Decolonizing Disney Princesses

[Music]

stories have power

i believe in the power of stories that’s

why they’re the first gift we give

children they’re how we explain the

world to them and their place in it

i’m an indigenered an indigenous nerd

professionally

and i believe in the power of stories to

do something even bigger

to decolonize that’s right stories i

believe can decolonize

break down systematic racism oppression

and even colonization stories can build

walls

but i believe they can also tear them

down

so let’s talk stories the stories i want

to talk about today are stories of

tradition

handed down over multiple generations

stories of gravitas

i’m talking about disney today that’s

right disney

near and dear to the hearts of so many

people including myself

disney is the largest storytelling

machine ever to have existed

that’s right disney is so powerful that

even if you don’t

disney we both know you still know the

words

to let it go

so when was the first time you saw

someone that looked like you

on screen for me i was a little girl

and her name was tiger lily

so what was her story in peter pan well

my friends

she was a damsel in distress

worse she wasn’t even the main damsel in

distress

she was the side quest damsel in

distress

for her part she is kidnapped by an

adult

male pirate in his continuation of a

feud with a child the feud of course

begins

when the child disarticulated the

pirate’s hand and fed the hand to

a crocodile with a clock speech

impediment

none of which is about tiger lily to be

clear

none of the movie of peter pan is really

about tiger lily

so it should come as no surprise to find

out that tiger lily doesn’t speak

once not one time in the whole movie

she is present but my friends she does

not matter

second princess on the docket pocahontas

one of the most internationally most

beloved indigenous characters

ever to have existed she is also

responsible for giving me unrealistic

expectations about my hair

that’s fine what is the story we’re told

well a beautiful indigenous woman

feels stifled by her culture and is

looking for adventure

so she dates mel gibson aka john smith

they meet and fall in love essentially

at first sight even though this is a

scene in which

and this is true he pulls a gun on her

which is what we refer to in the social

work biz as a red flag

there is then a war that she must stop

between the indigenous peoples defending

themselves against violent invaders

and said invaders she does this by

stopping her father from executing her

boyfriend mel gibson aka john smith

in the ensuing violence john smith

actually gets shot by a friend of his

and this is true christian bale

john smith is then put on a boat and

sent back to england leaving pocahontas

behind

credits roll

so here’s the thing her name

wasn’t really pocahontas and she didn’t

fall in love with john smith or mel

gibson

i do not have peer-reviewed sources on

her ability to paint with all the colors

of the wind

but i digress her names

given to her into the tradition of her

people

were metoca and aminote and she was

an ambassador a translator

a social worker a spy

and like so many indigenous women a

survivor of violence

you see she was kidnapped too not by a

pirate

but by the same soldiers settler

soldiers that she was trying to help

she was imprisoned for more than a year

she was then informed she had been

converted to christianity

stripped of her names and called rebecca

then she was sent to england to gain

financial backing for the colonial

effort

as a poster child for the good work of

colonization

as a living billboard to the civilized

savage

she was 21 years old when she died

some say it was poison others say it was

disease

but i can tell you this her body

was buried and lost in an english

graveyard 3737

36 miles from her home

and her story the fiction of it

continues

to frame the way the world looks at

indigenous peoples

and today more than two million people

claim to be the direct descendant

of the woman they still call pocahontas

two princesses tiger lily and pocahontas

one without a voice playing a bit part

in someone else’s narrative

the other had her story pulled to pieces

stitched together to serve someone

else’s purpose

they told her truth in their image

the great indigenous storyteller thomas

king says

the truth about stories is that’s all we

are

so you have to be careful with the

stories you tell

and you have to watch out for the

stories you are told

i believe in the power story

so what has disney learned about the

stories they tell

well in 2016 disney decided to tell the

story of a polynesian islander princess

named moana and they did a couple things

differently first

they hired taika waititi who besides

being one of the coolest

storytellers working today also happens

to be of polynesian islander

heritage second

they created the oceanic trust a

cultural advisory board filled with

polynesian

islander traditional knowledge keepers

storytellers and community members

and third they filled the film

with polynesian islander actors

including that of the main role

of moana so how was the story different

well moana is not about a girl looking

for a boyfriend i will tell you that

much

moana is about a young woman risking her

life

to save her community to bring healing

and balance to the land and the water

to honor her culture and her ancestors

that’s moana’s story

so disney i’m gonna give you some points

for moana i will give you some points

for moana

but i still have a bone to pick you see

in the movie moana actually gets called

a princess

and she says i’m not a princess and the

character of maui responds

if you wear a dress and you got an

animal sidekick you’re a princess

to that i have one more story to tell

a survivor of the residential school

system faces racism

and cultural oppression and grows into

an extraordinary woman

now a mother one day an indian agent

comes to her home

he has come to take her son to

residential school

a place she not only survived but she

knows

that it has higher death rates for

children

than soldiers like her husband faced in

world war ii

so she stands in her driveway her son

pushed behind her with one hand

and a kitchen knife in the other and she

says

no

the indian agent he left childless that

day

and he never came back and the woman

she wasn’t a princess she didn’t paint

with all the colors of the wind

she was my grandmother and because of

her

i am standing here

indigenous peoples did not have

princesses not in the time of pocahontas

and not today

we have grandmothers aunties sisters

mothers two spirit cousins who guided

lead and protected us

they were scientists engineers poets

doctors all around badasses

they were a power unto themselves we

are a power unto ourselves

but the world keeps telling tiger lily

and pocahontas stories

and we are reaping the harms of those

stories today

and let me be clear if you choose not to

listen to the stories

of the oppressed and the ignored the

stories of the hurt

and the hurting folks will have no

choice

but to take it to the streets until

there is real

meaningful change

so if you are someone who has

representation in the stories all around

you

this is my challenge to you my friends

go and listen at someone else’s fire

support with your resources the stories

of those who’ve been silenced

and ignored question question the

stories you’ve been told

ask who told them and why

and get ready because we have

extraordinary stories to tell

our stories in our ways

and to my cousins to everyone whose

stories have been stolen

ignored or silenced now is the time

now is the time for us to go name and

claim our stories

speak them from our own lips write them

with our own hands dance them with our

own feet

tell them in our own language

and disney when you’re ready for some

more new stories

i’ll be ready this indigenous nerd will

be waiting

remember

the truth about stories is that’s

all we are

thank you

[音乐]

故事有力量

我相信故事的力量,这就是

为什么它们是我们给孩子们的第一份礼物

它们是我们

向他们解释世界以及他们在其中的位置的方式

我是一个专业的土著书呆子

,我 相信故事的力量可以

做一些更大的事情

来去殖民化这是正确的故事我

相信可以去殖民化

打破系统性的种族主义压迫

甚至殖民化故事可以筑墙

但我相信它们也可以将它们推倒

所以让我们谈谈我想讲的故事

今天谈论的是

传承了几代人的传统

故事 庄严的故事

我说的是今天的迪士尼 这

就是迪士尼

包括我自己在内的许多人的心中近在咫尺

迪士尼是有史以来最大的讲故事

机器

这就是迪士尼 太强大了,

即使你不

迪斯尼,我们都知道你仍然知道放手的

所以你第一次见到某人是什么时候

我的屏幕上看起来像你我是一个小女孩

,她的名字是老虎百合

所以她在彼得潘的故事是什么

我的朋友们

她是一个遇险的少女

更糟糕的是她甚至不是遇险的主要少女

她是 支线任务 处于

困境中的少女

她被一名

成年

男性海盗绑架,并继续

与一个孩子发生争执 当然,争执

始于孩子与

海盗的手脱节,并将手喂给

一只鳄鱼,有时钟 语言

障碍

无 其中关于虎百合要

清楚

,彼得潘的电影中没有一部真的是

关于虎百合的,

所以

发现虎百合

在整部电影中一次

都没有说话就不足为奇了,但是 我的朋友们 她

无关紧要 风中奇缘

风中奇缘 国际上最受

喜爱的土著人物

之一 很好,我们被告知的故事是什么,

一位美丽的土著妇女

感到被她的文化扼杀并正在

寻找冒险,

所以她与梅尔吉布森又名约翰史密斯约会,

尽管这是一个

场景,但他们基本上一见钟情并坠入爱河 在其中

,这是真的,他向她拔枪,

这就是我们在社会

工作业中所说的危险信号

,然后她必须停止

在土著人民保护

自己免受暴力入侵者

和她所说的入侵者之间的战争 这是通过

阻止她的父亲在随后的暴力事件中处决她的

男朋友梅尔吉布森又名约翰史密斯约翰史密斯

实际上被他的一个朋友枪杀

,这是真的克里斯蒂安

贝尔约翰史密斯然后被放在船上并被

送回英国,留下风中奇缘

学分滚动,

所以她的名字

并不是真正的风中奇缘,而且她没有

爱上约翰史密斯或梅尔

吉布森 他

是风的颜色,

但我离题了,她给她的名字

是梅托卡和氨基特,她

是大使,

翻译,社会工作者,间谍,

和许多土著妇女一样,

是暴力的幸存者,

你看她被绑架了 也不是

海盗,

而是她试图帮助的同一批定居者

士兵,

她被监禁了一年多

,然后她被告知她已经

皈依基督教,

被剥夺了她的名字并打电话给丽贝卡,

然后她被送往英国

为殖民努力获得经济支持

作为出色的殖民工作的

典型代表

作为文明野蛮人的活广告牌

她去世时 21 岁

有人说这是毒药 其他人说这是

疾病

但我可以告诉你她 尸体

被埋葬在

距离她家

和她的故事 36 英里的英国墓地

3737 超过 200 万人

声称是

他们仍然称之为风中奇缘的女人的直系后裔

两位公主虎百合和风中奇缘

一个没有声音,

在别人的叙述中扮演了一个角色

目的

他们以他们的形象告诉她真相

伟大的土着故事讲述者托马斯·金

故事的真相就是我们

就是

这样,所以你必须小心

你讲述的故事

,你必须注意

你被告知的故事

我相信 权力的故事

那么迪士尼从 2016 年的故事中学到了什么

迪士尼决定

讲述一位名叫莫阿娜的波利尼西亚岛民公主的故事

,他们做了一些

不同的事情,首先

他们聘请了 taika waititi,他

是工作中最酷的

说书人之一 今天也

恰好是波利尼西亚岛民的

遗产 第二

他们创建了海洋信托

文化咨询委员会 fi 充满了

波利尼西亚

岛民传统知识守护者的

故事讲述者和社区成员

,第三,他们在电影中充满了

波利尼西亚岛民演员,

包括莫阿娜的主要

角色,所以故事有什么不同呢?

莫阿娜不是关于一个女孩

寻找男朋友我会告诉你 如此

多的

moana 是关于一个年轻女子冒着

生命危险拯救她的社区,

为土地和水带来治愈和平衡,

以纪念她的文化和她的祖先

,这就是 moana 的故事,

所以迪士尼我会给你一些

moana 的积分,我会的 给你

点 moana 的分数,

但我还有点要挑你

在电影中看到的 moana 实际上被

称为公主

,她说我不是公主,

如果你穿裙子并且你有一只

动物,maui 的角色会做出回应 伙伴你是

公主,我还有一个故事要告诉

寄宿学校系统的幸存者

面临种族主义

和文化压迫,并成长为

一个非凡的女人

n 一位母亲有一天,一位印度特工

来到她家,

他带她的儿子去

寄宿

学校,她不仅在这个地方幸存下来,而且她

知道那里的儿童死亡率

比她丈夫在二战中面临的士兵更高,

所以 她站在她的车道上,她的儿子

用一只手推到她身后,另一只手拿着

一把菜刀,她

说不

,那天他留下的印度特工没有孩子

,他再也没有回来,那个女人

她不是公主,她没有

用风的所有颜色画

她是我的祖母,因为

她,

我站在这里

土著人民没有

公主,不是在风中奇缘时代

,今天也没有,

我们有祖母阿姨姐妹

母亲两个精神表亲,他们

引导和保护我们

他们是科学家 工程师 诗人

医生 到处都是坏蛋

他们是他们自己的力量 我们

是我们自己的力量

但世界一直在讲述虎百合

和风中奇缘的故事

,我们是 今天模仿这些故事的危害

,让我澄清一下,如果你选择不听

受压迫者和被忽视者的

故事,伤害

和受伤害的人的故事将

别无选择,只能把它带到街头,直到

有 真正

有意义的改变,

所以如果你是一个

在你周围的故事中有代表性的人,

这是我对你的挑战,我的朋友们

用你的资源去听别人的火力支援

那些被沉默

和忽视的人的故事问题问题

你被告知的故事

询问谁告诉他们的以及为什么告诉他们,

并做好准备,因为我们有

非凡的故事可以

用我们的方式讲述我们的故事,

以及我的堂兄弟给所有

故事被

忽视或沉默的人现在是时候了,

现在是时候了 我们去命名并

声称我们的故事

从我们自己的嘴里说出来

用我们自己的双手写下来 用我们自己的脚跳舞

用我们自己的语言

和迪士尼讲述它们 当你准备好一些的时候

更多新故事

我会准备好这个土着书呆子

会等待

记住

故事的真相就是这就是

我们的全部

谢谢