MAKING Tales TELLABLE The Finer Art of Storytelling

[Music]

namaste

once upon a time in a land far away

once upon a time in a land far away

there lived the tale of tales that i

bring to you

today

[Music]

once upon a time what does that remind

you of

yes absolutely right a story

stories are all around us be it movies

documentaries advertisements political

rallies

open mics stand-up comedies digital

media

all are based on the solid foundation of

storytelling

and they all leverage stories we all

read

listen to and tell stories every day

but but the art of oral storytelling

is very different from just reading out

or describing an incident a person

plays etc etc

history mythology legend

folktales they can all be transformed

into wonderful telltales

for various purposes such as to engage

entertain educate inspire or motivate

your audience to action

but the question is what is it

what is it that makes storytelling so

powerful science has already proven

that facts and figures alone activate

very limited parts of our brain in

contrast

a well-told story yes

a well-told story has the capability

to stimulate and activate multiple parts

of our brain simultaneously

the visual cortex sensory cortex motor

cortex

language processing parts and the key

moments in a story

also help relieve and stimulate

different hormones

such as dopamine which is a memory

aiding hormone

oxytocin which is a trust hormone

etc etc all this and so much more

that happens when a storytelling

allows and engages the listener both

with the story

and the storyteller and this

ensures that they are deeply connected

compared to

anything else so now you must be

wondering

who am i and what’s my connection to

storytelling

i am an oral storyteller a performer

storyteller

a corporate storyteller a storytelling

educationist

and a storytelling facilitator however

what’s common in all of my these roles

is my

telling stories so

if stories are at the core of all that i

do

i must ensure that i make each of my

telling

uniquely engaging entertaining

educative inspiring heart touching

and thought provoking for my audience

so when as a storyteller

i work on tales i like to make folk

tales

legends history mythology

uniquely my own

and how do i do that so what’s my

formula

to making a tale tellable

step one i take the theme or the subject

that i need to tell a story on

and start my basic research on it

next after going through a whole lot of

stories on that theme

i pick up and select one of the stories

that really appeal to me and speak to me

in fact in my world of storytelling it

is commonly believed and said that

a storyteller does not choose its own

story

however it’s the story that chooses its

own

teller so honoring whichever story

finally chooses me i start work on that

and this time around i start an

intensive research

on the story that i have picked up which

is

based on the material that’s available

in the public domain

i also reach out to people who are

connected with that theme or subject or

story

in my circle and sometimes i also reach

out to outsiders

next step number three once i have

all the material collected with me

i start to soak in the material that

comes my way

and i keep making my notes and i keep

highlighting

all the things incidents that could

serve

as an important recipe to my story

foundation

it could be related to the characters

the theme the setting

the plot incidents etc etc i put it all

together

and next step number four i look at all

of it

and i look at how do i structure my

story what’s going to be

the narrative structure of my

storytelling and then

i write down my first draft

once i’m through with my first draft i

start to read it

and as i read it i do visualization

i start to visualize how the story will

be received by my audience

and visualization serves an important

technique for me to help me connect with

my audience

even before i have met them and it also

allows me

to put the important pieces of my story

puzzle

all together and with this

we go to step number six which is edited

so i start to edit look at all the

possible emissions or missions that i

may have done or

repetitions in case there is a flab i do

all of it to

tighten my story and make it relevant

engaging

and meaningful for my audience

with that we have the first stories

ready to be taken to the audience

are we ready really no not quite yet

there is still

something else left to be done which is

i still have to do the eeping of my

story

wondering what see pink eeping is

embellishing

enhancing and personalizing my telling

and how do i do that i identify

the touch points in my storytelling and

where i could engage with my audience

through different ways and some of my

ways through which i eat my

telling are new use of music folk songs

gestures question etc etc etc

so let me demonstrate this for you okay

so a lot of times even before i start

telling my story

i invoke my audience and take them

into the storytelling mood and how do i

do that

through this let’s try this with you

[Music]

and that’s how we get our audience

to come right there physically and

mentally

ready to listen to the story so once

i’ve done that and i have my audience

with me

let me give you an example of one of the

times when i did

the telling of an indian adaptation of a

folk tale from congo

to introduce my story character and the

context of the story

wherein the theme was love understanding

and home

i used this song to introduce my story

character

longer long ago longer long ago

there was a boy and the daddy was a girl

she loved him and he loved her but

she didn’t know he didn’t know

long long ago and then the story

progressive

for another of my telling which was

where i was invited to tell a story

on one of the characters from indian

freedom struggle

i chose one from my region where i hail

from that

punjab and the story was of a freedom

fighter by the name bibi gulapko

so in what as as i was telling her story

at one moment which was the key turning

point in the story

the character actually removes her

bangles from her wrist

and shows it to the men folk around to

invoke the fighter in them

and i thought let me make this moment

one of the key highlights of my story

because that’s where

my audience can actually feel the

strength of her character

and can relate to her deeply so

i actually removed my own bangles and

showed it to my audience

and took a pause and then

i went on to narrate the rest of the

story and post my telling long after my

telling

that stayed as one key visual for my

audience

and they related to it and they could

feel what the character felt at that

time

so i’ll give you one last example

another timeless tale from the punjab

and find the region

of undivided india the story set in 17th

century

one of the very popular tragic romances

by the name

soni mahiwal i used the flashback

narrative structure

to open and set the scene for my story

and here i’d like to credit jutt

brothers from pakistan

and gurdas manji from india to help me

bring the spoke song that i grew up on

into the story so that is how it began

[Music]

go back sony go back who are you risking

your life for

who is he is he worth it oh my friend

my dear little pot you asked me who is

he

is he worth it he’s mahiwal

and having said that sony’s thoughts

drifted back

to the time their eyes first met

the first time sony saw mahibaar

and from there the story progresses in

the flashback

so these are some of my ways to eat

my telling which is to embellish enhance

and personalize my telling

and with this we are ready to practice

the story

i live the story practically day in and

day out i breathe the story on the story

till the time the story becomes me and i

become the story

and that’s when i’m ready to share

the gift of my telling the gift of my

story

with my audience so that they could

become one with it

and while i do all of this very

importantly

i credit the sources that i have

referred to

in order to weave the story together and

the telling together

so that ladies and gentlemen has been my

way

to making tales tellable the

finer art of storytelling

and these are some of the glimpses of my

actual work

of my using six steps and keeping the

telling

so as they say perhaps

uh four of the most powerful words

in the history of mankind once

upon a time once upon a time in

land far away they lift the tale of

tales that i brought to you today

[Music]

thank you very much for being a

wonderful audience happy story

and namaste

[音乐]

从前在遥远的土地上合十从前在遥远的土地

上住着我今天带给你的故事的故事

[音乐]

从前那是什么让

你想起了

是的绝对正确 一个故事

故事无处不在,无论是电影

纪录片 广告 政治

集会

开放式麦克风 单口喜剧 数字

媒体

都建立在讲故事的坚实基础之上

口头讲故事

与仅仅阅读

或描述一个人所扮演的事件

等非常不同,等等

历史神话传说

民间故事它们都可以转化

为精彩的故事,

用于各种目的,例如参与

娱乐教育激发或激励

您的观众采取行动,

但问题

是什么让讲故事如此

强大 科学已经证明

,仅凭事实和数据就能激活

非常有限的部分 我们大脑的

对比

一个讲得好的故事 是的 讲得

好的故事

能够同时刺激和激活

我们大脑的多个部分

视觉皮层感觉皮层运动

皮层

语言处理部分和

故事中的关键时刻

也有助于缓解和 刺激

不同的激素,

例如多巴胺,它是一种记忆

辅助激素,

催产素,是一种信任激素

等等等

,当讲故事

允许并让听众

参与故事

和讲故事的人时,会发生更多的事情,这

确保了他们深入 与

其他任何事物相比,现在你一定

想知道

我是谁,

我与讲故事有

什么联系

故事,所以

如果故事是我所做的一切的核心,

我必须确保我做每一个 我的

讲述

独特 引人入胜 娱乐

教育 鼓舞人心 感动人心

发人深省

所以当

作为一个讲故事的人时 可讲的

第一步 我选择一个主题或

我需要讲述一个故事的主题,

然后在经历了很多

关于该主题的故事之后开始我的基础研究

我拿起并选择

一个真正吸引人的故事

事实上,在我讲故事的世界里,

人们普遍认为并

说讲故事的人不会选择自己的

故事,

但故事会选择

自己的

讲述者,因此尊重

最终选择我的故事我开始研究这个

和这个 我开始

对我所收集的故事进行深入研究,该故事

基于公共领域中可用的材料,

我还联系了那些 重新

与我圈子中的主题、主题或故事联系起来

,有时我

也会与外界联系

我不断

强调

所有可以

作为我故事基础的重要配方的事件事件,

它可能与

角色、主题、

设置情节事件等有关,我把它们

放在一起

,下一步第四步,我看看

所有 它

和我看看我如何构建我的

故事我

讲故事的叙事结构然后

我写下我的初稿

一旦我完成了我的初稿我

开始阅读它

并且当我阅读它时我会做 可视化

我开始想象

我的观众将如何接受这个故事

,可视化对我来说是一项重要的

技术,可以帮助

我在遇到观众之前与他们建立联系,它也

让我

能够 将我的故事拼图的重要部分

放在一起,然后

我们进入第六步,该步骤已被编辑,

因此我开始编辑查看所有

可能的排放或我

可能已经完成的任务或

重复,以防我有一个松弛

所有这一切都是为了

收紧我的故事,使其

对我的观众有吸引力和有意义

,因为我们已经准备好第一个故事

准备好带给观众了

我们真的准备好了吗?还

没有,还有

其他事情要做,那就是

我仍然需要为我的

故事

eeping 我

讲故事的方式是音乐的新用法 民歌

手势 问题 等等 等等

所以让我为你演示一下

好吧 很多次 甚至在我开始

讲述我的故事之前

ii 唤起我的听众,让他们

进入讲故事的心情,我如何

通过这个来做到这一点,让我们和你一起尝试

[音乐]

,这就是我们如何让我们的

听众在身体和

精神上

准备好听这个故事,所以一旦

我 我已经做到了,我有我的听众

让我给你举个例子

,当

我讲述一个印度改编

的刚果民间故事时

,介绍我的故事人物和故事的

背景,

其中的主题 是爱的理解

和家

我用这首歌来介绍我的故事

人物

很久很久很久很久以前

有一个男孩和爸爸是一个女孩

她爱他他也爱她但

她不知道他不知道

很久很久 以前,然后

是我的另一个故事的进步,这

是我被邀请讲述

印度

自由斗争中的

一个人物的故事,我从我所在的地区选择了一个,我来自

旁遮普邦,这个故事是关于自由的

比比·古拉普科(bibi gulapko)的名字更轻,

所以当我在某个时刻讲述她的故事时

,这是故事的关键转折点

,角色实际上

从手腕上取下了她的手镯,

并展示给周围的男人,以

召唤战士 他们

和我想让我把这一刻

作为我故事的关键亮点之一,

因为那是

我的观众真正

感受到她性格的力量

并且可以与她产生深刻联系的地方,所以

我实际上取下了自己的手镯并将其

展示给我的

观众 停顿了一下,然后

我继续讲述故事的其余部分,

并在我的讲述之后很长时间发布我的讲述

,这仍然是我的观众的一个关键视觉效果

,他们与之相关,他们可以

感受到角色当时的感受,

所以我 我会给你最后一个例子

另一个来自旁遮普邦的永恒故事,

并找到

印度不可分割的地区 故事发生在 17

世纪 非常流行的悲剧爱情故事之一

,名字叫

soni mahiwal 我使用了 flashb ack

叙事结构

为我的故事打开和设置场景

,在这里我想感谢

来自巴基斯坦

的 jutt 兄弟和来自印度的 gurdas manji 帮助我

将我长大的说话歌曲

带入故事中,这就是故事的开始

[音乐]

go back sony go back 你是谁冒着生命危险

为谁他值得他值得哦我的朋友

我亲爱的小锅你问我他是谁

他值得他是

mahiwal 说索尼的想法

回 当他们的目光

第一次相遇时,索尼第一次看到 mahibaar

,从那里故事在倒叙中发展,

所以这些是我吃

我的讲述的一些方法,这是为了美化增强

和个性化我的讲述

,有了这个,我们准备

练习 故事

我几乎日复一日地生活在故事中

我在故事中呼吸故事,

直到故事变成我,我

变成故事

,那时我准备好分享

我讲

故事

的礼物 我的听众 他们可以

成为一体

,虽然我做这一切非常

重要,但

我相信我提到的来源,

以便将故事编织在一起

并讲述在一起,

这样女士们先生们一直是我

让故事可讲述的方式

更好的讲故事艺术

,这些是我

实际工作

的一些瞥见,我使用六个步骤并保持

讲述,就像他们所说的那样,也许

是人类历史上最有力的四个词

降落在很远的地方,他们解除

了我今天带给你的故事

[音乐]

非常感谢你成为一个

精彩的观众,快乐的故事

和合十礼