Why the shape of your screen matters Brian Gervase

You know, back in the ’40s and ’50s,

the original standard television
had a 4 to 3 width to height ratio.

That shape was chosen
to be a slight rectangle,

but still mostly square, thus having
the maximal screen area

for the given dimensions.

And that’s still the ratio on many TVs
and computer monitors in today’s homes.

The problem is, hardly anybody today
treats video content in a 4 to 3 ratio.

See, this whole problem started

when people wanted
to watch movies from the theater

in the comfort of their own homes.

Movie screens are considerably larger
than our home television.

More important, the screen
is completely different rectangle

and can’t mathematically fit
on our TV screens without manipulation.

A typical TV is one and a third times
wider than it is tall

Some movie screens could be up to
three times as wide as it is tall.

So what’re we going to do to make it fit?
Well, we have all kinds of options.

Well, we could squeeze and stretch
and mangle everything onto the screen,

to make it all fill up,

and everyone would look
ridiculously thin and compressed.

The good news is
the sound would be just fine,

although I don’t think people would be
too happy about that option,

particularly the actors in the movie.

We could just cut a chunk
of the original movie like a cookie cutter

and just see that frame of the movie.

The problem with that would be
people and objects

would be speaking from off the screen,
or, even worse, they might be cut in half.

Some movie editors use what’s called
the “pan and scan” technique

to allow the full height
of the TV screen to be used,

but pick and choose what section
of the original movie

should be shown on your screen

thus eliminating the annoying
cutting of people.

Imagine that job: staring at a 4 to 3 hole

watching movies all day,
deciding for everyone

which piece of the screen is
the most important part for people to see.

Now let’s do a little quick math.

If we compare a major cinematic film
produced on a 2.35 to 1 aspect frame

with my standard 4 to 3 TV screen,

we find out that only 55% of the movie
can actually fit on the screen

at any one time.

Just over half!

You’ve seen the disclaimer
at the beginning of the movie on TV or DVD

that says,
“This film has been modified

from its original format
to fit on your TV screen.”

Well, what it should say is,

“We are only displaying 55%
of the movie of our choosing.”

Now for all the full-screen TV lovers,

this is your dilemma:

do you want to see all the movie,
or is 55% good enough?

How about new TVs?

Around the start of the century,
some widescreen TVs

emerged in a 16 to 9, or 1.78 times
wider than it is tall.

Well, this screen fits
the movie a little better,

but still only shows 75%
of the original movie at one time.

Suppose someone made
a TV for your living room

that was actually 2.35 to 1
to show those full movies?

Well, the TV with the same height
as the most current 50-inch TVs -

that TV would be close to six feet long.

And on top of that, you’d only use
the full screen when you watched movies.

Most of the other content
would have to be stretched,

or have empty space on
the sides of the screen.

Of course, there is one more option.

We can just shrink
the movie screen proportionally,

to fit the width of your home television.

We can mathematically scale the original
to fit exactly the width of the screen

and this’ll preserve
the entire movie screen,

but show the infamous black bars
along the top and bottom

that so many television watchers abhor.

Of course, now you can argue
that we’re only using 75% of that screen.

And that is where the real question is:

do you want your full screen,
or do you want to see the entire movie?

Most likely, you just need a bigger TV.

你知道,早在 40 年代和 50 年代

,最初的标准电视
的宽高比是 4 比 3。

该形状被
选择为一个小矩形,

但仍主要是正方形,因此对于给定尺寸
具有最大的屏幕面积

这仍然是
当今家庭中许多电视和电脑显示器的比例。

问题是,今天几乎没有人
以 4 比 3 的比例处理视频内容。

看,

当人们想

在自己舒适的家中从剧院看电影时,整个问题就开始了。

电影屏幕
比我们的家庭电视大得多。

更重要的是,屏幕
是完全不同的矩形

,如果
不进行操作,在数学上无法适应我们的电视屏幕。

典型的电视
比它的高度宽一又三分之一

一些电影屏幕
的宽度可能是它的高度的三倍。

那么我们要怎么做才能让它适应呢?
好吧,我们有各种各样的选择。

好吧,我们可以挤压、拉伸
和破坏屏幕上的所有内容

,让它全部填满

,每个人都会看起来
非常瘦和压缩。

好消息
是声音会很好,

尽管我认为人们不会
对这个选项感到太高兴,

尤其是电影中的演员。

我们可以
像切饼干一样剪掉原始电影的一部分,

然后只看电影的那一帧。

这样做的问题是
人和物体

会在屏幕外说话,
或者更糟糕的是,它们可能会被切成两半。

一些电影编辑使用所谓
的“平移和扫描”技术

来允许使用电视屏幕的整个高度,

但选择应该在屏幕上显示
原始电影的哪个部分,

从而消除令人讨厌的
剪裁。

想象一下那个工作:整天盯着 4 到 3 洞

看电影,
为大家决定

哪一块屏幕
是人们看的最重要的部分。

现在让我们快速计算一下。

如果我们将一部
在 2.35 比 1 宽高比帧上制作的大型电影电影

与我的标准 4 比 3 电视屏幕进行比较,

我们会发现在任何时候实际上只有 55% 的电影
可以放在屏幕

上。

刚刚过半!

您已经
在电视或 DVD 上看到电影开头的免责声明

,上面写着:
“这部电影

已从其原始格式
进行了修改,以适应您的电视屏幕。”

好吧,它应该说的是,

“我们只展示
了我们选择的电影的 55%。”

现在对于所有的全屏电视爱好者来说,

这是你的困境:

你想看所有的电影,
还是 55% 就够了?

新电视怎么样?

大约在本世纪初,
一些宽屏电视

出现了 16 到 9 的尺寸,或者
是其高度的 1.78 倍。

好吧,这个屏幕
更适合电影,

但一次仍然只显示
原始电影的 75%。

假设有人
为您的客厅制作了一台

实际上是 2.35 比 1 的电视
来播放这些完整的电影?

好吧,与
最新的 50 英寸电视高度相同的电视

  • 电视将接近 6 英尺长。

最重要的是,您只能
在观看电影时使用全屏。

大多数其他内容
必须被拉伸,

或者在屏幕两侧留出空白空间

当然,还有另一种选择。

我们可以
按比例缩小电影屏幕,

以适应您家庭电视的宽度。

我们可以在数学上缩放原件
以完全适合屏幕的宽度

,这将
保留整个电影屏幕,

但会
在顶部和底部

显示许多电视观众所厌恶的臭名昭著的黑条。

当然,现在您可以争辩
说我们只使用了该屏幕的 75%。

这就是真正的问题所在:

你想要全屏,
还是想要看整部电影?

最有可能的是,您只需要一台更大的电视。