TikTok Instagram Snapchat and the rise of bitesized content Qiuqing Tai

Transcriber: Leslie Gauthier
Reviewer: Joanna Pietrulewicz

More than 1.5 billion people
around the world,

over half of them under the age of 24,

regularly watch short videos:

clips of 60 seconds or less

using Snapchat, TikTok, Instagram Stories

and other smartphone apps.

The market barely existed seven years ago,

yet today creators are uploading
702 million short videos every day.

As our attention span
is falling to seconds,

short video is not only here to stay
but will become the new normal.

Unlike other social platforms
such as Instagram,

where perfectly edited,
polished images are the norm,

short videos are more accessible,

inviting imperfection and authenticity.

And because each clip is so short,

content producers have to be creative
and concise communicators.

But these bite-sized videos
are more than just fun and entertainment.

For me personally,

as a consultant and mother,

short videos are where
I get parenting tips.

On my way to work I can quickly learn
about the secrets of breastfeeding

while traveling

and get great ideas about how
to make my daughter sleep sooner.

Businesses are also learning

that short videos are a great way
to find new customers

and expand the diversity
of their audiences.

Earlier this year,
I led a project with TikTok,

the world’s leading short-video platform,

to assess the economic and social
impact of this bite-sized economy.

Our study shows that this young medium
is changing a lot more

than the way we spend our leisure time.

In 2019,

short video generated
an estimated 95 billion US dollars

in goods and services sold

and created roughly
1.2 million jobs globally.

Even within this short lifespan,

short video is already impacting
the way we work, communicate and learn.

In the age of COVID-19,

while museums around the world
are facing indefinite closure,

many have acted quickly

to bring in an engage and new,
younger audience remotely.

The Uffizi Gallery in Florence,

which just established its official
new website three years ago,

is using short video
to attract new audiences

to their statues and paintings.

By matching exhibits with emojis,
music lyrics or funny quotes,

the museum is making
its artwork more accessible

and relevant to the young
generation of art lovers.

In one of its recent posts,

a cartoon coronavirus turned into a rock

and smashed in half

in front of Caravaggio’s
painting “Medusa,”

who has the power to turn
those who gaze at her into stone.

(Video) (Music: “Symphony No. 5”)

(Recording) Cardi B: Coronavirus!

(Voice-over) Qiuqing Tai:
Uffizi also experimented

with influencers livestreaming
from the gallery on short-video platform,

allowing viewers around the world
to experience art

that they’ve never been able
to see in person.

Since its appearance
on TikTok in April 2020,

the museum’s profile has attracted
more than 43,000 followers

in three months.

This speed is far quicker
than their journey on Twitter,

where it built up a similar number
of fanbase during the past four years.

Small businesses are also using
short video as a way to find new audiences

who might have never heard of them
or their products before.

In 2018, Douyin, the leading
Chinese short-video platform,

as part of a social
responsibility initiative

to alleviate poverty in China,

launched a campaign
to help individual farmers

and small businesses in China’s
mountainous areas sell farm produce.

As one of its pilot projects,

Douyin invited content producers

to create four pieces
of 15-second short videos

showcasing the quality of their products.

This is on top of other,
regular PR initiatives,

such as promotional articles.

Douyin wanted to leverage
the large user base of short video

to find those customers
who might be interested in those products

and then connected them
with the e-commerce website

so that people can buy things
as they watch the videos.

In just five days,

the initiative helped nearly 4,000
families in Sichuan Province

sell an astonishing
120,000 kilograms of plums.

Many brands that are interested
in hiring and recruiting young people

have been using short video
as a fresh way to engage

with Generation Z.

For example,

more than half of McDonald’s employees
are aged between 16 to 24.

In Australia, the brand was struggling
to recruit in recent years,

so it launched something
called “snaplication,”

which is a Snapchat lens
that enabled users

to shoot 10-second videos explaining why
they’d be a perfect McDonald’s employee

and then prompted them to a link
with a job application.

Within 24 hours
after launching the campaign,

McDonald’s received 3,000 “snaplications,”

four times more than the number
they received in a whole week

using traditional methods.

While it’s unclear whether hiring
over short video is the best way

to find the right people for the job
or to retain talent,

but judging solely
from recruiting numbers,

the campaign was a global hit.

In Saudi Arabia,

McDonald’s received 43,000
snaplications within 24 hours,

and the company launched
the campaign again later in the US.

Much like how I like to get
parenting tips from short video,

many users also want to leverage
the platform to learn,

but in tiny, bit-sized doses.

In our study, short video users globally
ranked the top benefits of the platform

as discovering new interests
and learning new skills.

In emerging markets especially,

short video for learning and education

has huge potential
to change the status quo.

In 2019, TikTok launched
a campaign in India

with the aim of democratizing learning
for the Indian digital community.

While the app has been banned
in the country since July 2020,

it launched a huge demand
for educational short-video content

and other platforms
are jumping in to fill in the space.

TikTok was able to spark this trend

by collaborating with Indian
social enterprises,

education startups

and popular creators

to produce 15-second short videos
that covered a range of topics

from school-level science
to learning new languages.

As the first wave of short video
became widely spread on the platform,

audiences got inspired

and some even began to create
their own educational content.

By October 2019,

the campaign had generated
more than 10 million videos

and garnered 48 billion views.

Through helping people learn

and participate in the process
of content creation,

short videos are in fact helping prep
and train the skilled population

that can take on
the challenges of the future.

Like all social media,

there are valid concerns
around short-video platforms,

including data privacy,

the addictive nature of the format

and the lack of nuance
and context in the content.

However, I still think
that the positive outcomes of short video

will outweigh its downsides.

I believe short video will become
a more vital economic and social force

in the future.

It is precisely because of this

that we need to find the right way
to benefit from this young medium

through collaboration among users,

platforms and policymakers.

Thank you.

抄写员:Leslie Gauthier
审阅者:Joanna Pietrulewicz 全球

超过 15 亿人

(其中超过一半的人年龄在 24 岁以下)

定期观看短视频:

使用 Snapchat、TikTok、Instagram Stories

和其他智能手机应用程序观看时长不超过 60 秒的视频。

七年前这个市场几乎不存在,

而今天创作者每天上传的
短视频达 7.02 亿条。

随着我们的
注意力下降到秒级,

短视频不仅会继续存在,
而且将成为新常态。

与 Instagram 等其他社交平台不同
,在这些平台上,

完美编辑、
精美的图像是常态,

短视频更容易被访问,更容易受到

不完美和真实性的影响。

而且由于每个剪辑都很短,

内容制作者必须具有创造性
和简洁的传播者。

但这些一口大小的
视频不仅仅是有趣和娱乐。

就我个人而言,

作为一名顾问和母亲,

短视频是
我获得育儿技巧的地方。

在上班的路上,我可以在旅途中快速
了解母乳喂养的秘诀,

并获得
如何让女儿早点入睡的好主意。

企业还了解到

,短视频是
寻找新客户


扩大受众多样性的好方法。

今年早些时候,
我与

世界领先的短视频平台 TikTok 一起领导了一个项目,

以评估
这个小型经济体的经济和社会影响。

我们的研究表明,这种年轻的媒体
正在改变的

不仅仅是我们度过闲暇时间的方式。

2019 年,

短视频在全球创造
了约 950 亿美元

的商品和服务销售额,

并创造了约
120 万个就业机会。

即使在这个短暂的生命周期内,

短视频已经在
影响我们的工作、交流和学习方式。

在 COVID-19 时代,

虽然世界各地的博物馆
都面临无限期关闭,但

许多博物馆已迅速采取行动

,远程吸引新的
年轻观众。

佛罗伦萨的乌菲兹美术馆三年前

刚刚建立了新的官方
网站,它

正在使用短视频
来吸引新的观众

观看他们的雕像和画作。

通过将展品与表情符号、
音乐歌词或有趣的引语相匹配

,博物馆正在让年轻一代
的艺术爱好者更容易接触到

和相关
的艺术品。

在其最近的一篇帖子中,

一种卡通冠状病毒变成了一块石头

,在

卡拉瓦乔的
画作“美杜莎”面前被砸成两半,美杜莎

有能力将
凝视她的人变成石头。

(视频)(音乐:“第五交响曲”)

(录音)Cardi B:冠状病毒!

(画外音)邱庆泰:
乌菲兹美术馆还尝试


通过短视频平台从画廊直播的影响

者,让世界各地的观众
体验

他们从未
亲眼看到的艺术。


2020 年 4 月在 TikTok 上亮相以来,

该博物馆的个人资料在三个月内吸引
了超过 43,000 名粉丝

这个速度
比他们在 Twitter 上的旅程快得多,

在过去的四年里,它在 Twitter 上建立了相似数量
的粉丝群。

小型企业也使用
短视频作为寻找

可能从未听说过他们
或他们的产品的新受众的一种方式。

2018年,中国领先的
短视频平台抖音

作为中国扶贫社会
责任倡议的一部分

发起了
一项帮助中国山区个体农民

和小企业
销售农产品的活动。

作为其试点项目之一,

抖音邀请内容制作

者制作了四段
15秒的短视频,

展示了他们的产品质量。

这是在其他
常规公关计划(

例如促销文章)之上的。

抖音想利用
短视频的庞大用户群,

找到
可能对这些产品感兴趣的客户

,然后将他们
与电子商务网站联系起来,

这样人们
就可以边看视频边买东西。

短短

五天,帮助四川省近4000
户家庭

卖出了惊人的
12万公斤李子。

许多对
招聘和招募年轻人感兴趣的品牌

一直在使用短视频
作为与 Z 一代互动的新方式

例如,

麦当劳一半以上的
员工年龄在 16 至 24 岁之间。

在澳大利亚,该品牌一直在
努力 最近几年招聘,

所以它推出了一个
叫做“snaplication”的东西,

这是一个 Snapchat 镜头
,可以让

用户拍摄 10 秒的视频,解释为什么
他们会成为一名完美的麦当劳员工

,然后提示他们链接
到一个工作申请链接。

活动发起后的 24 小时内,

麦当劳收到了 3000 份“snaplications”,


他们使用传统方法在一周内收到的数量的四倍

虽然目前尚不清楚
通过短视频

招聘是否是找到合适人选
或留住人才的最佳方式,


仅从招聘人数来看,

该活动在全球范围内大受欢迎。

在沙特阿拉伯,

麦当劳
在 24 小时内收到了 43,000 份快餐

,该公司
随后在美国再次发起了这项活动。

就像我喜欢
从短视频中获取育儿技巧一样,

许多用户也希望利用
该平台进行学习,

但要以很小的剂量进行。

在我们的研究中,全球短视频用户
将平台的最大好处

列为发现新兴趣
和学习新技能。

尤其是在新兴市场,

学习教育短视频

具有
改变现状的巨大潜力。

2019 年,TikTok
在印度发起了一项运动

,旨在
使印度数字社区的学习民主化。

虽然该应用程序
自 2020 年 7 月以来在该国被禁止,

但它引发了
对教育短视频内容的巨大需求

,其他平台
也纷纷加入以填补这一空间。

TikTok

与印度
社会企业、

教育初创公司

和受欢迎的创作者

合作,制作了 15 秒的短视频
,涵盖了

从学校科学
到学习新语言的一系列主题,从而引发了这一趋势。

随着第一波短视频
在平台上的广泛传播,

观众受到启发

,甚至开始创作
自己的教育内容。

截至 2019 年 10 月,

该活动已产生
超过 1000 万个视频,

并获得 480 亿次观看。

通过帮助人们学习

和参与
内容创建过程,

短视频实际上正在帮助准备
和培训

能够
应对未来挑战的技术人员。

与所有社交媒体一样,短视频平台

也存在一些合理的
担忧,

包括数据隐私、

格式的成瘾性

以及内容缺乏细微差别
和上下文。

但是,我仍然
认为短视频

的利大于弊。

我相信短视频将
成为未来更重要的经济和社会

力量。

正因为如此

,我们需要

通过用户、

平台和政策制定者之间的协作,找到从这个年轻媒体中受益的正确方法。

谢谢你。