How the arts help homeless youth heal and build Malika Whitley

Don’t you love a good nap?

(Laughter)

Just stealing away
that small block of time

to curl up on your couch
for that sweet moment of escape.

It’s one of my favorite things,

but something I took for granted

before I began experiencing
homelessness as a teenager.

The ability to take a nap is only reserved
for stability and sureness,

something you can’t find

when you’re carrying
everything you own in your book bag

and carefully counting the amount of time
you’re allowed to sit in any given place

before being asked to leave.

I grew up in Atlanta, Georgia,

bouncing from house to house

with a loving, close-knit family

as we struggled to find stability

in our finances.

But when my mom temporarily
lost herself to mania

and when that mania chose me
as its primary scapegoat

through both emotional and physical abuse,

I fled for my safety.

I had come to the conclusion
that homelessness was safer for me

than being at home.

I was 16.

During my homelessness,
I joined Atlanta’s 3,300 homeless youth

in feeling uncared for,

left out and invisible each night.

There wasn’t and still is not any place

for a homeless minor
to walk off the street

to access a bed.

I realized that most people
thought of homelessness

as some kind of lazy, drug-induced
squalor and inconvenience,

but that didn’t represent my book bag
full of clothes and schoolbooks,

or my A+ grade point average.

I would sit on my favorite bench downtown

and watch as the hours passed by

until I could sneak in
a few hours of sleep

on couches, in cars,

in buildings or in storage units.

I, like thousands of other homeless youth,
disappeared into the shadows of the city

while the whole world kept spinning

as if nothing at all
had gone terribly wrong.

The invisibility alone
almost completely broke my spirit.

But when I had nothing else,
I had the arts,

something that didn’t demand

material wealth from me
in exchange for refuge.

A few hours of singing, writing poetry

or saving up enough money

to disappear into another world at a play

kept me going and jolting me back to life
when I felt at my lowest.

I would go to church services
on Wednesday evenings

and, desperate for the relief
the arts gave me,

I would go a few hours early,

slip downstairs

and into a part of the world
where the only thing that mattered

was whether or not I could hit
the right note in the song

I was perfecting that week.

I would sing for hours.

It gave me so much strength
to give myself permission

to just block it all out and sing.

Five years later,
I started my organization, ChopArt,

which is a multidisciplinary
arts organization for homeless minors.

ChopArt uses the arts
as a tool for trauma recovery

by taking what we know
about building community

and restoring dignity

and applying that to the creative process.

ChopArt is headquartered
in Atlanta, Georgia,

with additional programs
in Hyderabad, India, and Accra, Ghana,

and since our start in 2010,

we’ve served over 40,000 teens worldwide.

Our teens take refuge

in the transformative
elements of the arts,

and they depend on the safe space
ChopArt provides for them to do that.

An often invisible population
uses the arts to step into their light,

but that journey out of invisibility
is not an easy one.

We have a sibling pair, Jeremy and Kelly,

who have been with our program
for over three years.

They come to the ChopArt classes
every Wednesday evening.

But about a year ago,

Jeremy and Kelly witnessed their mom
seize and die right in front of them.

They watched as the paramedics
failed to revive her.

They cried as their father

signed over temporary custody
to their ChopArt mentor, Erin,

without even allowing them to take
an extra pair of clothes on their way out.

This series of events broke my heart,

but Jeremy and Kelly’s faith
and resolve in ChopArt

is what keeps me grounded in this work.

Kelly calling Erin in her lowest moment,

knowing that Erin would do
whatever she could

to make them feel loved and cared for,

is proof to me that by using
the arts as the entry point,

we can heal and build
our homeless youth population.

And we continue to build.

We build with Devin,

who became homeless with his family

when his mom had to choose
between medical bills or the rent.

He discovered his love
of painting through ChopArt.

We build with Liz,

who has been on the streets
most of her teenage years

but turns to music to return to herself

when her traumas feel too heavy
for her young shoulders.

We build for Maria,

who uses poetry to heal

after her grandfather died in the van

she’s living in
with the rest of her family.

And so to the youth out there
experiencing homelessness,

let me tell you,

you have the power to build within you.

You have a voice through the arts

that doesn’t judge
what you’ve been through.

So never stop fighting
to stand in your light

because even in your darkest times,

we see you.

Thank you.

(Applause)

你不喜欢睡个好觉吗?

(笑声)

只是偷偷
抽出一小段

时间蜷缩在沙发上,
享受那甜蜜的逃离时刻。

这是我最喜欢的事情之一,

但在我十几岁开始无家可归之前,我认为这是理所当然的事情

小睡的能力只是
为了稳定和确定,

当你
把你所有的东西都装在书包里

并仔细计算
你之前被允许在任何给定地方坐的时间时,你找不到这种能力

被要求离开。

我在佐治亚州的亚特兰大长大,在我们努力寻找稳定的财务状况时

,与一个充满爱心、关系密切的家庭一起挨家挨户地

跳来跳去。

但是当我妈妈暂时
迷失在躁狂症中

,当这种躁狂症通过情感和身体虐待选择我
作为主要的替罪羊时

我为了自己的安全而逃跑了。

我得出的结论
是,无家可归对我来说

比在家更安全。

我 16 岁。

在我无家可归期间,
我加入了亚特兰大的 3,300 名无家可归青年

,每晚都感到无人照顾、被

冷落和隐形。

没有也没有任何地方

可以让无家可归的未成年
人从街上走下来

获得一张床。

我意识到大多数人
认为无家可归

是一种懒惰、吸毒导致的
肮脏和不便,

但这并不代表我
装满衣服和教科书的书包,

或者我的平均成绩 A+。

我会坐在市中心我最喜欢的长椅上

,看着时间流逝,

直到我可以

在沙发上、汽车里

、建筑物里或储藏室里偷偷睡上几个小时。

我和其他成千上万的流浪青年一样,
消失在城市的阴影中,

而整个世界都在不停地旋转

,仿佛一切
都没有发生什么可怕的事情。

光是隐身就
几乎完全打破了我的精神。

但是当我一无所有时,
我就有了艺术,

它不需要

我以物质财富来
换取庇护。

几个小时的歌唱、写诗

或攒够钱

看一场戏消失在另一个世界,这些都

让我在情绪低落的时候继续前进,让我重获新生

我会
在周三晚上

去教堂做礼拜,迫切需要
艺术给我带来的解脱,

我会提前几个小时去,

溜下楼

,进入世界
上唯一重要

的是我能不能打到的地方 那周我正在完善
的歌曲中的正确音符

我会唱歌几个小时。

它给了我很大的力量
,让我允许

自己把它全部屏蔽掉然后唱歌。

五年后,
我创办了我的组织 ChopArt,

这是一个
面向无家可归未成年人的多学科艺术组织。

ChopArt 将艺术
作为创伤恢复的工具,

将我们所知道的
关于建立社区

和恢复尊严的知识

应用到创作过程中。

ChopArt 总部
位于佐治亚州亚特兰大

,在印度海得拉巴和加纳阿克拉设有其他项目

,自 2010 年成立以来,

我们已为全球 40,000 多名青少年提供服务。

我们的青少年

在艺术的变革
元素中寻求庇护

,他们依靠
ChopArt 为他们提供的安全空间来做到这一点。

一个经常隐形的人群
利用艺术走进他们的光芒,

但走出隐形的旅程
并不容易。

我们有一对兄弟姐妹 Jeremy 和 Kelly,

他们已经在我们的项目
中工作了三年多。

他们每周三晚上都来参加 ChopArt 课程

但大约一年前,

杰里米和凯利亲眼目睹了他们的妈妈
在他们面前被抓住并死去。

他们眼睁睁地看着医护人员
未能救活她。

当他们的父亲

将临时监护权
交给他们的 ChopArt 导师 Erin 时,他们哭了,

甚至没有让
他们在出门时多带一件衣服。

这一系列事件让我心碎,

但杰里米和凯利对 ChopArt 的信念
和决心

让我在这项工作中立足。

凯利在她最低谷的时候给艾琳打电话,她

知道艾琳会
尽她

所能让他们感到被爱和被关心

,这向我证明,
以艺术为切入点,

我们可以治愈和建立
我们的无家可归青年人口。

我们继续建设。

我们与德文一起建造,

当他的妈妈不得不
在医疗费用或房租之间做出选择时,他和家人无家可归。

他通过ChopArt发现了他
对绘画的热爱。

我们与 Liz 一起建造,

她十几岁时大部分时间都在街头

流浪,

但当她的创伤对她年轻的肩膀来说太沉重时,她转向音乐回归自己

我们为玛丽亚建造,

在她的祖父去世后,她用诗歌来治愈

她和家人一起住的面包车。

所以对于那些
经历无家可归的年轻人,

让我告诉你,

你有能力在你的内心建立。

你有通过艺术的声音

,它不会评判
你所经历的。

因此,永远不要停止
为站在你的光明中

而奋斗,因为即使在你最黑暗的时期,

我们也会看到你。

谢谢你。

(掌声)