Corruption wealth and beauty The history of the Venetian gondola Laura Morelli

If I say, “Venice,” do you imagine
yourself gliding down the Grand Canal,

serenaded by a gondolier?

There’s no doubt that the gondola
is a symbol of Venice, Italy,

but how did this curious banana-shaped
black boat get its distinctive look?

The origins of the Venetian gondola
are lost to history,

but by the 1500s, some 10,000 gondolas
transported dignitaries, merchants and goods

through the city’s canals.

In fact, Venice teemed with many types
of handmade boats,

from utilitarian rafts to
the Doge’s own ostentatious gilded barge.

Like a modern day taxi system,
gondolas were leased to boatmen

who made the rounds of the
city’s ferry stations.

Passengers paid a fare to be carried from
one side of the Grand Canal to the other,

as well as to other points around the city.

But gondoliers soon developed a bad rap.

Historical documents describe numerous
infractions involving boatmen,

including cursing, gambling,
extorting passengers –

even occasional acts of violence.

To minimize the unpredictability
of canal travel,

Venetian citizens who could afford it
purchased their own gondolas,

just as a celebirty might use
a private car and driver today.

These wealthy Venetians hired two private
gondoliers to ferry them around the city

and maintain their boats.

The gondolas soon became a status symbol,
much like an expensive car,

with custom fittings,
carved and gilded ornamentation,

and seasonal fabrics, like silk and velvet.

However, the majority of
gondolas seen today are black

because in 1562,
Venetian authorities decreed

that all but ceremonial gondolas
be painted black

in order to avoid
sinfully extravagant displays.

Apparently, Venetian authorities did not
believe in “pimping their rides.”

Still, some wealthy Venetians
chose to pay the fines

in order to maintain their
ornamental gondolas,

a small price to keep up appearances.

The distinctive look of the gondola
developed over many centuries.

Each gondola was constructed
in a family boatyard called a squero.

From their fathers and grandfathers,
sons learned how to select and season

pieces of beech, cherry, elm, fir, larch,
lime, mahogany, oak and walnut.

The gondola makers began
with a wooden template

that may have been hammered into
the workshop floor generations earlier.

From this basic form,
they attached fore and aft sterns,

then formed the longitudinal planks
and ribs that made up the frame

of a boat designed to glide through
shallow, narrow canals.

A gondola has no straight lines or edges.

Its familiar profile was achieved through
an impressive fire and water process

that involved warping the boards with
torches made of marsh reeds set ablaze.

However, the majority of the 500 hours
that went into building a gondola

involved the final stages:

preparing surfaces and applying successive
coats of waterproof varnish.

The varnish was a family recipe,
as closely guarded as one for risotto

or a homemade sauce.

Yet even with the woodwork finished,
the gondola was still not complete.

Specialized artisans supplied their
gondola-making colleagues

with elaborate covered
passenger compartments,

upholstery and ornaments
of steel and brass.

Oar makers became integral partners
to the gondola makers.

The Venetian oarlock, or fórcola,
began as a simple wooden fork,

but evolved into a high-precision tool
that allowed a gondolier

to guide the oar into many positions.

By the late 1800s,

gondola makers began to make the left side
of the gondola wider than the right

as a counter balance to
the force created by a single gondolier.

This modification allowed rowers to
steer from the right side only,

and without lifting the oar from the water.

While these modifications improved
gondola travel,

they were not enough to
keep pace with motorized boats.

Today, only about 400 gondolas
glide through the waterways of Venice,

and each year, fewer authentic gondolas
are turned out by hand.

But along the alleys, street signs
contain words in Venetian dialect

for the locations of old boatyards,
oar makers and ferry stations,

imprinting the memory
of the boat-building trades

that once kept life in the most serene
republic gliding along at a steady clip.

如果我说“威尼斯”,你是否想象
自己在一艘船夫的伴奏下沿着大运河滑翔

毫无疑问,贡多拉
是意大利威尼斯的象征,

但是这艘奇特的香蕉形
黑色小船是如何变得与众不同的呢?

威尼斯贡多拉的起源已
被历史遗忘,

但到了 1500 年代,约有 10,000 艘贡多拉通过城市的运河
运送政要、商人和货物

事实上,威尼斯拥有许多类型
的手工船,

从实用的木筏
到总督自己的炫耀镀金驳船。

就像现代出租车系统一样,
贡多拉被租给


城市轮渡站巡视的船夫。

乘客支付了从
大运河一侧到另一侧

以及城市周围其他地点的票价。

但船夫很快就发展出了不好的名声。

历史文件描述了许多
涉及船工的违规行为,

包括诅咒、赌博、
敲诈乘客——

甚至偶尔的暴力行为。

为了尽量减少运河旅行的不可预测性

负担得起的威尼斯公民
购买了自己的贡多拉船,

就像今天的名人可能
使用私家车和司机一样。

这些富有的威尼斯人雇佣了两个私人
船夫将他们运送到城市周围

并维护他们的船只。

贡多拉很快成为一种身份象征,
就像一辆昂贵的汽车,

有定制的配件、
雕刻和镀金的装饰,

以及季节性面料,如丝绸和天鹅绒。

然而,
今天看到的大多数贡多拉都是黑色的,

因为在 1562 年,
威尼斯当局下令

将除礼仪贡多拉以外的所有贡多拉
漆成黑色

,以避免
过度奢侈的展示。

显然,威尼斯当局不
相信“拉皮条”。

尽管如此,一些富有的威尼斯人还是
选择支付罚款

以维持他们的
观赏吊船,这

是为了维持形象而付出的小小代价。

贡多拉独特的外观
历经数个世纪的发展。

每个贡多拉都是
在一个叫做 squero 的家庭造船厂建造的。

从他们的父亲和祖父
那里,儿子们学会了如何挑选和调味

山毛榉、樱桃、榆树、冷杉、落叶松、
酸橙、桃花心木、橡木和胡桃木。

贡多拉制造商从
一个木制模板开始,该模板

可能早在
几代人的车间地板上就被锤击过。

从这种基本形式开始,
他们连接了前后船尾,

然后形成了构成船框架的纵向木板
和肋骨,

设计用于滑过
浅而狭窄的运河。

贡多拉没有直线或边缘。

它熟悉的轮廓是通过
令人印象深刻的火和水过程实现的,

该过程包括用
点燃的沼泽芦苇制成的火把扭曲木板。

然而,建造缆车的 500 小时大部分时间

涉及到最后阶段:

准备表面和连续
涂上防水清漆。

清漆是一种家庭食谱,
就像意大利

调味饭或自制酱汁一样严密保护。

然而,即使木工完成了
,缆车仍然没有完成。

专业的工匠为他们
制作贡多拉的同事

提供了精心制作的有盖
乘客舱、

室内装潢以及
钢和黄铜的装饰品。

桨制造商成为
贡多拉制造商不可或缺的合作伙伴。

威尼斯桨船或 fórcola 最初
是一个简单的木叉,

但后来演变成一种高精度工具
,可以让船夫

将桨引导到多个位置。

到 1800 年代后期,

贡多拉制造商开始使贡多拉的
左侧比右侧更宽

,以平衡
单个贡多拉所产生的力量。

这种修改允许划船者
仅从右侧操纵,

而无需将桨从水中抬起。

虽然这些修改改进了
贡多拉旅行,

但它们还不足以
跟上机动船的步伐。

今天,只有大约 400 艘贡多拉
在威尼斯的水道中滑行

,而且每年手工制作的正宗贡多拉也越来越少

但沿着小巷,路牌上
用威尼斯方言写着

旧船厂、
桨制造商和渡轮站的位置,留下

了造船行业的记忆,这些行业

曾经让这个最宁静的
共和国的生活稳定地滑行。