On Internet Culture and Social Media

hello everyone

i am dr crystal everden and thank you so

much for having me at this tedx talk

organized by neon polly now most of us

may be very familiar with internet

culture and social media

but i happen to do this for a living i’m

an anthropologist of internet celebrity

influencer cultures as well as social

media pop cultures

and it’s my job to understand how young

people use social media

and how internet celebrities on social

media affect our society

and cultures i’ve been looking at this

industry in the asia pacific including

singapore from the mid 2000s

this has meant that i was right there at

the beginnings when we had the first

generation of commercial bloggers

it also meant that i was fortunate

enough to study the rise and the origins

of block shop cultures in singapore

and more recently i’ve been looking at

different forms of internet celebrity

and influencer cultures across many

different types of platforms

but above and beyond this i’m sure many

of us have a lot of misconceptions about

influences and influencer cultures

for one most of us may have this

stereotype or this belief

that influencers are just young

beautiful women

primarily on instagram here to take

selfies

and to push different types of product

placements and services to us

that may be the case for some of these

influences

we may also think of influences as

people who are usually

embroiled in scandals and in the

singapore landscape this often happens

through click bait on youtube

different types of twitter walls on

twitter as well as

instagram walls where people throw shade

or exchange comments with each other

over and over

but above and beyond this how can

influences

and the stories they tell allow us to

reconsider

our information diet and our world views

for one i would like all of us to think

about who

we are following on social media and

what types of influences we’re familiar

with

chances are if you rely on

recommendations from your friends

from algorithms on social media or maybe

even in the mainstream press coverage

most of the time the influences you see

may be quite homogenous

in singapore society this may be the

case that you primarily see

young beautiful chinese influences on

your social media

but going beyond this if we were to

spend time and effort

to scope through the different genres

and varieties of influences

you will see that they’re actually

critically important for representing

cultures at the margins case in point

here on screen i have four slides that

show you screen grips from various

videos

by a youtube influencer duo known as

munahirzi official

they are a malay arab muslim duo who

have been in the scene

since the early beginnings of youtube

culture in singapore

and by drawing on their network of

public figures fellow influencer friends

as well as friends and family you can

see how they unabashedly represent what

singapore society

and life as a young person can look like

away from the mainstream depictions of

influenza cultures influences are also

especially important

for giving us critical commentary on

society

you may be aware that some influencers

are really experts at humor

they astroturf all sorts of parodies

satire

critical commentary on singapore society

and politics

sometimes through the vehicles of

entertainment

other times through the vehicles of

entertainment that’s really a political

message

case in point here on the left you see

again youtube duo muna here’s the

official

together with some of your friends from

the music industry

coming together to put a parody video

commenting on the state of

racial discrimination in singapore this

occurred during a time period where

malay vendors were turned down from

hawking their wares

at various bazaars and shopping centers

because they were not the target

demographic

there was presumed to be chinese

spending consumers

case in point on the right we have the

siblings pretty please

an influencer as well as subash a

musician and rapper

who have come together to put together a

parody video

also commenting on the issue of brown

face in singapore

and how that is an instance of casual

racism that we tend to overlook

another part of my research looks at the

very fascinating world of

meme factories and as you can see from

screen

they can either be coordinated groups of

many people

coming together in a coordinated style

to produce

contents or they could very well be a

one-man

factory managing several types of social

media platforms

profiles and devices to push out meme

messages

most of us may think of memes as

hilarious images that entertain us

can you guess or remember who this meme

refers to

others of us may think of memes as funny

pictures that are circulating on social

media

especially on the very visual dominated

space like instagram

but above and beyond entertaining us and

being pretty pictures for us to go

through

in the style of instagram lectures what

can memes do for us

in singapore society how are they

important vehicles

for spreading information and

normalizing

new sentiments i wanted to think about

memes and meme factories as coordinated

actions

who can trigger new norms whenever their

actions happen in a concerted period of

time

and respond to a very coherent and

time-bounded series of issues

with a combination of them knowing how

to trigger algorithms so that their

keywords registers trending

a combination of knowing where to plan

these messages

on different social media platforms and

also employing sometimes

influences or influencer meme makers to

plan these on different parts of the

internet

it is not difficult for many of these

meme factories to set up a new topic

set up new trends or even normalize a

lot of new messages

that may be foreign and unfamiliar to

people

a lot of memes in singapore tend to

operate on platforms like

instagram as well as on facebook on a

space like instagram

apart from liking and commenting on

memes a lot of young people are also now

sharing them on stories and forwarding

them to their family members through

group chats like whatsapp and telegram

now meme factories are very critical

here because they play with the element

of

parallel languages these are all the

associated types of communication

often familiar on social media that are

not actual

written or spoken word so this can come

in the

versions of say emoji pictograms

emoticons sometimes even lead speak or

internet pop cultural speak the vehicle

of these peril languages

allows these meme factories to shape the

boundaries of a conversation in

singapore

here we see two examples from two

different meme factories in singapore

who were addressing the topic of sexual

assault cases that happened

on a very prominent university campus

there was a lot of discussion on how the

perpetrators on this university campus

got away quite lightly despite your

offense

and in response to this although there

were many murmurs

in the public forums and a lot of

members on different

internet spaces and common threats it

was really these sorts of memes

that catch onto the public imagination

circulate

far and wide that drive home the message

of whether or not

sexual offense should be taken lightly

just because someone may have

intellect or academic achievement

we also see meme factories in their

heyday from the mid 2000s being employed

as forms of vigilante activism

especially for citizens to seek

redress where they feel the state or the

police might have failed them

or might be taking way too long to be

respect responding to their requests

case in point this really milestone and

popular historical group on facebook

is known as smrt limited feedback

they’re a band of anonymous actors who

come together and often

respond to followers on facebook who

post about all the different offenses

that they spot in singapore society

and plead with these super informed tech

guys to do

something about this now sometimes this

may be thought of as good or trolling

as in the case of jovachu who was found

to be guilty of fraud or cheating some

customers at his shop in symlim square

but above and beyond trolling for laughs

and trolling for entertainment

there are actual benefits and actual

redress for the victims

involved in these cases case in point

the tourist who was cheated of his money

in this whole scam

eventually received a refund that was

bounded together

through fundraising by people who came

across his case

on social media in other instances

such meme factories on popular facebook

groups

are the drivers behind making visible

these very acts

that seem to be hidden by singapore

society due to the influx of a lot of

information

on social media and by making something

a public national conversation

they peer pressure or sometimes really

just pressure altogether the state

or the press to take notice and to

respond to them

so why should we care about internet

artifacts and actors like

influencers and meme factories

the truth of the matter is we are right

now living in a situation where there is

mass saturation and misinformation not

just on social media and the internet

but in

all facets of society and more now than

ever

influencers and meme factories are

experts in

shaping our attention amplifying and

suppressing

where our attention spans to be as well

as redirecting

and funneling foot traffic and eyeballs

to some issues over others so in fact

in this age of saturation and

misinformation both influencers and meme

factories are very critical

actors in shaping our media literacies

as well as helping us navigate the space

of social media

and the mass media a little bit easier

i want us to think about the actions of

these influencers and meme factories

as subversive frivolity i’m sure many of

us can think about the number of times

we tend to brush off influences as mere

vain young people

or we brush off memes as mere jokes or

humor on social media

but the fact is these types of formats

that they occupy

make them under-visibilized and

underestimated

people think of them as marginal

inconsequential

or even unproductive but is this very

underestimation of them

that gives them power because all of the

populist discourses that they have been

spreading and seeping into society

all of the sentiments that they’re

shaping all of the influence that they

have

is still ongoing it’s just that when

people look at them

they do not really take a second look

and all of this labor

work and power that they have slides

under the radar

so for that reason influences and beam

factories who are not taken very

seriously

tend to just survive longer in the

information ecology

because they stick and people are very

happy to

listen to their messages and to have

them hang around just a little bit more

you might also be aware that we are

living in a situation now where there’s

a lot of

scandals controversies and confusion on

social media

just about every other day there may be

someone who is being called out for an

issue a company whose social media

campaign has gone wrong

or a person whose misdeed or wrongdoing

was exposed because

of social media attention but we want to

be aware of when this can be very

fruitful

and useful for public conversation this

is when these are just

circuits and cycles of what

anthropologist victor turner calls

social dramas that’s right every time we

come across a scandal

whether by an influencer by a public

figure or by a meme that’s spreading it

surrounds

in social media we can think about the

life cycle of how these

visible artifacts occupy our imaginary

as well as take up space on social media

and they’re usually about four stages in

this typical life cycle

in the first stage we think about an

overt breach

this is when there may be a sin a

wrongdoing or a scandal that’s been

committed

that breaches the social norms that are

already in place

and governing society whether society

and the laws of influencer cultures

of everyday societies all of different

religious and cultural groups that have

different beliefs

so that’s step one a breach

in step two there is now an escalation

of this crisis

this usually happens when people take

notice of this breach

and respond to it usually through finger

pointing

through conversations on social media so

much so that with this going

viral or getting a lot of visibility on

social media

there is a reordering on of social

relations

what this means is that maybe a once

popular influencer

may now be very much the number one

hated person on the internet

or it could be that a topic that’s

usually taboo to talk about

is now the one trending meme that is

circulated far

and wide so we see here that there is a

shift

and an escalation of crisis where the

norm has been disturbed and

things are escalating on the rise and

that is step two

in step three after all of this

happening

that usually takes some time for the

person in question

the meme and question or maybe even the

company

who has been faulted to take part in

some sort of regressive

action if you’re a fan of influenza

cultures

this usually takes the form of a sorry

video on youtube

or a very extensive heartfelt post on

instagram

this may also come in the form of public

apologies by companies

or by meme factories and different

accounts taking down their contents

deleting contents and making apologies

now redress affection is really

important here because it’s usually

initiated by what we think of as a

disturbed social system

these are people who are responding to a

wrongdoing

or a disturbance in the norms only

because there was an escalation to begin

with

so steps two and three are very

important for us to be thinking about

all the unconscious bias that we have

all of the subtle casual racism and

sexism we usually think

that can pass under the radar as well as

all the casual jokes and humor that we

tend to make about different groups in

society

and pass off as being okay normalized

conversation

steps two and three come together in

tension and allow us to see

and improve as a society to think about

how we can be more sensitive and

inclusive

to each other and then comes the final

step four

known as reintegration this is usually

after some time has passed

maybe the public has accepted the

apology maybe they’ve forgotten this

incident altogether maybe the party in

question has just

faded into oblivion from deleting their

social media presence

we see reintegration when there is a

recognition

or legitimation that there may have been

an irreparable

damage or that this situation has just

passed its time

or past its peak reintegration can take

many forms as mentioned

many a times we see influencers trying

to launch themselves again

but a lot of these social dramas and

scandals have also entirely broken

careers

of influences caused meme factories to

shut down

cause block pages to shut down and be

issued defamation suits

or cause public figures to be asked to

step down from their jobs altogether so

clearly here the circuit of social

dramas

has a function and this is very

important for us to think about whenever

we want to assign

value to controversies petty squabbles

and scandals

on social media that has been me

dr crystal levitan i’m an anthropologist

of influencer cultures

and social media pop cultures and i hope

this talk has been useful for you to

think a little bit more meaningfully

about influences and meme cultures in

singapore

society thanks for having me and feel

free to get in touch if you’d like to

continue our chat

see you

大家好,

我是水晶埃弗登博士,非常感谢你们邀请

参加由 neon polly 组织的这个 tedx 演讲,现在我们大多数人

可能对互联网

文化和社交媒体非常熟悉,

但我碰巧这样做是为了谋生,我

是 互联网名人

影响者文化以及社交

媒体流行

文化的人类学家,我的工作是了解年轻人如何

使用社交媒体以及社交媒体上的

互联网名人如何

影响我们的社会

和文化我一直

在关注亚太地区的这个行业,包括

新加坡从 2000 年代中期开始,

这意味着

当我们拥有第一

代商业博主时,我就在那里,

这也意味着我

有幸研究

新加坡街区商店文化的兴起和起源,

最近我 ‘一直在

研究许多不同类型的平台上不同形式的互联网名人

和影响者文化,

但除此之外,我相信很多

人 f 我们对

影响力和影响者文化有很多误解,

因为我们大多数人可能有这种

刻板印象或

认为影响者只是年轻

漂亮的女性,

主要是在 Instagram 上

自拍

并向我们推送不同类型的产品

展示位置和服务

其中一些影响可能就是这种情况,

我们也可以将影响视为

通常

卷入丑闻和

新加坡景观的人,这通常

通过 youtube 上的点击诱饵发生

twitter 上不同类型的 twitter 墙

以及

instagram 墙 人们一遍又一遍地互相投掷阴影

或交换评论,

但除此之外,

影响力

和他们讲述的故事如何让我们

重新考虑

我们的信息饮食和世界观

,我希望我们所有人都思考

我们是谁 关注社交媒体以及

我们熟悉的影响类型,

如果您依赖来自的

建议 您的朋友

来自社交媒体上的算法,甚至可能

在主流媒体报道中

大部分时间您所看到的影响

在新加坡社会中可能是相当同质的,这

可能是您主要看到

年轻美丽的中国人对

您的社交媒体的影响,

但超越了 如果我们

要花时间和

精力来研究不同类型

和影响的多样性,

您会发现它们实际上

对于在边缘

代表文化至关重要 屏幕上的例子我有四张幻灯片

向您展示屏幕抓地力 从

一个被称为 munahirzi 官方的 youtube 影响者二人组的各种视频中,

他们是一个马来阿拉伯穆斯林二人组,他们

从新加坡 youtube 文化的早期开始就一直在现场

并利用他们的

公众人物网络,有影响力的

朋友和朋友 和家人,你可以

看到他们如何毫不掩饰地代表

新加坡社会

和年轻人的生活 看起来

远离流感文化的主流描述

影响

对于给我们对社会进行批判性评论也特别重要

你可能知道一些影响

者真的是幽默专家

他们用各种模仿来

讽刺

新加坡社会

和政治的批判

性评论 娱乐的交通工具

其他时候 通过娱乐的交通工具

这真的是一个政治

信息

左边的例子你又看到

了 youtube duo muna 这里是

官方

和你的一些

音乐界朋友

聚在一起制作一个模仿视频

评论 关于

新加坡的种族歧视状况,这

发生在

马来供应商被拒绝

在各种集市和购物中心兜售商品的时期,

因为他们不是目标

人群

,据推测是中国

消费

消费者。 对,我们有

兄弟姐妹们很喜欢

一位有影响力的人以及一位

音乐家和说唱歌手

,他们聚在一起制作了一个

模仿视频,

还评论了新加坡的棕色脸问题,

以及这

是我们倾向于忽视

另一部分的随意种族主义的一个例子 我的研究着眼于

模因工厂的迷人世界,正如您从屏幕上看到的那样,

它们既可以是由

许多人

以协调的方式聚集在一起

以生产

内容的协调小组,也可以是

管理多种类型的单人工厂 的社交

媒体平台

配置文件和设备来推送 meme

消息

我们中的大多数人可能认为 meme 是

有趣的图像,可以娱乐我们

你能猜到或记得这个 meme

指的是谁

我们中的其他人可能认为 meme 是

社交上流传的有趣图片

媒体,

尤其是在像 instagram 这样以视觉为主的

空间

上,但不仅是娱乐我们,而且

是我们可以去的漂亮图片

通过

instagram 讲座的风格,

meme 能

为新加坡社会做什么,它们

是传播信息和

规范

新情绪的重要工具吗

? 一个协调一致的时间段,

并通过他们知道如何触发算法的组合来响应一系列非常连贯和有

时限的问题

以便他们的

关键字注册

趋势组合知道在不同社交媒体平台上计划

这些消息的位置

以及 有时聘请

有影响力或有影响力的模因制造

商在互联网的不同部分进行计划这些

模因工厂中的许多人建立一个新主题并不难

建立新趋势甚至规范

许多

可能是外国和不熟悉的新消息 对

人们来说

,新加坡的很多表情包都倾向于在 Instagram

等平台上运行

在 Facebook 上的

Instagram 等空间上,

除了喜欢和评论 meme 之外,

许多年轻人现在还

分享他们的故事,并

通过

whatsapp 和 telegram 等群聊转发给家人,

现在 meme 工厂在这里非常重要

,因为他们 玩弄

平行语言的元素这些都是社交媒体上常见的

相关交流类型,

不是实际的

书面或口头语言,所以这可以出现

说表情符号象形图表情符号的版本中,

有时甚至引导说话或

互联网流行文化说话

这些危险语言的载体

使这些模因工厂能够塑造新加坡

对话的界限在

这里我们看到来自

新加坡两个不同的模因工厂的两个例子,

他们正在解决

发生

在一个非常着名的大学校园

里的性侵犯案件的话题。 很多

关于这所大学校园的

肇事者是如何逃脱的讨论 尽管有你的冒犯,但还是轻描淡写

地回应了这一点尽管

公共论坛上有很多杂音,并且有很多

成员在不同的

互联网空间和共同的威胁上,

但确实是这些吸引公众想象力的模因

广泛传播 回家

是否应该

仅仅因为某人可能具有

智力或学术成就而轻视性犯罪的信息

我们还看到模因工厂

从 2000 年代中期开始处于鼎盛时期,被

用作自卫行动的形式,

特别是让公民

在他们感到的地方寻求补救 国家或

警察可能辜负了他们,

或者可能花费了太长时间来

尊重他们的请求,

例如这个真正具有里程碑意义且

在 Facebook 上受欢迎的历史团体

被称为 smrt 有限反馈

他们是一群匿名演员

聚在一起,经常

回应 Facebook 上的追随者,他们

发布了他们所犯的所有不同罪行

在新加坡社会发现

并恳求这些超级消息灵通的技术

人员

现在对此采取行动有时这

可能被认为与 jovachu 的案件一样好或拖钓

symlim 广场,

但超越了拖钓的笑声

和拖钓的娱乐

,这些案件中涉及的受害者有实际的利益和实际的补救措施,例如

在整个骗局中

被骗钱的游客最终收到了绑定在一起的退款

在其他情况下,通过在社交媒体上看到他的案例的人筹款,

例如流行的 Facebook 群组上的模因工厂

是使这些行为可见的驱动力

由于大量社交信息的涌入,这些行为似乎被新加坡

社会隐藏起来 媒体,并通过在

全国范围内公开谈论某件事,

他们会施加压力,有时甚至

只是施加压力。 呃国家

或媒体要注意并

回应他们,

所以我们为什么要关心互联网

工件和

影响者和模因

工厂等演员,事实是我们

现在生活在一个

大规模饱和和错误信息的情况下

不仅在社交媒体和互联网上,

而且在

社会的各个方面,

影响者和模因工厂现在比以往任何时候都更擅长

塑造我们的注意力,放大和

抑制我们的注意力,以及

将客流量和眼球重定向和汇集

到某些人 事实上,

在这个饱和和

错误信息的时代,影响者和模因

工厂都是

塑造我们的媒体素养

以及帮助我们

更轻松地驾驭社交媒体和大众媒体空间的关键角色,

我希望我们 将

这些影响者和模因工厂的行为

视为颠覆性的轻浮,我相信

我们中的许多人都可以想到 有多少次,

我们倾向于将影响力视为

虚荣的年轻人,

或者我们将模因视为

社交媒体上的笑话或幽默,

但事实是它们所占据的这些类型的格式

使他们被低估和

低估了

人们的想法 作为边缘

无关紧要

甚至没有生产力,但正是这种

对他们的低估

赋予了他们权力,因为

他们一直在

传播并渗透到社会中的

所有民粹主义话语,他们正在塑造的所有情绪,他们拥有的

所有影响

力仍然存在 只是当

人们看着他们时,

他们并没有真正看第二眼

,他们拥有的所有这些劳动和权力都

雷达下滑落,因此

,没有被

认真对待的影响力和光束工厂

往往只是生存下来 在信息生态中的时间更长,

因为他们坚持,人们很

乐意

听他们的信息,让

他们闲逛只是一点点 再多一点,

您可能还意识到,我们

现在生活在这样一种情况下

竞选活动出了问题,

或者一个人的不当行为或不法行为

因社交媒体的关注而被曝光,但我们

想知道什么时候这

对公众对话会非常富有成效和有用

,这是

人类学家维克多·特纳的循环和循环

每当我们

遇到丑闻时,

无论是由公众人物的影响者,

还是在社交媒体中传播它的模因,

我们都可以将其称为正确的社交剧,我们可以思考

这些

可见的人工制品如何占据我们的想象

的生命周期 在社交媒体上增加空间

,它们通常在

这个典型的生命周期

中大约有四个阶段,在我们考虑公开违反的第一

阶段 s 是指

可能存在违反现有社会规范

和管理社会的犯罪、不法行为或丑闻,无论是社会

和日常社会的影响者文化的法律,

所有不同的

宗教和文化群体都有

不同的 信念

因此这是第一步第二步中的违规

现在

这场危机升级了

这通常发生在人们

注意到这种违规

并通常通过社交媒体上的对话来回应它的

时候,以至于随着这种

病毒的传播或 在社交媒体上获得很高的知名度

社会关系正在重新排序

这意味着也许曾经

受欢迎的影响

者现在可能是

互联网上最讨厌的人,

或者这可能是一个

通常禁忌的话题 谈论

现在是广为流传的一个趋势模因,

所以我们在这里看到,有一个

转变

和升级 危机,

规范受到干扰,

事情正在升级,

这是

第三步中的第二步,在所有这一切

发生

之后,通常需要一些时间来处理

问题的人、

模因和问题,甚至可能是

被指责的公司

如果您是流感文化的粉丝,参与某种倒退行动,

这通常采取 youtube 上的抱歉

视频

或 instagram 上非常广泛的发自内心的帖子

的形式,这也可能以公司公开道歉的形式

或 通过模因工厂和不同的

帐户删除他们的内容

删除内容并道歉

现在纠正感情在这里真的很

重要,因为它通常是

由我们认为被

扰乱的社会系统发起

的 规范只是

因为一开始就升级了

所以第二步和第三步

对于我们考虑

所有问题非常重要 他无意识的偏见,我们有

我们通常认为可以忽略的所有

微妙的随意的种族主义和性别歧视,以及

我们倾向于对社会中不同群体开的所有随意的笑话和幽默,

并冒充正常化的

谈话

第二步和第三步

紧张地结合在一起,让我们看到

和改进作为一个社会,思考

我们如何才能对彼此更加敏感和

包容

,然后是最后

一步,

称为重新融合,这通常是

在一段时间过去之后

也许公众已经接受了

道歉也许他们已经完全忘记了这

件事也许有关

政党刚刚

因删除他们的

社交媒体存在

而逐渐被遗忘,当人们

承认

或合法化可能造成

无法弥补的

损害或 这种情况刚刚

过去

或过去的高峰重新融合可以采取

多种形式,正如

我们多次提到的那样 有影响力的人试图

再次推出自己,

但这些社交剧和

丑闻中的许多也完全破坏

了影响力的职业生涯,导致模因工厂

关闭

导致阻止页面关闭并被

发出诽谤诉讼

或导致公众人物被要求

下台 他们的工作

在这里非常清楚,社交剧的循环

具有功能,这

对我们来说非常重要,每当

我们想为社交媒体上的

争议和小争吵

和丑闻赋予价值时,我们都要思考

,这一直是我的

水晶列维坦博士,我是

影响者文化

和社交媒体流行文化的人类学家,我希望

这次演讲对您有用,让您

更有意义地思考新加坡社会的

影响力和模因文化,

感谢您邀请我,

如果您愿意,请随时与我们联系

继续我们的聊天