How Indias smartphone revolution is creating a new generation of readers and writers Chiki Sarkar

Look all around you.

Whether you’re in a subway, a park,
an airport, a restaurant,

even at this conference,

all of you have a phone in your hands
or maybe in your pockets.

How many of you have a book?

Very few, right?

This is the sight that used to greet me

every time I walked out
of my office block.

I was surrounded by a sea
of 20-something professionals

glued to their phones.

And not a single one
had a book in their hands.

And this used to make me
very, very frustrated.

I was a bookworm all my life.

Books formed the milestones of my life.

The first man I fell
in love with was Mr. Darcy.

I first read “Harry Potter” when I was 21,
on a summer break from college.

And I remember the first night I spent
in a little flat I bought in my mid-20s,

very proudly,

and I spent the whole night
reading “The Da Vinci Code.”

And then I’m going to make
a terrible confession:

even today, when I’m low,
I get into bed with “War and Peace.”

Don’t laugh.

(Laughter)

But I was also like all those
people I saw around me:

I, too, lived on my phone.

I ordered my groceries online,

and soon my app knew
that I needed a monthly dose of diapers.

I booked my cinemas on my phone.

I booked planes on my phone.

And when I did the long commute back home
like most urban Indians,

and was stuck in traffic,

I passed the time on WhatsApp,
video-chatting my twin.

I was part of an extraordinary revolution
that was happening in India.

Indians are the second-largest
users of smartphones in the world.

And data prices have been
slashed so radically

that half of urban India
and even a part of rural India

now have a smartphone
with a data connection in their hands.

And if you know anything about India,

you’ll know that “half” means,
like, all of America or something.

You know, it’s large numbers.

(Laughter)

And these numbers are just growing
and growing and growing.

They’re exploding.

And what they’re doing
is empowering Indians

in all kinds of extraordinary ways.

And yet, none of these changes
that I was seeing around me

were reflected in my world,
my world of books.

I live in a country the size of Europe,

and it only has 50 decent bookshops.

And Indians just didn’t seem
to want to read for fun.

So if you look at all
the best-seller lists in India,

what you’ll always find
in the best-seller list

is exam and professional guides.

Imagine if you found the SAT guides
as the “New York Times” number one seller,

month after month.

And yet, the smartphone revolution
was creating readers and writers

of a different kind.

Whether it was on Facebook or WhatsApp,

Indians were writing and sharing
and reading all kinds of things:

terrible jokes, spurious pop history,

long, emotional confessions,

diatribes against the government.

And as I read and shared these things,
I wondered to myself,

“Could I get these writers
and these readers,

could I turn them into my readers?”

And so I left my plush corner office

and my job as the publisher
of India’s top publishing company,

and I set up on my own.

I moved into a single large room
in a cheap bohemian district of Delhi,

with a small team.

And there, I set up
a new kind of publishing house.

A new kind of publishing house
needs a new kind of reader

and a new kind of book.

And so I asked myself,
“What would this new reader want?

Would they prize urgency, relevance,

timeliness, directness –

the very qualities they seem to want
from their online services,

indeed, the qualities they seem
to want from life today?”

I knew that my readers
were always on the go.

I’d have to fit into
their lifestyle and schedules.

Would they actually want to read
a 200-page book?

Or would they want something
a little bit more digestible?

Indians are incredibly value-conscious,

especially when it comes
to their online reading.

I knew I had to give them
books under a dollar.

And so my company was formed,
and it was born.

It was a platform where we created a list
of stories designed for the smartphone,

but it also allowed amateur writers
to upload their own stories,

so they could be showcased
along with the very writers

they read and admired.

And we could also enter into
other people’s digital platforms.

So, imagine this:

imagine you’re a receptionist,
you’ve had a long day at work,

you book your cab
in your ride-hailing app,

it shows up,

and you get into your car,
and you lie back on your seat,

and you put on your app.

And you find a set of stories
waiting for you, timed to your journey.

Imagine you’re a gay young woman,

in a relatively conservative city
like Lucknow, which lies near Delhi.

There’s no way your parents
know about your sexuality.

They’d completely freak out.

Would you like lesbian love stories
written in Hindi, priced under a dollar,

to be read in the privacy of your phone?

And could I match readers

to the events that were taking place
around them in real time?

So we published biographies
of very famous politicians

after they won big elections.

When the supreme court
decriminalized homosexuality,

an LGBTQ collection was waiting
on our home page.

And when India’s Toni Morrison,
the great writer Mahasweta Devi died,

our readers found a short story by her
as soon as news hit.

The idea was to be relevant
to every moment of a reader’s life.

Who are our readers?

They’re mostly young men
under the age of 30.

There’s someone like Salil,

who lives in a city where
there isn’t a modern bookshop.

And he comes to our app almost every day.

There’s someone like Manoj,

who mostly reads us
during the long commute back home.

And there’s someone like Ahmed,
who loves our nonfiction

that he can read in a single sitting,
and that’s priced very low.

Imagine if you’re like a young, techie boy

in India’s Silicon Valley
city of Bangalore.

And one day, you get
an in-app notification

and it says that your favorite actress
has written a sexy short story

and it’s waiting for you.

That’s how we launched Juggernaut.

We got a very famous ex-adult star,
called Sunny Leone.

She’s India’s most Googled
person, as it happens.

And we got her to write us
a collection of sexy short stories

that we published every night for a week.

And it was a sensation.

I mean, no one could believe
that we’d asked Sunny Leone to write.

But she did,

and she proved everyone wrong,

and she found this immense readership.

And just as we’ve redefined
what a book is and how a reader behaves,

we’re rethinking who an author is.

In our amateur writing platform,

we have writers that range
from teenagers to housewives.

And they’re writing all kinds of things.

It starts as small as a poem,
an essay, a single short story …

Fifty percent of them are returning
to the app to write again.

Take someone like Neeraj.

He’s a middle-aged executive,
wife, two kids, a good job.

And Neeraj loves to read.

But every time Neeraj read
a book that he loved,

he was also filled with regret.

He wondered to himself
if he could write, too.

He was convinced
he had stories in his mind.

But time and real life had happened,
and he couldn’t really manage it.

And then he heard about
the Juggernaut writer’s platform.

And what he loved about it
was that he felt this was a place

where he could stand
head and shoulders, equally,

with the very writers
that he most admired.

And so he began to write.

And he snatched
a minute here, an hour there,

in between flights in airports,

late at night, when he had
a little bit of time on his hands.

And he wrote this
extraordinary story for us.

He wrote a story
about a family of assassins

who lived in the winding
lanes of Old Delhi.

We loved it, it was so fresh and original.

And before Neeraj knew it,
he’d not only scored a film deal

but also a second contract
to write another story.

Neeraj’s story is one of the most read
stories on our app.

My journey is very, very young.

We’re a two-year-old company,
and we have a long way to go.

But we already, and we will
by the end of this year,

have about half a million stories,
many priced at under a dollar.

Most of our readers love reading

and trying out authors
they’ve never, ever heard of before.

Thirty percent of our home page reads

comes out of the writing
that comes from our writer’s platform.

By being everywhere,

by being accessible and relevant,

I hope to make reading a daily habit,

as easy and effortless
as checking your email,

as booking a ticket online

or ordering your groceries.

And as for me,

I’ve discovered that as I entered
the six-inch world of the smartphone,

my own world just got very, very big.

Thank you.

(Applause)

环顾四周。

无论你是在地铁、公园
、机场、餐厅,

甚至是在这次会议上,

你们所有人手中或口袋里都有一部手机

你们有多少人有一本书?

很少,对吧?

这是

我每次走出
办公大楼时都会看到的景象。

我被一
大群 20 多岁的专业人士所包围,

他们紧紧盯着他们的手机。

没有一个人
手里拿着一本书。

这曾经让我
非常非常沮丧。

我一辈子都是个书虫。

书籍构成了我人生的里程碑。

我爱上的第一个男人
是达西先生。

我第一次读《哈利波特》是在我 21 岁的时候,
大学放暑假的时候。

我记得
我在 20 多岁时买的一个小公寓里度过的第一个晚上,

非常自豪

,我整晚都在
阅读《达芬奇密码》。

然后我要做
一个可怕的忏悔:

即使在今天,当我情绪低落时,
我也会和《战争与和平》一起上床。

不要笑。

(笑声)

但我也和
我在我周围看到的所有人一样:

我也一样,生活在我的手机上。

我在网上订购了我的杂货

,很快我的应用程序就
知道我需要每月服用一剂尿布。

我在手机上预订了电影院。

我用手机订了机票。

当我
像大多数印度城市人一样长途通勤回家时

,遇到堵车时,

我会在 WhatsApp 上打发时间,
与我的双胞胎视频聊天。

我是印度发生的一场非凡革命的一部分

印度人是全球第二大
智能手机用户。

数据价格
大幅下降,

以至于印度一半的城市
甚至部分农村地区

现在都拥有一部
带有数据连接的智能手机。

如果你对印度有所了解,

你就会知道“一半”的意思是,
比如,整个美国之类的东西。

你知道,这是一个很大的数字。

(笑声)

而且这些数字还在
不断增长。

他们正在爆炸。

他们正在做的

是以各种不同寻常的方式赋予印度人权力。

然而
,我在周围看到的这些变化

都没有反映在我的世界,
我的书籍世界中。

我住在一个欧洲大小的国家

,那里只有 50 家像样的书店。

印度人似乎并不
想为了好玩而读书。

因此,如果您查看
印度的所有畅销书排行榜,

您将始终
在畅销书排行榜

中找到考试和专业指南。

想象一下,如果您发现 SAT 指南月复一月地
成为“纽约时报”的第一卖家

然而,智能手机革命
正在创造

不同类型的读者和作家。

无论是在 Facebook 还是 WhatsApp 上,

印度人都在写、分享
和阅读各种各样的东西:

可怕的笑话、虚假的流行历史、

冗长的、情绪化的忏悔、

对政府的谩骂。

当我阅读和分享这些东西时,
我在想,

“我能得到这些作家
和这些读者,

我能把他们变成我的读者吗?”

所以我离开了我豪华的角落办公室


印度顶级出版公司出版商的工作

,我自己创业了。

我搬进了
德里一个便宜的波西米亚区的一个大房间,

带着一个小团队。

在那里,我建立了
一种新型的出版社。

一种新型的出版社
需要一种新型的读者

和一种新型的书籍。

所以我问自己,
“这个新读者想要什么

?他们会重视紧迫性、相关性、

及时性、直接

性——他们似乎想要
从他们的在线服务中

获得的品质,事实上,他们似乎
想要从今天的生活中获得的品质? "

我知道我的
读者总是在路上。

我必须适应
他们的生活方式和日程安排。

他们真的想读
一本 200 页的书吗?

还是他们想要
一些更容易消化的东西?

印度人非常注重价值,

尤其是
在他们的在线阅读方面。

我知道我必须给他们
一美元以下的书。

于是我的公司成立了
,它诞生了。

在这个平台上,我们创建了一个
专为智能手机设计的故事列表,

但它也允许业余
作家上传他们自己的故事,

这样他们就可以

他们阅读和钦佩的作家一起展示。

我们也可以进入
其他人的数字平台。

所以,想象一下:

想象你是一名接待员,
你已经工作了一整天,


在你的叫车应用程序中预订了出租车,

它出现了

,你进入你的车,
然后躺在你的 座位,

然后你把你的应用程序。

你会发现一系列故事
等着你,与你的旅程同步。

想象一下,你是一个年轻的同性恋女性,住

在一个相对保守的城市
,比如位于德里附近的勒克瑙。

你的父母不可能
知道你的性取向。

他们会完全吓坏的。

你想
用印地语写的、价格低于 1 美元的女同性恋爱情故事在

你的手机隐私中阅读吗?

我能否将读者


他们周围发生的实时事件进行匹配?

因此,我们出版
了非常著名的政治家

在赢得重大选举后的传记。

当最高法院
将同性恋合法化时,

一个 LGBTQ 集合
正在我们的主页上等待。

而当印度的托尼·莫里森(Toni Morrison)
,伟大的作家玛哈维塔·德维(Mahasweta Devi)去世时,

我们的读者
一有新闻就发现了她的短篇小说。

这个想法是要与
读者生活的每一刻都相关。

我们的读者是谁?

他们大多
是 30 岁以下的年轻人。

有人喜欢萨利尔,

他住在一个
没有现代书店的城市。

他几乎每天都来我们的应用程序。

有像 Manoj 这样的人,

在回家的长途通勤中主要阅读我们。

还有像艾哈迈德这样的人,
他喜欢我们的非小说类作品

,他可以一口气读完,
而且价格非常低。

想象一下,如果你是印度硅谷城市班加罗尔的一个年轻的技术男孩

有一天,你会收到
一个应用内通知

,它说你最喜欢的女
演员写了一个性感的短篇小说

,它在等着你。

这就是我们推出剑圣的方式。

我们有一位非常有名的前成年明星,
名叫桑尼莱昂。 碰巧,

她是印度搜索次数最多的
人。

我们让她给我们写了
一个性感的短篇小说集

,我们每晚都会发布一周。

这是一种轰动。

我的意思是,没有人会
相信我们会请桑尼·莱昂(Sunny Leone)来写作。

但她做到了

,她证明每个人都错了

,她发现了庞大的读者群。

正如我们重新
定义一本书是什么以及读者的行为方式一样,

我们也在重新思考作者是谁。

在我们的业余写作平台中,

我们有
从青少年到家庭主妇的作家。

他们正在写各种各样的东西。

它从一首诗、
一篇散文、一个短篇小说开始……其中

50% 的人正在
返回应用程序再次写作。

拿像Neeraj这样的人。

他是一名中年高管,
妻子,两个孩子,一份好工作。

Neeraj 喜欢阅读。

但每次尼拉吉
读到自己喜欢的书时,

也充满了遗憾。

他心想自己
是否也能写作。

他确信
自己脑子里有故事。

但是时间和现实生活已经发生了
,他无法真正管理它。

然后他听说
了剑圣作家的平台。

他喜欢它
的地方在于,他觉得这是一个

他可以与他最
钦佩的作家平等地站

在一起的地方

于是他开始写作。


在这里抓了一分钟,在那里抓了一个小时,

在机场的航班之间

,深夜,当
他手头有一点时间时。

他为我们写下了这个
非凡的故事。

他写了一个
关于

住在
旧德里蜿蜒小巷的刺客家庭的故事。

我们喜欢它,它是如此新鲜和原始。

在 Neeraj 知道之前,
他不仅获得了电影合约

,还获得了第二份
写另一个故事的合同。

Neeraj 的故事是我们应用程序上阅读次数最多的故事之一

我的旅程非常非常年轻。

我们是一家成立两年的公司
,我们还有很长的路要走。

但我们已经,
到今年年底,我们将

拥有大约 50 万个故事,
其中许多故事的价格不到 1 美元。

我们的大多数读者都喜欢阅读

和尝试
他们从未听说过的作者。

我们 30% 的主页阅读

量来自我们作家平台的作品。

通过无处不在

、易于访问和相关,

我希望让阅读成为一种日常习惯,

就像查看电子邮件

、在线订票

或订购杂货一样简单轻松。

至于我,

我发现当我进入
智能手机的六英寸世界时,

我自己的世界变得非常非常大。

谢谢你。

(掌声)