Emerging from the Dark Stage

[Music]

i began creating interactive virtual

worlds

back in the mid 90s at that point i

already had a strong background in

traditional narrative

and from that point on the dream of

converging

live performance with computational

power

to lift story up beyond its physical

limitations

beyond linear time

tangible objects that became my north

star

now to get there i would need to

navigate

quite a few different industries

i’d go from the tech industries to media

companies

software development companies

production houses

research for me all of these came

together with a very clear

understanding of what the future of

narrative looks like

i had a friend ask me with all that

bouncing around didn’t you feel kind of

lost

like a creator without a tribe

no i didn’t i never crossed my mind

professionally

i was always with my storytellers

whether we were working with programs or

performers or participants

i did however feel lost in my personal

life occasionally

you know searching for meaning not sure

where to go

and when that happened i wouldn’t put on

a virtual reality headset

i’d go to the theater

so in 2008 i found myself in a very

dark place in my life i was reeling from

an abusive marriage

my friends and family were scattered all

across the globe

i had a new baby

so on my first night out i went to the

theater

a black box theater in midtown manhattan

performing that night were broadway’s

understudy standbys and swings

they were doing pieces that they might

not ever get to play on stage

but in that theater they were filling it

with the most incredible talent

followed by the most horrific stories of

being booed on stage

missing choreography because they didn’t

have to have a chance to rehearse

i walked out of that theater into the

dark night but for me

it was a bright new world

i would spend the next four years

directing a documentary called the

standbys

i would spend many more years after that

navigating the new york city divorce

court system

takes a while to untangle ourselves from

the reality we

think we’ve built

i think that maybe theater finds itself

right now and not

quite so dissimilar a situation of

entanglement

business models built on

packed houses that now said empty actors

trained to perform for the back row

now at home the lights are dark

where is theater to go when it’s lost so

much

not necessarily because of outside

forces even maybe when we’re

searching for creative inspiration

where’s the light

three things happened in that when i

left that black box theater that night

three things that you can do right now

that do not

involve technology although i sincerely

believe

that today’s technology can be the light

for tomorrow’s theater

but these three things are diversify

your relationships

look to the future create something new

let’s take a look at each of those all

right so diversify your relationships

kindred spirits all over the world are

creating new types of story new types of

characters

they’re doing it in computational

academia where papers are flooding in

combining storytelling and ai

and frankly they need the bright minds

of broadway to figure out how to

actually do that

you might be familiar with the drama

departments of cmu usc

yale nyu did you know that they also

have

entertainment technology centers blended

reality labs future reality labs

academia for me is a bellwether you can

go there see what’s coming down the line

check out some of the prototypes see

what if what we can be excited about in

the future if anything we can use right

now

but even outside of academia when we

look at film festivals they are

featuring the new frontiers

social media is becoming the concert

houses

of yesterday and if you look at escape

rooms

they’re doing some really neat stuff

with narrative and game design

when we diversify our relationships we

build a support network so that when

things don’t work out the way that we

planned

maybe we have a new perspective on how

to move forward

look to the future right now our

audiences

are adapting technology at an

accelerated pace

grandparents that would normally be

sitting in the schubert or at home

becoming zoom pros and tick tock stars

the other night i was actually with a

couple hundred other people

navigating a virtual house with live

performers in it that were responding to

our chat commentary in real time

and my son who grew up on a healthy dose

of

soul-saving theater now has to

communicate with his friends

through devices and technology

the future might not look like the past

that’s okay

create something new you won’t be alone

in a galaxy far far away in orlando

florida

you can be part of the resistance or the

first order and that’ll change

your experience performers in france

are in motion capture suits becoming

animated characters and headsets

all across the world theaters in japan

motion track their dancers so that they

could in real time

perform with projected characters

through a game engine that was in the

theater

when we create something new something

awesome happens

when we take action

the darkness starts to fade away as we

build our new reality

and that shines the light for other

people to come with us

these three things might seem easy

but they’re deeply personal and yes

even the most formidable of institutions

can move on

marriage or broadway

now i have the most incredible partner

supportive empowering caring

my son is a funny

and kind teenager

and we have a new baby in our family

it’s my hope that tonight when i walk

out of this theater

it’s your turn to walk into a bright new

world

thank you

[音乐]

早在 90 年代中期,我就开始创建交互式虚拟世界,那时我

已经在传统叙事方面拥有深厚的背景

,从那时起,我就梦想将

现场表演与计算

能力相结合,

以超越线性的物理

限制

时间

有形的物体成为我的北极星

现在要到达那里我需要

导航

很多不同的行业

我会从科技行业到媒体

公司

软件开发公司

生产公司

为我研究所有这些

都非常清晰

了解叙事的未来是什么

样子

我有一个朋友问我所有这些

蹦蹦跳跳的事情你没有

像没有部落的创造者一样感到迷失吗

不我没有我从来没有想过

专业

我总是和我的 讲故事的人

无论我们是在与节目、

表演者还是参与者合作,

但我确实偶尔会在我的个人生活中感到迷失

知道寻找意义 不知道

该去

哪里 当那件事发生时 我不会

戴上虚拟现实耳机

我会去剧院

所以在 2008 年我发现自己处于生活中一个

非常黑暗

的地方 结婚

我的朋友和家人分散

在世界各地

我有一个新宝宝

所以在我第一个晚上出去的时候 我去了

剧院

曼哈顿中城的一个黑匣子剧院

那天晚上表演是百老汇的

替补和摇摆

他们正在做他们可能的作品

从来没有在舞台上演出,

但在那个剧院里,他们

用最令人难以置信的才华填满了它,

然后是最可怕的故事,

因为他们没有机会排练,所以在舞台上被嘘错过了编舞

我走出了那个 剧院进入

漆黑的夜晚,但对我来说,

这是一个明亮的新世界,

我将在接下来的四年里

导演一部名为《待命》的纪录片,在

那之后

我将花费更多年时间来

探索新世界 约克市离婚

法庭系统

需要一段时间才能摆脱我们

认为我们已经建立的现实,

我认为也许剧院现在发现自己,

而不是

完全不同的

纠缠

商业模式建立在

拥挤的房子上,现在说空荡荡的演员

训练有素

现在在家里为后排表演 灯光很暗

当剧院失去太多时 剧院去哪里

不一定是因为外部

力量 即使我们正在

寻找创意灵感

光明在哪里

当我离开时发生了三件事

那个晚上的黑匣子剧院

你现在可以做的三件事

涉及技术 虽然我真诚地

相信今天的技术可以成为明天剧院的光

但这三件事使

你的关系多样化

展望未来创造一些新

的东西让我们采取 看看每一个都

好,让你的关系多样化

,全世界的志同道合的精神都在

创造 g 新类型的故事 新类型的

角色

他们在计算学术界正在做这件事

将讲故事和人工智能结合起来的论文泛滥成灾

,坦率地说,他们需要

百老汇的聪明才智来弄清楚如何

实际做到这一点,

你可能熟悉戏剧

cmu 的部门

耶鲁大学 你知道他们也

娱乐技术中心

如果我们现在可以使用任何东西,将来会感到兴奋,

但即使是在学术界之外,当我们

看电影节时,他们所

展示的新前沿

社交媒体正在成为昨天的音乐厅

,如果你看看

他们正在做的逃生室

当我们使我们的关系多样化时,我们会

建立一个支持网络,以便当

事情不顺利时 我们

计划的方式

也许我们对如何向前展望未来有了新的看法

现在我们的

观众

正在以更快的速度适应技术

祖父母通常

坐在舒伯特或家里

成为变焦专家和滴答声

前几天晚上,我实际上和

其他几百人一起

在虚拟房子里导航,里面有现场

表演者,他们

实时回应我们的聊天评论

,我儿子在健康剂量

拯救灵魂剧院长大,现在必须

与 他的朋友

通过设备和

技术 未来可能看起来不像过去

那没关系

创造新事物

在佛罗里达州奥兰多遥远的银河系中你不会孤单

你可以成为抵抗运动或

第一秩序的一部分,这会改变

您在法国的体验表演

者身着动作捕捉套装成为

动画角色和耳机

遍布世界各地日本剧院

动态跟踪他们的舞者 这样他们

就可以通过一个游戏引擎实时

与投影的角色一起

表演,

当我们创造新事物

时,会发生一些很棒的事情,

当我们采取

行动时,当

我们建立新的现实时

,黑暗开始消失,并为我们带来光明 其他

人和我们一起来

这三件事可能看起来很容易,

但它们非常个人化,是的,

即使是最强大的机构

也可以在婚姻或百老汇继续前进,

现在我有最不可思议的合作伙伴

支持授权关心

我的儿子是一个有趣

和善良的少年

我们家有了一个新宝宝

,我希望今晚当我

走出这个剧院

时,轮到你走进一个明亮的新世界

谢谢你