The strange history of the worlds most stolen painting Noah Charney

Throughout six centuries,
the Ghent Altarpiece

has been burned, forged,
and raided in three different wars.

It is, in fact, the world’s
most stolen artwork.

And while it’s told some of its secrets,
it’s kept others hidden.

In 1934, the police of Ghent, Belgium
heard that one of the Altarpiece’s panels,

split between its front and back,
was suddenly gone.

The commissioner investigated the scene

but determined that a theft
at a cheese shop was more pressing.

Twelve ransom notes appeared
over the following months

and one half of the panel was even
returned as a show of good faith.

Meanwhile, art restorer Jef van der Veken

made a replica of the other half
for display until it was found.

But it never was.

Some suspected that he was involved
in the theft and,

once ransom demands failed,

had simply painted over the original
and presented it as his copy.

But a definitive answer wouldn’t
come for decades.

Just six years later, Hitler was planning
a grand museum,

but was missing his most desired
possession: the Ghent Altarpiece.

As Nazi forces advanced, Belgian
leaders sent the painting to France.

But the Nazis commandeered
and moved it to a salt mine

converted into a stolen art warehouse
that contained over 6,000 masterpieces.

Near the war’s end in 1945,

a Nazi official decided he’d rather
blow up the mine

before letting it fall into Allied hands.

In fact, the Allies had soldiers
called Monuments Men

who were tasked with protecting
cultural treasures.

Two of them were stationed 570
kilometers away when one got a toothache.

They visited a local dentist,

who mentioned that his son-in-law
also loved art and took them to meet him.

They discovered that he was actually
one of the Nazi’s former art advisors,

now in hiding.

And miraculously, he told them everything.

The Monuments Men devised a plan
to rescue the art

and the local Resistance delayed
the mine’s destruction until they arrived.

Inside, they found the Altarpiece
among other world treasures.

The Ghent Altarpiece,

also called “The Adoration of the Mystic
Lamb” after its central subject,

consists of 12 panels
depicting the Biblical story.

It’s one of the most influential artworks
ever made.

When Jan van Eyck completed
it in Ghent in 1432,

it was immediately deemed
the best painting in Europe.

For millennia, artists used tempera paint
consisting of ground pigment in egg yolk,

which created vivid but opaque colors.

The Altarpiece was the first to showcase
the unique abilities of oil paint.

They allowed van Eyck to capture
light and movement

in a way that had never been seen before.

He did this using brushes sometimes
as tiny as a single badger hair.

And by depicting details
like Ghent landmarks,

botanically identifiable flowers,
and lifelike faces,

the Altarpiece pioneered an artistic mode
that would come to be known as Realism.

Yet, conservation work completed
in 2019 found that, for centuries,

people had been viewing
a dramatically altered version.

Due to dozens of restorations,

as much as 70% of certain sections
had been painted over.

As conservators removed these layers
of paint, varnish, and grime,

they discovered vibrant colors and whole
buildings that had long been invisible.

Other details were more unsettling.

The mystic lamb’s four ears
had long perplexed viewers.

But the conservation team
revealed that the second pair

was actually a pentimento—

the ghost of underlying layers of paint
that emerge as newer ones fade.

Restorers had painted
over the original lamb

with what they deemed
a more palatable version.

They removed this overpainting

and discovered the original to be
shockingly humanoid.

The conservators also finally determined
whether van der Veken

had simply returned the missing panel
from 1934.

He hadn’t.

It was confirmed to be a copy,
meaning the original is still missing.

But there was one final clue.

A Ghent stockbroker, while on his deathbed
a year after the theft,

revealed an unsent ransom note.

It reads:

it “rests in a place where neither I,
nor anybody else,

can take it away without arousing
the attention of the public.”

A Ghent detective remains assigned
to the case but,

while there are new tips every year,
it has yet to be found.

六个世纪以来,
根特祭坛画

在三场不同的战争中被烧毁、伪造和袭击。

事实上,它是世界上
被盗最多的艺术品。

虽然它被告知了一些秘密,
但它却隐藏了其他秘密。

1934 年,比利时根特的警察
听说祭坛画的一个面板

,前后分开
,突然不见了。

专员调查了现场,

但确定
奶酪店的盗窃事件更为紧迫。

在接下来的几个月里

,出现了 12 份赎金票据,其中一半的面板甚至被
归还以表示诚意。

与此同时,艺术品修复者杰夫·范德维肯

制作了另一半的复制品以
供展示,直到被发现为止。

但它从来没有。

一些人怀疑他
参与了盗窃,

一旦索要赎金失败,

就干脆在原件上涂漆,
并将其作为他的副本。

但几十年后才会有明确的答案

仅仅六年后,希特勒计划建造
一座宏伟的博物馆,

但却错过了他最想要的
财产:根特祭坛画。

随着纳粹军队的推进,比利时
领导人将这幅画送到了法国。

但纳粹征用了
它并将其移至盐矿,该盐矿被

改造成一个被盗的艺术品仓库
,里面藏有 6,000 多件杰作。

1945 年战争接近尾声时,

一名纳粹官员决定,他宁愿
炸毁地雷,

然后让它落入盟军手中。

事实上,盟军有
被称为纪念碑人的士兵

,他们的任务是保护
文化宝藏。

其中两人因牙痛而驻扎在 570
公里外。

他们拜访了当地的一位牙医,

他提到他的女婿
也喜欢艺术,并带他们去见了他。

他们发现他实际上
是纳粹的前艺术顾问之一,

现在躲藏起来。

奇迹般地,他把一切都告诉了他们。

纪念碑人制定了拯救艺术品的计划

,当地抵抗组织推迟
了对矿井的破坏,直到他们到达。

在里面,他们
在其他世界珍宝中发现了祭坛画。

根特祭坛画

,在其中心主题之后也被称为“神秘羔羊的崇拜”,

由 12 个
描绘圣经故事的面板组成。

这是有史以来最有影响力的艺术品
之一。

当扬·凡·艾克
1432 年在根特完成这幅画时,

它立即被认为
是欧洲最好的画作。

几千年来,艺术家们使用
蛋黄中的地面颜料组成的蛋

彩颜料,创造出鲜艳但不透明的色彩。

祭坛画是第一个
展示油画独特能力的作品。

他们让范艾克

以前所未有的方式捕捉光线和运动。

他使用的刷子有时
像一根獾毛一样小。

通过描绘
根特地标、

植物可识别的花朵
和栩栩如生的面孔等细节

,祭坛画开创了
一种被称为现实主义的艺术模式。

然而,2019 年完成的保护工作
发现,几个世纪以来,

人们一直在观看
一个发生巨大变化的版本。

由于进行了数十次修复,

多达 70% 的某些部分
已被涂漆。

当保护人员清除这些
油漆、清漆和污垢层时,

他们发现了鲜艳的色彩和
长期以来看不见的整个建筑物。

其他细节更令人不安。

神秘羔羊的四只耳朵
让观者久久不解。

但保护小组
透露,第二

对实际上是一个 pentimento——

底层油漆层的幽灵,
随着新油漆层的褪色而出现。

修复者

用他们
认为更可口的版本画在原来的羔羊身上。

他们移除了这幅重绘

,发现原版是
令人震惊的人形。

管理员还最终确定范德维肯

是否只是简单地归还了 1934 年丢失的面板

他没有。

它被确认是副本,
这意味着原件仍然下落不明。

但有一个最后的线索。 盗窃

一年后,根特的一位股票经纪人在临终前

透露了一张未寄出的赎金票据。

上面写着:

“它位于一个我
或其他任何人都

无法在不引起公众注意的情况下将其带走的地方
。”

一名根特侦探仍然被指派
处理此案,但

虽然每年都有新的提示,
但尚未找到。