角

庆祝他们的邪恶

已经 被打败了,

向那个酷儿观众传达了这样一个信息,他们的酷儿

不仅是

他们应该感到羞耻

的东西,而且是他们现在应该受到惩罚的东西,

想象一下你看到的每一部电影

都有一个让你想起一点的角色

你自己

以完全相同的方式结束

这就是雾霾代码对其酷儿所做的事情

观众成员

在一个酷儿

已经被孤立

嘲笑甚至因为他们的酷儿而被杀害的时代,

他们甚至找不到

安慰

看到电影制片厂系统在

1960 年代后期死亡以及随之而来的阴霾代码

但是 最初

使雾霾代码成为可能

的理想

仍然在美国文化中根深蒂固,

直到 1990 年代后期,1998 年事情

开始

好转,银幕上酷儿角色的历史

将永远改变

由于 nbc 的热门情景喜剧《意志

与恩典

》的成功,该系列跟随两个最好的朋友,一个

同性恋男人和一个异性

恋女人生活在纽约市,在爱情

生活中的友谊

和职业生涯中航行,它连续七个赛季大获成功

,甚至

在 2017 年获得了复兴。 意志和优雅是如此重要,

因为这是

主流情景喜剧第一次

以积极的态度展示一个酷儿主角 有

问题的

是一个男同性恋者,但他也是一名

成功的律师

他很有钱 聪明 说得好

他是男性化的,并且挑战了

当时存在的关于男同性恋者的许多有害的刻板印象

,他的演员

埃里克·麦考密克很快成为

了男人

女人的家庭迷恋 全国各地不同性别的人的

意志和优雅对酷儿观众来说是如此重要,

因为它首次

表明酷儿生活不仅仅是

悲伤

和死亡,有趣的

是,不仅仅是酷儿观众

受到影响

根据马萨诸塞理工学院的爱德华·夏帕进行的一项研究,

他采访的 71 位意志和恩典观众

认为同性恋关系与

异性恋关系一样正常,而

相比之下,有

45 名相信相同事物的人

不相信 看这个节目

我不是想说这个电视

节目让

整整一代人变得

不那么同性恋 bic,

但我确实认为意志和恩典是一个

非常重要的媒体,它

展示了一个时代,当我们从现代的角度回顾意志和恩典时,酷儿

问题终于

成为公众知识的前沿,

它肯定并不

完美,而且那里 绝对

是它已经过时的方面,

但可以说它比当时任何其他

媒体都做得更多,

以进一步在屏幕上呈现酷儿形象,

所以现在你知道几个例子,

说明过去酷儿表现的

样子,

但为了 完全理解为什么

这个话题如此重要我想和

你谈谈我

到达这里的旅程为什么我决定首先开始

谈论这个话题

我在加利福尼亚南部

一个叫奥兰治县的地区长大

我和其他孩子一样 我喜欢

和朋友一起去商场 吃披萨 读

好书

但我一直知道我有

一些不一样的地方

从来没有把我的手指放在它

身上,但我只知道有一些东西

让我与其他朋友区分开来

我感到恶心,我不得不亲吻

学校里的一个男孩,

每次我最好的女性朋友抱着我的时候,我的心都会跳动

当我迷恋的男孩约我

出去时,我完全惊慌失措,完全停止

与他交谈

,当我观看《欢乐合唱团》第 2 季第 4 集时,

一切都开始到位,

现在你会认为加利福尼亚是一个

普遍接受的开放式多元化

这个地方,在大多数情况下,没有人

关心你在

圣地亚哥或洛杉矶亲吻谁,但在

该州为数不多的历史保守地区之一的奥兰治县,

情况有所不同,他们是好人,

但我不久后就不像他们

了 在吉姆之后,我的一个

同学走近我

,告诉我我需要

开始

在浴室换衣服,因为这让她

和我们其他女同学

共用一个储物柜感到不舒服 oom with a dyke

我是我认识的唯一一个出柜的酷儿女人

,我感到完全和可怕的孤独,

所以我做了最孤独的青少年所做的事情

女同性恋情侣,在一个特别

令人沮丧的日子,

哦,我的上帝,为什么没有任何女同性恋

rom-com 和为异性恋者制作的一样好

橙色是新的黑色,

想象我和你,但我是拉拉队队长

,吸血鬼杀手巴菲

在我身边,它们

足以让我度过

至少一段时间,但我的孤独

总是

在结束后很长一段时间内

持续存在

当时我正在努力解决的其他一些心理健康问题

,以至于孤独最终变得如此

难以控制,以至于在 2016 年春天我试图结束我的生命

我还在这里,正如你所看到

的 我的心理健康从那以后才变得

更好,

但我很幸运,

当我拿出经济手段

来支付我的心理健康治疗时,我有一个支持我的家庭

,他们一直努力给

我最好的

机会和支持系统

他们可能

不可能每个酷儿孩子都有这些东西

,一个可悲的事实是,截至 2018 年

酷儿青年的自杀率正变得危险地

与他们的同性异性恋同龄人的 3% 到 9% 的自杀率相比,

我试图结束自己的生命

表明了我作为一个

完全孤独地存在于一个异性恋世界中

的酷儿以及我经常依赖的酷儿媒体的感受

帮助我减少

孤独感并不总是正确的

,赋予我酷儿身份的电影和电视节目

很少,

大多数人之间相差甚远 d 访问描绘了

对我的身份的负面刻板印象,

或者只是很

糟糕

的媒体片段向我展示了

我的酷儿是值得庆祝的东西,

帮助我在生活中的一些

最黑暗的时刻保持活力

,而那些告诉我这是

让我感到羞耻的事情

加剧了我的痛苦

并非所有酷儿媒体都是生来平等的,但

我们有办法对其进行

评估 同性恋反对诽谤联盟

glaad 成立于 1985 年,自成立以来

一直致力于创造一个具有

影响力的酷儿媒体赋权的世界

他们这样做的一种方法是

通过发布他们的年度

工作室责任指数

一组模块

和数据,

根据 2020 年工作室

责任

指数,每年展示主流电影中酷儿角色的每一个实例。

这些电影中出现的酷儿角色增加了 0.4%

,这令人惊讶,不幸的是

,有一半以上的人都不是完美的 每个贝克特尔测试不到

三分钟的屏幕时间

这是一系列可组合的问题,

旨在评估任何给定的电影

或电视节目如何对待

以他们的联合创始人维托鲁索命名的女性角色

以通过否决鲁索测试一部电影或电视

节目

必须具备三个主要要求:第一

,必须包含一个可识别的酷儿

角色;

第二,该角色不得仅

通过其酷儿性取向或

性别认同来识别

;第三,该角色必须与情节联系在一起,以便

将其移除会产生

重大影响

有了这三个简单的规则,

普通消费者就有

能力评估任何特定媒体

对其酷儿观众的看法,

作为一个年轻的酷儿观众,

拥有这样的工具是一件令人难以置信

的事情 我

有一个接受我的家庭,是的,

我的朋友和同龄人没有,

老实说,

我并不总是经常接受自己,

而不是酷儿 人们

在屏幕上被描绘成邪恶的不道德的

人,他们应该

因为他们的酷儿身份而受到惩罚

几代酷儿人不得不观看他们的

身份

在屏幕上出于娱乐目的而被嘲笑

,直到今天,

社会称赞

的媒体鼓励我们 呆在壁橱

里 今天的媒体描绘了一幅更加

光明的画面,

但它告诉我们酷儿观众,

他们的酷儿不是可以

逃避的

东西,而是值得庆祝的东西,它

向所有观众传达了

他们的身份是什么

如果我今天对你说的话

激发了你的想象力,

他们应该

为此感到自豪

在酷儿和顺性别

异性恋社区之间培养的那种关系

成为你没有的活跃消费者

挑选一些东西

到不再享受它的地步,

但要

注意你所消费的媒体试图告诉你什么信息,

因为至少对我来说,这些冰毒

信息具有令人难以置信的

力量,

酷儿代表拯救了我,如果

我们批判性地思考

关于我们可以访问的媒体

也许它可以拯救其他人

谢谢你

为任何可能需要的人提供心理健康资源

谢谢