Everything you need to know to read Frankenstein Iseult Gillespie

In 1815, the eruption of Mount Tambora
plunged parts of the world into darkness

and marked a gloomy period that came
to be known as The Year Without a Summer.

So when Mary and Percy Shelley arrived
at the House of Lord Byron on Lake Geneva,

their vacation was mostly spent indoors.

For amusement, Byron proposed a challenge
to his literary companions:

Who could write the most chilling
ghost story?

This sparked an idea in 18-year-old Mary.

Over the next few months, she would craft
the story of Frankenstein.

Popular depictions may evoke a green
and groaning figure,

but that’s not Mary Shelley’s monster.

In fact, in the book, Frankenstein
refers to the nameless monster’s maker,

Dr. Victor Frankenstein.

So tense is the struggle between
creator and creature

that the two have merged
in our collective imagination.

Before you read
or reread the original text,

there are several other things that
are helpful to know about Frankenstein

and how it came to assume
its multiple meanings.

The book traces Dr. Frankenstein’s
futile quest to impart and sustain life.

He constructs his monster
part by part from dead matter

and electrifies it into conscious being.

Upon completing the experiment, however,
he’s horrified at the result and flees.

But time and space aren’t enough
to banish the abandoned monster,

and the plot turns on a chilling chase
between the two.

Shelley subtitled her
fireside ghost story,

“The Modern Prometheus.”

That’s in reference to the Greek myth
of the Titan Prometheus

who stole fire from the gods
and gave it to humanity.

This gave humanity knowledge and power,

but for tampering with the status quo,

Prometheus was chained to a rock
and eaten by vultures for eternity.

Prometheus enjoyed a resurgence
in the literature of the Romantic Period

during the 18th century.

Mary was a prominent Romantic,

and shared the movement’s appreciation for
nature, emotion, and the purity of art.

Two years after
Mary released “Frankenstein”,

Percy reimagined the plight
of Prometheus in his lyrical drama,

“Prometheus Unbound.”

The Romantics used
these mythical references

to signal the purity of the Ancient World
in contrast to modernity.

They typically regarded science
with suspicion,

and “Frankenstein” is one of the first
cautionary tales

about artificial intelligence.

For Shelley, the terror
was not supernatural,

but born in a lab.

In addition, gothic devices
infuse the text.

The gothic genre is characterized
by unease,

eerie settings,

the grotesque,

and the fear of oblivion -

all elements that can
be seen in “Frankenstein.”

But this horror had roots
in personal trauma, as well.

The text is filled with references
to Shelley’s own circumstances.

Born in 1797, Mary was the child
of William Godwin and Mary Wollstonecraft.

Both were radical intellectual figures,

and her mother’s book,
“A Vindication of the Rights of Women,”

is a key feminist text.

Tragically, she died as a result of
complications from Mary’s birth.

Mary was haunted by her mother’s death,

and later experienced her own
problems with childbirth.

She became pregnant following
her elopement with Percy at 16,

but that baby died shortly after birth.

Out of four more pregnancies,
only one of their children survived.

Some critics have linked this tragedy
to the themes explored in “Frankenstein.”

Shelley depicts birth as both creative
and destructive,

and the monster becomes a disfigured
mirror of the natural cycle of life.

The monster, therefore, embodies
Dr. Frankenstein’s corruption of nature

in the quest for glory.

This constitutes his fatal flaw,
or hamartia.

His god complex is most clear in the line,

“Life and death appear to me ideal bounds
which I should first break through

and pour a torrent of light
onto our dark world.”

Although he accomplishes
something awe-inspiring,

he has played with fire at his own
ethical expense.

And that decision echoes
throughout the novel,

which is full of references to fire
and imagery that contrasts light and dark.

These moments suggest not only the spark
of Prometheus’s fire,

but the power of radical ideas to expose
darker areas of life.

1815 年,坦博拉火山的喷发
使世界部分地区陷入黑暗

,标志着一个
被称为“没有夏天的年份”的阴暗时期。

因此,当玛丽和珀西·雪莱抵达
日内瓦湖畔的拜伦勋爵府时,

他们的假期大部分时间都在室内度过。

为了消遣,拜伦
向他的文学伙伴提出了一个挑战:

谁能写出最令人毛骨悚然的
鬼故事?

这激发了 18 岁的玛丽的想法。

在接下来的几个月里,她将制作
科学怪人的故事。

流行的描述可能会唤起一个绿色
和呻吟的人物,

但这不是玛丽雪莱的怪物。

事实上,在书中,弗兰肯斯坦
指的是无名怪物的制造者

维克多·弗兰肯斯坦博士。 造物主和被造物

之间的斗争如此紧张

以至于两者
在我们的集体想象中融合在一起。

在您阅读
或重读原始文本之前,

还有其他
一些有助于了解科学怪人

以及它如何
具有多重含义的知识。

这本书追溯了弗兰肯斯坦博士
对传授和维持生命的徒劳追求。


用死物质部分地构造他的怪物,

并将其通电成有意识的存在。

然而,在完成实验后,
他对结果感到震惊并逃跑了。

但时间和空间
不足以驱逐这个被遗弃的怪物

,剧情转入两人之间令人毛骨悚然的追逐

雪莱给她的
炉边鬼故事配了副标题

“现代普罗米修斯”。

这是指希腊神话
中的泰坦普罗米修斯

,他从众神那里偷走了火
并将其交给了人类。

这给了人类知识和力量,

但为了改变现状,

普罗米修斯被锁在岩石
上,被秃鹰永远吃掉。

普罗米修斯在 18
世纪浪漫主义时期的文学作品中获得了复兴

玛丽是一位杰出的浪漫主义者,

并分享了该运动对
自然、情感和艺术纯洁的欣赏。

玛丽发行《弗兰肯斯坦》两年后,

珀西
在他的抒情剧

《普罗米修斯无界》中重新构想了普罗米修斯的困境。

浪漫主义者使用
这些神话般的参考

来表明古代
世界与现代性相比的纯洁性。

他们通常对
科学持怀疑态度,

而“弗兰肯斯坦”是最早

关于人工智能的警示故事之一。

对于雪莱来说,
恐怖不是超自然的,

而是在实验室中诞生的。

此外,哥特式设备
注入了文本。

哥特风格的特点
是不安、

怪诞的环境

、怪诞

和对遗忘的恐惧——

所有这些元素都
可以在《科学怪人》中看到。

但这种恐怖也
源于个人创伤。

文本充满了
对雪莱自身情况的引用。

玛丽出生于 1797 年,是
威廉·戈德温 (William Godwin) 和玛丽·沃斯通克拉夫特 (Mary Wollstonecraft) 的孩子。

两人都是激进的知识分子

,她母亲的书
《为妇女权利辩护》

是一部重要的女权主义著作。

不幸的是,她
死于玛丽出生时的并发症。

玛丽被母亲的死困扰着

,后来也经历了自己
的分娩问题。

她在 16 岁与珀西私奔后怀孕了,

但那个婴儿在出生后不久就死了。

在另外四次怀孕中,
只有一个孩子幸存下来。

一些评论家将这场悲剧
与《弗兰肯斯坦》中探索的主题联系起来。

雪莱将出生描述为创造性
和破坏性,

而怪物变成了
生命自然循环的毁容镜子。

因此,这个怪物体现
了弗兰肯斯坦博士

在追求荣耀的过程中对自然的腐败。

这构成了他的致命缺陷,
或hamartia。

他的神情是最清楚的一句话,

“生死对我来说是一个理想的界限
,我应该首先突破它

,为
我们黑暗的世界倾泻光明的洪流。”

尽管他完成
了令人敬畏的事情,

但他却以自己的
道德为代价玩火。

这一决定
在整部小说中得到了回响,小说

中充满了对火
和明暗对比的意象的提及。

这些时刻不仅暗示
了普罗米修斯之火的火花,

还暗示了激进思想揭示
生活黑暗领域的力量。