How to build a fictional world Kate Messner

In J.R.R.’s world,

Gandalf is one of five wizards
sent by the Valar

to guide the inhabitants of Middle Earth

in their struggles
against the dark force of Sauron.

Gandalf’s body was mortal,

subject to the physical
rules of Middle Earth,

but his spirit was immortal,

as seen when he died as Gandalf the Grey

and resurrected as Gandalf the White.

According to the Wachowski’s script,

an awakened human only has to link up

and hack the neon binary
code of the Matrix

to learn how to fly a helicopter
in a matter of seconds.

Or if you are the One, or one of the Ones,

you don’t even need a helicopter,
you just need a cool pair of shades.

Cheshire cats can juggle their own heads.

iPads are rudimentary.

No Quidditch match ends
until the Golden Snitch is caught.

And the answer to the ultimate
question of life, the universe,

and everything

is most certainly 42.

Just like real life,
fictional worlds operate consistently

within a spectrum of physical
and societal rules.

That’s what makes these intricate worlds

believable, comprehensible,
and worth exploring.

In real life, the Law of Gravity
holds seven book sets of “Harry Potter”

to millions of bookshelves
around the world.

We know this to be true, but we also know

that ever since J.K. typed the words

wizard, wand, and “Wingardium Leviosa,”

that Law of Gravity has ceased to exist

on the trillions of pages
resting between those bookends.

Authors of science fiction and fantasy
literally build worlds.

They make rules, maps, lineages,

languages, cultures, universes,

alternate universes within universes,

and from those worlds sprout
story, after story, after story.

When it’s done well,

readers can understand
fictional worlds and their rules

just as well as the characters
that live in them do

and sometimes, just as well or even better

than the reader understands
the world outside of the book.

But how?

How can human-made squiggles on a page

reflect lights into our eyes
that send signals to our brains

that we logically and emotionally decode
as complex narratives

that move us to fight,

cry, sing, and think,

that are strong enough

not only to hold up a world

that is completely invented by the author,

but also to change
the reader’s perspective

on the real world that resumes

only when the final squiggle is reached?

I’m not sure anyone knows
the answer to that question,

yet fantastical, fictional worlds
are created everyday

in our minds, on computers,

even on napkins at the restaurant
down the street.

The truth is your imagination
and a willingness to, figuratively,

live in your own world

are all you need to get
started writing a novel.

I didn’t dream up Hogwarts
or the Star Wars' Cantina,

but I have written some science thrillers
for kids and young adults.

Here are some questions
and methods I’ve used

to help build the worlds
in which those books take place.

I start with a basic place and time.

Whether that’s a fantasy world
or a futuristic setting in the real world,

it’s important to know where you are
and whether you’re working in the past,

present, or future.

I like to create a timeline

showing how the world came to be.

What past events have shaped
the way it is now?

Then I brainstorm answers to questions

that draw out the details
of my fictional world.

What rules are in place here?

This covers everything
from laws of gravity,

or not,

to the rules of society

and the punishments
for individuals who break them.

What kind of government
does this world have?

Who has power, and who doesn’t?

What do people believe in here?

And what does this society value most?

Then it’s time to think
about day-to-day life.

What’s the weather like in this world?

Where do the inhabitants live
and work and go to school?

What do they eat

and how do they play?

How do they treat their young
and their old?

What relationships do they have
with the animals and plants of the world?

And what do those animals
and plants look like?

What kind of technology exists?

Transportation?

Communication?

Access to information?

There’s so much to think about!

So, spend some time living in those tasks
and the answers to those questions,

and you’re well on your way
to building your own fictional world.

Once you know your world
as well as you hope your reader will,

set your characters free in it
and see what happens.

And ask yourself,

“How does this world you created
shape the individuals who live in it?

And what kind of conflict
is likely to emerge?”

Answer those questions,
and you have your story.

Good luck, future world-builder!

在 J.R.R. 的世界中,

甘道夫
是维拉

派来指导中土居民

对抗索伦黑暗势力的五位巫师之一。

甘道夫的身体是凡人,

受制于
中土世界的物理规则,

但他的精神是不朽的,

正如他以灰袍甘道夫的身份死去

并以白衣甘道夫的身份复活时所看到的那样。

根据沃卓斯基的剧本,

一个觉醒的人只需连接

并破解矩阵的霓虹灯二进制
代码,

即可在几秒钟内学会如何驾驶直升机

或者,如果你是 One,或者 Ones 中的一个,

你甚至不需要直升机,
你只需要一副很酷的墨镜。

柴郡猫可以玩弄自己的脑袋。

iPad很简陋。

在抓住金色飞贼之前,任何魁地奇比赛都不会结束。

生命、宇宙

和万物

的终极问题的答案肯定是 42。

就像现实生活一样,
虚构世界始终

在一系列物理
和社会规则中运行。

这就是使这些错综复杂的世界变得

可信、易于理解
和值得探索的原因。

在现实生活中,万有引力定律
将《哈利波特》七套书放在全球

数百万书架
上。

我们知道这是真的,但我们也

知道自从 J.K. 输入了

巫师、魔杖和“Wingardium Leviosa”这几个词,

在这些书挡之间的数万亿页上,万有引力定律已经不复存在。

科幻小说和奇幻小说的作者
从字面上构建了世界。

他们制定规则、地图、血统、

语言、文化、宇宙、

宇宙中的交替宇宙,

并从这些世界中萌发
一个又一个故事,一个又一个故事。

如果做得好,

读者可以理解
虚构的世界及其规则,

就像
生活在其中的人物一样

,有时甚至

比读者理解
书外的世界一样好,甚至更好。

但是怎么做?

页面上的人造曲线如何将

光线反射到我们的眼睛
中,这些光线向我们的大脑发送信号

,我们在逻辑和情感上将这些信号解码
为复杂的叙述

,让我们去战斗、

哭泣、唱歌和思考,

这些信息足够强大,

不仅可以容纳 建立一个

完全由作者发明的世界,

同时也
改变读者

对现实世界的看法,

只有在达到最后的曲线时才会恢复?

我不确定是否有人知道
这个问题的答案,

但是
每天

在我们的脑海中、在计算机上,

甚至在街对面餐厅的餐巾纸上,都会创造出奇幻、虚构的世界

事实上,你的想象力
和愿意,形象地说,

生活在你自己的世界里,

是你
开始写小说所需要的一切。

我没有梦想霍格沃茨
或星球大战的小酒馆,

但我为孩子和年轻人写了一些科学惊悚片

以下是

用来帮助建立
这些书所在的世界的一些问题和方法。

我从一个基本的地点和时间开始。

无论是幻想世界
还是现实世界中的未来场景,

重要的是要知道你在哪里
以及你是在过去、

现在还是未来工作。

我喜欢创建一个时间线来

展示这个世界是如何形成的。

过去的哪些事件塑造
了现在的样子?

然后我会集思广益,回答

那些勾勒出
我虚构世界细节的问题。

这里有什么规则?

这涵盖了
从万有引力定律或非万有引力定律

到社会规则以及对违反规则的个人

的惩罚
的所有内容。 这个世界有

什么样的政府

谁有权力,谁没有?

人们在这里信仰什么?

而这个社会最看重的是什么?

然后是时候
考虑日常生活了。

这个世界的天气怎么样?

居民在哪里生活
、工作和上学?

他们吃什么

,怎么玩?

他们如何对待他们的年轻人
和他们的老人?

他们
与世界上的动植物有什么关系?

那些动植物长什么样?

存在什么样的技术?

运输?

沟通?

获取信息?

有很多事情要考虑!

所以,花一些时间在这些任务
和这些问题的答案中生活

,你就可以很好
地建立自己的虚构世界了。

一旦你
像你希望读者那样了解你的世界,

让你的角色在其中自由自在
,看看会发生什么。

问问自己,

“你创造的这个世界是如何
塑造生活在其中的人的?

可能会出现什么样的冲突?”

回答这些问题
,你就有了你的故事。

祝你好运,未来的世界建设者!